If you like Lauren Tarshis’s I Survived books . .

For the month of July, I’m planning a series of posts about readalikes: what to read (or what to suggest to your favorite child reader) when you’ve read all of your favorite author’s books or all of the books of a certain genre that you know of, and you don’t know what to read next.

Scholastic has published a series of books by Lauren Tarshis about boys who survived great disasters. Some of the books feature true stories of young survivors, and others are historical fiction. I haven’t read any of the books in this series, but they seem to be quite popular. So, if you’re a fan of the I Survived series, here are a few other books that you might like:

Real Kids, Real Adventures is a series of several volumes by Deborah Morris, published by Broadman and Holman. Each book gives short, true adventure stories about kids facing shark attacks, plane crashes, tornadoes, fires, blizzards, and more. I haven’t read any of these books, but they should be a good fit for fans of the I Survived series.

We Were There . . . series. The series consists of 36 titles, first released between 1955 and 1963 by Grosset & Dunlap. Each book tells the story of an historical event in American or world history told through the eyes of a child. Maybe not quite as exciting as the I Survived stories, these books are nevertheless well-written, for the most part, by well-known and skilled children’s writers of the time, and the stories are compelling and informative. Here’s a list of the 36 books in the series in approximate chronological order:

We Were There with Caesar’s Legions by Robert N. Webb
We Were There with Richard the Lionhearted in the Crusades, by Robert N. Webb
We Were There with Cortes and Montezuma, by Benjamin Appel
We Were There with the Mayflower Pilgrims, by Robert N. Webb
We Were There at the Boston Tea Party, by Robert N. Webb
We Were There at the Battle of Lexington and Concord, by Felix Sutton
We Were There with Ethan Allen and the Green Mountain Boys, by Robert N. Webb
We Were There when Washington Won at Yorktown, by Earl Schenck Miers
We Were There on the Nautilus, by Robert N. Webb
We Were There with Lewis and Clark, by James Munves
We Were There with Jean Lafitte at New Orleans, by Iris Vinton
We Were There at the Opening of the Erie Canal, by Enid Lamonte Meadowcroft
We Were There with the California Rancheros, by Stephen Holt
We Were There with Charles Darwin on H.M.S. Beagle, by Philip Eisenberg
We Were There at the Battle of the Alamo, by Margaret Cousins
We Were There on the Oregon Trail, by William O. Steele
We Were There with the California Forty-Niners, by Stephen Holt
We Were There with Lincoln in the White House, by Earl Schenck Miers
We Were There at the Battle of Gettysburg, by Alida Sims Malkus
We Were There when Grant Met Lee at Appomattox, by Earl Schenck Miers
We Were There with the Pony Express, by William O. Steele
We Were There on the Chisholm Trail, by Ross McLaury Taylor
We Were There on the Santa Fe Trail, by Ross McLaury Taylor
We Were There at the Driving of the Golden Spike, by David Shepherd
We Were There with Florence Nightingale in the Crimea, by Robert N. Webb
We Were There in the Klondike Gold Rush, by Benjamin Appel
We Were There at the Oklahoma Land Run, by Jim Kjelgaard
We Were There at the First Airplane Flight, by Felix Sutton
We Were There with the Lafayette Escadrille, by Clayton Knight and Katherine Sturges Knight
We Were There with Byrd at the South Pole, by Charles S. Strong
We Were There at the Battle of Britain, by Clayton Knight and Katherine Sturges Knight
We Were There at Pearl Harbor, by Felix Sutton
We Were There at the Battle for Bataan, by Benjamin Appel
We Were There at the Normandy Invasion, by Clayton Knight
We Were There at the Battle of the Bulge, by David Shepherd
We Were There at the Opening of the Atomic Era, by James Munves

A few other individual fiction titles about children who survive natural and man-made disasters:
The Terrible Wave by Marden Dahlstadt. The Johnstown flood of 1889.
Night of the Twisters by Ivy Ruckman.
Galveston’s Summer of the Storm by Julie Lake.
Earthquake at Dawn by Kristana Gregory.
The Earth Dragon Awakes: The San Francisco Earthquake of 1906 by Laurence Yep.
SOS Titanic by Eve Bunting.
Leepike Ridge by N.D. Wilson.
Hatchet by Gary Paulsen. Survival after a plane crash.
Call It Courage by Armstrong Sperry.
Night of the Howling Dogs by Graham Salisbury. Tsunami.
Ash Road by Ivan Southall. Wildfire in the Australian outback.
Uprising by Margaret Peterson Haddix. The Triangle Shirtwaist Factory fire.

