Saturday Review of Books: January 15, 2011

“Second-hand books are wild books, homeless books; they have come together in vast flocks of variegated feather, and have a charm which the domesticated volumes of the library lack. Besides, in this random miscellaneous company we may rub against some complete stranger who will, with luck, turn into the best friend we have in the world.”~Virginia Wolfe in her essay, “Street Haunting”

SatReviewbuttonIf you’re not familiar with and linking to and perusing the Saturday Review of Books here at Semicolon, you’re missing out. Here’s how it usually works. Find a review on your blog posted sometime during the previous week of a book you were reading or a book you’ve read. The review doesn’t have to be a formal sort of thing. You can just write your thoughts on a particular book, a few ideas inspired by reading the book, your evaluation, quotations, whatever.

Then on Saturday, you post a link here at Semicolon in Mr. Linky to the specific post where you’ve written your book review. Don’t link to your main blog page because this kind of link makes it hard to find the book review, especially when people drop in later after you’ve added new content to your blog. In parentheses after your name, add the title of the book you’re reviewing. This addition will help people to find the reviews they’re most interested in reading.

After linking to your own reviews, you can spend as long as you want reading the reviews of other bloggers for the week and adding to your wishlist of books to read. That’s how my own TBR list has become completely unmanageable and the reason I can’t join any reading challenges. I have my own personal challenge that never ends.

1. The Friendly Book Nook (To Have and To Kill)
2. the Ink Slinger (Lone Survivor)
3. Bonnie (The Breaking of Eggs)
4. Melissa @ The Betty and Boo Chronicles (Innocence)
5. Donovan @ Where Peen Meets Paper (Room)
6. Heather (I Want Big Red Apple Said Robot)
7. Janet, Across the Page (Unbroken)
8. Janet, Across the Page (Humphrey stories)
9. Summer@The Brothers H (The Road )
10. Semicolon (The Narnia Code)
11. Semicolon (The Unbearable Lightness of Scones)
12. Alice@Supratentorial(Little House on the Freeway)
13. Semicolon (Little Bee)
14. Alice@Supratentorial(Good Masters! Sweet Ladies!)
15. Semicolon (Moon Over Manifest)
16. Reading to Know (Rainbow Valley)
17. Reading to Know (Legends of Prince Edward Island)
18. Heather @ Books For Breakfast (Maggie and the Pirate
19. Reading to Know (The Dollhouse Magic)
20. Amy @ Hope Is the Word (A Long Walk to Water by Linda Sue Park)
21. Amy @ Hope Is the Word (Read Aloud Thursday–snow books)
22. Florinda @ The 3 R’s Blog (The Lotus Eaters)
23. SuziQoregon @ Whimpulsive (How to Survive a Garden Gnome Attack)
24. SuziQoregon @ Whimpulsive (Blood of My Brother)
25. Melody @ Fingers & Prose (Room)
26. Melody @ Fingers & Prose (Persuasion)
27. Nicole @ Linus’s Blanket (Revolution)
28. Beckie@ByTheBook (The Search)
29. Nicole @ Linus’s Blanket (Wide Sargasso Sea)
30. Nicole @ Linus’s Blanket (The Poison Tree)
31. Carol in Oregon (Old House of Fear)
32. Beth@Weavings (A Tangled Web)
33. Barbara H. (Anne of Avonles)
34. Krakovianka (Island of the World)
35. Zee @ Notes from the North (The Unstrung Harp; or, Mr Earbrass Writes a Novel)
36. Lazygal (Other Words for Love)
37. Lazygal (The White Devil)
38. Lazygal (Stay)
39. Lazygal (Country House Garden)
40. Lazygal (Forge)
41. Lazygal (The Young Italians)
42. Lazygal (Earth [the book])
43. Lazygal (Mudbound)
44. Always Chasing Boys (Blindness)
45. Between the Stacks (Don’t Let the Pigeon Drive the Bus!)
46. Word Lily (Fiddler’s Green)
47. SmallWorld Reads (Amy and Isabelle)
48. melydia (Spook)
49. Girl Detective (Pattern Recognition)
50. Book Journey (365 Thank Yous)
51. Megan @ Leafing Through Life (The Blue Notebook)
52. Mystie (Mother’s Rule of Life)
53. Megan @ Leafing Through Life (If I Stay)
54. Darren @ Bart’s Bookshelf [The Girl Next Door]
55. Darren @ Bart’s Bookshelf [How They Met and Other Stories]
56. Lucybird’s Book Blog (The News Where You Are)
57. Lucybird’s Book Blog (One Day)
58. Lucybird’s Book Blog (West End Girls)
59. Anne (Unbroken)
60. Amber Stults (Little Bee)
61. Amber Stults (The Outlander)
62. JHS (GIVEAWAY & Review: Autographed copy of To Nourish and Consume)
63. JHS (Happy Hours)
64. JHS (J’adore New York)
65. Luna Park by Kevin Baker
66. Nicola (Crogan’s March by Chris Schweizer)
67. 2 Stone Arch Easy Reader Graphic Novels
68. Nicola (The Zabime Sisters by Aristophane)
69. Nicola (Christie’s Peril at End House Graphic Novel)
70. Nicola (Incorruptible, Vol. 2 by Mark Waid)
71. Nicola (A Letter to Mrs. Roosevelt by C. Coco de Young)
72. Kara @ Home With Purpose (A Praying Life)
73. Kara @ Home With Purpose (Everyday Justice)
74. The Cath in the Hat (Meet Mammoth)
75. kort @ one deep drawer
76. Gina @ Bookscount (Those who save us)
77. Diary of an Eccentric (The Strange Case of Origami Yoda)
78. Diary of an Eccentric (Dangerous Neighbors)

