“Knowing I lov’d my books, he furnish’d me/From mine own library with volumes that I prize above my dukedom.” ~~William Shakespeare, The Tempest
The Bard was born around this date (baptized, April 26th) in April, 1564, and he died April 23, 1616. And Will Shakespeare, like Prospero, I’m sure, did love his books.
Pigeon Post is the sixth in the twelve book series of novels about a group of adventurous British children who call themselves the Swallows and the Amazons (and later the D’s are added). The children–John, Susan, Titty, and Roger (the Swallows); Peggy and Nancy Blackett (the Amazons); and Dorothea and Dick (the D’s)—are living what has most recently been named a “free-range childhood.” Their parents are responsible and supervising from a distance, but the children are allowed to camp, cook outdoors, sail boats, pretend, explore, hike, and climb with only minimal adult interference. The negotiations the children go through with their parents and other adults to enable them to do these things are an important and interesting part of the story.
In this installment of the Swallows’ and Amazons’ adventures, the children have decided to form a prospecting and mining company to find gold on the nearby High Topps, a stretch of high moors called “fells” in the book. Because of drought conditions and the danger of fires, the children must go through some extensive exploration and negotiation before they are allowed to actually camp near the High Topps instead of in the Blacketts’ garden, but once they actually make camp on the edge of the fells and begin to explore old, abandoned workings or mines for gold, the story really becomes exciting. The “pigeon post” comes into play because the children use three homing pigeons to stay in touch with their parents at home and send daily status updates to keep the adults informed and happy.
The book contains a lot of mining, engineering, and chemistry information. These children are adventurous children, but they are also studious and quite industrious. In this article at a website called allthingsransome.net, The Chemistry of Pigeon Post, a fan of Ransome’s books writes about the chemistry that is explicated and illustrated in the book. Of course, even the article contains a warning, as should the book itself, probably.
“An important caution: chemistry experiments can be very hazardous and shouldn’t be performed except under well controlled and supervised conditions and preferably in a well equipped laboratory. Reading about Dick making up aqua regia and pouring it on to his unknown powder in Captain Flint’s study makes me quiver! Things were certainly different back then when it came to chemical safety!”
I don’t know what the exact balance between freedom to explore and protection should be for children, but if our children nowadays are over-protected then Ransome’s children may well have been not protected enough. They certainly do some rather dangerous things in the book and manage to survive anyway.
Pigeon Post was the book that won for its author the first Carnegie Medal. The British Library Association presented Ransome with the inaugural Carnegie Medal at its annual conference in June 1936. I thoroughly enjoyed Pigeon Post, and I think my next Ransome read will be Winter Holiday, the fourth book in the series, which is also the book that introduces Dick and Dorothea Callum. (Yes, I’ve managed to read the books out of order.) I’ve already read: Swallows and Amazons, Swallowdale, Peter Duck, and Secret Water.
“In Heaven there’ll be no algebra,
No learning dates or names,
But only playing golden harps
And reading Henry James.”
~Displayed at James’s home, Lambs House in Rye and said to have been written by Henry James’s nephew in the guest book there.
I doubt this little jingle is an accurate description of heaven, but if it were, then it would follow that even though such a heaven would be bereft of higher mathematics, it would involve a great deal of thinking. One can’t read Henry James without thinking, carefully. For instance, I found this excerpt of criticism by James, concerning William Morris’s poem The Life and Death of Jason, to be quite amusing after I thought about it and figured out what James was actually saying. (Maybe I liked it partly because I’m also not a fan of Mr. Swinburne.):
“Mr. Morris’s poem is ushered into the world with a very florid birthday speech from the pen of the author of the too famous Poems and Ballads,—a circumstance, we apprehend, in no small degree prejudicial to its success. But we hasten to assure all persons whom the knowledge of Mr. Swinburne’s enthusiasm may have led to mistrust the character of the work, that it has to our perception nothing in common with this gentleman’s own productions, and that his article proves very little more than that his sympathies are wiser than his performance. If Mr. Morris’s poem may be said to remind us of the manner of any other writer, it is simply of that of Chaucer; and to resemble Chaucer is a great safeguard against resembling Swinburne.”
I want to steal (borrow?) James’s template sometime and use it in my own reviews, for example: “XYZ fantasy novel reminds me of Tolkien and Lewis, and so even though its writing has been compared in reviews to that of contemporary and less talented fantasy authors, to resemble Tolkien and Lewis is a great safeguard against modernity.”
