For some reason that is never really spelled out in the story, Nina has trouble making friends. She’s twelve years old, perhaps a little bit over-enthusiastic about her special interest, birds, and otherwise seemingly normal and likable. But she hasn’t yet found her “tribe”.
Nevertheless, as an amateur birdwatcher and collector of bird facts, Nina is feeling almost at home at her aunt’s summer camp in Bee Holler, TX. Her new camp friends, who call themselves The Oddballs, make Nina part of the group, and when the four girls discover two huge white birds nesting near the old infirmary at camp, they also discover a group mission: protect the birds!
There are mysteries to be solved in this nature fiction story. Are these birds rare, endangered whooping cranes? If so, why are they in Texas, not their natural habitat? Who is the female bird of the pair, and where did she come from? Is there an egg in the nest? Will it hatch? When? How can the girls watch over the birds without alerting the public to their whereabouts?
The story also involves some rule-breaking on the part of The Oddballs, but there are consequences for their disobedience.Everything is resolved satisfactorily by the end of the book. And there are a few mentions of evolutionary theory (“Did y’all know that birds evolved from dinosaurs?”), but most of the science-y information in the book is accurate as far as I could tell. Give this one to nature lovers, bird lovers in particular, and to twelve year olds who are thinking about where they belong in the world and how to fit in without losing themselves. It’s not too preachy, but the story does deal with those issues in an understated and helpful way.
I’ve also read, but not reviewed, The War That Saved My Life and The War I Finally Won. Ms. Bradley tends to write about several topics and settings: World War II Europe, France in particular, Catholicism and religion, abused children, children with disabilities. The Night War is a Jewish Holocaust story set in France, 1942. When Miri (Miriam), a twelve year old Jewish girl, and her parents are routed from their apartment in Paris by the French police and herded onto buses to be taken to the Velodrome d’Hiver, Miri becomes separated from her family but she given the responsibility of escaping with and caring for her two year old neighbor, Nora Rosenbaum. Mrs. Rosenbaum tells Miri to run, to take Nora, and to somehow try to get to Switzerland. And Miri is faced with a choice, the first of many impossible choices: will she try to find her parents in the Velodrome or escape with Nora?
Miri chooses to run, and with the help of a French nun, she manages to get away from the Nazi roundup of Jews in Paris. Eventually, Miri, who takes the name of Marie, and Nora end up in Chenonceaux, near the castle of Chenonceau, which was long ago the dwelling of Diane de Poitiers and subsequently, Catherine de Medici. These women and their history become a significant part of Miri/Marie’s story. (SPOILER WARNING: Here be ghosts and ghost-like characters.)
And so do the nuns of Chenonceaux. Marie is hidden in a convent school, and she again is faced with choices. Does she stay in relative safety in the school, or does she attempt to take Nora and flee to Vichy France and then on to Switzerland? Is Nora safer with her foster family, or is she in danger of forgetting her family and her Jewish heritage? Can Miri pretend to be Catholic and still pray to God in her own Jewish way? And there are other choices to be made as Marie stumbles upon a secret resistance network and is asked to help smuggle others out of Nazi-controlled France.
This story with its emphasis on personal responsibility and making good choices, and the consequences of bad choices, is an excellent one for middle grade readers who are just waking up to their own responsibilities and moral choices in life. Recommended for readers age 10 and up, or as soon as you think your reader is ready for hard things about the Holocaust and the evil that people do. Not graphic.
Linnets and Valerians is a beautiful, truth-filled, engaging fantasy story by one of my favorite authors that I’m afraid will be problematic for many Christian readers. It shouldn’t be problematic to acknowledge that there is a spiritual realm of both good and evil and that spiritual battles must sometimes be fought by unconventional means. But witchcraft and spells, even good ones that counter evil, are a snare and anathema to some people, even reading about such things, so follow your own conscience.
Four endearing but rather naughty siblings–Robert, Nan, Timothy, and Betsy– are left to stay with their grandmother while their father is in Egypt with his regiment. “Grandmother said they were insubordinate; Father only thought them high-spirited.” Since the children’s first acts in the book are to run away from grandmother’s house and to “borrow” a pony and cart full of someone’s else’s groceries, I tend to agree with Grandmother. But the children turn out to be charming, nevertheless.