Then, there’s also nonfiction about great disasters and escapes:
The Great Fire by Jim Murphy.
Blizzard! by Jim Murphy.
Disaster at Johnstown: The Great Flood by Hildegard Dolson. (Landmark history)
The Battle for Iwo Jima by Robert Leckie. (Landmark history)

If you like A Series of Unfortunate Events by Lemony Snicket . . .

For the month of July, I’m planning a series of posts about readalikes: what to read (or what to suggest to your favorite child reader) when you’ve read all of your favorite author’s books or all of the books of a certain genre that you know of, and you don’t know what to read next. What if you’ve read all thirteen of Lemony Snicket’s woeful, hilariously funny series of unfortunate events? What’s next? What can top the Baudelaire orphans and their misadventures?

They’re not all series of unfortunate orphan cliffhangers, but if you like the wordplay and wit or the dark humor and adventure in the Lemony Snicket books, you might try these:
The Phantom Tollbooth by Norton Juster. Milo is bored, but not for long. When a tollbooth and a car appear in his bedroom, Milo decides he might well play along. He’s got nothing else to do. Little does he know that the land he is entering will be both exciting and adventurous, far from boring.

The Mysterious Benedict Society by Trenton Lee Stewart. Orphans, check. Mystery, check. Eccentricity, check. This book is much longer than one of the Unfortunate Events books, but since there are only three in this series and thirteen in Lemony Snicket’s saga, the page count comes out to about the same in the end. Four gifted children are sent undercover as spies at the Learning Institute for the Very Enlightened, where the only rule is that there are no rules.

The Wolves of Willoughby Chase by Joan Aiken. I didn’t know until recently that Ms. Aiken wrote twelve books in the Wolves Chronicles, including a prequel. I have three of them in my library, but I’d like to collect and read them all. These do have orphans and wolves and danger and an alternate British setting.
The Whispering Mountain, a prequel to the series
The Wolves of Willoughby Chase
Black Hearts in Battersea
Nightbirds on Nantucket
The Stolen Lake
Limbo Lodge
The Cuckoo Tree
Dido and Pa
Is Underground
Cold Shoulder Road
Midwinter Nightingale
The Witch of Clatteringshaws

Maryrose Wood’s Incorrigible Children of Ashton Place series is about three children who were raised by wolves. The story, which features governess Penelope Lumley, a fifteen year old graduate of the Swanburne Academy for Poor Bright Females, continues with much cliff-hanging action and excitement through five volumes:
The Mysterious Howling, Book 1.
The Hidden Gallery, Book 2.
The Unseen Guest, Book 3.
The Interrupted Tale, Book 4.
The Unmapped Sea, Book 5.

Lemony Snicket himself, aka Daniel Handler, has written a new series that’s akin to the Unfortunate Event series, but more confusing and weird. It actually features author Lemony Snicket when he was thirteen and just learning to write and detect. If you liked Unfortunate Events, you might like the series All the Wrong Questions:
“Who Could That Be at This Hour?”
“When Did You See Her Last?”
“Shouldn’t You Be in School?”
“Why Is This Night Different from All Other Nights?”

If you like the American Girl books . . .

For the month of July, I’m planning a series of posts about readalikes: what to read (or what to suggest to your favorite child reader) when you’ve read all of your favorite author’s books or all of the books of a certain genre that you know of, and you don’t know what to read next. Molly and Felicity and Kaya and Kirsten and all the rest are great, but what’s to read after you’ve devoured all of the American Girl books?

The Childhood of Famous Americans (often abbreviated as COFA) series is written on a similar reading level to the American Girls series, and the books, although not exactly fiction, are also not exactly nonfiction biography. They are biography told as a story, somewhat fictionalized, emphasizing the childhood years of famous Americans. Many of the titles are about girl heroines such as Martha Washington, Clara Barton, Jessie Fremont, Elizabeth Blackwell, Amelia Earhart, Eleanor Roosevelt, and many others. Following up fictional American girls with the stories of real American girls is sure winner for the fourth of July or anytime of the year.

