The series, The Secrets of Ormdale by Christina Baehr:

• Wormwood Abbey, Book #1
• Drake Hall, Book #2
• Castle of the Winds, Book #3
• City of Serpents, Book #4
• Valley of Dragons, Book #5

I already reviewed the first book in this series, and now that I’ve finished all five books in The Secrets of Ormdale saga, I’m going to give you my thoughts on the entire series, rather than review each book individually. My immediate reaction is: excellent fantasy and romance fiction! Set in Victorian London and Yorkshire, these books are appropriately Victorian, with a nod to “new ideas” (at the time) such as women’s suffrage and equality of the sexes and classes. Each book tells a separate contained story, and yet each one leads on to the next. The themes and characters are obviously influenced by Christian and Charlotte Mason ideas and principles, but with a light touch, not at all didactic. There is some exploration of the status and plight of Jewish people in England during the time period when many Ashkenazi Jews were fleeing Eastern Europe to come to British shores. And the central character and narrator, Edith Worms, is a part of a delightful and deeply Christian family who live their commitment to Christ and his teachings rather than grounding their Christianity in Victorian cultural morality.

So, that’s the overview. As for Book #5 in the series, Valley of Dragons, it is much longer than the other four books in the series, clocking in at 499 pages. But the author needed all of those pages to finish her story. As the story commences in Book #5, there are yet many secrets to be revealed, prisoners to be released, enemies to be defeated, and dragons to be tamed.

About those dragons, these stories do feature reptiles, many kinds of serpents, salamanders, cockatrices, basilisks, sea monsters, wyverns, and lizards–even a Quetzalcoatl–all collectively termed as dragons in this alternate world. Indeed, Britain harbors at least four families of dragon keepers who have kept their many species of dragons safe and secret for centuries.

Some literary experts insist that dragons and serpents must always only be shown in literature as “bad guys”, archetypal monsters and symbols of satanic influence, like the serpent in the Garden of Eden. Anyone who writes about a “good dragon” or a dragon ally or pet is inverting the symbols and distorting the fundamental meaning of the literary tradition, and maybe even Scripture itself. However, Edith Worms and her father, a clergyman, and I beg to differ:

“‘You said once that the church had been a comfort to you when you were young, Father, because it mentioned dragons. But aren’t they always a symbol of evil in the scriptures?’

‘A symbol, yes. To say evil is like a dragon is to say evil is deadly and long-lived. . . . But not all of the dragons in the scriptures are evil. What of Job’s leviathan? You will not find a passage more full of wonder than that. Everything was good when it was created. . . .’

‘When I look at the dragons, I see something beautiful–something worth protecting,” I said. . . . “But the people of Dale, they see something fearful. Something only an archangel can save them from.’

‘God made both people and dragons, my dear. What we must find is a way for us to live together peacefully–as He intended. . . ,’ Father said encouragingly.”

Dragons can certainly signify evil and danger and monstrosity with in the literary tradition, but they can also simply stand for power and peril and wonder within that same tradition. Stories are not bound by such petty rules of literary nitpicking. Nor is Scripture. The serpent on a pole that Mose was instructed to elevate before the Israelites in the wilderness was a symbol and vehicle of healing (Numbers 21:4-9). The dragons in The Secrets of Ormdale are certainly dangerous, like lions and tigers are dangerous, but they are subject to men (and women) to whom God gave the job of tending His creation, including all kinds of reptiles, even dragons.

Dragons aside for the moment, these books are all about secrets, especially family secrets, and how they can destroy relationships and even block love itself. The books do involve romance as Edith learns to “open her heart” and accept the pain and loss that loving someone can entail. The romantic scenes themselves are completely chaste, with only a few kisses described, but there are allusions to the perversion of sexual attraction as one character recalls being sexually assaulted and another is kidnapped and almost forced into an unwilling marriage.

I thought these books with their emphasis on freedom and openness and the free choices of responsible men and women to care for each other in mutual, self-sacrificial and loving relationship were a perfect antidote to the typical Gothic romance with its brooding atmosphere of secrets and seduction. In The Secrets of Ormdale, all secrets are eventually brought out into the open, and the happily-ever-after is built on a firm foundation of mutual respect and truth.

The entire series, The Secrets of Ormdale, is available for check out from Meriadoc Homeschool Library for adults and young adult who are prepared for romantic themes, practical young heroines, and of course, beautiful and perilous dragons.