Rosa By Starlight by Hilary McKay

Dec1

British author Hilary McKay has a history of writing odd and quirky characters in her middle grade fiction, and somehow for me they work. See my reviews of The Time of Green Magic, Binny in Secret, Wishing for Tomorrow, and the Casson family series.

New in 2024, Rosa By Starlight is a modern day fairy tale about an orphan girl, Rosa Mundi, and a magical cat, Balthazar, and couple of wicked villains, Rosa’s aunt and uncle who become her guardians. About 150 pages long, the book incudes a trip to Venice and a flight through the stars on the back of a winged lion. As it should be, the good are rewarded, and the evil characters get their just desserts as well.

The book reminded me of Frances Hodgson Burnett’s A Little Princess because poor little orphaned Rosa lives in a room at the back of the house in England while her aunt and uncle scheme to make a fortune selling fake grass. And later on in Venice Rosa is consigned to a garret room and left alone to fend for herself. But the Venetian part of the story becomes more and more magical as Rosa explores the sights and canals of Venice while trying to find refuge from her terrible, murderous guardians.

As with any good fairy tale, there are questions left unanswered in the story. What happened to Rosa’s apple seeds? Did they grow through the artificial turf to become trees? Are Rosa’s aunt and uncle really related to her? Why does the word “stop” become Rosa’s magic word? How is the cat Balthazar so wealthy with servants and gourmet cat menu of food and treats? How does the magic work, and what will make it stop and start when it needs to? And finally, the question at the heart of it all: how can one escape the evil schemes of men and come home at last? For Rosa, it’s a process and a journey, and she does indeed find a real home at last.

White Stallion of Lipizza by Marguerite Henry

Nov29

The magnificent white Lipizzan stallions, bred for hundreds of years to dance and delight emperors and kings, captivated Marguerite Henry when she saw them perform in the Spanish Court Riding School in Vienna.

Now she makes this unique spectacle the focal point in her story of Borina, one of the most famous stallions of this famous breed. It was Borina who, at the height of his career, took a fling in the Viennese grand opera. And it was Borina who, as a mature school stallion, helped train young apprentices riders, and thus became known as the Four-footed Professor.

What a delightful story that could lead to any number of delight-directed studies and pursuits! After reading about Hans, the baker’s boy, and his overwhelming desire to become a Riding Master, to ride the famous Lipizzaner stallions at the Spanish Riding School in Vienna, Austria, I was impelled to look up and read more about the Lipizzaners and the school and the history of these horses who entertained the elite society of Vienna. I also became curious about Xenophon and his book The Art of Horsemanship, the earliest known work on the horse and his care. And I developed a bit of an urge to visit Vienna and see the castles and statues and maybe even the Lipizzaner stallions that still perform their acrobatics in Vienna and across the world in dressage shows and competitions.

I also discovered that Disney made a movie about the Lipizzaners called Miracle of the White Stallions. The movie is not based on Marguerite Henry’s book, but rather it tells the story of how during World War II the U.S. Army under General Patton rescued the Lipizzans and other valuable horses that the Nazis had moved to Czechoslovakia at the beginning of the war. Of course, that movie, as well as a 1940 film called Florian, also about Lipizzaners, is another rabbit trail for me to follow up on, soon.

Getting back to the book, the illustrations by Wesley Dennis are a treat in themselves, both the tiny black-and-white pictures that adorn the margins of each page of the book as well as the full color one and two page spreads the show up periodically. These beautiful drawings and paintings should speak to both horse lovers and artists and draw them into the story alongside the text.

Ms. Henry’s story takes place in the early 1900’s, about the time the horse and cart were giving way to the motorized vehicle. Hans has a horse named Rosy and a cart to make bakery deliveries, and he always stops to watch the Lipizzaners come out of their stable to walk to the riding school in the early morning. (Later in the story, Hans’ bakery gets a truck to make deliveries.) Hans is fascinated with beauty and skill of the Lipizzaner stallions, and his nearly impossible dream is to someday be rider who partners with these magnificent horses to bring that beauty to the people who come to watch the performance at the Imperial Palace. Hans’ journey toward that dream is a series of miracles and disappointments that require initiative and perseverance on his part until at last he succeeds in learning the lessons that Borina, the most famous of Lipizzaner stallions, has to teach.

