FNFC: Alfred Hitchcock’s The Wrong Man

This Hitchcock film from 1956 comes with introductory remarks by Hitchcock himself; he tells us that this film is different from his other movies because it is a true story. The false arrest and imprisonment of Mr. Christopher Emmanuel Ballestrero (aka Manny) actually took place in New York City in 1953. He was accused by several eyewitnesses of having committed armed robbery. The police took Mr. Ballestrero into custody on the word of these witnesses and subjected him to a rather primitive and inconclusive form of a police line-up and then charged him with the armed robbery.

In addition to asking why the movie was in black and white instead of color, my daughters were amazed at the lack of due process and proper police procedure that led to the wrongful arrest and indictment of Manny Ballestero. No Miranda warning (Miranda vs. Arizona, 1966), no lawyer provided (Gideon vs. Wainright, 1963), and police questioning and investigation that was unfair and rather perfunctory—it certainly didn’t look anything like a current day police drama or criminal investigation. We don’t realize what protections we have now that weren’t there a little over fifty years ago. Perhaps the choice of a black and white film emphasizes the antiquated and unjust investigation and trial. And yet, my daughters and I were quick to note that the same kind of false imprisonment can and does happen today, especially for minority suspects who are more likely to be victims of false identification and false arrest.

I kept thinking that Mr. Ballestrero needed to call Perry Mason. Mr. Mason would have had that case resolved and thrown out of court within an hour of television. As it was it took a little longer that that in the movie version, and the defendant and his wife had to do all of their own investigative work to come up with an alibi for Mr. Ballestrero. Perry Mason would have had Paul Drake to help with the detective work.

The next thing we noticed about the movie was the rather dated and hokey psychiatric diagnosis and treatment. Manny’s wife has what would have been called at the time “a nervous breakdown” because of the stress of the arrest and impending trial. However, her break with reality is almost complete; she barely speaks coherently to Manny or to anyone else after she becomes mentally ill. Stress might trigger a mental illness like that of Mrs. Ballestrero, but she’s practically catatonic and obviously suffering from something (clinical depression? schizophrenia?) more serious than stress. Vera Miles plays the wife, and she’s good in an eerie sort of way. Henry Fonda as Manny is mostly stoical and poker-faced, a little bewildered, a man who perseveres through all of the injustice of being prosecuted for a crime he didn’t commit with a certain dignity and humility.

The most interesting scene in the movie has Manny finally breaking down into near-despair over his situation, with his mother exhorting him to pray to God. “My son, I beg you to pray! Pray for strength!” she says. He does pray in his bedroom, while looking at a picture of Jesus, and the movie’s viewers see the real robber walking out of the darkness, then his face superimposed on Fonda/Ballestrero’s face. The police catch the real robber in the act of holding up a store, notice the similarity between Manny and the robber, and the case is solved. Manny is delivered. It’s a very obvious answer to prayer, and yet the ending to the movie shows that Manny still needs God’s strength to get through the continuing aftermath of the storm that has upended his life and marriage.

Manny Ballestrero: “Be careful of accusing anyone. Before you accuse anyone, you should think, because you can destroy a family, physically and mentally, like mine could have been destroyed.”

More analysis and review of The Wrong Man:

At the Alfred-Hitch Blog.

Alfred Hitchcock’s Two Most Catholic Films at decent films.

Roger Ebert on Hitchcock’s Least Fun Movie Is Also One of His Greatest.

This Friday the Friday Film Club feature will be Judgment at Nuremberg, a 1961 American courtroom drama, directed by Stanley Kramer, written by Abby Mann and starring Spencer Tracy, Burt Lancaster, Richard Widmark, Maximilian Schell, Werner Klemperer, Marlene Dietrich, Judy Garland, William Shatner, and Montgomery Clift.