Powered by… Mister Linky’s Magical Widgets.

Split by Swati Avasthi

See below the review of Andrew Klavan’s The Identity Man. Split is another book about change and whether it is possible for a young man to become a new person, leave behind his old patterns of thinking and his past crimes, and as Jace, the protagonist in this book, puts it, “take the bastard-no-longer pledge.”

When sixteen year old Jace shows up on his older brother Christian’s front step with a split lip, a few dollars, and a reluctance to answer questions, it’s touch and go as to whether or not Christian will let Jace stay–even overnight. Both young men are running from their abusive father, and together they endanger each other. However, Jace has nowhere else to go, and maybe, even though he’s possibly a broken kid, unfixable and dangerous, perhaps he’s not hopeless yet. At least Jace would like to convince himself and Christian that it’s not too late, that he can leave his dad and the anger that is his dad’s bequest to him, all behind.

Again, the question is “can a person really change, become new, leave the past behind?” If so, how? Jace tries sheer will power, and that works for him to some extent. He also finds a “good woman,” but he’s afraid to take advantage of the benefits of a loving relationship with a girl he is attracted to because he’s afraid he can’t be the good man she needs and deserves. Finally, the answers in this book are honesty, brotherly loyalty and love, exercise for the purpose of anger management, and taking it one day, one hour, one minute at a time. Those are pretty good answers, perhaps inadequate in the long run, but perhaps not as far as leaving an abusive past behind.

Split was one of the books on the shortlist for the Cybils in the category of Young Adult Fiction, and I’m definitely understanding why it’s one of the top books that the panel chose. The relationship cues and under-currents are subtle and spot on, and Jace is an intelligent and astute judge of character, even of his own. His insights into what is going on beneath the surface of his family’s dynamics, plus the references to Shakespeare and other literary lights, were what made the book for me.

Warning: some language, (domestic) violence, and sexual references make this a book for mature young adults with a tolerance for that sort of material.

Moon Over Manifest by Clare Vanderpool

So, on Monday Moon Over Manifest was something of a surprise winner of the Newbery Medal for “the most distinguished American children’s book published the previous year” (2010). And I just happened to have a copy of the winning book in my library basket, a leftover from the Cybils Middle Grade Fiction panel that I hadn’t been able to find before the deadline in late December for our shortlist to be finalized. I read the book yesterday.

I can now say that if the publisher (Delacorte) had seen fit to send a review copy, I might very well have pushed to put Moon Over Manifest on our shortlist. Of course, that’s easy to say now, hindsight and all. But I haven’t been too excited about or fond of some of the recent Newbery Award books. And I said so. Last year’s book, When You Reach Me by Rebecca Stead was great, but of course, I’m a Madeleine L’Engle fan, so I would like anything that paid tribute to A Wrinkle in Time. I tried to read Neil Gaiman’s The Graveyard Book three times year before last and never got past the first few chapters. Good Masters! Sweet Ladies! seemed sort of, dare I say it, boring, and The Higher Power of Lucky was just O.K.