Once Upon America is a series for ages seven to eleven, about fictional children living through changes and events in American history. The following titles feature female protagonists (there are also several that feature boys):
Hannah’s Fancy Notions: A Story of Industrial New England by Pat Ross.
Close to Home: A Story of the Polio Epidemic by Lydia Weaver.
The Day It Rained Forever: A Story of the Johnstown Flood by Virginia T. Gross.
Fire!: The Beginnings of the Labor Movement by Barbara Diamond Goldin.
A Long Way to Go: A Story of Women’s Right to Vote by Zibby Oneal.
Night Bird: A Story of the Seminole Indians by Kathleen V. Kudlinski.
Tough Choices: A Story of the Vietnam War by Nancy Antle.

My America, a series of fictional diaries of young children during American history, written for the same age group about seven to eleven, offers the following titles:

Elizabeth’s Jamestown Colony Diaries by Patricia Hermes:
Our Strange New Land
The Starving Time
Season of Promise

Hope’s Revolutionary War Diaries by Kristiana Gregory:
Five Smooth Stones
We Are Patriots
When Freedom Comes

Meg’s Prairie Diaries by Kate McMullan:
As Far As I Can See
For This Land
A Fine Start

Sofia’s Immigrant Diaries by Kathryn Lasky:
Hope in My Heart
Home at Last
An American Spring

Virginia’s Civil War Diaries by Mary Pope Osborne:
My Brother’s Keeper
After the Rain
A Time to Dance

A step up from the American Girl and the My America books are the fiction books in the series Dear America, which are also written in diary or journal form and tell the tale of a fictional participant in some of the most compelling events and eras of American history. These books are suitable for girls ages 12 and up. Some titles (there are many more) in this series are:

A Journey to the New World: The Diary of Remember Patience Whipple, Mayflower, 1620 by Kathryn Lasky.
The Winter of Red Snow: The Diary of Abigail Jane Stewart, Valley Forge, Pennsylvania, 1777 by Kristiana Gregory.
The Fences Between Us: The Diary of Piper Davis, Seattle, Washington, 1941 by Kirby Larson (September 2010)
Voyage on the Great Titanic: The Diary of Margaret Ann Brady, RMS Titanic, 1912 by Ellen Emerson White.
A Picture of Freedom: The Diary of Clotee, a Slave Girl, Belmont Plantation, Virginia, 1859 by Patricia McKissack.
Like the Willow Tree: The Diary of Lydia Amelia Pierce, Portland, Maine, 1918 by Lois Lowry.
A Light in the Storm: The Diary of Amelia Martin, Fenwick Island, Delaware, 1861 by Karen Hesse.
When Will This Cruel War Be Over?: The Diary of Emma Simpson, Gordonsville, Virginia, 1864 by Barry Denenberg.
Cannons at Dawn: The Second Diary of Abigail Jane Stewart, Valley Forge, Pennsylvania, 1779 by Kristiana Gregory.
Standing in the Light: The Diary of Catharine Carey Logan, Delaware Valley, Pennsylvania, 1763 by Mary Pope Osborne (May 2011)
I Thought My Soul Would Rise and Fly: The Diary of Patsy, a Freed Girl, Mars Bluff, South Carolina, 1865 by Joyce Hansen.
With the Might of Angels: The Diary of Dawnie Rae Johnson, Hadley, Virginia, 1954 by Andrea Davis Pinkney.
I Walk in Dread: The Diary of Deliverance Trembley, Witness to the Salem Witch Trials, Massachusetts Bay Colony, 1691 by Lisa Rowe Fraustino.
Behind the Masks: The Diary of Angeline Reddy, Bodie, California, 1880 by Susan Patron.
Across the Wide and Lonesome Prairie: The Diary of Hattie Campbell, The Oregon Trail, 1847 by Kristiana Gregory.
Christmas After All: The Diary of Minnie Swift, Indianapolis, Indiana, 1932 by Kathryn Lasky.
A City Tossed and Broken: The Diary of Minnie Bonner, San Francisco, California, 1906 by Judy Blundell.
Hear My Sorrow: The Diary of Angela Denoto, a Shirtwaist Worker, New York City, 1909 by Deborah Hopkinson.

