Just like her Newbery award winning book, The Midwife’s Apprentice, Karen Cushman’s new foray into fantasy/magical realism has a touch of medieval wisdom and a cartload of feminist historical perspective to bring to middle grade readers. The image of medieval “hedge witches” and “cunning folk” and “wise women” is rehabilitated and given respectability and even honor as Grayling, the daughter of one such herbalist and witch, goes on a journey to rescue her mother from an evil magic smoky shadow that has rooted her to the ground and is changing her into a tree.
Although it reminded me of the book I reviewed yesterday, Red by Liesl Shurtliff, this book was just a little too “witchy” for my tastes. In addition to Grayling’s mother, Hannah Strong, and Grayling herself, the story features a grumpy weather witch, an evil wannabe witch, an alluring enchantress, and a professor of divination, all of whom team up with Grayling to help her on her quest. I can like stories with witches—Baba Yaga, The Wizard of Oz, Harry Potter, Narnia’s White Witch—all are perfectly good stories in their own way. But this feminist version of medieval witches that reimagines them as harmless but wise healers and herbalists, and yet at the same has them wielding powers that are far from harmless . . . It’s just not my favorite storyline or characterization.
Grayling is the typical “strong female” character that’s all the rage nowadays. She tells a young man who tries to rescue her from drowning to quit rescuing her and let her rescue herself. She learns to rely on her own strength and courage, even when she doesn’t feel strong or courageous. One of the several songs that Grayling makes up during the course of the story to work her own kind of magic goes like this:
You cannot just sit here,
Dreaming and hoping,
March forward to battle
With pennants unfurled,
I call on your courage,
No fretting or moping.
Stand tall.
Stand tall.
If we stand alone,
It still must be done.
If it must be done,
You are the one.
That’s OK, as far as it goes, but something about it feels like a pep talk and leaves me wanting.
Nevertheless, there’s nothing really wrong with this coming of age story about a girl who leaves home to save her mother’s life, succeeds with the help of others, and returns to find that she’s outgrown the home she left. Amanda at The Willow Nook has a much better, and more positive, review of the book, and she makes some excellent points about the redemptive and heroic themes to be found in this short novel, only 200 pages. I predict it will find an audience, just not me.