The Chapel Wars by Lindsey Leavitt

Setting: The Las Vegas strip, Rose of Sharon Wedding Chapel
Characters:
Grandpa Jim Nolan, owner and proprietor of Rose of Sharon Wedding Chapel, deceased.
Holly Evelyn Nolan, sixteen year old math whiz, counter of everything, inheritor of Rose of Sharon Wedding Chapel.
Sam, Holly’s best friend.
Camille, Sam’s homeschooled secret girlfriend.
Victor Cranston, Grandpa Jim’s rival and enemy, proprietor of Cupid’s Dream Wedding Chapel.
Dax Cranston, Victor’s grandson and Holly’s possible new love interest.
Plot: Romeo and Juliet, without the marriage or the suicides, transposed to Las Vegas, with the addition of a family business to save from bankruptcy.

I don’t think I’ve ever read a children’s or YA novel set in Las Vegas. In fact, maybe I’ve never read any novel set in Las Vegas. (Have you?) The Chapel Wars has a promising premise: Holly has inherited her grandfather’s Las Vegas wedding chapel, along with all of its quirky employees and money problems. For Holly Rose of Sharon is home, the only home she’s ever known. She has to do whatever it takes to keep the chapel in business, even if it means going against Grandpa Jim’s business model, dressing her friends up as Elvis or even Cupid, and trying to keep her love life and her business life separated.

Unfortunately, there were several aspects of the novel that kept this old fogey from enjoying it wholeheartedly. The comedic possibilities of the plot are obvious, and they were exploited to the full. However, the sarcasm got a little heavy at times. And the heavy, heavy disdain for any character who took romance and long term relationship (marriage) seriously (Sam, in particular, who proposes to Camille and is shot down with great scorn) was uncomfortable. This derision for marriage or a serious consideration of long term commitment for teens, even those who are old enough to get married, is a given element in a lot of YA literature these days. Teens can “suck face”, a crude and vile term used in the novel as a euphemism for the display of physical affection, or they can even have sexual relations, but heaven forbid that they should consider the even long term possibility of commitment and marriage at the age of seventeen or eighteen or nineteen. It’s the new taboo.

The novel also sported a prejudice against any serious life decision that might be made by a sixteen or seventeen year old. Holly is told, “You can’t let someone else’s dead dream keep you from finding your own.” True, as far as it goes. However, Holly believes that her own dream is to keep the chapel open, but she’s not allowed to have that dream because she’s only sixteen or seventeen. Long-term commitment, to a a person or to a goal, is reserved for old people who have nothing better to do with their time and energy. The advice for Holly: “Go hang out with your friends or make out with that boy across the street.”

The underestimation of young adults and the crude pandering to their supposed taste in terms of language and pastimes is rampant in our culture, and I felt that disrespect for teens was particularly egregious in The Chapel Wars. Romeo and Juliet were old enough at thirteen and maybe fourteen or fifteen to get married, make really poor decisions, and take responsibility for their own actions. Why aren’t sixteen, seventeen and eighteen year olds in our culture old enough to pursue a dream or a marriage commitment or even use the English language with some sophistication?

Anyway, The Chapel Wars is funny and cute, if you ignore the implications of treating young adults like overgrown children who should spend their time sucking face and sowing wild oats.

QOTD: If you were offered a free trip to Las Vegas (free plane ticket, free accommodations), would you go? Why or why not? If you did go, what would you do while you were in Las Vegas?

I Kill the Mockingbird by Paul Acampora

“The very first spark for I Kill the Mockingbird began with a conversation about summer reading lists that started on blogs including Pam Coughlan’s Mother Reader, Colleen Mondor’s Chasing Ray, Leila Roy’s Bookshelves of Doom, and Elizabeth Bird’s A Fuse #8 Production among others. Barely a day goes by that I don’t learn something new and also laugh out loud because of these fantastic writers and their peers in the incredible community of kid lit bloggers.” ~Acknowledgments by Paul Acampora.