Happy Fourth of July, and may those who want them find many, many American girls to read about and admire.

If you like Little House: The Older (Golden) Years of Laura . . .

For the month of July, I’m planning a series of posts about readalikes: what to read (or what to suggest to your favorite child reader) when you’ve read all of your favorite author’s books or all of the books of a certain genre that you know of, and you don’t know what to read next.

On Saturday we talked about Little House (Laura Ingalls Wilder) readalike books for middle grade readers; today I have some prairie and frontier fiction for middle school, high school and even adult readers.

The Jumping-Off Place by Marian Hurd McNeely. Becky, Dick, Phil, and Joan, orphaned brothers and sisters, work hard to retain their Uncle Jim’s homestead in Tripp County, South Dakota at the turn of the century, early 1900’s. This book won a Newbery Honor in 1930, around the same time that the Little House books were being published, but it’s not nearly as well known. I put it here in this post for older children and teens because it’s a little darker in tone than the Little House books. A baby dies of snakebite; some homesteaders go hungry; life is hard. But the children/young people survive and thrive with grit and determination.

Patricia Beatty’s historical heroines are usually strong, spunky, and full of life and mischief. Often her novels have themes related to women’s rights, women’s suffrage, and feminism. These have a much more comical, individualistic, and adventurous tone to them than the Little House series, and they’re written for twelve year olds and older.
A selection of some of my favorite frontier fiction titles by Patricia Beatty:
That’s One Ornery Orphan. In Texas in the 1870’s orphan Hallie Lee Baker tries to get herself adopted, but her plan go awry.
Just Some Weeds from the Wilderness. In Oregon in 1873, Adelina Westlake, with the help of her niece Lucinda, goes into business, unheard of for a well-bred female, to save her family from financial ruin.
Something to Shout About. Thirteen year old Hope Foster and her family become the new residents of a new town in 1875: Ottenberg in Montana Territory.
How Many Miles to Sundown? Beeler Quimey and her pet longhorn, Travis, travel with brother Leo and another boy, Nate through Texas, New Mexico, and Arizona in the 1880’s.
By Crumbs It’s Mine. In 1882, thirteen year old Damaris and her family are traveling through Arizona territory in hopes of settling somewhere when her father catches gold fever and deserts the family for the gold fields of California. When Damaris accidentally becomes a hotel owner, the family calls on Aunt Willa to help.
Bonanza Girl. Ann Katie Scott and her mother move to a mining boom-town in Idaho Territory and begin to make a living by opening a restaurant.But how will they survive if the gold gives out?
The Nickel-Plated Beauty. In Washington state in 1886, the Kimballs order their mother a new, shiny, nickel-plated cookstove for Christmas. They keep their plan a secret and spend half the year working to try to pay for the beautiful new stove.
Hail Columbia! In 1893, Louisa’s Aunt Columbia bring her suffragette and other political ideas to the frontier in Astoria, Oregon.
O The Red Rose Tree. Also set in 1893, but back in Washington state, this novel features four thirteen year old girls trying to help an old woman complete her special quilt pattern.
Eight Mules from Monterey. In 1916, Fayette and her librarian mother try to bring library services by mule to the people living in and around Monterrey, California.

When Molly Was a Harvey Girl by Frances M. Wood. Molly pretends to be eighteen years old so that she can get a job as a Harvey girl at the famous Harvey House restaurant.

Hattie Big Sky by Kirby Larson. The orphaned sixteen year old Hattie Brooks decides to leave Iowa and move to Vida, Montana, to prove up on her late uncle’s homestead claim. In Montana in 1918, Hattie finds adventure, hardship, and family.
Hattie Ever After by Kirby Larson. In this sequel to Hattie Big Sky, Hattie wants to follow in the footsteps of Nellie Bly and become a real newspaper reporter.