So happy birthday to Henry James, who resembles no other author, really, and has been called by readers and critics, the Master. His books and other works do require effort and some thought to be appreciated, but that’s certainly not a bad thing. It depends on the reader as to whether you think James is worth the effort.
Links and thinks for Henry James:
William Faulkner on Henry James: “One of the nicest old ladies I ever met.”
Ernest Hemingway on Henry James and his novels: “Knowing nothing about James, it seems to me to be the s–t.” Also, “he wrote nice but he lived pretty dull I think. Too dull maybe and wrote too nice about too dull.”
LOST Reading Project: The Turn of the Screw by Henry James.
Oscar Wilde: “Mr. Henry James writes fiction as if it were a painful duty.”
Christopher Beha, James and the Great YA Debate: “So few other writers offer the particular pleasures that James does.”
From Portrait of a Lady:
“It has made me better loving you. . . it has made me wiser, and easier, and brighter. I used to want a great many things before, and to be angry that I did not have them. Theoretically, I was satisfied. I flattered myself that I had limited my wants. But I was subject to irritation; I used to have morbid sterile hateful fits of hunger, of desire. Now I really am satisfied, because I can’t think of anything better. It’s just as when one has been trying to spell out a book in the twilight, and suddenly the lamp comes in. I had been putting out my eyes over the book of life, and finding nothing to reward me for my pains; but now that I can read it properly I see that it’s a delightful story.”
Top 10 Henry James novels by Michael Gorra, Publisher’s Weekly.
Henry James on life: “To take what there is in life and use it, without waiting forever in vain for the preconceived, to dig deep into the actual and get something out of that; this, doubtless, is the right way to live.”
And, finally, a quotation that seems to epitomize James’s approach to writing and to the United States. (He moved to England and lived most of his adult life there.): “I hate American simplicity. I glory in the piling up of complications of every sort. If I could pronounce the name James in any different or more elaborate way I should be in favour of doing it.”
If Mr. James’s novels may be said to remind us of the manner of any other writer, it is not an American author. And to resemble no other American author is a great safeguard against resembling Hemingway.
Born on April 13, 1923 in Denmark, Erik Christian Haugaard eventually made his way to the United States and became a writer, even though he left school at the age of fifteen and left Denmark at the age of seventeen. When the Germans invaded Denmark in 1940, young Erik Haugaard got out of Denmark just ahead of the invasion on the last ship out of Danish waters to the United States. After that he traveled some in the U.S., joined the Royal Canadian Air Force, went to college some during and after the war was over, and then began to write. An editor at Houghton Mifflin suggested that he rewrite a manuscript he had submitted and make it into a story for children. And so he wrote his first book for children, Hakon of Rogen’s Saga, a novel about the medieval ruler, Earl Hakon of Norway.
I have five of Haugaard’s thirteen or so books in my library:
Hakon of Rogen’s Saga and A Slave’s Tale are both set in Viking times, after the Christianization of Norway, but in a time when the pagan gods and customs were still in conflict with the new Christian way of looking at life. Leif the Unlucky, also set among the Vikings, is a fictionalized look at the Greenland colony of Lief Ericksson, an attempt at nation-building that did not turn out well.
Orphans of the Wind is a U.S. civil war sailing story. Haugaard’s books tend to be about young boys or girls getting caught up in the dangers and travails of war.
The Samurai’s Tale is one of three books that Haugaard wrote about ancient Japan and the samurai. The other two (that I don’t own) are The Boy and the Samurai and The Revenge of the Forty-Seven Samurai.
Cromwell’s Boy is about a young man living during the English civil war of Oliver Cromwell’s day. It’s a sequel to the book, A Messenger for Parliament, a book that’s on my wishlist.
The Little Fishes, another war story that I do not own, is set in occupied Italy with a twelve year old orphaned beggar named Guido as the protagonist.
The Haugaard book that I most recently acquired and read is titled Chase Me, Catch Nobody. Set in pre-war Germany and Denmark, Chase Me, Catch Nobody features a fourteen year old Danish schoolboy who must be at least a semi-autobiographical character. Erik Hansen (not Haugaard) narrates this story of a school trip to Nazi Germany in 1937. Erik in the book describes himself in much the same way that author Erik Haugaard reminisces about his younger self in a 1979 interview I read. Erik Haugaard the author and Erik Hansen the character are both from upper middle class backgrounds, indifferent students, ambitious to write poetry, and as adolescents “a bit of a snob.” Haugaard says in the interview that even as an adult writer what he most needs and craves from an editor is praise, praise, and more praise. Erik Hansen is self-aware enough to know and tell the reader that he is somewhat ashamed of his parents and their “lack of imagination” and middle class values, but that he enjoys being wealthy and generous just like his father and that he and his father indeed share share many of the same faults, “which is why we didn’t get along.”
