In the Marketplace by Sandol Stoddard

At that moment the curtain of the temple was torn in two from top to bottom. The earth shook, the rocks split and the tombs broke open. The bodies of many holy people who had died were raised to life. They came out of the tombs after Jesus’ resurrection and went into the holy city and appeared to many people. Matthew 27:51-53

This is the day when we do without Christ.
There seems, at first, to be little difference.
Only yesterday the ancient veil was rent,
And the earth shuddered and the dark grew vast;
But today, nothing happens, nothing at all.
TV sets flicker idly in empty rooms,
Showing again and again the same cartoons.
People circle aimlessly in the Mall
Where the Easter bunny struts his stuff before
Disinterested kids, ands cellophane grass
And plastic eggs are bought same as last year
Indeed, there is no news to tell but this:
The graves all are opened, and the living dead
Now walk among us—- or, so it is said.
By Sandol Stoddard

Funny Eggs

Dear friends, now we are children of God, and what we will be has not yet been made known. But we know that when Christ appears, we shall be like him, for we shall see him as he is. I John 3:2

If Easter Eggs Would Hatch by Douglas Malloch

'Pisanki / Easter Eggs' photo (c) 2012, Praktyczny Przewodnik - license: http://creativecommons.org/licenses/by/2.0/I wish that Easter eggs would do
Like eggs of other seasons;
I wish that they hatched something too.
For—well, for lots of reasons.
The eggs you get the usual way
Are always brown and white ones
The eggs you find on Easter Day
Are always gay and bright ones.

I’d love to see a purple hen,
A rooster like a bluebird,
For that would make an old bird then
Look really like a new bird.
If Easter eggs hatched like the rest,
The robin and the swallow
Would peek inside a chicken’s nest
To see what styles to follow.

The rooster now is pretty proud,
But wouldn’t he be merry
If roosters only were allowed
To dress like some canary!
And wouldn’t it be fun to catch
A little silver bunny!
If Easter eggs would only hatch,
My, wouldn’t that be funny!

Not to project too fine a point onto a simple imaginative poem, but how do we know what we might become when we are someday “hatched” into new resurrected bodies? We will be like Him, and we will be the continuing and eternal creation of a very creative God.

My, won’t that be funny!

Hymn to Christ

Edited and reposted from Easter, 2013.

“Who being in very nature God, did not consider equality with God something to be grasped, but made himself nothing, taking the very nature of a servant, being made in human likeness. And being found in appearance as a man, he humbled himself and became obedient to death—even death on a cross. Therefore God has highly exalted him and bestowed on him the name that is above every name, so that at the name of Jesus every knee should bow, in heaven and on earth and under the earth, and every tongue confess that Jesus Christ is Lord, to the glory of God the Father.” Philippians 2:6-11

Christian songwriter and artist Michael Card writes in his book (co-written with his wife, Susan), The Homeschool Journey: Windows into the Heart of a Learning Family:

“In Philippians 2:6-11 we find a wonderful passage of Scripture that was a hymn used in the worship services of the early church. Known as the “Carmen Christi” or “hymn to Christ” it is a song that first-century spies overheard the Christians singing at a time when the church was meeting in secret. It was a hymn which undoubtedly afforded them a measure of comfort in their trials because it offered a vision of Christ was and what he had accomplished.

In this hymn, Jesus’ incarnation is highlighted by its three central characteristics: servanthood, humility, and radical obedience. It is from this simple, ancient song that Susan and I derive our vision of who Jesus is and what he means to us. It is the vision that shapes our individual lives, our marriage, our family life, and even the way we choose to educate our children.”

Are we serving one another with humility and in obedience to Jesus Christ who gave himself for us? Are we waiting patiently on the Lord of all things in heaven and on earth, making ourselves like Him in our actions here on earth so that we can be with Him in heaven?

Now that’s an Easter goal that embodies the Christ-like

Easter’s Coming by Aileen Fisher

Through the sunshine,
through the shadow,
down the hillside,
down the meadow,
little streams
run bright and merry,
bursting with the news
they carry,
singing, shouting,
laughing, humming,
“Easter’s coming,
Easter’s coming!”
By Aileen Fisher

It is coming. Hang on.

Resurrection by Leo Tolstoy

Resurrection, Tolstoy’s last novel, is the story of the nobleman, Nekludof and the prostitute, Katusha. Katusha is condemned to hard labor in Siberia for murder, but Nekludof, a member of her jury, recognizes her as the girl that he seduced and ruined as a youth. He feels responsible for her fate, and he works to redeem her, and then, eventually, recognizing his own sin and degradation, to redeem himself.

Quotations:

“Men are like rivers: the water is the same in each, and alike in all; but every river is narrow here, more rapid there, here slower, there broader, now clear, now cold, now dull, now warm. It is the same with men. Every man bears in himself the germs of every human quality; but sometimes one quality manifests itself, sometimes another, and the man often becomes unlike himself, while still remaining the same man.”

“To understand the whole of the Master’s will is not in my power. But to do His will that is written in my conscience is in my power.”