Set during the summer between eighth grade and high school, this middle grade on the cusp of YA novel was absolutely a great read, but you have to know going in that it’s very meta-book-lovers with lots of inside jokes about first lines of novels and interpretations of To Kill a Mockingbird and nominations for the Great American Novel. Mr. Acampora must love kid lit and adult literature and books in general, and his characters do, too.

Those characters are a trio of friends, Lucy, Elena, and Michael, who have attended school together at St. Brigid’s Catholic School since kindergarten. Lucy’s mom has just miraculously recovered from a bout with a “rare, aggressive, and generally fatal” cancer (“sometimes it just happens”). Her dad is the principal at St. Brigid’s. Michael is a neighbor, a friend, and Lucy’s newly discovered crush. Elena is “certain that high school is going to swallow us up, spit, us out, and crush us like bugs.” Elena lives above a bookstore with her Uncle Mort since her parents died in car crash when she was a baby. I Kill the Mockingbird tells the story of how these three created a conspiracy to make Harper Lee’s famous novel into the hottest property on the shelves of all of the libraries, bookstores, and other book distributors in the state of Connecticut, maybe the whole U.S.

“Even in kindergarten, Michael, Elena, and I obsessed about books. Not only that, the three of us believed that characters like Winnie the Pooh and Ramona Quimby and Despereaux Tilling actually existed. We fully expected to meet all our favorite characters in person one day. Books carried us away.”

As I said, it’s a very bookish book, a fact which made the story twice as endearing to me because I, too, am carried away by books. In fact, I had a couple of good friends in junior high who planned a date and a time to go through the wardrobe to Narnia. They were serious, and although I was skeptical, I did call them that night to make sure they were still in Middle Earth, rather, on our Earth.

The book is, by the way, also very Catholic, in a cultural sort of way. The teens who are the main characters pray to saints and to Jesus, discuss books and religion, and generally behave themselves like good Catholic kids. They aren’t perfect, and they aren’t overly pious, but they are definitely Catholic. THey also discuss theology and the after-life with parents who are also very Catholic, but who hold their Christian beliefs rather loosely. The general attitude in the book is that religious devotion can’t hurt and Christianity may even be true.

The three friends in I Kill the Mockingbird get themselves into some trouble when their conspiracy/project grows beyond their ability to control it due to the power of the worldwide web. But everything ends well, and the summer ends well, the trio head into high school with the courage that a huge summer adventure can give to three friends who are willing to try Something Big. There are worse ways to spend a summer than obsessing over books and bonding through shared adventures.

I read an ARC of this novel, obtained from NetGalley for the purposes of review. The release date for I Kill the Mockingbird is May 20, 2014.

Q(uestion)O(f)T(he)D(ay): Have you read To Kill a Mockingbird? Have you seen the movie version with Gregory Peck as Atticus Finch? (Atticus Finch is my Hero. I want a T-shirt that says that.)

Saturday Review of Books: May 3, 2014

“To know a man’s library is, in some measure, to know a man’s mind.” ~Geraldine Brooks, March

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Welcome to the Saturday Review of Books at Semicolon. Here’s how it usually works. Find a book review on your blog posted sometime during the previous week. The review doesn’t have to be a formal sort of thing. You can link to your thoughts on a particular book, a few ideas inspired by reading the book, your evaluation, quotations, whatever.

Then on Friday night/Saturday, you post a link here at Semicolon in Mr. Linky to the specific post where you’ve written your book review. Don’t link to your main blog page because this kind of link makes it hard to find the book review, especially when people drop in later after you’ve added new content to your blog. In parentheses after your name, add the title of the book you’re reviewing. This addition will help people to find the reviews they’re most interested in reading.

After linking to your own reviews, you can spend as long as you want reading the reviews of other bloggers for the week and adding to your wishlist of books to read. That’s how my own TBR list has become completely unmanageable and the reason I can’t join any reading challenges. I have my own personal challenge that never ends.