Moon Over Manifest is the story of a girl, twelve year old Abilene Tucker, whose father, Gideon, is a hobo. Abilene and her dad have been riding the rails together for as long as she can remember, but now (summer, 1936) Gideon has sent Abilene to live with an old friend of his in Manifest, Kansas while Gideon takes a job on the railroad back in Iowa. Abilene is not happy about being separated from her loving and beloved father, and she is determined that Gideon will come get her by the end of the summer. In the meantime, Abilene wants to find some information about the time Gideon spent in Manifest during World War I, before Abilene was born. What she gets is a nun, Sister Redempta, who teaches at the Sacred Heart of the Holy Redeemer Elementary School and gives her a summer assignment on the last day of school. Abilene also meets:
Shady Howard, the bootlegger who is also the interim pastor of the First Baptist Church
Miss Sadie, fortune teller, spirit medium, conjurer, and story-teller extraordinaire,
Hattie Mae Harper Macke, newspaper columnist and amateur historian of Manifest,
and two new friends, Lettie and Ruthanne, who join Abilene in searching for The Rattler, a spy who may or may not be selling secrets from Manifest to the enemy.

The story alternates between 1936 and Abilene and her friends and 1917-18 when the Manifest townspeople of 1936 were just growing up and when Abilene’s father should have been making his mark on Manifest’s history. Will Abilene find mention of her father in any of the stories Miss Sadie tells? How does Miss Sadie know so much about all of the secrets and events that make up the story of Manifest, Kansas? Does Shady have stories to tell about Abilene’s father? Who is or was The Rattler, and is he still in Manifest, spying on people and keeping secrets? Will Gideon come back to get Abilene, or has he deserted her for good?

Let’s start with the cover. Abilene is walking on the railroad track, thinking about her father and about the stories Miss Sadie tells. Do kids walk on the railroad tracks anymore? I lived about four blocks from the railroad tracks when I was growing up, and I certainly did. I walked along the tracks and looked for lost coins and thought about stuff. I love the cover of this book. So nostalgic.

Then there’s the story. Abilene is an engaging character, independent, feisty, and determined. But she’s also respectful and grateful for the people in Manifest who help her and feed her and take care of her. I like respectful and thankful, since it seems to be in short supply sometimes in book characters and in real kids. Abilene’s story feels real and has a flavor of the summertime adventures of the Jem and Scout in To Kill a Mockingbird. Abilene and her two buddies roam all over Manifest all summer long, and they make up stories and hunt for The Rattler with impunity and without much adult interference. The adults are available, but not over-involved. I think my kids could use some of that kind of independence and free-range experience.

As Abilene grows up over the course of the summer, she also learns more about her father and about his history, his character, and his flaws. Twelve is about the right time for a daughter to begin to see her father as a real person with a past and with hurts that need to be healed. In Moon Over Manifest, Gideon is a good father who “deserts” his daughter for good reasons, unlike the mother in another lauded book of 2010, One Crazy Summer. In facter the two books could be compared in several ways—feisty young heroine, absent parent, a summer of growth and discovery, people who are not who they seem to be–and I think Moon Over Manifest would come out the winner in a head-to-head competition between the two books.

So, Moon Over Manifest is a fine novel; it will probably appeal most to mature readers with good to excellent reading skills. The chronological jumps are well marked and easy to follow, but some of the psychological insights into family history and relationships are going to go over the head of young readers no matter how well they can follow the plot. Still, Ms. Vanderpool’s book is a good addition to the historical fiction of the Great Depression and a worthy Newbery Medalist.

Little Bee by Chris Cleave

My sister suggested, practically mandated, that I read this book. And the inside-the-cover blurb suggests, practically mandates, that reviewers of this particular title not provide much plot summary. They say it would spoil the experience of the story to tell you what happens or even talk about the characters. I had some issues with the book, even though I found it an absorbing read, so I’m going to disobey and talk about the characters and even the plot in general terms and see if I can work through my issues. If you are considering Little Bee as your next read and you are afraid that my discussion will spoil it for you, don’t read. You have been warned.

Little Bee, the title character, is a Nigerian refugee who has been imprisoned in a British immigrant detainment center for the past two years. The book is about what happens when Little Bee gets out of the detainment center and about what happened two and a half years before on a beach in Nigeria to Little Bee and to a couple from England, Andrew and Sarah. The good part about this book is that I read it to the end to see what would happen to the characters. Therefore, I must have cared what happened to the characters. But, however, nevertheless, I don’t really think I did, care, that is. I didn’t like them very much. Oh, it was easy to feel sympathy for Little Bee, a refugee from the horrors of civil war and cruelty in Nigeria’s oil disputes. But even while I was feeling very, very sorry for her, I also felt as if I were being manipulated somehow. I do sympathize with refugees and illegal immigrants. I tend to believe in open borders, although I’m not sure how that sort of governmental policy would work out in reality. I think it’s horrible and bad policy to keep people in some kind of pseudo-prison while their refugee status is pending approval from on high, an approval that hardly ever comes. But many, many illegal immigrants are not in fear of being murdered if they return to their home countries. Some are in fear of starving to death; others just want to make a better life for themselves and their families. A few are very likely terrorists themselves. In other words, the character of Little Bee is a sympathetic over-simplification of the immigration issue.