And they don’t stay with Grandmother very long. It’s not much of a spoiler, since the change happens in the second chapter of the book, to tell that the four incorrigible children end up living with their Uncle Ambrose, a Church of England clergyman, former educator, and inveterate bachelor. Uncle Ambrose also claims to dislike children, but he takes his nephews and nieces into his home anyway. And so the adventure begins.
Since this is a fantasy story there is magic, both black magic and white. Since it’s an Elizabeth Goudge story there are families to be reunited. And since it’s essentially a story with Christian underpinnings and a fairy tale of sorts, there is a happy ending where all’s well that ends well. But before we get to the happy ending, there is also a witch and evil spells and good counter-spells. That’s the part that’s going to be a deal-breaker for some readers. In short, if Harry Potter is a an offense to your conscience, then Linnets and Valerians is not for you either. I wish Goudge had used prayer instead of “white magic” to fight off the evil in the book, but in a way the prayers and common sense of Uncle Ambrose are weapons in the battle, too.
Still, I thought it was a fantastic story. Robert is the quintessential plucky British boy with a big, but very practical, imagination. He tends to get himself and his siblings into trouble with his schemes and ideas, but Nan, the sensible older sister, is there to keep Robert somewhat in check. Timothy is imaginative, too, but he tends toward being delicate and sensitive and thoughtful rather than “a force to be reckoned with.” And little Betsy has both the sweetness and the toughness of a youngest child. Uncle Ambrose is curmudgeonly, with a heart of gold, and each of the other characters has his or her own eccentric personality and peculiarities, including Emma Cobley the witch, Ezra the beekeeper servant, Moses Glory Glory Alleluja, Lady Alicia, Abednego the monkey, Hector the owl, and even Daft Davie who lives in a cave up on the hill.
With wonderful characters such as these, Elizabeth Goudge weaves a plot that takes the children all over the surrounding countryside and into the ancient manor house of Lady Alicia, who lives a secluded life after having lost her husband and her only child. Lady Alicia’s only companions are Abednego the mischievous monkey and one servant, Moses Glory Glory Alleluja –until the children intrude on her life and indeed begin to bring her back to life. Full story to follow.
If you can get past the witchiness and “white magic”, this one of only two children’s books by Elizabeth Goudge (the other is The Little White Horse) is, dare I say, pure magic. It reminds me of a hymn of praise and a prayer for protection from evil, and there is in fact a hymn of praise and invocation inserted into the story. I wish I knew a tune for it.
Glory, children, glory alleluja, Praise to the Lord. Great glory for sun and moon and star shine, And for His Word.
Glory that wells, streams, and flowing fountains Sing to His praise, That the snows laud him, frost fire, and rainbows The nights and days.
Glory, children, glory alleluja For birds and bees, For shepherd and sheep upon the mountains, Valleys and trees.
Is it glory for the gift o’ children To guard an’ keep? Varmints and scoundrels, I love ’em only When they’re asleep.
At first, I thought this 2024 middle grade/YA fantasy novel from Waterbrook Press was Narnia fan fiction, or perhaps a Narnia sequel, Susan’s Story: Once a Queen in Narnia or something like that. (“Once a king or queen of Narnia, always a king or queen of Narnia.”) That expectation was a disservice to the novel as it is. Sarah Arthur’s story certainly has strong echoes of Narnia, as well as being indebted to E. Nesbit, George MacDonald, Elizabeth Goudge, and Madeleine L’Engle, influences the author acknowledges in an author’s Q & A in the back of the book. So in my defense, I didn’t know, and the Narnia-love was there from the beginning.
I would advise readers to take Once a Queen on its own terms and NOT try to compare or find connections to any other stories or worlds until you get to the end. In this particular story, fourteen year old American Eva Joyce comes with her British mother to visit her estranged grandmother in the family manor of Carrick Hall in the West Midlands region of England. The year is 1995. Eva has been nurtured by the classic fantasy tales and children’s books, especially the Ternival tales of Mesterra by A.H.W. Clifton. She’s never actually experienced a magical portal to another world, however, even though this trip to England feels a bit like a fairy tale.
