The recently deceased children’s author Charlotte Zolotow was also an editor and a poet herself. She edited many of the most gifted authors of poetry for children of the twentieth century during her tenure at Harper and Row.

Lee Bennet Hopkins wrote of his editor Charlotte Zolotow: “Charlotte was editor-supreme. Her respect for an author, her insight, foresight, her vision of what could be — become — has been a highlight of my career. Lucky is one to be caught in the true Charlotte’s web.”

Paul Fleischman, winner of the 1989 Newbery Medal for Joyful Noise: Poems for Two Voices was also edited by Ms. Zolotow. In a tribute to her editorial skills, he says: “In matters of larger scope, her vision was truly exceptional. She was an astounding discoverer of talent. Once she’d found you, she didn’t rewrite you any more than she did your sentences. Ideas for books weren’t thrust upon you. The latest trends in publishing were never bandied about. Charlotte operated on the theory that the best book you had inside you was the one you most wished to write, no matter what happened to be selling at the moment.”

Poet Karla Kuskin, also a friend and protege of Ms. Zolotow, wrote a poem for a 1990 celebration of Charlotte Zolotow’s work:

There is that smile
that warms us like the sun.
There is the ouevre
(fine work done,
fine work yet to come).
There is all this, and more
combined
with that well honed and stainless
steel trap mind…

Mind and imagination combined made Charlotte Zolotow a formidable and talented author and editor and poet. Here are a couple of poems by Ms. Charotte herself:

Ladybug by Charlotte Zolotow

Little ladybug
With your
Glazed red wings
and small black polka dots
you look like a porcelain statue
until suddenly
you
fly
away.

People by Charlotte Zolotow

Some people talk and talk
and never say a thing.
Some people look at you
and birds begin to sing.

Some people laugh and laugh
and yet you want to cry.
Some people touch your hand
and music fills the sky.