And Sarah is (spoiler warning) an adulteress, with no good excuse or justification for her behavior. Andrew, Sarah’s husband, is a coward in a moment of extreme stress when an instant decision is required. I couldn’t really fault him; I probably wouldn’t be able to make the courageous sacrifice he was asked to make on the spur of the moment either. But Andrew’s character was never really fleshed out beyond that one fateful decision anyway, so I didn’t care much about him either. Lawrence, the “other man,” was a wimp and a cheater, so I couldn’t stand him. And Charlie, Sarah’s and Andrew’s four year old son, wore his Batman suit throughout the story and unknowingly caused a couple of really bad things to happen, so I wanted someone to keep a better eye on him and keep him from causing such trouble. No one did.

I dunno. If you’re up for a tragic story about some well meaning people who happen to have serious issues, you might like Little Bee very much. On a different day, I might write a more positive review. Today a mildly discontented review, and links to other bloggers that really liked it a lot, is all I can do.

Other views and reviews:
Caribousmom: “Cleave’s prose is ironic, at times humorous (although the themes of the novel are anything but funny), and original.” (I agree with that description of the writing in this book. The dialogue, and the inner monologue, in particular, were captivating.)
Judy at Carpe Libris: “I love the title character and her deep honesty about life. Also, her observations of human nature are compelling. Too bad she is not real. I would love to meet her someday.”
Rhapsody in Books: “The facts that Cleave brings to your attention about Nigeria and about detention centers are undeniably true, and that’s what I believe you will take away from this story. It’s yet another good reminder of how truly fortunate we are.”
Hey, Lady! Whatcha Readin’?: “Where I think the author excels is in getting the reader to examine their own humanity. What would you give up for someone else’s life? When put in this situation, a person learns their character, and in one character’s case in this book, found they came up short.”

The Unbearable Lightness of Scones by Alexander McCall Smith

To read and enjoy one of Alexander McCall Smith’s 44 Scotland Street novels, one must be in a certain frame of mind. It’s not exactly the same mind set that’s required for the No. 1 Ladies’ Detective Agency books by the same author. Those books are a little more linear and plot driven, although like the 44 Scotland Street novels, the plot in all of McCall Smith’s books does tend to meander a bit. The appropriate mood isn’t a Wodehousian mood either, even though McCall Smith shares some of P.G. Wodehouse’s sense of humor and appreciation for the quirks of human behavior.

McCall Smith’s books are all about the characters —and the homespun philosophical rabbit trails that the characters’ predicaments inspire in the author and in the reader. The inhabitants of 44 Scotland Street (both the novels and the setting) include:

Bertie is a precocious and endearing six year old with an overbearing mother, his own psychiatrist, a wimpy but loving father, and a desire to join the cub scouts in spite of his mother’s disapproval.

Bertie’s schoolmates, Tofu and Olive, add further confusion to his life as Tofu calls Bertie’s mom names while Olive insists on joining the cub scouts along with the boys.

Irene, Bertie’s mother, finds her fulfillment in maternal smothering of her offspring and in her own weekly visit to the psychiatrist.

Matthew, newly married to Elspeth Harmony. Their honeymoon in Australia is much more adventurous, and dangerous, than either of them could have imagined.

Angus Lordie and his dog, Cyril, both thought to be confirmed bachelors until the six puppies show up on the doorstep, soon find themselves contemplating marriage.

Bruce Anderson, “erstwhile surveyor and persistent narcissist,” undergoes a personal reformation when he realizes that moisturizer may not be enough to stave the ravages of age forever.

And Domenica MacDonald tries to catch a thief, but finds herself inadvertently becoming the very thing she abhors.

There are lots of other “characters” —in every sense of the word: Big Lou and her Jacobite boyfriend; Nick the photographer; Lard O’Connor, owner of a very special painting; Uncle Jack, president of the Cat Society of Singapore; and many more. As the reader meets each one, it is advisable to take them on their own terms, smile gently, and allow each person in the saga his or her own foibles and curious eccentricities. That’s the attitude for 44 Scotland Street: playful, amused tolerance and appreciation for the almost unbearable lightness of life.