The “moral” of the story is embedded in the text, as Colonel Podhajsky tells his apprentice riders:

“Here in the Spanish Reitschule . . . the great art of classical riding is brought to its highest perfection. This art is a two-thousand-year-old heritage which has come down to us from Greece, Spain, Italy, and of course, France. . . Our Reitschule is a tiny candle in the big world. Our duty, our privilege is to keep it burning. Surely, if we can send out one beam of splendor, of glory, of elegance into this torn and troubled world . . . that would be worth a man’s life, no?”

I am not a horsewoman or a performer, but that quote speaks to me. It reminds me of what I hope my library can be: a beam of splendor, of glory, of elegance in this torn and troubled world. What a lovely thought that can be applied to anything good, and true, and beautiful that God has called us to do, not matter how seemingly small and insignificant.

This book can be borrowed by patron families from Meriadoc Homeschool Library.

Van Gogh Has a Broken Heart by Russ Ramsey

Nov21

Van Gogh Has a Broken Heart; What Art Teaches Us About the Wonder and Struggle of Being Alive by Russ Ramsey. Zondervan, 2024.

Russ Ramsey’s first book about art and the life it portrays and reflects and illuminates, Rembrandt Is in the Wind, was and is one of my favorite nonfiction books of all time. This second book is just as good and thought-provoking as the first one, and I highly recommend both books even if you are not an art aficionado, and even if you are not a Christian.

Both books are about art and artists and the Christian life. Both books are accessible and enjoyable to art lovers and philistines (like me), to Christians and to unbelievers. I would call these chapters “sermons in art”–Mr. Ramsey is, after all, a pastor– but that might give those who are not fond of sermons reason to skip the book. That would be a mistake.

What Russ Ramsey offers up in these two books, but especially in this second volume, is a compassionate and broad vision for what art can show us about how to live our our lives through times of joy and wonder as well as through periods of suffering and injustice. The chapters in Van Gogh Has a Broken Heart tell stories about the artists Gustave Dore, Leonardo DaVinci, Rembrandt, Artemisia Gentileschi, Joseph Turner, the artists of the Hudson River School, Norman Rockwell, Paul Gauguin, Norman Rockwell, Edgar Degas, Jimmy Abegg, and others. Each artist’s story illustrates some aspect of life’s journey and some way of seeing that life that is found in the art of those who sacrificed something for the art’s sake.

Charlotte Mason educators talk a lot about “narration”, a practice of telling back what the student sees in a painting or reads in a book or hears in a well told story. These books seem to me to be Russ Ramsey’s narrations of the paintings and the artists’ lives that have taught him to see certain ideas and stories in a new light, that have clarified concepts, both theological and philosophical, for him as he studies the art and artists that have spoken truth into his life.

The books are also just a gentle introduction to and invitation into the world of fine art. Art doesn’t have to intimidating and elitist. It’s for everyone. The appendices to the book are invaluable in this regard. In Appendix 1, I Don’t Like Donatello, and You Can Too, Mr. Ramsey explains what we can do when we “don’t like a work of art or an artist or even an entire style of art.” In short, it’s fine to have a personal taste in art, but it might surprise you to try to figure out why and how to appreciate even that which you don’t much like. Appendix 2 is a Beginner’s Guide to Symbols in Art, also quite helpful. Appendix 3 is a list of Lost, Stolen, and Recovered Art, some selected, famous works of art that have been stolen over the years. (Maybe you’ll find one of these in your attic?) There are also color pictures of some of the artworks featured in the book in a center section.

Recommended for older teens and adults. The two books, Rembrandt Is in the Wind and Van Gogh Has a Broken Heart, by Russ Ramsey are available for checkout from Meriadoc Homeschool Library.

The Restorationists series by Carolyn Leiloglou

Nov20
  • Beneath the Swirling Sky by Carolyn Leiloglou. Illustrated by Vivienne To.
  • Between Flowers and Bones by Carolyn Leiloglou. Illustrated by Vivienne To.

I read Beneath the Swirling Sky last year when it came out—and failed to write a review. Now, I just finished the second book in what is slated to be a trilogy, and I must say that that this series, already pretty good in the first installment, just got better in the sequel. Reading Between Flowers and Bones was an immersion experience, just like stepping into a book (or a painting).

That’s a not-so-subtle nod to what happens in these stories. In Beneath the Swirling Sky, Vincent is visiting his great uncle Leo in Texas. Vincent’s parents believe that if Vincent gets a taste of all of the art that Uncle Leo, an art restorer, has in his home, Vincent will start making art again. But Vincent never wants to look at a paintbrush again.

