Director: Clint Eastwood
Writer: David Webb Peoples
Starring: Clint Eastwood, Morgan Freeman, Gene Hackman, RIchard Harris, Jaimz Woolvett, Frances Fisher
Mom says: When writing about the movie Red River, I said, “Dunson shoots or threatens to shoot a few men in cold blood basically for just getting in his way or challenging his authority, and that part was rather shocking to my youngest (and to me).” Now that I’ve seen Unforgiven, Red River would be a walk in the park.
Unforgiven is a western about cowboys and gunslingers, too. The movie begins with a shocking scene of graphic violence when a cowboy cuts up a prostitute’s face because she says something he doesn’t like. It get worse after that. I lost track of the body count towards the end. The language is crude, profane, and socially unacceptable. None of the characters is really very likable or sympathetic.
But what really bothered me were all the moments when I felt as if I were left hanging. I kept asking over and over again, “What the heck was that?” Why did Clint Eastwood’s character, William Munny, suddenly decide to leave his kids and go kill somebody after eight or nine years of peaceful pig-farming? Why did his friend Ned go with him? What was the significance of Little Bill’s bad carpentry? Comic relief? Or was he living in a shaky house, metaphorically speaking? Why were the prostitutes so vengeful and willing so spend so much money to get revenge? Why were two cowboys held responsible for the knife cutting when only one of them did it? What happened to the journalist fellow? Why was he in the movie at all? Why couldn’t Ned shoot at the critical moment? Why could Will shoot at all of the critical moments? Was the point of the movie that people never really change? If so, why does the Kid seem to learn from his violent act that he’s not really a killer at all?
Maybe the point of the movie was that people are crazy and unfathomable and don’t follow the movie western formulas. Although I easily can believe that, I don’t want to think about the fact that I inhabit a world in which violence and murder are so easy for some, the “unforgiven”, and so shattering and unrepeatable to others (the forgiven?). If the goal of the movie was to make me think and to turn movie conventions on their heads, Unforgiven was successful. I just don’t want to spend much time thinking about what the creators of this movie gave me to ponder–mostly a lot of unanswered questions and raw, violent brokenness and spiritual emptiness.
Key quote:
The Schofield Kid: [after killing a man for the first time] It don’t seem real… how he ain’t gonna never breathe again, ever… how he’s dead. And the other one too. All on account of pulling a trigger.
Will Munny: It’s a hell of a thing, killing a man. Take away all he’s got and all he’s ever gonna have.
The Schofield Kid: Yeah, well, I guess they had it coming.
Will Munny: We all got it coming, kid.
I don’t recommend this movie for children (rated R), and I actually felt uncomfortable with my 13-year old watching it. He lost interest fairly quickly, though. Adults who are interested in the western genre might find the movie has “redeeming qualities.” Not my favorite, but it did make me think.