Sunday’s Hymn: Thy Mercy, My God

We sang this hymn this morning in church. The words were written by John Stocker and appeared in The Gospel Magazine in 1776 and then were later published by Daniel Sedgwick, a great British collector of hymns and a bookseller in the mid-nineteenth century. Sandra McCracken tells the story of how she discovered these old lyrics and wrote new music for them here.

Without Thy sweet mercy I could not live here;
Sin would reduce me to utter despair . . .

Dissolved by Thy goodness, I fall to the ground,
And weep to the praise of the mercy IÂ’’ve found.

The Lost Property Office by James R. Hannibal

The Lost Property Office, Baker Street Branch, in London is just a front for the secret Ministry of Trackers. And our hero, thirteen year old American boy Jack Buckles, finds out, by accident, that he is a Tracker, as was his father before him. Can Jack use his newfound tracking skills to find his father, who disappeared in London a few weeks ago without leaving a trace behind?

This fantasy adventure was exciting, but sometimes hard to follow. I almost wished for the movie version so that I could see the action, instead of trying to picture it myself from the descriptions in the book. If you’ve read this book I’d be curious to know whether you had the same problem. Maybe I just wasn’t a very good reader.

Jack teams up with a junior apprentice clerk named Gwen, and the two of them go off to save the world —and find Jack’s dad. The Macguffin is something called the Ember that may or may not have started the Great Fire of London back in 1666. So Gwen and Jack end up investigating the fire as well as looking for the Ember as well as attempting to rescue Jack’s dad. It’s all a little frustrating since Gwen is evasive and withholding of information. And Jack has just discovered his tracker abilities, which include being able to “spark” or see visions of the past by touching an object and channeling his thoughts into the history of that object. Jack is just learning to use his tracker talents, and Gwen is supposed to be helping him, but there’s a lot of stuff she’s not telling him.

I found Gwen’s “we’ll talk about that later” and “change the subject” when asked a direct question just as annoying as Jack did in the book. I wanted her to sit down and explain all about underground ministries and trackers and the number 13 and sparking all in one clear, concise speech, but I suppose that would have shortened the story considerably. At 387 pages, it could have afforded some cutting. I did like the historical aspects about the Great Fire and how it started.

Nevertheless, I recommend this book for fans of Trenton Lee Stewart’s The Mysterious Benedict Society or Jonathan Auxier’s Peter Nimble. It’s a good romp, and as I said, some of my issues may have been due to inattentive reading.

Oh, Were They Ever Happy by Peter Spier

This classic story of three children left “home alone” on a beautiful Saturday may be my favorite picture book of all time. It’s certainly in my top ten.

The story begins: “It happened on a Saturday morning that Mrs. Noonan said to her husband, ‘When are you going to paint the outside of the house? You’ve been talking about it for months!'”

Then Mr. and Mrs. Noonan leave for the day to run errands, telling the children to “behave themselves” and that the babysitter would be there shortly. “But the sitter never showed up.”

” . . . there was plenty of paint in the garage.”

You may think you can imagine what happens next, but unless you’ve seen this book with Mr. Spier’s wonderful illustrations, I can assure you that your imagination falls far short of the glorious picture book reality. The details in each illustration are so much fun to study, and the overall story—and the ending–are epic.

The plot of the story is similar to my other favorite Peter Spier title, Bored–Nothing To Do, but I love this one even better. It’s so colorful!

If you can find a copy of this picture book, I highly recommend it. Unfortunately, it’s out of print, and copies of the used paperback are selling for more than $10.00 online; the hardcover is more like $20.00+. Check your library, then used bookstore, either storefront or online.

Saturday Review of Books: January 21, 2017

“Like Scout and her father in To Kill a Mockingbird, my father would pull me onto his lap each night in our four-room apartment and read aloud.” ~Jim Trelease

SatReviewbutton

Welcome to the Saturday Review of Books at Semicolon. Here’s how it usually works. Find a book review on your blog posted sometime during the previous week. The review doesn’t have to be a formal sort of thing. You can link to your thoughts on a particular book, a few ideas inspired by reading the book, your evaluation, quotations, whatever.

