I went to a library book sale a couple of months ago, and I found eight or ten old Scholastic paperbacks for sale for fifty cents apiece. I grabbed them all with plans to read them and see if they would fit into my library. Mystery in the Night Woods definitely makes the grade.

However, let’s deal with the possibly offensive parts first. Flying Squirrel, aka F.S., and his friend Bat are introduced in the first chapter, and right away we can tell that F.S. is a proud and self-centered squirrel. He tells Bat, “When I do something, I want to do it the best!” and “that’s why I’m a success!” So, it’s no surprise that when F.S. falls for Miss Owl and asks her to marry him, he is not willing to take “no” for an answer.

It is a bit disconcerting to present-day sensitivities to discover what F.S. does about his unrequited love for Miss Owl. He kidnaps her and refuses to let her go until she promises to marry him. This abduction is the part that a couple of Amazon reviewers found offensive, but I didn’t read it that way. Of course, the kidnapping is wrong, indeed criminal, but Miss Owl is for the most part unharmed. F.S. is arrested, sentenced by the Night Court, and made to pay for his crime. And eventually he becomes a much more humble and helpful squirrel.

So, it’s a story of “pride goeth before a fall” and “crime doesn’t pay” and “all’s well that ends well.” I believe in repentance and forgiveness as well as justice, and that’s what the book models with anthropomorphic animal characters. I daresay had the characters been human adults doing the same things, my take would have been different. But really, a lovesick flying squirrel kidnaps an innocent Miss Owl, but then repents and helps solve a mystery and foil a major crime spree? It feels like something from the cartoons that entertained me on my childhood Saturday mornings.

“Weasel stuck his head out of the window and whistled. A dark cloud came out and floated past him. Bat looked on from his hiding place. He could hardly believe what he had seen. What was the dark cloud? Where did it go? Bat was sure of only one thing–Weasel was up to something crooked again.”

And there you have the teaser for the rest of the story. It’s a good mystery for the 8-10 year old crowd. Leave it at that. I wouldn’t pay a lot for the book, especially since it’s only available in a paperback edition published in 1969. MY copy happens to be in very good condition, but it won’t last forever. Still, if you come across it, pick it up and give to a child you know who is not too jaded to enjoy a simple animal story mystery.

John Peterson was a successful children’s author who published quite a few best-selling books including Terry’s Treasure Hunt, The Secret Hide-Out, Enemies of the Secret Hide-Out, and the series of books about The Littles, a tiny family who live in the walls of a human-size family’s house. Cyndy Szekeres, the illustrator for Mystery in the Night Woods, is well known for her tiny animal illustrations, and the ones in this book are charming.

Patron families can check this book out from Meriadoc Homeschool Library.

What would it be like to grow up with a conman for a father? A conman who swindles your friends’ families out of large sums of money and convinces you that it’s all just part of “the family business”?

In Faker, Gordon Korman, a prolific middle-grade novelist, explores this intriguing premise through the eyes of Trey, a young boy who has been hustling people with his dad and younger sister for as long as he can remember. The family moves from town to town, conning wealthy people out of their money, and then disappearing when the heat gets too intense. As soon as things start to unravel, Trey’s dad calls a “Houdini”—a quick escape—and they vanish, only to reappear later in a new place with a new scheme.

Despite the fact that this is a story about a family of criminals, Korman does a good job of showing that Trey is more than just a product of his environment. As the story progresses, Trey begins to question the rationale his father has always fed him about their lifestyle, grappling with his maturing conscience. I also appreciated that Trey’s father, while clearly a thief, isn’t painted as entirely villainous. He’s a complex character: a criminal with a good heart. In fact, he might be a bit too good a dad to be entirely believable, but this adds to the book’s emotional appeal.

As I read, I found myself thinking, “This is not going to end well,” especially when Trey’s dad uses him and his sister to establish relationships with the wealthy parents of their schoolmates. But Korman manages to craft a surprisingly hopeful conclusion, one that, while somewhat improbable, avoids the darker turn the story might have taken. While the book offers some redemption and resolution, the narrative doesn’t shy away from difficult questions about right and wrong. Trey may come to understand the ethics of his actions, but his father’s repentance and reformation remain more ambiguous.

If you’re looking for a squeaky-clean story with no lying, stealing, or moral dilemmas, Faker is not the book for you. However, if you’re looking for a thought-provoking story that raises important questions about ethics, theft, and deception, this is a great choice. The book offers an opportunity to discuss complex topics like whether it’s okay to steal from the rich, the nature of heroes and villains, and whether criminals deceive themselves about their own motives. Pairing Faker with a version of the Robin Hood stories would make for some excellent discussions about the ethics of stealing from the rich and living outside the law.

I came across a critique of this story about an eleven-year-old girl, Essie, who has been raised by four librarian mothers in a public library. The critic argued that the story wasn’t believable. Well, of course it’s not. This isn’t a realistic, middle-grade problem novel; it’s a whimsical and exaggerated fairy tale with some real truths mixed in.

“Essie has grown up in the public library, raised in secret by the four librarians who found her abandoned as a baby in the children’s department. With four mothers and miles of books to read, Essie has always been very happy living there.”

Now that she’s eleven, her mothers decide it’s time for Essie to experience the world outside the library and gain some independence. They give her a Saturday allowance (like in The Saturdays by Elizabeth Enright) and set boundaries for her exploration. But as Essie makes new friends—possibly enemies, too—including a boy named G.E., she begins to uncover surprising truths about herself and her past.

This book is a mixed bag. I enjoyed the references to children’s literature throughout; they were a fun touch. However, some of the books Essie reads or hears about, like Slaughterhouse-Five, are wildly inappropriate for an eleven-year-old. There’s a recurring theme of the freedom to read without censorship, which is one of the more realistic aspects of the story, especially given today’s library culture.

The narrative is generally clean, though there are a couple of instances where God’s name is taken in vain, which were unnecessary and spoiled the tone. That said, the story remains relatively wholesome. There’s a fair amount of deception and secrecy, but ultimately, the truth comes out. It’s amusing to watch Essie navigate the world of candy shops, novelty stores, and department stores when she’s never really experienced them firsthand, having only read about them in books.

And what about those “real truths”? After some misunderstandings and a bit of trauma, the characters do reach a happy ending—more or less. There are consequences to the characters’ bad and foolish choices, but the consequences are not too severe. Even the villain, Mrs. Matterhorn, the legalistic librarian who wants to kick Essie out of the library, finds her own place in a library that suits her better.

But this is also a story about how real life isn’t like a story. Not all characters undergo perfect transformations. The past can’t be changed, and the poor choices of the past do affect the present. Some characters remain flawed, and not every problem is neatly resolved. In the end, the story acknowledges that life is messy, and sometimes, the answers we seek aren’t so clear-cut, even after everything is revealed.