I thought the book, rated YA for some fumbling talk about sex and for the very adolescent attitudes expressed in story, was very insightful as the characters, mostly Erik and his friend Nikolai, gained more and more insight into their own characters and their own ability to act with courage and conviction. The boys are tested by an encounter with a stranger in a grey raincoat who entrusts Erik with a mysterious package to deliver just before the man is arrested by the Gestapo. Then, later in the book, Erik and Nikolai are given another mission to complete that will require them to face great danger in order to possibly save a life. And through the book while Erik and his friend act with courage and determination, they are also typical teens, idealistic, sarcastic, foolhardy, convinced of their own invincibility and at the same time vulnerable and unsure of their own beliefs and convictions.
I was reminded of this book, The Boys Who Challenged Hitler: Knud Pedersen and the Churchill Club by Phillip Hoose, and I think these two books would be quite a good pair to read in tandem for a teen book club or discussion group. I wrote that The Boys Who Challenged Hitler was “an interesting and exciting portrait of youthful zeal and even foolhardiness which can sometimes trump an adult over-abundance of caution and planning” and the same could be said of Chase Me, Catch Nobody. But the discussion could also cover the possibility that such youthful enthusiasm and lack of respect for possible consequences or for the sheer enormity of the evil that was Naziism could bring many lives to ruin, as it indeed did in some places and situations in the Allied resistance during World War II.
I recommend Haugaard’s books for young adult readers who enjoy a challenging story that will cause them to think about character and philosophy and politics and see these subjects through the eyes of different people from themselves. However, as Haugaard says in the afore-mentioned interview it is much easier to see what’s wrong with the world than it is to see what’s right or to find solutions to the problems. Perhaps just seeing today’s political and social problems in a different historical setting such as medieval Japan or a Viking colony in Greenland will make us see those issues in a new way and begin to understand the path toward new solutions.
Erik Christian Haugaard also made his own translation of Hans Christian Andersen’s stories, published by Doubleday as A Complete Fairy Tales and Stories by Hans Christian Anderson, translated by Erik Christian Haugaard. The translation project took Haugaard three years to finish.
“I don’t know whether my own books will survive, but if I have saved any of Andersen’s stories from obscurity, I have made a contribution to English literature. Who Wouldn’t be grateful for having had such an opportunity!” ~Erik Christian Haugaard, interview in Language Arts, Vol. 56, No. 5 (May 1979), pp. 549-561.
Beverly Cleary, creator of Ramona Quimby, Henry Huggins, Ralph S. Mouse, and many other beloved characters, is 102 years old today.
Ramona-isms:
“She was not a slowpoke grownup. She was a girl who could not wait. Life was so interesting she had to find out what happened next.”
~Ramona the Pest
“Words were so puzzling. Present should mean a present just as attack should mean to stick tacks in people.”
~Ramona the Pest
Ramona: “Why can’t we be a happy family?”
Mr. Quimby: “I have news for you, Ramona, we are a happy family. . . No family is perfect. Get that idea out of your head. And nobody is perfect either. All we can do is work at it. And we do.”
~Ramona and Her Father
“Ramona was the sort of girl who was always early because something might happen that she didn’t want to miss.”
~Ramona’s World
Other posts and articles about Beverly Cleary and her wonderful books:
Beverly Cleary, Age 100, The New Yorker.
Beverly Cleary on Turning 100, Washington Post.
Beverly Cleary is Turning 100, but She Has Always Thought Like a Kid, NPR.
If you like Ramona Quimby by Beverly Cleary . . .
April is National Poetry Month.
Christopher Smart, a 16th century poet and writer of popular songs, was said to be mentally disturbed, confined for some period of time to a mental institution, but nevertheless a talented poet and perhaps just the unfortunate victim of enemies who wanted him out of the way. He wrote a famous free verse poem called Jubilate Agno, part of which is about his cat, Jeoffry, and how said cat worshipped the Lord. The book pictured below is one I have in my library, and it contains the part of Jubilate Agno that is about Jeoffry the cat. Smart also wrote a poem called A Song to David about David and the Psalms and how God speaks through the psalms of David.