However, Vincent’s homeschooled cousin, Georgia, and his little sister Lili, are also staying with Leo, and when Vincent actually falls into a painting and Lili gets kidnapped . . . well, Vincent’s gift for art and artistry along with Georgia’s navigational skills are the only way to save Lili. And so Vincent becomes a Restorationist.

Between Flowers and Bones focuses on Georgia and her envy of the gifts of others to the detriment of her own gift as a Restorationist Navigator. Can Georgia and Vincent become a team, or will Georgia’s jealousy and Vincent’s headaches keep them from saving and restoring and even making great art? Just as the first book featured the work of Vincent Van Gogh, but also a lot of other artworks by a multitude of artists, this second one features Georgia O’Keefe along with many other artists in an exciting art adventure.

It looks if the third book in the trilogy will feature yet another child, and probably another artist, as the central characters in the book. The ending in Between Flowers and Bones is somewhat satisfying, but also a bit of a cliffhanger, which is always not my favorite kind of ending. But I can deal with it. At least the story does have a good arc, and it was all engaging enough for me to want to come back for more.

Ms. Leiloglou is a homeschool mom, the granddaughter of art collectors, and the daughter of an art teacher. So all of the art and the inclusion of a homeschooled character in the boos is no accident. Indeed, it’s obvious that writing these books required a lot of research and a lot time spent in art museums and artists’ studios. All of the artists and paintings that are mentioned in the books are an invitation to view their work, and I was intrigued enough to look up some of them online. Surely art-inclined readers will be drawn to do the same.

The Restorationists series embodies middle grade fantasy quest fiction at its best, and I recommend it–if you don’t mind that the story is somewhat incomplete. Or you could wait for the third book–maybe, next year?

The Long Way Around by Anne Nesbet

Nov12

This 2024 middle grade fiction book reminded me of another book I read a couple of years ago, Out of Range by Heidi Lang. But I liked The Long Way Around even better because the characters were more likable and more supportive of each other. I was also reminded of Lost on a Mountain in Maine by Donn Fendler, a true story of how a 12 year old boy survived for nine days in the Maine wilderness without enough food or proper clothing and made it back to be reunited with his family.

The Long Way Around takes place on the other side of the country in the Sierra Nevada Mountains of Northern California and features three cousins–Owen, Vivian, and Amy–who become separated from their parents by an earthquake-caused rockfall. There’s only one way to get back to civilization—the long way around on an “unmaintained” trail that’s barely visible on the map.

As the children hike through many miles of wilderness they encounter earthquake aftershocks, dangerous animals, thunderstorms, and roadblocks that challenge their courage, persistence, and survival skills. Each cousin brings with him or her both strengths and weaknesses that give them reasons and the ability to help one another survive. Vivian, age twelve, is the leader in the group, but she carries with her a fear of heights and of her future in scary middle school. Owen, also twelve, has what sounds like PTSD from a car wreck that he recently survived, but he’s really intelligent and his cooking, math, and map skills are an asset to the team. Amy, Vivian’s little sister, is only eight years old, and she is the most vulnerable of the trio, physically speaking. But Amy also has the best imagination of the bunch and a capacity for hope that keeps them all going.

Survival stories, even fictional ones, are inspiring. They show us that we can draw on strengths we never knew we had until the time comes. In the story, Vivian in particular learns that she can expect to be ready when the challenge comes to face whatever comes at her, to overcome her fears one step at a time.

Bletchley Park Books for Teens

Nov8

The Enigma Girls: How Ten Teenagers Broke Ciphers, Kept Secrets, and Helped Win World War II by Candace Fleming.

The Bletchley Riddle by Ruta Sepetys and Steve Sheinkin.

Bletchley Park and the code breakers who lived and worked there during World War II are hot topics these days. Maybe it’s because the whole episode is less “mined” because of all the secrecy that surrounded the work there. Maybe it’s just a fleeting trend. At any rate, there do seem to be a lot of books about Bletchley floating around, but not so many for the younger set. Until now.