And the story does turn into a fairy tale, complete with magical worlds, an evil queen, secret gardens, fantastical creatures, and a quest to be completed. And secrets. Lots of secrets. Eva’s mum has secrets. Eva’s grandmother has secrets. Eva herself discovers so many wondrous secret things that she finds herself unable to keep all of the secrets straight. Who can be told about what, and when, and how? And what secrets are being withheld from Eva and why? This whole secret motif is the weakest part of the book: too many people keeping too many secrets for too little reason. Nevertheless, I resigned myself to getting bits of information doled out to me in each chapter –reluctantly and incompletely.
The novel itself alternates between strange occurrences in our world as Eva gets to know her grandmother and her grandmother’s tragic history and equally strange events in the world of Mesterra, woven by Magister, and ruled by a long line of kings and queens who built a a great kingdom called Ternival. Of course, there are doors between the worlds, hard to find and harder to open, but real. And Eva and her friend Frankie, the gardener’s grandson, are determined to find the way into the fantasy world that they have read about in books and somehow to solve the problems of their own world by doing so.
Once a Queen is a a lovely story with Christian worldview underpinnings, despite all of the secrets and slow revelations, and I highly recommend it to lovers of high fantasy and adventure stories. The novel is set up for a sequel, perhaps many sequels, and indeed there is a “sneak preview” of the next book in the series that is printed in the back of of this first book. The next book is to be called Once a Castle, and I look forward to its publication. (Once a Queen is complete in itself, and does not end in a cliffhanger.) Recommended for ages 12 and up.
I’ve wanted to read Christopher Yuan’s conversion story for a while, but just recently managed to get hold of a copy. I think it was a bit anticlimactic for me because I already heard most of the outlines and some of the details of Mr. Yuan’s story. But for someone coming to the story with fresh eyes, this book would be a very powerful testimony to the saving power of the gospel of Jesus Christ, for both wayward sons and their unredeemed parents.
Christopher Yuan is the younger of two sons in a traditional Chinese American family. His parents were immigrants to the United States from Taiwan who struggled but made good in a new country with lots of hard work and determination–the familiar American immigrant success story. Christopher’s father earned a doctorate and a DDS in dentistry and with his wife, Christopher’s mother, Angela’s help, established a thriving dental practice in Chicago. Their two boys grew up in a strict but loving Chinese American family with a somewhat distant father and a proud and deeply attached mother. The book begins with Christopher’s “coming out” story: he tells his parents about his homosexuality, which has been the center of his life for several years before this confession. “It’s not something I can choose. I was born this way. . . I am gay.” The remainder of the book tells how Christopher’s life became more and more chaotic and dysfunctional, with drugs, sex, and illicit money featured prominently until Christopher finally ends up in prison.
In the meantime, Angela goes from suicidal and irreligious to persevering prayer warrior after she relinquishes control of her life and of Christopher’s life to God and begins to know Him as her ever present help in a years long vigil and prayer for the salvation of her son. Both Angela and Christopher eventually learn that their only hope is found in Christ.
“Years of heartbreak, confusion, and prayer followed before the Yuans found a place of complete surrender, which is God’s desire for all families. Their amazing story, told from the perspectives of both mother and son, offers hope for anyone affected by homosexuality. God calls all who are lost to come home to him. Casting a compelling vision for holy sexuality, Out of a Far Country speaks to prodigals, parents of prodigals, and those wanting to minister to the gay community.”
This mystery tale of smugglers and Native American artifacts and a fight against bridges and roads being built on top of someone’s home is fairly standard and quite readable. It reminds me of my beloved Trixie Belden mysteries and of the many mysteries by Helen Fuller Orton and the Boxcar Children series by Gertrude Chandler Warner. This one is not part of a series, but if you like any of Ms. Molloy’s many mystery adventure stories, you will probably enjoy this one.
Thirteen year old twins, Will and Lettie Dennis, and their cousin Jonas Wingate are invited to spend the summer at the old TIbbets homestead with Cousin Mary Peter, whose home is set to be demolished soon so that a bridge can be built from the Maine coast out to Eden Island and Smuggler’s Cove. None of the three really wants to sped their summer in Maine with a cousin they never met, but their parents have asked them to give it a week’s trial. Cousin Mary Peter, a pharmacist, storekeeper, and somewhat eccentric caregiver, assumes that the children are staying for the summer. And as it turns out, Will, Lettie, and Jo find more to pique their interest than they thought they would, including a plan to save the old homestead by having it declared a historical site. The family have always “firmly believed that it [the house] was the very place where the Pilgrims set up a post to trade with the Indians when they came from Plymouth to this bay.” If the children can prove it, the house will be protected.
