Book Girl by Sarah Clarkson: Reading Slump

Book Girl: A Journey Through the Treasures & Transforming Power of a Reading Life by Sarah Clarkson.

Book Girl Discussion Question #4: Have you ever found yourself in a reading slump? How did you get out of it? Are there certain books or types of books that help you when you’ve gotten out of the rhythm of reading?

I’ve never really been in a reading slump. Reading to me is as necessary as eating. I have had times, especially lately, in the past few years, when my reading ability seemed to be impaired or limited. I was still reading, but the attentiveness and focus were just not there. I blame the internet. When I just can’t seem to pay proper attention to anything difficult or serious, I turn to comfort books, books that will always hold my attention:

Anything Jeeves and Bertie by P.G. Wodehouse.

Agatha Christie mysteries.

Rex Stout mysteries.

Jan Karon’s Mitford series.

Anne of Green Gables and the sequels by L.M. Montgomery.

These kinds of books, most of which I’ve already read once upon a time, will give me just enough entertainment and interest to pull me into a longer, more focussed attention span, and then I can move on to books I haven’t already read and try them out.

All it takes, really, to get back into “the rhythm of reading” is one really good book. One Good Book gives a reader hope for finding more good books, don’t you think?

Book Girl by Sarah Clarkson: How To Choose Books

Book Girl: A Journey Through the Treasures & Transforming Power of a Reading Life by Sarah Clarkson.

Book Girl Discussion Question #3: In chapter 1, the author offers some guidelines about how to choose books and how to discern what constitutes good reading. How do you choose what book to read next? Are there people in your life whose recommendations you particularly resonate with?

Sarah Clarkson suggests we look at literary quality and worldview as we decide to which books we will give our time and attention. These are good criteria, but a bit slippery and subjective to apply. Many books that are supposed to be high in literary quality or that have a perfectly adequate Christian worldview are just not good for me. So, how do I choose what I will read? (Anne Bogel, aka Modern Mrs. Darcy, phrases the question, “What should I read next?,” and she has an entire podcast dedicated to answering that question for a diverse cast of guests on her podcast.)

I read a lot about books. I read other people’s recommendations. I listen to what other people are saying about what they are reading, and I consider the source. I don’t care for Christian romance novels or secular bodice-rippers, so if I know that your taste runs to those sorts of books, I probably will take your recommendations with a large grain of salt. On the other hand, if you love some of the same books that I love, I will listen to your recommendations with focused attention.

I try out books that I think I will like, and I’m willing to give up after 100 pages or so if a books is just not for me. I think both being willing to try new things and being willing to say that this book is just not worth my time are important skills to learn for a reader. I can’t read all of the books, and some of them are just not good—or not good for me at this time and place in my life. I don’t care for, and didn’t finish, several books that are favorites, even classics, for other people. I hated Lonesome Dove, even though I can read and enjoy other Western writers. I don’t plan to read any more Hemingway or Steinbeck in my lifetime, and I thought A Prayer for Owen Meany was both ridiculous and demeaning. But I did try all of those authors and books at least once, and if they are your favorites I do not impugn your literary taste. It’s probably something lacking in me that I cannot appreciate some books that many other people love.

I pick up whatever is handy or appealing. I make lists. I read whimsically and widely. I sometimes make a plan, and I sometimes throw out the plan. I read the latest, greatest that everyone else is reading, and I read obscure books that hardly anyone else has even heard of or read.

How do you choose your next read?

Book Girl by Sarah Clarkson: Gifts of Reading

Book Girl: A Journey Through the Treasures & Transforming Power of a Reading Life by Sarah Clarkson.

Book Girl Discussion Question #2: In the introduction, the author identifies what she sees as the top three gifts of reading: it fills our hearts with beauty, gives us strength for the battle, and reminds us that we’re not alone. What gifts have you encountered from the reading life?

Sarah Clarkson actually terms these three desires “the wishes, the hopes that ache in my heart, . . . my prayers for you as this book begins.”

I want your heart to be stocked with beauty.

I want you to be strong for the battle.

I want you to know you’re not alone.

I suppose if I were to talk about “book gifts” in the same manner, I would say:

I want you to know more than a single story.

“The single story creates stereotypes, and the problem with stereotypes is not that they are untrue, but that they are incomplete. They make one story become the only story.” ~Chimamanda Ngozi

I don’t agree with everything Ms. Ngozi says in this TED Talk, but I do believe in reading widely, wisely, and promiscuously, as John Milton famously advised.

I want you to see the amazing world that God created, in all of its beauty and brokenness.