These two books, one fiction and one nonfiction, were recently published (2024) and are appropriate for young people about 13 years of age and up. The Enigma Girls tells the story of several teenaged girls who were recruited to work at Bletchley either because of their math skills or their language proficiency. But these girls were not, for the most part, doing the high level code breaking that was the most intriguing and intellectually challenging work going on at Bletchley Park. Rather, they were keeping records on notecards of all of the code words and German double speak that had been decoded. Or they were servicing and keeping the huge “bombes” running. These were the machines that were created to infiltrate and determine the settings for the German Enigma coding machines. Machines (or primitive computers) were fighting machines, and teenagers were keeping the machines moving and computing.

By limiting her story to the females who worked at Bletchley, gifted nonfiction author Candace Fleming risks over-emphasizing and even distorting the role that these women and girls played in the overall mission of breaking and intercepting the Nazi communications. But she doesn’t fall into that trap, and instead as I read I was moved to admire the persistence and hard work of these unsung heroines who toiled in harsh conditions doing work that they were unable to discuss or even understand completely. It wasn’t a romantic, spy-novel kind of job. The “bombes” were huge, oily, and loud, and the girls who tended them knew very little about how they worked or what significance their work might have. And after the war was over, the Enigma Girls were still left in the dark about how their work helped England win the war because they and everyone else who worked with them were bound to secrecy by the Official Secrets Acts that they all had to sign. They only knew that they were needed to “do their part” in defeating Hitler—and they did.

The Bletchley Riddle, although it is “based on the real history of Bletchley Park, Britain’s top-secret World War II codebreaking center,” makes the whole setting and story much more exciting and romantic. (Fiction can do that.) Ruta Sepetys and Steve Sheinkin, both well known in YA literature circles, wrote this spy novel together, and the joint authorship shows. It’s a bit disjointed at times, but the two authors do tie up most all of the loose ends by the end of the story. Fourteen year old Lizzie Novis has lost her mother, Willa, a single parent who works for the U.S. Embassy in London. Willa went to Poland to help evacuate tens of U.S. Embassy there in anticipation of the Nazi invasion of Warsaw. And she didn’t come back. Everyone says that Willa is dead, that she most likely died in the invasion. But Lizzie is sure that Willa is still alive, and she’s determined to find her mother no matter what it takes.

I’ll let you read to find out how Lizzie ends up in Bletchley, with several hurried trips back to London. I’ll let you read about Lizzie’s older brother Jakob, and how he becomes the other major character in the story. And finally in the pages of the book, you can meet Lizzie’s new friends, Marion and Colin, and read about a little harmless romance that springs up as they all try to keep up with the irrepressible Lizzie and her quest to find Willa. It’s a book about lying and spying and secret-keeping and persistence in a time and place where all of those qualities, even the dishonesty, are necessary for survival.

But the story never becomes too thoughtful or deep. It’s barely believable that Lizzie can get away with all of the shenanigans that she pulls. And Jakob seems too befuddled to be as intelligent as he’s supposed to be. Maybe he’s a bit of an absent-minded professor at the ripe age of nineteen. Anyway, it’s a lark, but not to be taken seriously. And the minor characters—Alan Turing, Dilly Knox, Gordon Welchman—as well as the setting provide a good introduction to Bletchley Park and its importance to the British war effort and eventual victory.

I recommend both books for those teens who are interested in World War II and Bletchley Park and codes and codebreaking. Oh, both books spend a fair amount time talking about codes and ciphers and Enigma and how it worked and how the Enigma code was broken? Or deciphered? I can never keep the difference straight in my head between codes and ciphers, much decode or decipher anything. But you may have better skills than I do.

Surprised by Oxford by Carolyn Weber

Nov4

I read this memoir conversion story on my Kindle back in 2011 when it first was published. I said then that I enjoyed the story, but it left me feeling . . . incomplete and sort of lacking in understanding. I don’t think I read well on an e-reader, and that may be why I was ambivalent about Surprised By Oxford when I read it back in the day. So, when I heard about the movie that recently came out, based on the book, I thought I’d watch that.

It was a good movie, not great, but solidly good. Now I had to re-read the book that I really didn’t remember much about, since I read it over ten years ago, and since I have a leaky brain. I didn’t review the book back in 2011 when I read it the first time, which is another reason I couldn’t remember much more than a vague impression of possible dissatisfaction or maybe appreciation from my first read through.