Published in 1964, the mystery adventure story features free-range children exploring and sometimes doing rather foolish things like stowing away on a smuggler’s boat or taking a leaky boat out into the bay, but all’s well that ends well. (Just don’t try these exploits at home.) Even one of the “villains” of the story is redeemed in the end. It all makes for a satisfying middle grade summer novel. And as I said, it’s a stand alone book, for those who prefer their books free of series entanglements.
What a great little book, full of jokes and literary and historical allusions! Basil of Baker Street, the Sherlock Holmes of the mouse world, sets out to Switzerland to find the lost colony of the Tellmice of 1291, who fled to the mountains to escape their own tyrannical version of Gessler, William Tell’s famous oppressor. How refreshing to read a humorous mystery adventure for primary and middle grade readers that does not condescend to slapstick and potty humor but respects its readers while remaining accessible to them. In this story, readers will encounter Flora and Fauna, the Faversham sisters; the Tellmice of Switzerland; Inspector Antoine Cherbou of the Paris policemice; Dr. David Q. Dawson, Basil’s narrator and assistant; Elmo the St. Bernard; the Adorable Snowmouse; and of course, the evil Ratigan, Basil’s arch-enemy (“I smell a rat again–Ratigan!”) —as well as many more characters whose names and personalities and talents are allusions to various literary and cultural icons, people, and events. Some I recognized, and others were lost on me. (Tillary Quinn, who writes crime stories = Ellery Queen, but for some reason she’s a New Zealander?)
The jokes embedded in the story are old; at the ripe old age of 66, I’ve heard most of them before. But they will be funny and fresh to a new generation of readers. The illustrations by Paul Galdone are endearing. Such an intrepid mouse detective! And the book and the series are perfect for hooking beginning chapter book readers into the joy of reading. Basil and the Lost Colony is only 88 pages long, short but sweet.
The book is part of a series by the well known author of the Anatole picture books as well as other books for children. These Sherlockian stories include:
Basil of Baker Street
Basil and the Cave of Cats (aka Basil and the Pygmy Cats)
Basil in Mexico
Basil in the Wild West
Basil and the Lost Colony
Basil of Baker Street, the first book in the series, was also made into a Disney movie in 1986, The Great Mouse Detective.
This Dickensian Christmas tale could have come straight out of Victorian England, but instead it’s a story from an American writer. Set in Oliver Cromwell’s England of the 1600’s, this 128-page quest story tells of a young orphan boy, Ned, and his search for food and a mother and a home. As he navigates his way through the threatening city of London, avoiding the officers who want to take him to the poorhouse, and the others who want to imprison him for thieving bread, Ned searches for the Mother and Babe that the bells of the cathedral are said to herald.
The illustrations for this story by Fermin Rocker are beautiful, and they help to bring the tale down to earth and make it more accessible. I have to admit, though, that the story itself struck me as a bit odd. Ned lives with a group of street children, but he leaves them to go and find his family. We never know what happens to his street urchin “family”. Eventually, the poet Robert Herrick (1591-1674) finds him and feeds him, but Ned leaves Herrick’s warm hospitality in a tavern to continue on his quest to find either his own mother or the Holy Mother proclaimed by the bells of the cathedral. Then, he finds a family, father, mother and three children, who decide to take him in, maybe because he reminds them of the Christ Child?
The best idea I have is to try this story out as a read aloud at Christmas time and see if your children are taken by the small piper, Ned, and his search for a mother and a family. The poem in the very back of the book is this one by Herrick, which I suppose is the inspiration for the story:
Go prettie child, and beare this Flower Unto thy little Saviour; And tell Him, by that Bud now blown, He is the Rose of Sharon known: When thou has said so, stick it there Upon his Bibb or Stomacher: And tell Him (for good handsell too) That thou has brought a Whistle new, Made of a clean strait oaten reed, To charm his cries (at times of need): Tell Him, for Corall, thou hast none; But if thou hadst, He sho’d have one; But poore thou art, and knowne to be Even as monilesse as He. Lastly, if thou canst win a kisse From those mellifluous lips of his; Then never take a second on, To spoile the first impression.