“The books or the music in which we thought the beauty was located will betray us if we trust them; it was not IN them, it only came THROUGH them, and what came through them was longing. These things-the beauty, the memory of our own past- are good images of what we really desire; but if they are mistaken for the thing itself they turn into dumb idols, breaking the hearts of their worshippers. For they are not the thing itself; they are only the scent of a flower we have not found, the echo of a tune which we have not heard, news from a country we have not visited.” ~C. S. Lewis

Even if you are limited in your ability to travel or to communicate with people from all over the world, it is a good thing to be able, through reading, to see all the diversity and splendor and sheer goodness that exists in our world. It’s good even to see the different ways in which our world falls short of what God intended it to be so that we can perhaps in small ways begin to repair and rebuild and redeem what is shattered by sin. Books help us to see more, and know more, and be able to do more.

I want you to be challenged and comforted by the stories of other people.

A book is the only place in which you can examine a fragile thought without breaking it, or explore an explosive idea without fear it will go off in your face…. It is one of the few havens remaining where a man’s mind can get both provocation and privacy.
~Edward P. Morgan

The books I have read and the people I have known have made me into the person I am, for better or for worse. Of course, the Holy Spirit is making and remaking me also, but He uses books and people to do that work. Sometimes the books I read challenge my thinking or my actions, and sometimes the stories I read comfort and strengthen and encourage me, but always the best books change me and make me better than I was before I read them.

What about you? What gifts do you receive, or want others to receive, from reading?

Book Girl by Sarah Clarkson

Book Girl: A Journey Through the Treasures & Transforming Power of a Reading Life by Sarah Clarkson.

Book Girl is one of those books about books that we readers love to read, both to join in the fandom and to peruse the book lists to see how many we can check off and how many treasures we have yet to discover. This book is full of lists and also full of tributes to the power and beauty of a reading life. I was hooked from the beginning.

So, I decided to start an in-person book club, and I unilaterally picked Book Girl to be the first book we would read together. I can’t wait for our first meeting later this month, so I also decided to write down some of my thoughts about Book Girl here on Semicolon. There are discussion questions in the back of the book, and I thought I’d answer a few of them here.

Book Girl Discussion Question #1: In the introduction, the author describes how she came to be a book girl. When did you realize you were a book girl? What people or circumstances contributed to your love of reading?

Well, the short answer is: I had a mother who read to me. The first story I remember clearly that my mom read to me was the story of Joseph from the book of Genesis in the Bible. That was such an exciting story!I could hardly wait to hear what would happen to Joseph and his brothers next. Would Joseph escape from Pharaoh’s prison? Would the brothers be able to return with food in time to relieve the famine-stricken family? Would Jacob ever find out that his beloved son was not really dead? What would Joseph do to revenge himself on his mean brothers? I don’t know if the reading of this and other stories from the Bible made me a “book girl,” but they certainly made me a Story Girl.

Then, in first grade, I learned to read. And my mother began to take me to the library each week. There I was allowed to check out ten books, only ten books, no more and certainly I never left with fewer than ten. I first fell in love with the Snipp, Snapp, Snurr books and the Flicka, Ricka, Dicka series by Maj Lindman. Then, I graduated to the Twins series by Lucy Fitch Perkins: The Irish Twins, The Dutch Twins, The Japanese Twins, and so on. Something about triplets and twins was absolutely fascinating to my six or seven year old mind.

So, that’s when I first became a book girl. My mother, my first grade teacher, Miss Milsap, and the children’s librarians at Tom Green County library in San Angelo, Texas all had a hand in making me into a girl who loved stories, a girl who loved to read, a girl who craved books. My mother probably didn’t read to me while I was still in the womb the way Sarah Clarkson says her mother did, but she began reading to me soon after I was born. And she kept on reading to me and enabling my book addiction as I grew up. How did you become a book girl or boy?

The Winged Girl of Knossos by Erick Berry

Erick Berry was the pen name of author, illustrator, and editor Evangel Allena Champlin Best. She wrote this book, based on the Greek myths about Icarus, Theseus, Ariadne, and Daidalos, and interestingly enough, for this female author with a male pseudonym, she turns Icarus, Daidalos’ son, into a daughter named Inas.

Inas, the protagonist of this myth retold as historical fiction, is a brave and daring character. She dives in the Aegean Sea for sponges. She assists the Princess Ariadne of Crete in her court intrigues and plots to save the life of the Greek captive Theseus. She uses the wings that her inventor father has built to glide from the cliffs down to the seashore. She is a bull-vaulter, taking part in the ancient games of skill that her countrymen celebrate. She helps her father to escape the wrath of King Minos when the king is misled into thinking that Daidalos is a traitor.