When Did You See Her Last? by Lemony Snicket

When did you see her last? Did you get the message? What’s for breakfast? Who has the formula? Where could she have gone? Where is Cleo Knight? When did she go missing? What was she wearing when she left? How about some tea? Do you know the one about the big fight over an apple and a pretty woman? The one that ends with a hollow statue and a ghost who likes to bury things?

These are all questions from Lemony Snicket’s second book in the new series All the Wrong Questions. Some of the above questions are nearly right, but they’re all the wrong questions. In When Did You See Her Last? from the rapidly deteriorating town of Stain’d-by-the-Sea, Lemony himself narrates his adventures as an apprentice detective to the inept S. Theodora Markson. The case is the disappearance of the wealthy young chemist, Cleo Knight. Lemony is a rather melancholy young man of mystery in this noir detective story for middle grade readers.

Fans of the wildly popular A Series of Unfortunate Events will applaud this new series by the same author, Lemony Snicket (Daniel Handler). And since in this particular series Mr. Snicket gets to be both author and character, we are treated to more insight into the narrator’s life and circumstances, even though Lemony Snicket remains somewhat of an enigma. Something is going on with his sister in another town in an underground tunnel? And in the first book in the series (which I haven’t read) Mr. Snicket and his associates find and lose a statue in the shape of the Bombinating Beast? It’s all slightly esoteric, but still loads of fun, especially the wordplay, literary allusions, and droll humor.

In addition to questions, there are also answers, or at least aphorisms. Try some of these on for size:

“Anyone who gives you a cinnamon roll fresh from the oven is a friend for life.”

“Boredom is not black licorice. . . . There’s no reason to share it.”

“Do the scary thing first, and get scared later.”

“The world is a puzzle, and we cannot solve it alone.”

“They can teach you anything. That doesn’t mean you learn it. It doesn’t mean you believe it.”

“It doesn’t matter if you look ridiculous, not if you are with people you know and trust.”

You’ll have to make up your own questions. Maybe they will be the right questions. Maybe not. But if you enjoy slightly nonsensical, noirish adventures in which the main point and backstory of the series is Yet To Be Revealed, you might want to check out Lemony Snicket’s All the Wrong Questions. I’d suggest, unlike me, that you start with the first book in the series, Who Could That Be at This Hour?, proceed immediately to the second, and then to the third in the series, Shouldn’t You Be In School?

From Amazon (in case you are not familiar with the author’s rather wacky style): “Author Lemony Snicket is a broken man, wracked with misery and despair as a result of writing ‘A Series Of Unfortunate Events’. He spends his days wandering the countryside weeping and moaning and his evenings eating hastily-prepared meals. He has also written the mystery series ‘All the Wrong Questions’. Artist Seth is no stranger to a town that is fading. He is a multi-award-winning cartoonist, author, and artist, whose works include’ Palookaville’, ‘Clyde Fan’s, and ‘The Great Northern Brotherhood of Canadian Cartoonists’. He lives in Guelph, Canada.”

The Boy on the Porch by Sharon Creech

“The young couple found the child asleep in an old cushioned chair on the front porch.”

When John and Mary find a six year old boy asleep on their front porch, they are naturally curious to know who he is and where he came from. But the boy doesn’t talk. He does hear, and he draws and paints beautiful pictures, and he plays wonderful music. But he says not one word.

The Boy on the Porch is an odd sort of book. I can see it being the kind of book that an adopted child or a foster child might latch onto and love. Newbery Medal and Carnegie award winning author Sharon Creech (she’s the first author to win both the British and the American awards for children’s literature) writes of her inspiration for the novel:

“I discovered that the boy, who does not speak, is like all characters that do not have a voice until a writer is ready to listen to them; and he is like so many children who do not have a ‘voice’ in this world; and he is like all children who come into our lives: when they arrive—at any age—we wonder who they are and what they think and fear and feel and who they will become.”

