Definitely not for everybody. Robert Galbraith’s (J.K. Rowling’s) first book in her crime series about private detective Cormoran Strike is gritty and contains quite a bit of bad language, mostly F-bombs. (By the way, I really like that name, Cormoran Strike. It feels quirky and detective-like and memorable.) I wish Rowling could have toned down the language, but I must admit that in the world of celebrities and super-models where this particular mystery takes place, the dialog probably accurately reflects the characters and their common everyday use of language.
Cormoran Strike is a tortured soul, as most detectives usually are these days. Hercule Poirot and Miss Marple were rather ordinary and well-adjusted, except for their exceptional detecting abilities. Lord Peter Wimsey had a somewhat complicated background and some psychological issues, but nothing like what modern detectives of stage, screen, and literature have to deal with. Cormoran Strike has a dysfunctional childhood and a vengeful ex-girlfriend, and he’s lost one leg to a land mine in Afghanistan. And he’s practically homeless with his detective business about to go bankrupt due to a lack of clients.
So, when the wealthy brother of legendary super-model Lula Landry asks Cormoran to investigate the death, apparent suicide, of his sister, the detective is willing even though he doubts the police could have missed anything in the case, considering all the publicity surrounding Lula’s death. The case itself is a look into the lives of the rich and famous, a world that is not completely foreign to Cormoran Strike, whose mother was a “super-groupie” following his rock star father around for a while back in the 70’s.
The novel is well plotted, and I didn’t figure out whodunnit or how until the very end. There is also a lot of good character development as the story slowly introduces Cormoran Strike, his background, and his personality as well as his detecting methods and habits, learned through his time in the army as an army investigator. We also meet another character who will show up in subsequent novels, I’m sure: Robin Ellacott, the temp secretary and office manager that Cormoran can’t afford to keep on but finds invaluable in ferreting out clues and information for him to use in his investigation. The story is told in third person, but mostly from the viewpoint of either Cormoran Strike or Robin Ellacott, so we get to be privy to some of Strike’s thoughts as well as Robin’s, understanding how they react to one another and to the suspects and witnesses to Lula Landry’s suicide–or murder. The duo work together well, but frequently misunderstand one another in small ways that make the story intriguing and keep the reader guessing as to what will happen next.
I liked it well enough to request the next book in the series from the library, and if the language and grit don’t get any worse, I’ll probably continue to read the entire series. The other books in the series so far are:
- The Silkworm
- Career of Evil
- Lethal White
- Troubled Blood
- The Ink Black Heart
- The Running Grave
- The Hallmarked Man? (not yet published)
Again, the content is dark, including foul language, drug use, sexual immorality (not described explicitly in this book), and violence (somewhat gritty, but not too much detail). This is a book for adults, not children or teens. But the characters are engaging, and the mystery was satisfying in its conclusion. J.K. Rowling is a good writer with a talent for more than fantasy writing.
I was a little surprised (and skeptical about her ability to pull it off) when I heard that Rowling had turned to a series like this one, but I’ve been impressed with the ones I’ve read so far. The language is usually pretty strong, but I think they would be unrealistic otherwise – and it’s kind of a shame how used to that kind of language I’ve gotten after being bombarded with it for so long now. Never saw that coming.