Then on Friday night/Saturday, you post a link here at Semicolon in Mr. Linky to the specific post where you’ve written your book review. Don’t link to your main blog page because this kind of link makes it hard to find the book review, especially when people drop in later after you’ve added new content to your blog. In parentheses after your name, add the title of the book you’re reviewing. This addition will help people to find the reviews they’re most interested in reading.

After linking to your own reviews, you can spend as long as you want reading the reviews of other bloggers for the week and adding to your wishlist of books to read.

1. Sea Reads (Heir of Fire)
2. journey & destination (The Keys of the Kingdom)
3. GretchenJoanna (Four Seasons in Rome)
4. Barbara H. (The Magnolia Story)
5. Barbara H. (The Silent Songbird)
6. Katie @ Read-at-Home Mom (The Windy Hill by Cornelia Meigs)
7. Katie @ Read-at-Home Mom (The House of Dies Drear by Virginia Hamilton)
8. Becky (A Moonbow Night)
9. Katie @ Read-at-Home Mom (Ghost by Jason Reynolds)
10. Becky (Out of the Silent Planet)
11. Becky (1 and 2 Samuel J. Vernon McGee)
12. Becky (Roderick Hudson)
13. Becky (Carry On, Mr. Bowditch)
14. Becky (Hippopotamister)
15. Becky (Utopia Drive)
16. Becky (My Kite is Stuck)
17. Becky (The Kellys and the O’Kellys)
18. Becky (Another Brooklyn)
19. Becky (The Time Machine)
20. Becky (Rain)
21. Hope (The Laws of Murder by Charles Finch)
22. Linda aka Crafty Gardener
23. Glynn (The Doom Murders)
24. Glynn (David Copperfield)
25. Glynn (The Fashion in Shrouds)
26. Beckie @ByTheBook (The Kill Fee)
27. Beckie @ByTheBook (4 mini-reviews)
28. Beckie @ByTheBook (What Happened on Beale Street)
29. Janet at Across the Page (Life Reimagined)
30. Colletta (LFYI Sunset Beach Hawaii)
31. Tarissa @ In the Bookcase (Jane of Lantern Hill)
32. Becky (Abel’s Island)
33. Becky (Thunder Boy, Jr.)
34. Becky @ Christian Chick’s Thoughts (The Kill Fee)
35. Becky @ Christian Chick’s Thoughts (Beyond Belief)
36. Christina at Stuck on a Story (Many, but mostly The Key to Extraordinary)
37. Reading World (An Irish Country Girl)
38. Reading World (Truly Madly Guilty)
39. Susanne@LivingToTell (Black Ice)
40. Gabby
41. Amanda (Secret Lives of Superheroes)
42. Darren @ Bart’s Bookshelf (Mind the Gap by Phil Earle)
43. Marina @ Bardic Impulses (Crooked Kingdom)

Powered by… Mister Linky’s Magical Widgets.

New York Herald Tribune Spring Book Festival Awards

In 1937 two awards of $250 each were established by the New York Herald-Tribune for the best books for younger children and for older children published between January and June. In 1941 the system of awards was revised. Three awards, of $200.00 each, were given to the best books in the following three classes: young children, middle-age children, and other children. Each year a jury, composed of distinguished experts in the field of juvenile literature, was chosen to make the selections.

1937 Seven Simeons, by Boris Artzybasheff. For younger children. Illustrated by the author. (Viking.)

The Smuggler’s Sloop, by Robb White III. For older children. Illustrated by Andrew Wyeth. (Little.)

1938 The Hobbit, by J. R. Tolkien. For younger children. Illustrated by the author. (Houghton.)

The Iron Duke, by John R. Tunis. For older children. Illustrated by Johari Bull. (Harcourt)

1939 The Story of Horace, by Alice M. Coats. For younger children. Illustrated by the author. (Coward.)

The Hired Man’s Elephant, by Phil Stong. For older children. Illustrated by Doris Lee. (Dodd.)