If you’ve tried all of these and the ones in the previous Little House readalike post and you still want more, let me know in the comments. I can probably come up with a few more authors and books to sate your appetite for girls and families in historical frontier fiction.

If you like Little House on the Prairie . . .

For the month of July, I’m planning a series of posts about readalikes: what to read (or what to suggest to your favorite child reader) when you’ve read all of your favorite author’s books or all of the books of a certain genre that you know of, and you don’t know what to read next. Here are a few suggestions for Little House on the Prairie fans.

First up, author Melissa Wiley has written a series of books about Laura Ingalls Wilder’s grandmother and great-grandmother:
Books about Martha Morse, Laura’s great-grandmother by Melissa Wiley:
Little House in the Highlands
The Far Side of the Loch
Down to the Bonny Glen
Beyond the Heather Hills

Books about Charlotte Tucker, Laura’s grandmother, also by Melissa Wiley:
Little House by Boston Bay
On Tide Mill Lane
The Road from Roxbury
Across the Puddingstone Dam

Another duo, Maria Wilkes and Celia Wilkins, has written about Laura’s mother’s childhood.
Books about Caroline Quiner Ingalls, Laura’s mother, by Maria Wilkes & Celia Wilkins:
Little House in Brookfield
Little Town at the Crossroads
Little Clearing in the Woods
On Top of Concord Hill
Across the Rolling River
Little City by the Lake
A Little House of Their Own

Books about Laura’s daughter, Rose Wilder Lane, by her heir, Roger Lea MacBride:
Little House on Rocky Ridge
Little Farm in the Ozarks
In the Land of the Big Red Apple
The Other Side of the Hill
Little Town in the Ozarks
New Dawn on Rocky Ridge
On the Banks of the Bayou
Bachelor Girl

Then, there’s this set published by Harper Collins and written by various well-known authors who are also Little House fans:
Old Town in the Green Groves (Little House) by Cynthia Rylant.
Nellie Oleson Meets Laura Ingalls (Little House) by Heather Williams.
Mary Ingalls on Her Own (Little House Sequel) by Elizabeth Cody Kimmel.

Carol Ryrie Brink published Caddie Woodlawn in 1935, and it received the Newbery Medal in 1936. It’s about a girl growing up on the frontier in Wisconsin, before and during the Civil War (1860’s). Caddie is set during much the same time period as the Little House books by Ms. Wilder. A second book with more stories about Caddie and her family is called Magical Melons.

Louise Erdrich’s Birchbark House is about Omakayas, a seven-year-old Native American girl of the Ojibwa tribe. It’s a good counter-balance to the portrayal of Native American people in the Little House books, which tends to be somewhat negative and stereotypical. The books in the series so far are:
The Birchbark House
The Game of Silence
The Porcupine Year
Chickadee
Makoons

Latsch Family Farm series by Anne Pellowski. These are a series of five novels about life in the Polish Catholic farm communities in Trempealeau County, Wisconsin. Each book tells about one year in the life of the author’s great-grandmother, grandmother, mother, and the author herself in the last book, Stairstep Farm. The books, which do not need to be read in chronological order, are:
First Farm in the Valley: Anna’s Story
Willow Wind Farm: Betsy’s Story
Betsy’s Up-and-Down Year
Winding Valley Farm: Annie’s Story
Stairstep Farm: Anna Rose’s Story

The Orphan Train Adventures series are also worthy and exciting reads for lovers of frontier-setting fiction. The books tell about the adventures of a family of orphans from New York City who are split up and sent west on the Orphan Train to live with frontier families.
A Family Apart (Orphan Train Adventures, #1)
Caught in the Act (Orphan Train Adventures, #2)
In The Face of Danger (Orphan Train Adventures, #3)
A Dangerous Promise (Orphan Train Adventures, #4)
Keeping Secrets (Orphan Train Adventures, #5)
A Place to Belong (Orphan Train Adventures, #6)
Circle of Love (Orphan Train Adventures, #7)

If you finish all of these and still want more you can always enjoy a few nonfiction spin-offs:
The Little House Cookbook by Barbara M. Walker. Illustrated by Garth Williams.
My Little House Sewing Book by Margaret Irwin.
My Little House Craft Book by Carolyn Strom Collins.
The World of Little House by Carolyn Strom Collins.
Laura Ingalls Wilder by Gwenda Blair.