The story is deceptively simple: Agnostic Canadian feminist gets a scholarship to Oxford. She is dazzled by the Oxford experience, meets a group of “serious Christians” (and others who are not Christian at all), and eventually becomes a Christian herself. The hook is that Ms. Weber tells the story of her Oxford education and conversion to Christianity with a great deal of poetic language, wordplay, puns, Brit-speak, simile, metaphor, and philosophical thought processes. It’s not always easy to follow Caro, as she is called in the story, as she winds her way through Oxford and through literature to get to Jesus.

The influences in Caro Weber’s conversion are many and varied. There is surprisingly much less C.S. Lewis in the book than I thought there would be. Caro does attend a meeting of the C.S. Lewis Society at one point in the story, but the speaker there talks about joy and prayer rather than about Lewis specifically. Lewis sometimes enters the discussions, but not that often. Her influences seem to be more tilted toward the Romantic poets that she is studying, as well as John Milton, George Herbert, William Blake, and the other students and professors who engage with her in many conversations over the course of a year at Oxford. These conversations, sometimes adversarial, sometimes encouraging, make up most of the book, and they are indeed both surprising and challenging.

There’s also a lot of Caro’s family history in the book. The author has, or had, “daddy issues”, rightly so since her father sounds like a very broken and abusive man. (As far as I can tell, she has since reconciled with her father, who has shown some signs of repentance and change.) Of course the father issues translate to God issues, and a large part of her conversion is due to her coming to understand that God is not like her father.

The book is better than the movie, but also harder to digest. Caro sees metaphors and signs everywhere and in everything, and sometimes the language she uses to describe her thought processes is obscure and difficult to follow, at least to me. If you are more well read than I am, you may understand more clearly. I did enjoy the book more this second time than I did the first time, and I do recommend it to Anglophiles and seekers and lovers of poetry who want to read a Romantic (in the literary sense) memoir.

I would like to read Carolyn Weber’s second book, Holy Is the Day: Living in the Gift of the Present. And maybe her most recent one, Sex and the City of God: A Memoir of Love and Longing?

This book can be borrowed by member families from Meriadoc Homeschool Library.

I Took a Walk by Henry Cole

Oct31

“I found a path that led to a meandering stream. I wonder who’s watching me?”

This book encourages children to sit quietly in nature and observe all the many plants and creatures that can be found. It would pair well with one of the books listed in Picture Book Preschool, Play With Me by Marie Hall Ets, in which a young girl gets the pond and woodland creatures to come to her by sitting still and making them unafraid. In I Took a Walk, the “I” of the title doesn’t try to tame or approach the creatures he sees, but he does manage to spy out many plants and animals in their habitats and name them for the reader to find in the pictures.

This would be a good book for children who enjoy the “Where’s Waldo” kind of seek and find books that so many find engaging. The advantage to this one is that it shows children how they can play this discovery game outdoors in nature. The narrator visits the woods, the meadow, and the pond, and in each place he finds a multitude of natural wonders to observe and enjoy. A fold-out page for each habitat produces a three page spread illustration with a list of all the plants and animals and nature objects to be found on the page.

I like the idea and the execution. The book could keep primary age children busy for a long time, finding the various things in each picture, some of which are well-camouflaged. And then the extension to the book is, of course, to go outside and see how many plants and creatures one can discover “in the wild.” Make a list. Talk about habitats and camouflage. Learn the names of the plants and insects and other things that you see. Play the “I Took a Walk” nature game together.

Excuse me, I think I’ll go for a walk.

Growing Patterns: Fibonacci Numbers in Nature by Sarah C. Campbell

Oct28

What are Fibonacci numbers? Who was Fibonacci? Why does the Fibonacci number pattern appear in sunflowers, pineapples, and even the spirals of a nautilus shell?

This book, illustrated with photographs taken by the author and her husband, Richard Campbell, answers the first question and the second (in the end section, called. “More about Fibonacci Numbers”), but the third question of why remains a mystery. The pattern for Fibonacci sequence is: 1, 1, 2, 3, 5, 8, 13 . . . Each Fibonacci number in the sequence is the sum of the two numbers before it in the pattern. Leonardo Fibonacci was the Italian mathematician who first wrote about this fascinating number pattern.

The book starts out easy with pictures of flowers that display the Fibonacci numbers. The reader is told to count the flower petals, which turn out to be a number equal to one of the numbers in the Fibonacci sequence. Most flowers have a Fibonacci number of petals, although some do not. Then it gets more complicated.