1940 That Mario, by Lucy Herndon Crockett. For younger children. Illustrated by the author. (Holt)

Cap’n Ezra, Privateer, by James D. Adams. For older children. Illustrated by I. B. Hazelton. (Harcourt.)

1941 In My Mother’s House, by Ann Nolan Clark. For younger children. Illustrated by Velino Herrera. (Viking.)

Pete by Tom Robinson. For middle-age children. Illustrated by Morgan Dennis. (Viking.)

Clara Barton, by Mildren Mastin Pace. For older children. (Scribner.)

1942 Mr. Tootwhistle’s Invention, by Peter Wells. For younger children.
Illustrated by the author. (Winston.)

I Have Just Begun to Fight: The Story of John Paul Jones, by
Commander Edward Ellsberg. For middle-age children. Illustrated
by Gerald Foster. (Dodd.)

None But the Brave, by Rosamond Van der Zee Marshall. For
older children. Illustrated by Gregor Duncan. (Houghton.)

1943 Five Golden Wrens, by Hugh Troy. For younger children. Illus-
trated by the author. (Oxford.)

These Happy Golden Years, by Laura Ingalls Wilder. For middle-
age children. Illustrated by Helen Sewell and Mildred Boyle.
(Harper-.)

Patterns on the Wall, by Elizabeth Yates. For older children.
(Knopf.)

1944 A Ring and a Riddle, by M. Ilm and E. Segal. For younger children.
Illustrated by Vera Bock. (Lippincott)

They Put Out to Sea, by Roger Duvoisln. For middle-age children.
Illustrated by the author. (Knopf.)

Storm Canvas, by Armstrong Sperry, For older children. Illustrated
by the author. (Winston.)

1945 Little People in a Big Country, by Norma Cohn. For younger children. Illustrated by Tashkent Children’s Art Training Center in Soviet Uzbekistan. (Oxford.)

Gulf Stream by Ruth Brindze. Illustrated by Helene Carter. For middle-age children., (Vanguard.)

Sandy, by Elizabeth Janet Gray. For older children. (Viking.)

1946 Farm Stories. Award divided between Gustaf Tenggren, illustrator, and Kathryn and Byron Jackson, authors. For younger children. (Simon & Schuster.)

The Thirteenth Stone, by Jean Bothwell, illustrated by Margaret Ayer. For middle-age children. (Harcourt)

The Quest of the Golden Condor, by Clayton Knight. Illustrated by the author. For older children. (Knopf.)

Other than The Hobbit and Laura Ingalls Wilder’s These Happy Golden Years, has anyone read or reviewed any of these prize-winning books? I know of the authors Jean Bothwell, Elizabeth Janet Grey, Armstrong Sperry, Roger Duvoisin, Elizabeth Yates, John Tunis, and Ann Nolan Clark, but not these particular books of theirs.

More Books Set in or About the Late Eighteenth Century

Annals of the Parish: or The Chronicle of Dalmailing During the Ministry of the Rev. Micah Balwhidder by John Galt. Published in 1821, this is a fictional account of the trials and joys of the life of Reverend Balwhidder of Dalmailing, Scotland in the latter half of the eighteenth century.

Mad Mary Lamb: Lunacy and Murder in Literary London by Susan Tyler Hitchcock. Mary Lamb, with her brother, the essayist Charles Lamb, collaborated on the famous Tales from Shakespeare. She also murdered her mother with a kitchen knife in a fit of madness, possibly a manic phase of bipolar mental illness.

Defining the World: The Extraordinary Story of Dr Johnson’s Dictionary by Henry Hitchings.

Hallelujah by J.S. Featherstone. Hallelujah is the fictionalized story of one of the greatest events in musical history, the creation in 1741 of George Frederic Handel’s masterpiece, Messiah.