The Unbearable Lightness of Scones is the fifth book in this particular series, and although it’s not necessary at all to read the books in order or to have read the first four before reading this one, anyone who enjoys The Unbearable Lightness of Scones will want to pick up the others at some point–no hurry, when you’re in the mood.

Awards Time: Newbery and Such

Newbery Award: Moon over Manifest by Clare Vanderpool. This book was on the list of nominees for the Cybils Middle Grade Fiction, but I couldn’t find it anywhere. About a week ago I finally got it from the library, and it’s in my library basket waiting for me to get around to it. I guess today would be a good day for that.
Honors:
Turtle in Paradise, by Jennifer L. Holm. I loved this one, tried to talk the panel into shortlisting it for the Cybils. Semicolon review here.
Heart of a Samurai by Margi Preus. I liked this one, too. Semicolon review here.
Dark Emperor and Other Poems of the Night by Joyce Sidman.
One Crazy Summer by Rita Williams-Garcia. I was the hold-out on this novel because although it told a good story, I thought it had issues. Semicolon review here.

Printz Award for YA literature: Ship Breaker by Paolo Bacigalupi. I have this one on order from the library. Shortlisted for the YA Cybils.
Honors:
Stolen by Lucy Christopher. I also have this novel requested at the library, and it was shortlisted for the Cybils in the YA Fiction category.
Please Ignore Vera Dietz by A.S. King.
Revolver by Marcus Segdwick.
Nothing by Janne Teller.

Alex Awards: The Alex Awards are given to ten books written for adults that have special appeal to young adults, ages 12 through 18. I haven’t read a single one of these ten, and the only one that’s already on my TBR list is Room. Judging just from the titles, several of them sound interesting. Can you recommend any of the ten Alex Award winners?

The Boy Who Couldn’t Sleep and Never Had To by DC Pierson.
Breaking Night: A Memoir of Forgiveness, Survival, and My Journey from Homeless to Harvard by Liz Murray,.
Girl in Translation by Jean Kwok.
The House of Tomorrow by Peter Bognanni.
The Lock Artist by Steve Hamilton.
The Particular Sadness of Lemon Cake: A Novel by Aimee Bender.
The Radleys by Matt Haig.
The Reapers Are the Angels: A Novel by Alden Bell.
Room: A Novel by Emma Donoghue.
The Vanishing of Katharina Linden: A Novel by Helen Grant.

A couple of other award winners that have been reviewed here at Semicolon:
Hush by Eishes Chayill. Finalist for the William C. Morris YA Debut Award. Semicolon review here.
Tomie DePaola won the Laura Ingalls Wilder Award for his entire body of work. The award honors an author or illustrator whose books, published in the United States, have made, over a period of years, a substantial and lasting contribution to literature for children. His work has been featured here at Semicolon several times, including:
Charlie Needs a Cloak.
Francis the Poor Man of Assisi.
The Cloud Book.
The Christmas Pageant.
The Friendly Beasts.
And many more.

The Narnia Code by Michael Ward

Subtitle: C.S. Lewis and the Secret of the Seven Heavens.
Clive Staples Lewis was an awesomely talented, gifted, subtle, and boisterous genius!

Douglas Gresham on Lewis’s genius:

“He was a complete genius. He also was a very fast reader, but he had honed the talent and perfected the strange memory that resulted in never forgetting anything he had read. Now he could, he could ask you to pick any book off of his shelves, and you would pick a page and read him a line and he would quote the rest of the page; in fact, quote the rest of the book until you told him to stop. He had this enormous capacity to remember everything he’d ever read.”

In The Narnia Code by Michael Ward, Dr. Ward, who is also a minister in the Church of England, demonstrates Lewis’s genius by showing how all seven of the Narnia chronicles are linked together by a single unifying motif or plan. Ward’s thesis is that each of the seven Chronicles of Narnia takes as its central underlying imagery and atmosphere one of the seven “planets” of the medieval, classical astrological world. These “planets” are not the eight or nine that we moderns know and memorize but rather the medievals believed that the seven heavenly bodies, each with its own influences and associated imagery, were the Sun, Mercury, Venus, the Moon, Mars, Jupiter, and Saturn. Each of these planets is featured in a particular Narnia book in a sort of “code” of symbols and images that Lewis never spelled out for anyone but about which he left clues both in the Chronicles of Narnia themselves and in his other writings.