Excerpt from Smart’s poem, A Song to David
Glorious the sun in mid career;
Glorious th’ assembled fires appear;
Glorious the comet’s train:
Glorious the trumpet and alarm;
Glorious th’ almighty stretch’d-out arm;
Glorious th’ enraptur’d main:
Glorious the northern lights a-stream;
Glorious the song, when God’s the theme;
Glorious the thunder’s roar:
Glorious hosanna from the den;
Glorious the catholic amen;
Glorious the martyr’s gore:
Glorious—-more glorious is the crown
Of Him that brought salvation down
By meekness, call’d thy Son;
Thou that stupendous truth believ’d,
And now the matchless deed’s achiev’d,
Determin’d, dar’d, and done.
Samuel Johnson on Christopher Smart, from The Life of Johnson:
“Madness frequently discovers itself merely by unnecessary deviation from the usual modes of the world. My poor friend Smart showed the disturbance of his mind, by falling upon his knees, and saying his prayers in the street, or in any other unusual place. Now although, rationally speaking, it is greater madness not to pray at all, than to pray as Smart did, I am afraid there are so many who do not pray, that their understanding is not called in question.”
Concerning this unfortunate poet, Christopher Smart, Johnson had, at another time, the following conversation with Dr. Burney:
BURNEY. “How does poor Smart do, Sir; is he likely to recover?”
JOHNSON. “It seems as if his mind had ceased to struggle with the disease; for he grows fat upon it.”
BURNEY. “Perhaps, Sir, that may be from want of exercise.”
JOHNSON. “No, Sir; he has partly as much exercise as he used to have, for he digs in the garden. Indeed, before his confinement, he used for exercise to walk to the alehouse; but he was carried back again. I did not think he ought to be shut up. His infirmities were not noxious to society. He insisted on people praying with him; and I’d as lief pray with Kit Smart as any one else. Another charge was, that he did not love clean linen; and I have no passion for it.”
I’d as lief pray with Kit Smart as any one else. Indeed.
Since most of what I know about Julius Caesar comes from Shakespeare (and a little GB Shaw, which I assume is mostly fiction), I learned a lot about the life and times of Mr. Caesar from reading this Landmark history book for middle grade children. Yes, his surname really was Caesar; it became a term for a ruler or king after Julius and Augustus made it famous.
Julius Caesar was a successful and intrepid general and an excellent and shrewd politician; that’s how he rose to the place where he was a threat to the Roman republic and ripe for assassination. I didn’t really realize that he won so many important battles or subjugated so much territory. I also didn’t know about, and still don’t understand, the intricate and corrupt state of Roman politics in the time of Julius Caesar. Caesar had to weave his way through some labyrinthine politics that would challenge a modern American political consultant or campaign manager. And I thought our political system was bad. If Washington, D.C. is a swamp, Rome was a swamp in which people actually died over their failure to back the right candidate for tribune or consul. And that’s before Julius Caesar died for being so ambitious. (Apparently, Sulla was a bad dude.)
I learned or had confirmed a few more things about Julius Caesar:
~ He liked the Jews and gave them special privileges to practice their religion in Rome.
~ According to Gunther, it was on Caesar’s watch that the library of Alexandria burned down. (Although Wikipedia says no one knows exactly when it burned and that there may have been several separate fires over the space of hundreds of years.)
~ Caesar did have a fling with Cleopatra, and she did get delivered to his headquarters in a pile of rugs. (GBS was right about that.) Egyptian politics were just as complicated, devious, and deadly as Roman politics.
~ The Rubicon is (was?) a shallow, insignificant river, but crossing the Rubicon, the boundary of his authority to lead an army, was a momentous decision for Caesar, the beginning of the end for Julius Caesar and for the Roman Republic.
~ Julius Caesar used the phrase “Veni, vidi, vici” in a letter to the Roman Senate after he had achieved a quick victory in his short war against Pharnaces II of Pontus at the Battle of Zela.
Gunther leans heavily on Shakespeare in the concluding chapters of the book, but I think both Gunther and Shakepeare were leaning heavily on Plutarch and Suetonius for the facts on Julius Caesar’s life, his death and the aftermath of his assassination. According to Gunther, “Friends, Romans, countrymen” was an actual speech that Mark Antony gave at Caesar’s funeral, and it was indeed a real barnburner. Portia really did commit suicide by swallowing burning coals (ouch!), and Brutus truly was a noble but indecisive character. According to Gunther, everything went pretty much the way Shakepeare wrote it many years later. (Except for Caesar’s ghost, which probably didn’t appear; I’m not much of a believer in ghosts, and Gunther doesn’t mention any spooks.)
