I’m reluctant to say it, but the writing quality seems to have dropped between this third book in the trilogy and the first one. Fans will still want to know what happens to Tris and Four and their city of factions, but they may be as disappointed as I was in the dialogue and plot development in Allegiant.

First of all, there are character motivation and plot continuity problems. POSSIBLE SPOILERS!!! At one point Four is supposed to have joined a rebellion and betrayed the entire compound in which he and Tris are living, and in addition, caused the death of at least one character. He is put on “probation” by the authorities. Then, he proceeds to go wherever he wants, talk to whomever he wants, and become involved in yet another rebellion. It seems unlikely to say the least.

Tris, too, is able to see and hear and get information way beyond the trust level that she has earned, and her ability to escape death and serious injury is nearly magical. I found it difficult to understand how the society where Tris and Four find themselves can be so security-conscious and at the same time so negligent in supervising and guarding against these teen “strangers”, some of whom are believed to be “genetically damaged” and therefore prone to violence and unbalanced choices.

Tris and Four promise each other to be completely honest and to keep no secrets from one another. Then they both tell half-truths and keep secrets from each other. And the motivation for their doing so is inadequate and unbelievable. Four believes a girl he barely knows and keeps secrets from Tris on her behalf—because he’s feeling insecure? Tris has her own secrets that she keeps for the sake of—not burdening Four?

Four and Tris become more and more physically involved with one another in this book, while at the same time arguing over issues of honesty and keeping secrets from one another and forgiveness. The book shows a true picture of how a romance can “heat up” physically while the couple involved have to endure misunderstandings and betrayals and continue to “choose each other” daily in order to stay together. But Tris and Four act extremely mature and make critical choices in life and death situations in one moment while at the next juncture they’re dealing with and exhibiting immaturity, jealousy, and possessiveness at a middle school level.

I predict that lots of fans are not going to like the ending, but the last few chapters were actually my favorite part of the book. Four and Tris really grow up fast in the last quarter of the book and show us the maturity that I wanted to see throughout this third book. To get to the ending I also had to endure superfluous characters (a homosexual couple introduced solely for the purpose of “diversity”), unexplained rabbit trails, and awkward pacing and dialogue. But I’m glad I finished the book. And I’m looking forward to the Divergent movie. (Divergent is scheduled to be released on March 21, 2014 in the United States.) However, unless the movie people–directors and screenwriters—do something really special with the second and third books in the trilogy, I probably won’t bother seeing those movies, if they even get made.