I found Dr. Ward’s reasoning compelling and fascinating. The Narnia Code is a popular abridgement of a longer, more scholarly dissertation on these ideas, a book called Planet Narnia: The Seven Heavens in the Imagination of C.S. Lewis. Despite the somewhat misleading title, The Narnia Code is no DaVinci Code knock-off, associating C.S. Lewis and his Narnia books with some hokey new age interpretation and bad theology. Instead, I found in The Narnia Code a new appreciation for C.S. Lewis’s genius and for his heartfelt desire to communicate the truth of the gospel in a way that would enter deep into the imaginations and souls of both children and adults. No, C.S. Lewis didn’t believe in astrology, the telling of fortunes and of the future by means of the stars. However, Lewis did believe that the ancient mythologies and symbols and worldviews contained God’s truth and had ways of speaking to us that would break through and shake up our modern paradigms.

Psalm 19
The heavens are telling the glory of God;
and the firmament proclaims his handiwork.
Day to day pours forth speech,
and night to night declares knowledge.
There is no speech, nor are there words;
their voice is not heard;
yet their voice goes out through all the earth,
and their words to the end of the world.

In Reflections on the Psalms, C.S. Lewis said of Psalm 19, it is “the greatest psalm in the psalter and one of the greatest lyrics in the world.” In the Chronicles of Narnia, Lewis apparently left traces of his love for God’s handiwork in the stars and planets and of his delight in the medieval cosmology and the mythology associated with the heavenly bodies. My next reading of The Chronicles of Narnia will be richer because of the ideas and explanations that I read about in The Narnia Code. If you are a Narnia lover, I highly recommend either Planet Narnia or The Narnia Code as an introduction to the use of cosmological symbology in the Narnia books.

Saturday Review of Books: January 8, 2011

“When we read too fast or too slowly, we understand nothing.” ~Blaise Pascal

SatReviewbuttonIf you’re not familiar with and linking to and perusing the Saturday Review of Books here at Semicolon, you’re missing out. Here’s how it usually works. Find a review on your blog posted sometime during the previous week of a book you were reading or a book you’ve read. The review doesn’t have to be a formal sort of thing. You can just write your thoughts on a particular book, a few ideas inspired by reading the book, your evaluation, quotations, whatever.

Then on Saturday, you post a link here at Semicolon in Mr. Linky to the specific post where you’ve written your book review. Don’t link to your main blog page because this kind of link makes it hard to find the book review, especially when people drop in later after you’ve added new content to your blog. In parentheses after your name, add the title of the book you’re reviewing. This addition will help people to find the reviews they’re most interested in reading.

After linking to your own reviews, you can spend as long as you want reading the reviews of other bloggers for the week and adding to your wishlist of books to read. That’s how my own TBR list has become completely unmanageable and the reason I can’t join any reading challenges. I have my own personal challenge that never ends.