The Master of Ballantrae by Robert Louis Stevenson. Set in Scotland during the Jacobite Revolution of 1745 and its aftermath.

The Mississippi Bubble by Thomas B. Costain. A land confidence scheme set in France and colonial America.

A Daughter Of The Seine: The Life Of Madame Roland by Jeanette Eaton. Newbery honor book.

Meggy MacIntosh: A Highland Girl in the Carolina Colony by Elizabeth Gray Vining.

The Poet and the Vampyre: The Curse of Byron and the Birth of Literature’s Greatest Monsters by Andrew Stott.

Scaramouche by Rafael Sabatini. French revolution fiction.

Seeing Beauty and Saying Beautifully: The Power of Poetic Effort in the Work of George Herbert, George Whitefield, and C. S. Lewis by John Piper.

George Whitefield: America’s Spiritual Founding Father by Thomas S. Kidd.

Up the Trail from Texas by J. Frank Dobie

Texas Tuesday.

This book, published in 1955, is one of the Landmark History series from Random House. The publisher had a policy of hiring the best writers, award winning authors and experts in history and in particular historical eras and events, to write these books, and it shows. J. Frank Dobie was a journalist and a rancher and a professor at the University of Texas at Austin for many years. He was instrumental in saving the Texas Longhorn from extinction. He wrote over twenty books about the history, folklore, and traditions of Texas. If anyone was qualified to write a Landmark history book about the history of the cattle, cowboys, and trail drives of Texas, it was Mr. Dobie.

And Up the Trail from Texas is certainly a well-written, exciting nonfiction compilation of the stories of various cowmen, trail bosses, and cowboys that Mr. Dobie interviewed personally, along with information about the real life of a trail driving cowboy and the logistics and work of a trail drive from Texas to the northern cattle markets in Kansas or Nebraska or Montana. Read about drouths, blizzards, lightning, and floods, encounters with the Comanche and other Indians, and about the jobs the cowboys were expected to perform. Dobie’s writing especially shine when he is recounting the stories that the cowmen told him, many of them recalling in old age their youthful exploits and adventures on the cattle trail.

I remember when I was a kid of a girl watching Clint Eastwood as drover Rowdy Yates in the early 1960’s TV series, Rawhide. I think the writers of Rawhide must have read Mr. Dobie’s books, especially this one. If I were teaching a unit on the cowboys and trail drives of the 1860’s, I’d read a couple chapters of Up the Trail from Texas to my students each day until we finished the book, and then I’d let them watch a few episodes of Rawhide.

Keep movin’, movin’, movin’,
Though they’re disapprovin’,
Keep them dogies movin’, rawhide.
Don’t try to understand ’em,
Just rope ’em, throw, and brand ’em.
Soon we’ll be livin’ high and wide.
My heart’s calculatin’,
My true love will be waitin’,
Be waitin’ at the end of my ride.
Move ’em on, head ’em up,
Head ’em up, move ’em on,
Move ’em on, head ’em up, rawhide!
Head ’em out, ride ’em in,
Ride ’em in, let ’em out,
Cut ’em out, ride ’em in, rawhide!

At the end of each episode, trail boss Gil Favor would call out, “Head’em up! Move’em out!”

To learn more about the Landmark series of biographies and history books for young people, check out this podcast episode, Parts 1 and 2, of Plumfield Moms, What Are Landmark Books? Why Do They Matter?

FNFC: Sully and The King’s Speech

We watched two of the movies on my Friday Night Film Club list this past week, one on Thursday night and the other on Friday. And in both cases the person who chose the movie wasn’t there to watch it. Oh, well, the rest of us enjoyed the movies.