Pinecones, pineapples, and sunflowers also display Fibonacci numbers, but these are found in the number of spirals in the pinecone, or in the center of the sunflower, or in the pineapple skin. I truly had trouble counting and understanding the spirals, even though the photographs were clear and even had the spirals numbered.

Then we get to the growth of the spiral on a nautilus shell. This growth can also be expressed in a Fibonacci number sequence. I think I understood this one, but it’s complicated and might be hard to explain to children. I’m not sure the book does an adequate job of explaining (or maybe I just didn’t do a great job of understanding).

I would pair this book with the picture book biography, Blockhead: the Life of Fibonacci by Joseph D’Agnese. Blockhead tells the story of how Fibonacci discovered the numbers sequence that is now named for him as well as popularized the use of Arabic numerals in the West. Even though people thought he was a head-in-the-clouds blockhead, Leonardo Fibonacci is now known as the “greatest Western mathematician of the Middle Ages.”

These two books together give a much more enlightening introduction to Fibonacci numbers than does either book on its own. The photographs in the first book, Growing Patterns, are vivid and helpfully labeled and numbered. The story of Fibonacci’s mathematical obsession and the diagrams that illustrate the numerical sequence are good for creating more interest and for helping children (and adult like me) understand the fun of finding and counting Fibonacci numbers. After reading both books, you could spend a lot of time discovering Fibonacci numbers in nature: in flowers, lemons, apples, leaves, shells, waves and other natural and even man-made objects. Or you could let your children discover more of these numbers for themselves after you have introduced them using these picture books, if they are interested. Spread the feast and see who partakes of the wonder.

Home on the Range by Deborah Hopkinson

Oct24

Home on the Range: John A. Lomax and His Cowboy Songs by Deborah Hopkinson. Illustrated by S.D. Schindler. G.P. Putnam’s Sons, 2009.

“John Avery Lomax grew up singing. Why, he probably knew more folk songs, tunes, and ballads than there were cattle in the great state of Texas.”

John A. Lomax was an “ethnomusicologist”. In layman’s terms, picture book language, that’s a collector of folk songs. He’s of special interest to me, a Texas girl, because he collected cowboy and western folk songs, many of them songs of Texas. John Lomax was a Texas boy, born in Mississippi, but raised in good old Texas. Deborah Hopkinson’s book tells the story of how Mr. Lomax became a folk song collector and how he recorded thousands of folk songs that might be lost to history if not for his work. Lomax’s book Cowboy Songs and Frontier Ballads, published in 1910, helped to preserve songs such as “Git Along, Little Dogies” and “Sweet Betsy from Pike” and of course, the titular song for this book, “Home on the Range.”

The book chronicles the studies and travels of the peripatetic John Lomax and his son Alan who also became a well-known ethnomusicologist. Scattered throughout the biographical material are the lyrics, or at least partial lyrics, to many of the songs that the Lomaxes collected. Unfortunately, unless you already know the songs included, you’ll have to look them up somewhere to find the rest of the lyrics to the song and the tunes. But on YouTube you can find the likes of Gene Autry and Roy Rogers and Johnny Cash and Burl Ives and others singing these old cowboy songs. Some of the songs that are alluded to:

S.D. Schindler’s illustrations that accompany Ms. Hopkinson’s fine text are first-rate. I especially liked the beautiful two page spread of cowboys in a Fort Worth saloon, where Lomax attempts to get them to sing into his “large recording horn.” There’s also a two page spread illustration of John’s classmates at the University of Texas, transformed into cowboys, and even one cowgirl, sitting around the campfire listening to Lomax sing the old songs of the West.

In the end notes to the book, Hopkinson tells readers that many of these songs, including “Home on the Range,” were thought by John Lomax to be folk songs of unknown origin, but some of them indeed had specific lyricists and composers.

“After the song (Home on the Range) became popular in the 1930’s, an Arizona couple claimed to have written it in 1905. Eventually, the song was traced to two Kansas men, Brewster Higley and Daniel E. Kelly, who wrote it in 1873. Finding the origins of songs can be difficult!”

Anyway, whoever wrote these songs, they belong to all of us now, and we can be thankful for John A. Lomax who recorded and preserved them for us to enjoy and for Deborah Hopkinson and S.D. Schindler who were also preservationists, giving us this lovely picture book biography of a pioneer musicologist and his work to save all of the old cowboy songs.

This book can be borrowed by member families from Meriadoc Homeschool Library.