There is a bit of romance in the novel, and the characters do a bit more dithering about trying to decide what to do and how to do it than I would like. But overall the book is a lovely introduction to the culture and history of ancient Crete encased in an exciting adventure saga.

“Long, long before blind Homer sang his songs of ancient Troy, long even before Troy itself rose from the ashes of her past and fair Helen smiled from the towers of Ilium, Minos reigned in Crete. The broad halls of the palace at Knossos welcomed traders from Egypt and from Sicily, from far Africa and rain-swept Cornwall and the savage shores of the Black Sea, and Daidalos built the Labyrinth, and dark Ariadne loved the brown-haired Theseus.”

I was, of course, reminded as I read of my favorite adult historical fiction that retells the story of Theseus and Ariadne and Crete and the Labyrinth: The King Must Die and its sequel The Bull From the Sea, both by Mary Renault. In Ms. Berry’s 1934 Newbery Honor winning version of the myth, Theseus is a boorish hunk who captures Ariadne’s eye for gorgeousness more than her heart. I found this image of Theseus hard to reconcile with the suave, bold, and daring Theseus of Mary Renault’s books. Middle grade readers won’t have this problem—unless they encounter the Berry Theseus now and later try to make him into a more heroic character when they read Renault’s books.

At any rate, The Winged Girl of Knossos, long out of print and unavailable for most of today’s readers, was re-published in 2017 by Paul Dry Books in a beautiful paperback edition. This edition includes an after-afterword, called “an appreciation,” written by librarian and blogger Betsy Bird, who advocated for its reissue.

The Wonderful Winter by Marchette Chute

The Wonderful Winter is a wonderful story, exciting but fairly unrealistic in that the runaway protagonist, young Sir Robert Wakefield, mostly meets up with kind and helpful people as he spends the winter on his own in London. And he gets to act and live with Shakespeare’s company of actors in the first production of Mr. Shakespeare’s new play, Romeo and Juliet!

In 1596, orphan boy Robin Wakefield runs away from his home in Suffolk with his three formidable aunts because said aunts won’t let him keep the spaniel puppy he found and named Ruff Wakefield. He very politely leaves a note:

Dear and honored ladies,

Do not worry about me and the dog. We will be all right. I wish you long life and every happiness.

Your respectful nephew,
Robert Wakefield

By a series of choices and events, Robin ends up in London where he takes refuge from a thief, the only bad guy in the story, in the theater. And from that point on, we get to explore with Robin the lives of Shakespeare and his fellow players and the exciting culture of the Elizabethan theater.

The go-to historical fiction book about Shakespeare and his life and times is Gary Blackwood’s The Shakespeare Stealer. Comparing Blackwood’s book to The Wonderful Winter is difficult since I read The Shakespeare Stealer many, many moons ago. I would say either/or, and if you or your child like one you might enjoy the other. Other historical fiction books with a Shakespearean setting:

Shakespeare’s Scribe and Shakespeare’s Spy, both by Gary Blackwood. Sequels to The Shakespeare Stealer.

The Playmaker by J.B. Cheaney. Another runaway boy-joins-Shakepeare’s-company story. This time young Richard Malory is hiding out from enemy or enemies unknown at the Globe Theatre.

Cue for Treason by Geoffrey Trease. Peter and his friend Kit find jobs as apprentices to the Bard himself.

Mistress Malapert by Sally Watson. In this exciting story the runaway is a girl, Valerie, who dresses as a boy and gets to meet Mr. Shakespeare and various other personalities of the time. Sally Watson is especially good at writing spunky girls who manage to get themselves into all sorts of scrapes and adventures.

Ghost Soldiers by Hampton Sides

Ghost Soldiers: The Forgotten Epic Story of World War II’s Most Dramatic Mission by Hampton Sides.

Ghost Soldiers is a well-written and engrossing narrative history of the rescue of 513 American and British POWs from the Japanese prison camp of Cabanatuan in the Philippines. The soldiers imprisoned at Cabanatuan at the time of the rescue (January, 1945) were mostly survivors of the infamous Bataan Death March, survivors who were barely surviving since most of the somewhat healthier prisoners had already been transferred to Japan in anticipation of the Americans retaking of the Philippine Islands. This who were left at Cabanatuan were diseased, injured, and in a very precarious situation—not quite liberated, still under Japanese control, and dispensable because of their lack of usefulness as workers for the Japanese. There were indeed rumors of and precedent for a Japanese massacre of all the prisoners left at the camp as the Japanese retreated before the advancing U.S. armed forces.