“The interest of her whole life lay in searching for opportunities to serve others just as the sportsman searches for game. And the sport had become the habit, the business, of her life, and she did it so naturally that those who knew her were no longer grateful, but simply expected it of her.”

The last quote describes Engineer Husband in some ways; not me, however much I might wish to be a joyful and habitual servant.

Easter Eggs

What about Easter eggs?

Do you have an Easter egg hunt at your house? What do you tell your urchins about Easter eggs? Who hides the eggs? What do you put inside? Or do they come already basketed to your front door? What do Easter eggs have to do with the celebration of Easter? Have you ever had an egg tree? What else do any of my readers have to suggest about Easter eggs?

Here’s a post on what we usually do with Easter eggs in Semicolon-land.

The Hawk and the Dove by Penelope Wilcock

It was Easter, two years after Father Peregrine had come to be their abbott. Easter, the greatest feast of the Christian year, and all the local people had come up to the abbey, and the guest house was full of pilgrims come to celebrate the feast of the Resurrection. So many people, so many processions, so much music! So many preparations to be made by the singers, the readers, those who served at the altar and those served in the guest house, not to mention those who worked in the kitchens and the stables. The abbey was bursting with guests, neighbors, relatives, and strangers.

The Easter Vigil was mysterious and beautiful, with the imagery of fire and water and the Paschal candle lit in the great, vaulted dimness of the abbey church. Brother Gilbert the precentor’s voice mounted joyfully in the triumphant beauty of the Exultet; all the bells rang out for the risen Lord, and the voices of the choirboys from the abbey school soared with heart-breaking loveliness in the music declaring the risen life of Jesus. Easter Day itself was radiant with sunshine for once, as well as celebration. Oh, the joyful splendor of a church crammed full of people, a thundering of voices singing, ‘Credo –I believe.’

In The Hawk and the Dove by Penelope Wilcock, an English mother tells her daughters, especially her fifteen-going-on-grown-up daughter Melissa, stories about their long ago ancestor, the abbot of a Benedictine abbey, and the monks under his care. The stories are deceptively simple and quotidian: stories of forgiveness asked and given, monks who are injured and need healing, others who don’t fit into the abbey life and must learn to do so. However, these are the same issues that Melissa, her mother and sisters must deal with in daily family life, and they’re the same things we try to iron out and work through here at Semicolon House.

In the other two books in the trilogy, the brothers of St. Alcuin monastery continue to work together and grow in community. They also grow older and must confront the difficulties that old age brings in its train. In fact, the third book in the series is about death and dying and living with serious impairments —all to the glory of God. It’s quite timely in these days of “death with diginity” and compassion redefined as hurrying the dying into death, but it may be a bit too much for children. Again, I think the entire family will enjoy at least the first two books in the trilogy.

A few more excerpts:

“Theodore saw his hopes of a new beginning turn to ashes in the miserable discovery that even men who had given their whole lives to follow Christ could be irritable, sharp-tongued, and hasty.” How many new Christians upon becoming involved in a church have stumbled over that particular realization? Monasteries, and churches, are simply places for imperfect people to come and begin to learn to serve and show kindness and love, not places where the already perfected live in flawless harmony.

Fifteen year old Melissa to her teacher in English class: “Mother says, that love is only true love when it shows itself in fidelity, —ummmm, faithfulness. She says if a person has the feeling of love, but no faithfulness, his love is just self-indulgent sentimentality. And that’s what Shelley was like, isn’t it? He wrote fine peoms to his wife and his lovers, but he wasn’t a faithful man. So how can his poetry about love be worth anything if his love in real life wasn’t worth anything?” From the mouths of babes, can an untrue person write truly? Can he write true poetry that he hasn’t lived in some fashion, however imperfectly?

“Mother said these stories were true, and I never knew her tell a lie . . . but then you could never be quite sure what she meant by “truth”; fact didn’t always come into it.”

I assure you that the stories in Ms. Wilcock’s Hawk and the Dove trilogy are quite true —as fiction sometimes is.

Movies for Resurrection Weekend

I thought I’d suggest a few of my favorite movies that seem particularly appropriate for watching this week:

Ben Hur. Directed by William Wyler. Adapted from the book by General Lew Wallace. Starring Charlton Heston, Stephen Boyd, and Haya Harareet.

Lilies of the Field (1963). I love the nuns and Sidney Poitier as their hired man. This is a wonderful movie about faith and determination and the meeting of three cultures—Black American, German Catholic, and Mexican American. They all manage to somehow, by the grace of God, build something wonderful in the middle of the desert. Another redemptive and inspiring film.

Brother Sun, Sister Moon (1972). Director Franco Zefferelli tells the story of St. Francis re-imagined as a 60’s flower child. It’s set in the late Middle Ages, but it’s veryvery sixties. Still, I loved it when I first saw it, and I watched again a couple of years ago and still found it beautiful. Mileage will vary according to your tolerance for hippie historical.

Prince of Egypt (1998). In spite of the vague “spirituallty” and a few distortions of fact, I thought this movie was very well done. The chariot race at the beginning is a nice nod to Ben Hur, and for the most part, the film was both reverent and dramatically compelling. Not just for kids.