All of the above books are for approximately the same maturity and reading level as the original Little House books. Tomorrow I’ll post about what to read when you’ve sort of outgrown Little House but still want to read prairie and frontier adventures: Little House for young adults.

Up Periscope by Robb White

According to Jan Bloom’s Who Should We Then Read, Volume 2, author Robb White’s books are “high action, well-written adventure yarns peopled with realistically drawn, likable characters in plausible yet exciting situations.” This particular yarn is a World War II submarine adventure that takes place in the South Pacific. Kenneth Braden, lieutenant (junior grade), U.S. Naval Reserve, volunteers for an unnamed job while he’s in Underwater Demolition School, and he soon finds himself in Hawaii, Pearl Harbor, talking to an admiral about doing something “hard, lonely, and dangerous” somewhere in the Pacific. Ken can take the job or back out. Of course, he decides to go for it.

I won’t spoil the story by telling what Ken’s job entails, but it does involve a great deal of time on a submarine. Both Ken and the readers of the novel learn a lot about submarines by the time the story is over. I knew almost nothing about submarines and submarine warfare when I started reading, and now I know . . . a little, not because there’s only a little information in the book, but mostly because I could only take in and assimilate so much. Readers who are really interested in submarine warfare will find the story absorbing and informative, and I assume the details are accurate since Mr. White served in the U.S. Navy himself during World War II. Suffice it to say I enjoyed this action tale, and World War II buffs or submarine aficionados will enjoy it even more than I did.

Apparently, the book was popular in its time, or else Robb White had connections in Hollywood. The novel was published in 1956, and it was made into a movie, starring James Garner, in 1959. White’s memoir, Our Virgin Island, about the Pacific island he and his wife bought for $60.00 and lived on before the war, was filmed as Virgin Island in 1958. The movie starred John Cassavetes, Sidney Poitier, and Ruby Dee. (White did write for Hollywood, so I guess he had connections.)

The author is just about as fascinating as his novel. He was born in the Philippines, a missionary kid. He learned to sail at an early age, graduated from the Naval Academy, and loved the sea. But he also wanted to be a writer, and he wrote magazine articles, screenplays, three memoirs, and more than twenty novels. His novels were mostly marketed to what we would now call the young adult market, but Up Periscope at least is not about teens, but rather adult men, fighting in an adult war. The only reason it might be considered a “children’s” or “young adult” novel as far as I can see is that there is a distinct lack of bad language and sexual content, a welcome relief from modern young adult novels. I counted only one “damn”, and on the flip side, several instances in which the men pray in a very natural, fox-hole way for God to save them from impending death. There is some war nastiness and violence, but that’s to be expected in a war novel. I think anyone over the age of twelve or thirteen could appreciate this thrilling story of espionage and submarine derring-do.

Only a couple of Robb White’s books remain in print; the rest are available at wildly varying prices from Amazon or other used book sellers. On the basis of just having read this one (and Jan Bloom’s recommendation) I would recommend his novels for your World War II-obsessed readers, and I would be quite interested in reading Mr. White’s three memoirs: Privateer’s Bay, Our Virgin Island, and Two on the Isle.

Hillbilly Elegy by J.D. Vance

Hillbilly Elegy: A Memoir of a Family and Culture in Crisis by J.D. Vance.

Former Marine and Yale Law School graduate J.D. Vance has an unconventional background for a man with such credentials: he grew up in poor, dysfunctional, hillbilly family from northern Kentucky, mostly living in the lower-class neighborhoods of Middletown, Ohio. His mother was a drug abuser who subjected him and his older sister to a series of husbands and boyfriends, who were neglectful or abusive or at best, temporarily decent. Any stability he had in his childhood came from his maternal grandparents who were fiercely supportive, even if they had issues of their own. J.D.’s grandmother is a character from the Beverly Hillbillies, without the the silly humor, with the shotgun firmly in hand, and with the addition of some salty language that wouldn’t have been appropriate in a TV sitcom. His grandfather was a taciturn man, a former alcoholic, who supported J.D. mainly by spending time with him, availability being nine-tenths of the job requirement for a substitute father-figure.