The U.S. Army 6th Ranger Battalion was tasked with the mission of rescuing these prisoners of Cabanatuan from behind Japanese lines in January, 1945. The mission had to be done secretly and quickly. No one knew how long the prisoners would remain alive to be rescued. And the Rangers were a new and untried group of elite “commandos”, sort of an experiment. Would they be able to find the prisoners and bring them out before the Japanese army stopped them?

So, Mr. Sides, a journalist and author, has grabbed onto a great story. And it’s one I had never read about before, although I had read some things about Bataan (The Jersey Brothers by Sally Mott Freeman, We Band of Angels by Elizabeth Norman). He tells the story from alternating points of view, that of the Army Rangers who were sent to rescue the prisoners and that of the prisoners themselves who struggled with feelings of hopelessness and abandonment in addition to the physical deprivations and tortures of their ordeal. This way of telling the story works to increase the suspense as the two stories merge into the climactic scene of the Rescue.

One of the interesting things about this story was meeting unexpected heroes that I would like to read more about. Chaplain Robert Taylor, one of the prisoners who was selected to go to Japan just before the rescue took place, ended up on the ill-fated ship, Oryoku Maru, a hellish prison ship that was sunk off the coast of Bataan by the U.S. Navy. Taylor survived, went on another ship which was also disabled by U.S. bombers, finally was sent to Manchuria, survived his imprisonment there, and eventually after his return home became the highest ranking chaplain in the U.S. Armed Forces. Days of Anguish, Days of Hope by Billy Keith is a biography of Chaplain Taylor that I would like to read.

Then, among the 6th Ranger battalion, I encountered Dr. James Canfield Fisher, son of the famous author Dorothy Canfield Fisher. Captain James Fisher was a surgeon assigned to the Ranger battalion that freed Cabanatuan, and he insisted on going with his men up to very gates of the prison camp in order to be available to treat those who might be wounded in the attempted rescue. His story is all the more intriguing and poignant for me since I know of his mother and her books, including the classic Understood Betsy. Who knew that reading about World War II in the Philippines could circle around to connect back to children’s literature?

I recommend Ghost Soldiers to readers who are interested in reading about World War II adventures, the War in the Pacific, stories of courage and endurance, and just good narrative nonfiction. (If you liked Unbroken by Laura Hillenbrand or Lost in Shangri-La by Mitchell Zuckoff . . .) I found it to be fascinating and inspiring.

High Lonesome by Louis L’Amour

I read this book partly to see if it would be appropriate for the young adults who patronize my library and partly just to see if I liked L’Amour’s fiction as much as I did his autobiography, The Education of a Wandering Man. I found two instances of mildly bad language (h— and d–n), not that I’m into counting. And there was a romance, but rather chaste even though the guy is an outlaw gunslinger and the girl is the daughter of an outlaw. I think it would be perfectly good for anyone fourteen or fifteen and up.

I don’t read many Westerns, but I can see how L’Amour’s books became so popular. This story of an attractive outlaw and a young but strong girl who falls for him has more going for it than just the romance. There’s male-bonding, a bit of bromance, and a lots of fighting and honor among thieves and standing up for what’s right even when it looks hopeless.

L’Amour’s characters are flawed, but likable. The peril they find themselves in is partly due to their own bad decisions, but partly just the luck of the draw. The idea is that everybody eventually has to choose to do the right thing or be a self-seeking coward, even those who have chosen the wrong side of the law in the past. And it’s not whether you follow the law that makes you a good man, rather it’s whether or not you follow your own internal compass of right and wrong and make the hard right choice when the crisis comes. I would argue that if you haven’t built up those muscles of choosing right in the minor issues you are unlikely to choose right when a really big choice requiring self denial comes along, but L’Amour’s characters don’t have that much nuance.

Considine, the hero of the novel, is a man who “had a way of getting to where he wanted to be without being seen.” “[T]he big, quiet man was very sure of himself, and was known to be a dangerous man with a gun.’ “Considine did not seem like an outlaw. He had the air of a gentleman and there was something undefined in his manner that set him apart.” “Nor were they free of the images their own minds held of themselves. The man on horseback, the lone-riding man, the lone-thinking man, possessed an image of himself that was in part his own, in part a piece of all the dime novels he had read, for no man is free of the image his literature imposes upon him. And the dime novel made the western hero a knight-errant.”

I’m casting, of course, John Wayne, in my mind’s eye as Considine. If you like that kind of movie or book or if you like dime novel western heroes, High Lonesome should be just the ticket. No irony here, just straight up shootin’ and ridin’ and honor and heroism with a little bit of bank robbing thrown in.