1. Amy @ Hope Is the Word (A Step from Heaven by An Na)
2. Amy @ Hope Is the Word (Her Daughter’s Dream by Francine Rivers)
3. Amy @ Hope Is the Word (Read Aloud Thursday–Owls)
4. Janet, Across the Page (Son of Hamas)
5. the Ink Slinger (No Country For Old Men)
6. Hope (Bird by Bird by Anne Lamott))
7. gautami tripathy (Pushing Up Daisies)
8. gautami tripathy (If Walls Could Talk)
9. gautami tripathy (Blood of My Brother)
10. SuziQoregon @ Whimpulsive (A Drink Before the War)
11. SuziQoregon @ Whimpulsive (Naughty: 9 Tales of Cjristmas Crime)
12. Bonnie (Heaven Is a Place on Earth)
13. Bonnie (The Summer of the Danes)
14. Bonnie (The Holy Thief)
15. Collateral Bloggage (Massive)
16. Collateral Bloggage (The Gun Seller)
17. The Friendly Book Nook (A Stitch Before Dying)
18. My Friend Amy (Paradise Valley)
19. Donovan @ Where Peen Meets Paper (The Blasphemer))
20. yvonne – fiction books
21. Melody @ Fingers & Prose (Absolutely True Diary of a Part Time Indian)
22. Melody @ Fingers & Prose (2 Graphic Novels)
23. Krakovianka (Blindness)
24. Anne (Island of the World)
25. Fleur Fisher (A Concise Chinese-English Dictionary for Lovers)
26. FleurFisher (The Hand that First Held Mine)
27. FleurFisher (Nimrod’s Shadow)
28. Laura @ I’m Booking It (The Year of Fog by Michelle Richmond)
29. Samantha @ Bookworms and Tea Lovers (God’s Spy)
30. Samantha @ Bookworms and Tea Lovers (Luxembourg and the Jenisch Connection)
31. Beckie@ByTheBook (The Wolf of Tebron)
32. Amat Libris (The Interpretation of Murder)
33. Alice@Supratentorial (Crooked Letter, Crooked Letter)
34. Alice@Supratentorial(Crooked Letter, Crooked Letter)
35. JHS @ Colloquium (Major Pettigrew’s Last Stand)
36. JHS @ Colloquium (The Opposite of Me)
37. Nicole @ Linus’s Blanket (Disgrace)
38. Nicole @ Linus’s Blanket (American Uprising)
39. Nicole @ Linus’s Blanket (The Girl Who Became A Beatle)
40. Barbara H. (Snow Day)
41. Word Lily (The Word Made Flesh)
42. Farrar @ I Capture the Rowhouse (Keeper)
43. The Introverted Reader (Mistress of the Art of Death)
44. Girl Detective (Fables v. 14: @Witches)
45. Girl Detective (Drinking at the Movies GN)
46. Girl Detective (The Alcoholic GN)
47. The Introverted (At Home)
48. Girl Detective (4 GNs)
49. Girl Detective (Flaubert’s Parrot)
50. Girl Detective (Gemma Bovery GN)
51. The Introverted Reader (The Gendarme)
52. Girl Detective (Cakewalk)
53. melydia (How to Win Friends and Influence People)
54. melydia (Twilight: The Graphic Novel, vol 1)
55. melydia (Cauldron Cooker’s Night)
56. melydia (Alien Ice Cream)
57. melydia (Moominpappa’s Memoirs)
58. melydia (Fairest)
59. melydia (The Creative Writer’s Survival Guide))
60. LaughingLioness (Radical)
61. SmallWorld (Top 10 in 2010 and Books Read)
62. Reading to Know (Living in God’s Two Kingdoms)
63. Amy Reads (A Swamp Full of Dollars)
64. Mindy Withrow (Muriel Barbery’s ELEGANCE OF THE HEDGEHOG)
65. Violet (One Thousand Gifts)
66. Cindy @OrdoAmoris
67. Cindy @OrdoAmoris (My Reading Life by Pat Conroy)
68. Lucybird’s Book Blog (West End Girls)
69. Lucybird’s Book Blog (One Day)
70. Cindy @OrdoAmoris(The Year in Review: Books Read)
71. Cindy Swanson (Daisy Chain)
72. Amber Stults (Bark Up the Right Tree)
73. Melissa @ The Betty and Boo Chronicles (Not My Boy!)
74. Melissa @ The Betty and Boo Chronicles (Claude and Camille: A Novel of Monet)
75. Shauna (Almost Heaven)
76. Carol’s Notebook – The Man Who Loved Books Too Much
77. Mystie (Story Craft)
78. Nicola (Birth of a Killer by Darren Shan)
79. Nicola (Babar and the Ghost by Laurent de Brunhoff)
80. Nicola (Gunnerkrigg Court, Vol. 2: Research)
81. Nicola (Franklin D. Roosevelt: A Leader in Troubled Times)
82. Nicola (Free Country by Jeremy Duns)
83. Nicola (The Boy Who Conquered Mt. Everest: The Jordan Romero Story)
84. Nicola (Thunder from the Sea: Adventure Upon the HMS Defender by Jeff Weigel)
85. sonja (A Year in the World)
86. Gina @ Bookscount (Bridge in the Rain)
87. Gina @ Bookscount ( the Scourge)
88. Diary of an Eccentric (The Crimson Rooms)

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Poem # 35: Kubla Khan by Samuel Coleridge (1816)

“Poetry: the best words in the best order.”~Samuel Taylor Coleridge

Last year I did a poem survey and began posting the top 100 poems from the survey in chronological order. Then life and laziness and Cybils and Christmas intervened, and I only posted the oldest 34 of the 100 projected poems. But I am determined to use Poetry Friday as an excuse to write about the other 66 poems on list. So, today I’m back with Coleridge.

Ice Cavephoto © 2010 Derek Gavey | more info (via: Wylio)
In Xanadu did Kubla Khan
A stately pleasure-dome decree:
Where Alph, the sacred river, ran
Through caverns measureless to man
Down to a sunless sea.
So twice five miles of fertile ground
With walls and towers were girdled round:
And there were gardens bright with sinuous rills,
Where blossomed many an incense-bearing tree;
And here were forests ancient as the hills,
Enfolding sunny spots of greenery.