This book would be an excellent prequel to watching Shakepeare’s Julius Caesar. The movie version with Marlon Brando as Mark Antony is an excellent film, even if it is in black and white.
To learn more about the Landmark series of biographies and history books for young people, check out this podcast episode, Parts 1 and 2, of Plumfield Moms, What Are Landmark Books? Why Do They Matter?
So, I’m doing a little research on Leonard Wibberley since it’s his birthday today. I know about his most famous book The Mouse That Roared. I read it a long time ago, and I remember the basic premise: a very small country decides to declare war on the United States, lose the war immediately, and then benefit from the “Marshall Plan” aid that is sure to be extended; complications ensue.
I have in my library Wibblerley’s Treegate series of historical fiction novels set before, during and after the American Revolution, and I have three of the four in his series of historical novels on the life of Thomas Jefferson, but I haven’t yet read the books from either of those series.
What I didn’t know is that he wrote over 100 novels and other books, some for adults, others for children. And he wrote under three pseudonyms in addition to his own name: Christopher Webb (some historical fiction books for children or young adults), Patrick O’Connor (Black Tiger series on auto racing, and others for YA), and Leonard Holton (Father Joseph Bredder murder mysteries for adults).
Some of these and some of the other books he wrote under his own name look interesting. I’m particularly interested in the mystery series, if it’s good. There’s also a series of historical novels for children or young adults by “Christopher Webb”, published by Funk and Wagnalls in the 1960’s:
Mark Toyman’s Inheritance, 1960. “Mark Toyman is an orphan being raised by his uncle and aunt on the Kansas frontier in the early 1850s. A pro-slavery mob kills his uncle and force Mark and his aunt to flee for their lives.”
The River of Pee Dee Jack, 1962. “Fur trapping and fur trading Northwest Passage exploration story.” (Amazon)
Quest of the Otter, 1963. “Young Paul Joplin’s father, a whaling captain, did not return to his home in Mystic, Connecticut from his last voyage. When he comes of age Paul sails aboard another whaling ship, the Otter, bound for the South Seas in search of his father.”
Matt Tyler’s Chronicle, 1966. “Matt Tyler, a simple cobbler’s apprentice in Boston, finds himself caught up in major events of the Revolutionary War from the siege of Boston to the surrender of Cornwallis at Yorktown.”
Eusebius the Phoenician, 1969. “Eusebius, a Phoenician merchant/warrior from Tyre sails from the Mediterranean Sea to Scandinavia to return the body of a slain Viking warrior to his people and to seek the Holy Grail. The Vikings accompany him on a quest that takes Eusebius to the British Isles where he helps a defeated King Arthur re-establish his kingdom in return for assistance in finding the Holy Grail.”
And just a few of the many others of interest by this prolific author (#readallthebooks):
The Ballad of the Pilgrim Cat. “An endearing story of how a stowaway cat on the Mayflower saves the Pilgrims by protecting their grain seeds from rodents.”
Treasure at Twenty Fathoms by Patrick O’Connor. “Chuck Crawford is learning to dive and has a run in with a shark. Will he be able to overcome his fears or will he have to quit diving?”
The Centurian. Adult fiction based on the life of the centurion who oversaw Jesus’ crucifixion.
Flint’s Island. A sequel to Treasure Island, Wibberley’s favorite childhood book.
Don’t these and others (listed at Wibberley’s website) sound absolutely fascinating? Has anyone read anything by Wibberley other than Mouse books, Treegate, and Thomas Jefferson? Any recommendations?
April is National Poetry Month.
Wordsworth on poetry: “Poetry is the spontaneous overflow of powerful feelings: it takes its origin from emotion recollected in tranquility.” Spontaneous, powerful, emotional, and tranquil—all at the same time? I’m not sure I could do all that together, which is probably one reason I’m not a poet. One of many.
Wordsworth on The Poet: “What is a Poet?. . . He is a man speaking to men: a man, it is true, endowed with more lively sensibility, more enthusiasm and tenderness, who has a greater knowledge of human nature, and a more comprehensive soul, than are supposed to be common among mankind; a man pleased with his own passions and volitions, and who rejoices more than other men in the spirit of life that is in him; delighting to contemplate similar volitions and passions as manifested in the goings-on of the Universe, and habitually impelled to create them where he does not find them.”
Wordsworth on nature study: “Come forth into the light of things,/Let Nature be your teacher.”