So the theme is children without voices, both literally and metaphorically, and the adults who love those children who in turn need someone to see and hear their unique beauty. John and Mary are the stand-ins for all of the many, many adults who foster and adopt and care for children who are abandoned and in need of a caring family. The style is almost hypnotic: you can read or listen to a sample here. It’s a short book, 151 pages. It’s not a verse novel, but it almost has a poetic feel to it. It’s also not fantasy, but the boy who is found on the porch, Jacob, is a fantastic magical realism kind of character. He paints and makes music with abilities way beyond his years, but he never speaks and later in the book, he simply disappears.

This book tells a story that would be just right matched with just the right reader(s). However, they’re probably going to have to find it serendipitously because it’s going to be a hard one to sell—or to peg the right child to sell it to.

The Battle of Darcy Lane by Tara Altebrando

Taylor and I were sitting on my front porch pretending to be millionaires as the afternoon sun turned into evening. It was only the second week of summer vacation and already boredom was like a pesky mosquito that we were swatting away.
“Only boring people get bored,” my mom had already said like a hundred times. “Life’s what you make it.”

Now that’s a good beginning for a middle grade summer read. I’m seeing comparisons to Beverly Cleary and Judy Blume, and although the latter is probably a good readalike author, The Battle of Darcy Lane is definitely pitched to the twelve and up crowd who have probably outgrown Ramona Quimby. Our narrator, Julia, is not sure what she’s “outgrown” (dolls? unicorns?) and what pseudo-sophisticated games and paraphernalia she thinks are just nonsense, courtesy of the new girl across the street, Alyssa (lipstick? women’s magazines?).

The summer devolves into a series of games and contests. Whose best friend is Taylor, Julia’s or Alyssa’s? Who’s the best player of the complicated ball game, Russia? And does it really matter? Does Peter, Julia’s crush/neighbor/fellow band geek, like Julia or Alyssa best? Why is Taylor acting so weird? Why is Alyssa so mean? Will the cicadas, the ones that only come out every seventeen years, ever really emerge?

My twelve year old, Z-baby, might really like this book if I could get her to read it. It’s a realistic but sweet look at girls becoming teens and trying to fit in and be individuals and stand up to peer pressure and understand friendship—all over the course of one boring, eventful summer. Yes, it’s a series of contradictions and ups and downs. Isn’t adolescence rather like that?

(And yes, I am reminded of Judy Blume, but I like Ms. Altebrando’s “budding adolescence” novel better than I ever liked Are You There God, It’s Me, Margaret.)

Saturday Review of Books: April 26, 2014

“To read a writer is for me not merely to get an idea of what he says, but to go off with him and travel in his company.” ~André Gide

It’s been a busy bookish week, but not much activity on the blog itself because I’ve been fighting a cold all week. I did celebrate Shakespeare’s birthday on Wednesday the 23rd by giving out books for World Book Night. And I did a lot of reading between coughing and sneezing and wheezing and other forms of cold expression and relief. I’m much better now, just in time for the Saturday Review and for Dewey’s 24 hour Read-a-thon which is going on this weekend. If you’re participating in the Read-a-thon, or if you’re just reading’ and writ in’ (like me), please know that you are invited to link to your blog reviews here at Semicolon’s Saturday Review of Books this Saturday and every Saturday. And you are welcome to use the Saturday Review to help you find your next read.

SatReviewbutton

Welcome to the Saturday Review of Books at Semicolon. Here’s how it usually works. Find a book review on your blog posted sometime during the previous week. The review doesn’t have to be a formal sort of thing. You can link to your thoughts on a particular book, a few ideas inspired by reading the book, your evaluation, quotations, whatever.