The Lost Girl by Anne Ursu

Iris and her identical twin sister Lark take care of each other. Well, Iris, the practical twin, takes care of Lark, the dreamy one. And Lark, the imaginative, creative sister, helps Iris deal with her nightmares and anxieties. They “have better outcomes when they’re together.” It’s a workable and loving relationship until the girls’ parents decide that they need to be in separate classrooms for fifth grade. Then Iris loses her confidence, even her sense of identity. Who is Iris without Lark beside her? Lark loses things, as various objects around the house and around town begin to disappear. Iris and Lark are afraid of losing each other, and their fear becomes identified with a strange new antique shop that just opened up across the street from the library. How can the twins make everyone else understand that they need to be together? Or do they need to grow apart?

This book might be profound in a psychological way, but I’m not sure I’m a deep enough thinker to get it. The twins are sort of co-dependent? Maybe co-dependent in a bad way, but by the end of the book they learn to help each other in good ways? It’s sort of dark, and there are some strong feminist girl-power themes and preachiness, but you-go-girl feminism wasn’t overwhelming to the point of being annoying. I did find the story fascinating and compelling. I read it in one day.

This book might win some awards. The last third of the book is particularly creepy and unsettling, but you can reassure frightened readers (yourself?) that the story does end well. And the writing is magical, both literally and figuratively speaking.

Me and Sam-Sam Handle the Apocalypse by Susan Vaught

Alone by Edgar Allan Poe

From childhood’s hour I have not been
As others were—I have not seen
As others saw—I could not bring
My passions from a common spring—
From the same source I have not taken
My sorrow—I could not awaken
My heart to joy at the same tone—
And all I lov’d—I lov’d alone—
Then—in my childhood—in the dawn
Of a most stormy life—was drawn
From ev’ry depth of good and ill
The mystery which binds me still—
From the torrent, or the fountain—
From the red cliff of the mountain—
From the sun that ’round me roll’d
In its autumn tint of gold—
From the lightning in the sky
As it pass’d me flying by—
From the thunder, and the storm—
And the cloud that took the form
(When the rest of Heaven was blue)
Of a demon in my view—

I came across this poem by one of my favorite poets today after I finished reading the middle grade fiction novel Me and Sam-Sam Handle the Apocalypse, and it seemed to be serendipitous. Me and Sam-Sam is a book about characters who are “neuro-divergent” —or “autistic” or “on the spectrum” or whatever term you prefer. The narrator of the story, Jesse Broadview, is a middle school age girl who lives with her teacher father and her great-aunt Gustine while Jesse’s mom is deployed in Iraq, the handler for a bomb-sniffing dog. Much like the narrator of the poem, Jesse doesn’t see as others see and doesn’t act as others act and doesn’t feel the same things that others feel. She has meltdowns. She sometimes comes across as rude because she doesn’t understand the rules for social interactions that other seem to apply without effort. She doesn’t like to be touched unexpectedly or without permission. She’s just not neurotypical, although she is smart, intelligent enough to worry that her differences are somehow bad and that her difficulties in understanding the way others think might mean that her brain is broken.

As the story progresses, Jesse makes a friend, Springer, who may or may not be neuro-divergent himself, and she learns that her differences can be strengths even though they sometimes make it difficult for her to navigate the world she lives in. The novel is part detective story, part experiment in understanding diversity, and part adventure story about facing up to bullies and natural disasters and one’s own inner demons. Jesse’s dad is accused of a crime, and Jesse and Springer are the only ones who really see a need to exonerate him. Jesse and her new friend have to contend with Jerkface and his two cockroaches, the bullies that make Jesse’s and Springer’s lives miserable. And some really bad weather is headed their way.

I found the story fascinating, especially as I worked to understand Jesse’s mindset and her perspective on all of the events in the novel. I really wanted someone to tell Jesse that calling people “jerkface” and “cockroach” is not a good way to deal with your—justifiable—hostility and enmity toward them. Nor is violence the answer. Instead, Jesse’s mother engages in name-calling herself, via Skype, and the violence and threats continue, even among the adults in the story. I sometimes struggled to understand Jesse and sympathize with her because, let’s face it, I’m pretty neuro-typical.

And yet, all of us have felt the feeling in the poem, the feeling of aloneness. The feeling that maybe my brain is broken, maybe I just don’t feel what other people feel or think the same way other people think. Books and poetry are good ways to start to understand the commonalities in human experience and the differences that define us as individuals. I thought Me and Sam-Sam was a decent attempt, not preachy but illuminating, to show what it is like to be neuro-divergent and somewhat immature and still valuable and growing as a person.