Engineer Husband and I went to see The King’s Speech when it first came out in theaters. It meshed well to watch it again this week after I had just finished watching season one of The Crown, about the first several years of the reign of Elizabeth II, George VI’s daughter and heir. In both The Crown and The King’s Speech, David (aka Edward, Duke of Windsor), the abdicating king and George’s older brother, comes across as a despicable and selfish brat. Maybe he really was. I’m not sure how much happiness he gained by giving up the crown for the sake of his love for the twice divorced Wallis Simpson, but then again he probably wouldn’t have been too happy as king either. George VI and Elizabeth II aren’t exactly portrayed as “happy”, but definitely satisfied with their fulfillment of what they each perceive as their duty to the nation. Anyway, I can recommend both The King’s Speech and the Netflix series The Crown. Much food for thought.

Sully, also based on a true story, was a thought-provoking movie, too. It’s a a 2016 drama, directed by Clint Eastwood and written by Todd Komarnicki, based on the autobiography Highest Duty by Chesley Sullenberger and Jeffrey Zaslow. Sullenberger, aka Sully, is the pilot who landed US Airways Flight 1549 on the Hudson River after a bird strike took out both of the plane’s engines in mid-flight. This heroic landing and the rescue of all 155 passengers and crew on board happened almost exactly eight years ago on January 15, 2009.

Tom Hanks plays Sully, and as usual, he does an excellent job of making us forget about Tom Hanks and think instead about the pilot and his ability to make a split-second decision that will either save or cost the lives of all the people on board the airplane. Inevitably, I wondered whether I could function as well in a crisis as Sully and his co-pilot did, not a crisis in flying a plane, of course, since I don’t know how, but some other life-threatening crisis where I had to make a life-or-death decision. I just don’t know. How can one train for such a thing?

If I were to choose one of these two movies over the other to recommend to you, I’d choose Sully, I suppose. Although The King’s Speech is fascinating in a historical sense and as a story of one man overcoming adversity, the “overcoming” involves some misplaced and over-dramatized Freudian analysis of George’s childhood that probably had very little to do with curing his stuttering. But then again, maybe he did stutter because they made him switch from being left-handed to right-handed or because his nanny disliked and mistreated him. Who knows?

Sully is a more straightforward hero story certainly with an obstacle to overcome, namely the investigation after the emergency landing by National Transportation Safety Board, but all’s well that ends well. And as the characters in the movie point out in 2009, “it’s been a while since New York had news this good. Especially with an airplane in it.” After a year like 2016, it’s good to watch a movie about someone competent but humble, and even heroic coming out of New York.

This Friday’s movie will be Alfred Hitchcock’s The Wrong Man with Henry Fonda, Vera Miles, and Anthony Quayle. Watch it with us if you’d like to join in.

Stuff Matters by Mark Miodownik

“The material world is not just a display of our technology and culture, it is part of us. We invented it, we made it, and in turn it makes us who we are.” Introduction to Stuff Matters by Mark Miodownik

Last night I went to a lecture at a local university with Eldest Daughter. The title of the lecture was “Modernity and the Rise of the Technological Society,” and the featured speaker told us, among other things, that our technology and the type of thought required to make and maintain it were changing us into humans with an incapacity to think deeply about the technology and its effects on us. Or something like that. What I got out of Dr. Hanby’s (the speaker’s) remarks was that he believes that we are being shaped and blinded or limited in our thinking by the very technology that we made to serve us and free us. We think that our technological society has made us more free, but we don’t really know what freedom is anymore, and we are too caught up in technological innovation to even be able to think about what true freedom might look like.

Anyway, this morning at the library I found this book that I had requested on the hold shelf. I’m only reading the introduction, but Mr. Miodownik seems to be saying something similar to what Dr. Michael Hanby, the speaker last night, was saying. Only, it looks as if perhaps Mr. Miodownik might think that all these “materials” and “technology” are changing us for the better–that it’s OK that technology has become to some extent our master rather than our servant. I’ll be back after I read the book to let you know what I think.

******************

Unfortunately, I didn’t get to finish the book before I had to return it to the library, and I’m still not sure what I think about technology changing us for the better or for the worse. What do you think?