Then on Friday night/Saturday, you post a link here at Semicolon in Mr. Linky to the specific post where you’ve written your book review. Don’t link to your main blog page because this kind of link makes it hard to find the book review, especially when people drop in later after you’ve added new content to your blog. In parentheses after your name, add the title of the book you’re reviewing. This addition will help people to find the reviews they’re most interested in reading.

After linking to your own reviews, you can spend as long as you want reading the reviews of other bloggers for the week and adding to your wishlist of books to read. That’s how my own TBR list has become completely unmanageable and the reason I can’t join any reading challenges. I have my own personal challenge that never ends.

L is for Lyrics

“Poetry and Hums aren’t things which you get, they’re things which get you. And all you can do is go where they can find you.” ~Winnie the Pooh

Lyrics: a set of words that make up a song, usually consisting of verses and choruses. The writer of lyrics is a lyricist.

'Moonrise beside Mt. Diablo' photo (c) 2013, David McSpadden - license: https://creativecommons.org/licenses/by/2.0/

America by Paul Simon

Let us be lovers, we’ll marry our fortunes together
I’ve got some real estate here in my bag.
So we bought a pack of cigarettes and Mrs. Wagner’s pies
And walked off to look for America.

“Kathy,” I said, as we boarded a Greyhound in Pittsburgh,
“Michigan seems like a dream to me now
It took me four days to hitch-hike from Saginaw.
I’ve come to look for America.”

Laughing on the bus
Playing games with the faces
She said the man in the gabardine suit was a spy
I said, “Be careful, his bow tie is really a camera.”

“Toss me a cigarette, I think there’s one in my raincoat.”
“We smoked the last one an hour ago.”
So I looked at the scenery, she read her magazine
And the moon rose over an open field.

“Kathy, I’m lost,” I said, though I knew she was sleeping.
“I’m empty and aching and I don’t know why.”
Counting the cars on the New Jersey Turnpike
They’ve all come to look for America
All come to look for America
All come to look for America

© 1968 Words and Music by Paul Simon

The Top One Hundred Song Lyrics that Work as Poetry

Saturday Review of Books: April 19, 2014

“Even when reading is impossible, the presence of books acquired produces such an ecstasy that the buying of more books than one can read is nothing less than the soul reaching towards infinity; we cherish books even if unread, their mere presence exudes comfort, their ready access reassurance.” ~A.E. Newton

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K is for Kyrielle

“[P]oetry can do something that philosophy cannot, for poetry is arbitrary and has already turned the formulae of belief into an operation of faith.” ~Charles Williams

kyrielle: derives from the Kýrie, which is part of many Christian liturgies. A kyrielle is written in rhyming couplets or quatrains. It may use the phrase “Lord, have mercy”, or a variant on it, as a refrain as the second line of the couplet or last line of the quatrain. In less strict usage, other phrases, and sometimes single words, are used as the refrain. Each line within the poem consists of only eight syllables.

This poetic form, with its repetition of the “kyrie”, seems appropriate for this Good Friday when we remember the Lord Jesus in his suffering and death.

'Crucifixion by Mia Tavonatti' photo (c) 2011, Rachel Kramer - license: https://creativecommons.org/licenses/by/2.0/A Lenten Hymn by Thomas Campion

With broken heart and contrite sigh,
A trembling sinner, Lord, I cry:
Thy pard’ning grace is rich and free:
O God, be merciful to me.

I smite upon my troubled breast,
With deep and conscious guilt oppress,
Christ and His cross my only plea:
O God, be merciful to me.

Far off I stand with tearful eyes,
Nor dare uplift them to the skies;
But Thou dost all my anguish see:
O God, be merciful to me.

Nor alms, nor deeds that I have done,
Can for a single sin atone;
To Calvary alone I flee:
O God, be merciful to me.

And when, redeemed from sin and hell,
With all the ransomed throng I dwell,
My raptured song shall ever be,
God has been merciful to me.

Robyn Hood Black is hosting Poetry Friday at Life on the Deckle Edge on this Good Friday.