The Hiding Place (1975). Jeanette Clift George is the director of AD Players here in Houston, and she stars in this movie as Corrie Ten Boom, a middle-aged Dutch Christian who is caught hiding Jews in her home during the Nazi occupation of Holland. It’s an inspirational movie from a Christian worldview about sin and suffering and redemption.

Life Is Beautiful(La vita e bella, 1979). This film is in Italian with subtitles; it’s about a Jewish man and his son and his wife being placed into a concentration camp during World War II. However, it’s sort of a comedy or maybe a tragicomedy. Anyway, it’s very moving and bittersweet. Not for children.

Fiddler on the Roof (1971). Tevye the Jewish milkman talks to God and tries to understand his wife Golde and looks for husbands for his six daughters. Unfortunately, the world is changing, and the dependable things in Tevye’s life are becoming few and far between. Nothing to do with Passover or the Resurrection, but it just feels right for Passover week.

The Ten Commandments (1956). Biblical epic directed by Cecil B. DeMille. I prefer Prince of Egypt, but no one should miss Charlton Moses.

The Robe (1953).I prefer the book, but the movie is vintage 1950’s Hollywood with Richard Burton and Victor Mature.

Jesus, aka The Jesus film (1979). This movie is the most watched film of all time; missionaries show it to rapt audiences all over the world. Based on the gospel of Luke, it’s Biblically accurate and well made. Resurrection week (before or after Easter Sunday) seems like a good time to review —or find out for the first time —who Jesus really was and what he really said and did. After the movie, read The Book.

Scandalon by Michael Card

Jews demand signs and Greeks look for wisdom, but we preach Christ crucified: a stumbling block to Jews and foolishness to Gentiles, but to those whom God has called, both Jews and Greeks, Christ the power of God and the wisdom of God. I Corinthians 1:22-24.

A Tale of Two Cities by Charles Dickens

I first read Charles Dickens’ A Tale of Two Cities when I was in ninth grade. Three of us—Christina, Teresa, and I— wrote a chapter-by-chapter summary of the entire book, making our own little study guide to the novel as a school project. We did this before the age of personal computers and before any of us knew how to type. Type written nevertheless but means of the hunt and peck method, I can’t remember exactly what the finished product looked like—it did have a picture of a guillotine on the front— but it was a lot of work.

The themes of death, burial, imprisonment, rescue and resurrection are woven throughout Dickens’ tale set during the French Revolution and the Reign of Terror. Doctor Manette is rescued from a living death inside the Bastille. Jerry Cruncher is a “resurrection man” who digs up dead bodies to sell them. Charles Darnay is rescued and recalled to life twice during the novel, once when he is on trial in England and again when he is headed for guillotine in France.

But the most vivid representation of death and resurrection comes at the end of the novel when the reprobate Sydney Carton gives up his life to save Charles and Lucy Darnay and to ensure their future together. Carton is walking down the street when he remembers these words from Scripture read at his father’s funeral long ago:

“I am the resurrection, and the life, saith the Lord: he that believeth in me, though he were dead, yet shall he live: And whosoever liveth and believeth in me, shall never die.”

Now, that the streets were quiet, and the night wore on, the words were in the echoes of his feet, and were in the air. Perfectly calm and steady, he sometimes repeated them to himself as he walked; but, he heard them always.

The night wore out, and, as he stood upon the bridge listening to the water as it splashed the river-walls of the Island of Paris, where the picturesque confusion of houses and cathedral shone bright in the light of the moon, the day came coldly, looking like a dead face out of the sky. Then, the night, with the moon and the stars, turned pale and died, and for a little while it seemed as if Creation were delivered over to Death’s dominion.

But, the glorious sun, rising, seemed to strike those words, that burden of the night, straight and warm to his heart in its long bright rays. And looking along them, with reverently shaded eyes, a bridge of light appeared to span the air between him and the sun, while the river sparkled under it.

The strong tide, so swift, so deep, and certain, was like a congenial friend, in the morning stillness. He walked by the stream, far from the houses, and in the light and warmth of the sun fell asleep on the bank. When he awoke and was afoot again, he lingered there yet a little longer, watching an eddy that turned and turned purposeless, until the stream absorbed it, and carried it on to the sea.- “Like me!”

A trading-boat, with a sail of the softened colour of a dead leaf, then glided into his view, floated by him, and died away. As its silent track in the water disappeared, the prayer that had broken up out of his heart for a merciful consideration of all his poor blindnesses and errors, ended in the words, “I am the resurrection and the life.”

On Good Friday, when we are in the midst of death and sin and darkness, it does sometimes seem a if “Creation were delivered over to Death’s dominion.” A blogging friend sent out a tweet earlier today saying that he had “difficulty ‘pretending’ on Good Friday that Jesus is dead.” Of course, Jesus isn’t dead, but as far as imagining the feeling of despair and “being delivered over to death”, I have no trouble whatsoever. Sometimes things in this world are very dark, and the very hope of the resurrection of Jesus Christ and our eventual resurrection with Him is all that keeps me from utter despair.

Thank God for Resurrection Sunday!