William Hazlitt on Wordsworth: “He is in this sense the most original poet now living, and the one whose writings could the least be spared: for they have no substitute elsewhere. The vulgar do not read them; the learned, who see all things through books, do not understand them; the great despise. The fashionable may ridicule them: but the author has created himself an interest in the heart of the retired and lonely student of nature, which can never die.”
As for me, I used to call him “Wordswords” because I thought him much too high-flown and wordy. I still rather think so, but I’m not so sure that it’s a deficit in Wordsworth that I don’t appreciate his poetry more. Maybe it’s a deficit in my ability to appreciate good poetry. Anyway, here’s one that I do rather enjoy, about looking out upon the sleeping city of London:
Composed upon Westminster Bridge, September 3, 1802
Earth has not anything to show more fair:
Dull would he be of soul who could pass by
A sight so touching in its majesty:
This City now doth, like a garment, wear
The beauty of the morning; silent, bare,
Ships, towers, domes, theatres, and temples lie
Open unto the fields, and to the sky;
All bright and glittering in the smokeless air.
Never did sun more beautifully steep
In his first splendour, valley, rock, or hill;
Ne’er saw I, never felt, a calm so deep!
The river glideth at his own sweet will:
Dear God! the very houses seem asleep;
And all that mighty heart is lying still!
I’ve been reading An Ordinary Woman’s Extraordinary Faith: The Autobiography of Patricia St. John. IT’s quite a good story, and it makes me long for a time “when life was simple back in the good old days.” She says things that would in our time be taken as evidence of dishonesty neglect, or dysfunction, and as I read, I knew that they were neither. For instance, her mother and father lived apart for many of the years of their marriage, she taking care of the children in England and he traveling the world and teaching the Bible. And Patricia St. John writes that she never heard an argument or even a cross word pass between her parents when they were together. She also writes of her childhood in which she and her siblings were allowed to explore the woods and fields near their country home, being gone all day and only coming home in time for supper and bed. She tells the story of living alone in a Muslim village in Morocco, with no telephone, no English-speaking people living nearby, and very little knowledge of the Arabic language. She fed the beggar children and told them stories about Jesus in broken Arabic. I fear we have come a long way from the 1950’s when Patricia St. Joh was a missionary in Morocco, and even farther from her childhood in 1930’s and 40’s Britain. And I’m not sure that our sophistication and dependence on technology has brought us to a better way of life or of evangelism in many ways.
While Ms. St. John was living in England (during WWII) and in Morocco, she also wrote fiction books for children, books that give a vivid picture of other lands such as Switzerland and Morocco and also a believable and simple vision of the power of the gospel to change lives and comfort the afflicted. The following titles are the ones I have in my library:
Her first book, The Tanglewood’s Secret, was written to comfort and strengthen the girls in a boarding school that Ms. St. John’s family was associated with. Ruth, the main character in the book, lives with her aunt in the English countryside, and although she begins as a rather selfish and unhappy girl, she later comes to know the Good Shepherd who cares for His sheep.
Treasures of the Snow is set in Switzerland, where Patricia and her family spent a year of her childhood. In the story a girl named Annette is filled with hatred for Lucien, the boy responsible for an injury that crippled Annette’s little brother. The bitterness and hatred in Annette’s heart poisons all of her life and her relationships until she learns to forgive.
Star of Light is the first book that Patricia St. John wrote about her mountain village in Morocco. It’s fiction, but based untrue stories of how Jesus and a missionary nurse healed and cared for a blind baby and a beggar boy.
In Rainbow Garden, Elaine is sent to live with a family in the English countryside while her mother goes to work in France. Elaine is selfish and bitter, but she experiences healing and forgiveness in her garden.
Three Go Searching was written while Ms. St. John was a missionary nurse in an Arab village. When Waffi, an Arab boy, and David, a missionary kid, find a sick servant girl and a mysterious boat, and thus begins an exciting adventure.
The Secret of the Fourth Candle, also written during the time in the Moroccan village, consists of three short stories: “The Four Candles”, “The Cloak”, and “The Guest”.
Historical fiction set during the first century, The Runaway tells the story of Philo, a Phoenician boy whose little sister Illyrica is possessed by a demon. Philo finds a way to take his sister to Jesus, the healer.
Twice Freed is the fictionalized story of Onesimus, the runaway slave who returns to his master with a letter, the Book of Philemon in the the Bible.
Patricia St. John also wrote several missionary biographies, including Until the Day Breaks: The Life and Work of Lilias Trotter, Pioneer Missionary to Muslim North Africa, a book I would like to acquire and read someday.