In his Author’s Note at the beginning of The Black Cauldron, Lloyd Alexander notes that “a darker thread runs through the high spirits” of this second novel in the Prydain series as compared to the first book, The Book of Three. The first book sent Taran, Assistant Pig-Keeper, on a quest to find the lost Hen-Wen and brought him to face the evil Horned King, servant of the Lord of Annuvin. This book involves another quest, darker indeed, to capture and destroy the Black Cauldron, birthplace of the deathless Cauldron-born warriors who also fight for Arawn, Lord of Annuvin. This journey is harder and longer and more perilous than the search for Hen-Wen, and Taran must face sacrifice, hardship and even death itself in his quest to end the power of the Black Cauldron.
But still there is Gurgi with his “smitings and bitings” and Fflewddur Fflam with his harp and Eilonwy, the girl with the sharp tongue and the golden bauble. And “good old Doli” joins the quest, reluctantly, to lend a bit of invisible help. New friends, or perhaps enemies, are Ellidyr, Prince of Pen-Larcau, and Adaon, Son of Taliesin. This second book in the Prydain series really picks up the pace of the story, and readers gain more insight into the characters of Taran and his companions and friends. The Black Cauldron is better than The Book of Three, which is a good book in its own right. That’s as it should be: in a series the books should get better, or else what’s a series for? Alexander writes in the Author’s Note, “[W]hile extending the story, I have also tried to deepen it.”
You can read The Black Cauldron as a stand alone book, but the books in this five book series are better read in chronological and publication sequence. The Prydain books, in order, are:
The Book of Three
The Black Cauldron
The Castle of Llyr
Taran Wanderer
The High King
The stories are inspired by Celtic and Welsh mythology, but they don’t follow any one folk tale or myth closely. Prydain is an imaginary realm, not Wales, and the characters in the book may remind one of Celtic heroes, but they are filtered through and created by Mr. Alexander’s imagination, illuminated by Celtic heroes. It’s a lovely set of stories.
The Orphelines in the Enchanted Castle is the fourth book in a five book series about a group of French orphans, “orphelines”, who live together with their guardian, Madame Flattot and her caretaker assistant, Genevieve. This volume begins:
“Once upon a time there were twenty beautiful French princesses who were going to live in an enchanted castle with their fairy godmother and their thirty knights. . . The noble knights were the boy orphans who would share the castle with them. And the castle was to be their new orphanage. It was in the forest of Fontainebleau, south of Paris, waiting for them to bring it to life again–as the prince had done in THE SLEEPING BEAUTY OF THE WOODS.”
Of course, the real orphan girls don’t always act like princesses, and the orphan boys who come to live in the castle with them are not the most noble of knights. The story tells how the girls learn to temper their imaginations with good sense and to behave themselves even when the boys can’t or won’t. And the boys, some of whom come from the streets of Paris and are quite uncivilized, are introduced to a French version of Lord Baden-Powell’s Boy Scouts and to Rudyard Kipling’s The Jungle Book, and thereby with some help from the girls and from Genevieve, become quite chivalrous wolf cubs and doers of good deeds.
These books about the orphelines are short, about a hundred pages each with large print and lovely illustrations in this particular volume by Adriana Saviozzi. Both the story and the reading level are appropriate for beginning chapter book readers, ages six to ten or so. The children in the book are quite mischievous and sometimes naughty, but they learn and grow. If children were about to join a scouting-type group such as Trail Life or American Heritage Girls, this book would be a good introduction to the concept of scouting.
Other books in the series about the Orphelines include:
The Happy Orpheline
A Brother for the Orphelines
A Pet for the Orphelines
A Grandmother for the Orphelines
The Orphelines in the Enchanted Castle is Book 4 in the Orphelines series of five books total. The other volumes in the series are similar to this in terms of reading level and interest level, but they have various other illustrators, such as Garth Williams, Fermin Rocker, and David White. I like the simple and vivid drawings in Enchanted Castle best, I think, although Garth Williams is always good. This book is another entry in the Books of 1964 Project.