But oh! that deep romantic chasm which slanted
Down the green hill athwart a cedarn cover!
A savage place! as holy and enchanted
As e’er beneath a waning moon was haunted
By woman wailing for her demon-lover!
And from this chasm, with ceaseless turmoil seething,
As if this earth in fast thick pants were breathing,
A mighty fountain momently was forced:
Amid whose swift half-intermitted burst
Huge fragments vaulted like rebounding hail,
Or chaffy grain beneath the thresher’s flail:
And ‘mid these dancing rocks at once and ever
It flung up momently the sacred river.
Five miles meandering with a mazy motion
Through wood and dale the sacred river ran,
Then reached the caverns measureless to man,
And sank in tumult to a lifeless ocean:
And ‘mid this tumult Kubla heard from far
Ancestral voices prophesying war!
The shadow of the dome of pleasure
Floated midway on the waves;
Where was heard the mingled measure
From the fountain and the caves.
It was a miracle of rare device,
A sunny pleasure-dome with caves of ice!

A damsel with a dulcimer
In a vision once I saw:
It was an Abyssinian maid,
And on her dulcimer she played,
Singing of Mount Abora.
Could I revive within me
Her symphony and song,
To such a deep delight ‘twould win me,
That with music loud and long,
I would build that dome in air,
That sunny dome! those caves of ice!
And all who heard should see them there,
And all should cry, Beware! Beware!
His flashing eyes, his floating hair!
Weave a circle round him thrice,
And close your eyes with holy dread,
For he on honey-dew hath fed,
And drunk the milk of Paradise.

Coleridge was addicted to opium, and he said that this poem came to him in a an opium-induced dream. It’s essentially meaningless, as far as I can tell, even though I’ve read all sorts of interpretations that try to impose meaning on the words. Brown Bear Daughter likes to listen to lots of contemporary songs that remind me of this poem. When I ask her what they mean, she is silent and confounded, but she says the song in question is “catchy.” Kubla Khan is “catchy,” both in imagery and in words. I have pictures in my mind of Kubla Khan’s stately pleasure dome and and of the caves of ice and of the damsel with the dulcimer and of Coleridge the mad Poet. And I have memorized portions of this poem without trying, just because the sound is so memorable.

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The Voyage of the Dawn Treader: The Movie

We just went to see The Voyage of the Dawn Treader, finally. It was a good movie. We saw it in 3-D, the first movie I’ve seen that way, and the action really does jump out at you and make you feel more involved. There was lots of good action, thrills and chills, and the dragon was well done and believable. There was a character named Eustace who was supposed to be annoying and somewhat comical at the same time, and the actor who played him was great. The actress who played Lucy also did a good job of playing a confused young teenage girl, and Edmund and Caspian were O.K. as rivals/friends, if somewhat wooden at times. My theory is that the Edmund and Caspian characters couldn’t figure out whether they were supposed to be best buddies or contenders for the same throne, so they got mixed up sometimes. The plot moved along at a good pace, and there were a few lines that elicited a chuckle from me and from my girls.

Unfortunately, almost the entire movie, including the characters’ names, the title, and parts of the plot, was plagiarized from a book by an Oxford don named C.S. Lewis. The book was published about fifty years ago, and the screenplay writers obviously borrowed freely from Lewis’s The Voyage of the Dawn Treader. In fact, the best parts of the movie came straight from Lewis’s book, and the worst parts–evil green mist, magical vibrating swords, a totally out of place stowaway–were invented by whomever it was that wrote this brand new story ripped from the pages of C.S. Lewis’s classic novel.

Z-baby and I are in the process of reading The Silver Chair by C.S. Lewis now, and although I hope it and The Voyage of the Dawn Treader are made into movies someday, I do hope that the people who made the movie we saw tonight don’t get hold of The Silver Chair. The silver chair would become a magic golden throne in a cave of green serpents with Eustace and Jill fighting duels with one another instead of arguing about the signs. Then, Aslan would appear and tell them to just believe in themselves and all would be magically resolved. Prince Rilian might get a bit part, and Puddleglum would be a complete clown.

If you haven’t seen The Voyage of the Dawn Treader, just re-name this movie in your head: call it Edmund and the Sea Serpent or something of the sort and enjoy it for what it is. Then, read or re-read all of the Narnia Chronicles and enjoy them for the wonderful, meaningful stories that they are.