The book definitely reminded me of my family’s lower middle class background. The violence and drug abuse in Vance’s family are mostly absent from mine, but some other forms of family dysfunction are quite familiar. Divorce, alcoholism, and poor educational choices and opportunities have dogged my working class white family, too, with some members of the family being able to move past those limitations while others became mired in their own generational poverty and family dysfunction.

It’s rather funny to read a selection of the reviews on Amazon or Goodreads for this book. Lots of people from inside and outside the Appalachian culture that Vance describes laud his deep insights into and vivid depiction of hillbilly culture. Others insist that Vance doesn’t have clue what he’s talking about, that his insights apply only to his own particular family situation or that his depiction of hillbilly life in the Rust Belt town of Middletown is either too dark or too optimistic.

I thought Mr. Vance had a lot to say about how people are able to grow and change and make good choices, partly despite their family background and partly as a result of clinging to the good parts of the family heritage. Vance’s grandparents were able to leave the Hatfield/McCoy violence and bitterness of the northern Kentucky hills behind and make a better life in Middletown, not a perfect life since they brought a lot of problems (and guns) with them, but a better life. Vance’s birth father was able to find stability and a fulfilling life in his Christian faith and church community. Vance himself was able to draw from the tenacity and love of both of his grandparents to make mostly wise choices about his own life, become a marine, get an education, and eventually write Hillbilly Elegy. Some critics deride Vance’s emphasis on a strong work ethic and moral choices to bring people up out of poverty and dysfunction, but the truth is the truth. A person who works hard and makes good moral choices about important life decisions (don’t abuse drugs and alcohol, marry your sexual partner, do what you need to do to support your family financially, try to get a good education, etc.) is much more likely to graduate from lower class poverty into at least middle class stability and functionality.

The book isn’t really preachy, however. It’s likely only to offend those who have already decided that traditional morality and hard work are useless prescriptions to ameliorate or even cure generational poverty. The author himself doesn’t state or imply that it’s easy or that he didn’t benefit from some fortuitous events and help along the way, such as a full scholarship to Yale Law School. He’s honest and gives credit where credit is due, but he’s also unflinching in his assessment of the flaws and inherent deficiencies that characterized his experience of “hillbilly culture.”

Many readers and reviewers have tried to sell this book as a guide to “why people voted for Trump” or “why Trump was elected president”, especially why lower class and lower middle class white voters were inclined to be Trump supporters. I don’t think that’s the main point of the book, and I don’t really think it’s too helpful in that regard. J.D. Vance’s hillbilly family members may have supported Trump, but they weren’t his only supporters. Don’t read the book to understand Trump voters; instead, read it to understand Appalachian and Rust Belt family dynamics and social mobility and the saga of one hillbilly who lived to tell his own story.

Frederica by Georgette Heyer

Best Regency romance ever with strong characters and witty and slangy repartee. I liked the romantic leads quite a bit, and I even felt sympathy for the ingenue parts, played by Frederica’s sister Charis and her crush. Oh, I just had a thought: this book would translate into a K-drama quite nicely.

The male lead of the novel, the Marquess of Alverstoke, is thirty-seven years old, rich, cold-hearted, uninterested in marriage, and unwilling to become involved in the lives and fortunes of his various relatives. However, Miss Frederica Merryville, a distant country cousin, breaks through his defenses without even meaning to do so. By the end of the novel, of course, Alverstoke and Frederica are in love and well on their way to becoming a “good match.”

I’ve been reading several of Gerogette Heyer’s Regency and other romance novels, and I find them of uneven quality. They are rather predictable, but the journey to the happy, married ending is rather fun, IF I like the characters from near the beginning. On the other hand, as in The Devil’s Cub, if the characters are unbelievable or unlikeable in the extreme, displaying the worst characteristics of the time period and culture, then it’s hard to develop much sympathy for them or interest in their eventual fate.

So far, here are the best and worst of Ms. Heyer’s oeuvre, in my opinion:

Best: Frederica, The Grand Sophy, Lady of Quality

Worst: The Devil’s Cub and perhaps by extension, These Old Shades, which is about the parents of Vidal from The Devil’s Cub. I didn’t like Vidal nor his parents in the latter book, so I doubt I would develop much affection for the Alistair family by reading These Old Shades.

Still planning to read: Cotillion, Venetia, The Convenient Marriage.

Any others you recommend I seek out?

State of Wonder by Ann Patchett

As I was reading this book, I remember thinking, “This story reminds me of Joseph Conrad’s Heart of Darkness.” Then, I went to Goodreads to log the book as having been read, and there I discovered that several other people noticed the similarities to Conrad’s classic story. Perhaps Ms. Patchett intended to follow after Conrad, in a feminist, post-colonial setting along the Amazon rather than the Congo. At any rate, she did have a harder time taking her characters into the unknown. With our twenty-first century technology, we at least think we know everyone and everything and can communicate with anyone, anywhere, anytime.

“I don’t know how to write a novel in the world of cellphones. I don’t know how to write a novel in the world of Google, in which all factual information is available to all characters. So I have to stand on my head to contrive a plot in which the characters lose their cellphone and are separated from technology.” Ann Patchett interviewed in The Washington Post, June 17, 2011.

So, Ms. Patchett’s protagonist, Dr. Marina Singh, turns out to be particularly absent-minded and tech-averse, unable to hang onto her cell phone or make it work for any length of time. Accept that plot/character device and go on.

Dr. Annick Swenson is working, in the heart of the Amazon jungle, on a fertility drug that will revolutionize the world, if it can be brought to market. The trouble is that Dr. Swenson can’t be bothered to communicate with the pharmaceutical company that is sponsoring her work and that hopes to make a fortune by selling her discovery. The company has already sent one person down to Brazil to find out what’s going on, Anders Eckman. But he’s disappeared, reported dead. Now, they want Dr. Marina Singh, a researcher who worked with Eckman, to go to Brazil, find out exactly what happened to her friend and colleague Anders Eckman, and bring back a firm timetable for the completion of research on the fertility drug.

Dr. Singh, of course, finds that getting in touch with her old professor, Dr. Swenson, is not as easy or uncomplicated as it looked to be from far away in good old Minnesota. And once she does arrive at Dr. Swenson’s camp among the Lakashi people, Marina Singh is embroiled in a web of competing interests and secrets and lies that threatens to keep her in the Amazon jungle for the rest of her life or perhaps end her life prematurely, as happened to her colleague, Dr. Eckman.

Some of the episodes and plot developments in the book certainly stretched my credulity and my ability to suspend disbelief, but to list these rather unbelievable coincidences and character actions would be to spoil some of the “wonder” of the story. As a reader either you decide to go with it, or you put it down. I read to the end, and although I didn’t like certain aspects of the ending very much, I still found that the book gave me much to think about:

Would it be a good thing to have a drug that enabled women to continue to have children into their fifties and sixties and beyond? Why is it that women lose their fertility in their mid-forties? Would women’s lives be improved by such a drug? Would the children who resulted from such an innovation be better off or worse of than children who are conceived and raised while the parents, especially the mother, are relatively young?

Is it really important to protect “native” cultures from the influence of modern Western culture? How important? Should we withhold what we consider to be life-enhancing technology and medicine from those native peoples in the interest of protecting their way of life? Does this novel perpetuate the myth of the “noble savage” living in a sort of paradise and the intrusive white colonialists coming to despoil and exploit those indigenous peoples? Or is it a myth?

What does this book have to say about our current Western cultural habit of putting off child-bearing to farther and farther into a woman’s life span? Is this a good idea, and should we change our biology, our biological clock so to speak, to accommodate the choice to delay child-bearing, if we can? When we abort our babies and use contraception to avoid conceiving them and delay marriage, are we doing anything different from the people in the book who work to extend women’s fertility and child-bearing years into old age?

I didn’t really like the ambiguity of the ending in this novel, but I suppose it was necessary to make it a “literary” novel. I’m low-brow enough to like all of my loose ends tied and questions answered at the end of a book, but I know that’s not necessarily in vogue in literary circles.

Fans of Patchett’s other novels, of The Poisonwood Bible by Barbara Kingsolver, and of Conrad’s Heart of Darkness will probably find State of Wonder to be to their taste as well.