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Poem # 20: To His Coy Mistress by Andrew Marvell

“Poetry is the clear expression of mixed feelings.”~W.H. Auden

Had we but world enough, and time,
This coyness, Lady, were no crime.
We would sit down and think which way
To walk and pass our long love’s day.
Thou by the Indian Ganges’ side
Shouldst rubies find: I by the tide
Of Humber would complain. I would
Love you ten years before the Flood,
And you should, if you please, refuse
Till the conversion of the Jews.
My vegetable love should grow
Vaster than empires, and more slow;
An hundred years should go to praise
Thine eyes and on thy forehead gaze;
Two hundred to adore each breast;
But thirty thousand to the rest;
An age at least to every part,
And the last age should show your heart;
For, Lady, you deserve this state,
Nor would I love at lower rate.

But at my back I always hear
Time’s wingèd chariot hurrying near;
And yonder all before us lie
Deserts of vast eternity.
Thy beauty shall no more be found,
Nor, in thy marble vault, shall sound
My echoing song: then worms shall try
That long preserved virginity,
And your quaint honour turn to dust,
And into ashes all my lust:
The grave’s a fine and private place,
But none, I think, do there embrace.
Now therefore, while the youthful hue
Sits on thy skin like morning dew,
And while thy willing soul transpires
At every pore with instant fires,
Now let us sport us while we may,
And now, like amorous birds of prey,
Rather at once our time devour
Than languish in his slow-chapt power.
Let us roll all our strength and all
Our sweetness up into one ball,
And tear our pleasures with rough strife
Thorough the iron gates of life:
Thus, though we cannot make our sun
Stand still, yet we will make him run.

Andrew Marvell was friends with the poet John MIlton. Milton gave him a job as a secretary, and later after Cromwell’s reign, when Milton was imprisoned during the Restoration, Marvell used his influence have Milton freed. Marvell was, at various times in his life, a Member of Parliament, an ambassador, a satirical poet, an essayist and a pamphleteer. Most of his poems were printed posthumously, probably because they would have been quite offensive in their satire of his fellow politicians and of other public figures.

As for the poem, I rather like this reply to Mr. Marvell by A.D. Hope:

Poem #19: Love Bade Me Welcome by George Herbert

“Poetry: things that are true expressed in words that are beautiful.”~Dante

Love bade me welcome, yet my soul drew back,
Guilty of dust and sin.
But quick-ey’d Love, observing me grow slack
From my first entrance in,
Drew nearer to me, sweetly questioning
If I lack’d anything.

“A guest,” I answer’d, “worthy to be here”;
Love said, “You shall be he.”
“I, the unkind, the ungrateful? ah my dear,
I cannot look on thee.”
Love took my hand and smiling did reply,
“Who made the eyes but I?”

“Truth, Lord, but I have marr’d them; let my shame
Go where it doth deserve.”
“And know you not,” says Love, “who bore the blame?”
“My dear, then I will serve.”
“You must sit down,” says Love, “and taste my meat.”
So I did sit and eat.

Poem #18: The Pulley by George Herbert

“Poetry is to prose as dancing is to walking.”~Paul Valery

fixed_pulley_25757_mdWHEN God at first made man,
Having a glasse of blessings standing by ;
Let us (said he) poure on him all we can :
Let the worlds riches, which dispersed lie,
Contract into a span.

So strength first made a way ;
Then beautie flow’d, then wisdome, honour, pleasure :
When almost all was out, God made a stay,
Perceiving that alone, of all his treasure,
Rest in the bottome lay.

For if I should (said he)
Bestow this jewell also on my creature,
He would adore my gifts in stead of me,
And rest in Nature, not the God of Nature :
So both should losers be.

Yet let him keep the rest,
But keep them with repining restlesnesse :
Let him be rich and wearie, that at least,
If goodnesse leade him not, yet wearinesse
May tosse him to my breast.

St. Augustine: Nos fecisti ad te et inquietum est cor nostrum donec requiescat in te.
You have made us for yourself, O Lord, and our hearts are restless until they rest in you.

George Herbert:
. . . was born April 3, 1593 in Wales to a wealthy family, patrons of the arts.
. . . entered Cambridge University at the age of 16 and graduated with a master’s degree at the age of 20.
. . . was a member of the Parliament, The House of Commons, for two years.
. . . wrote the lyrics to the hymn Let All the World in Every Corner Sing.
. . . died of tuberculosis on March 1, 1633 at the age of 39.
. . . on his deathbed gave the manuscript to his only book of poetry to his friend, Nicholas Ferrar, and told him to publish the poems if he thought them worthwhile and otherwise to burn them. Thanksfully, Mr. Ferrar did not burn the poems but published the collection, The Temple: Sacred Poems and Private Ejaculations.

Izaak Walton about Herbert: “His chiefest recreation was Musick, in which heavenly Art he was a most excellent Master, and, compos’d many divine Hymns and Anthems, which he set and sung to his Lute or Viol.”

Henry Vaughan (poet): George Herbert was a man “whose holy life and verse gained many pious Converts (of whom I am the least).”

RIchard Baxter: “”Herbert speaks to God like one that really believeth a God, and whose business in the world is most with God. Heart-work and heaven-work make up his books.”

Poem #17: To Lucasta On Going to the Wars

“Poets don’t draw. They unravel their handwriting and then tie it up again, but differently.”~Jean Cocteau


Tell me not, Sweet, I am unkind
That from the nunnery
Of thy chaste breast and quiet mind,
To war and arms I fly.

True, a new mistress now I chase,
The first foe in the field;
And with a stronger faith embrace
A sword, a horse, a shield.

Yet this inconstancy is such
As you too shall adore;
I could not love thee, Dear, so much,
Loved I not Honour more.

Who talks about honor anymore? Rather an antiquated term, isn’t it?

“A man has honor if he holds himself to an ideal of conduct though it is inconvenient, unprofitable, or dangerous to do so.” ~Walter Lippmann

“The most tragic thing in the world is a man of genius who is not a man of honor.” ~George Bernard Shaw

“Mine honor is my life; both grow in one; Take honor from me, and my life is done.” ~William Shakespeare

“Honor is like an island, rugged and without shores; once we have left it, we can never return.” ~Nicholas Bolieu

Whom do you know or know of that you consider a man or woman of honor? Ask your children. What is honor? What do they consider to be honorable behavior?

I asked mine.

Z-baby said: “It’s like if you were in a situation where you could die and he could live, or he could die and you could live, he would give his life to save you.”

Betsy-Bee: Respected. You honor someone when he does something good.

Karate Kid: Honor is being respectful and doing what is right. Who do I think is honorable? My dad.

Today, by the way, is Poem In Your Pocket Day. Carry a poem in your pocket and share it with a hungry soul, if you dare.

Poem #16: To the Virgins, To Make Much of Time by Robert Herrick

“Poetry fettered, fetters the human race. Nations are destroyed or flourish in proportion as their poetry, painting, and music are destroyed or flourish. “~William Blake

Gather ye rosebuds while ye may,
Old Time is still a-flying;
And this same flower that smiles today
Tomorrow will be dying.

The glorious lamp of heaven, the sun,
The higher he’s a-getting,
The sooner will his race be run,
And nearer he’s to setting.

That age is best which is the first,
When youth and blood are warmer;
But being spent, the worse, and worst
Times still succeed the former.

Then be not coy, but use your time,
And while ye may, go marry;
For having lost but once your prime,
You may forever tarry.

Robert Herrick was another loyalist, cavalier poet. However, he was not a soldier, but a clergyman who lost his position as vicar of Dean Prior during Cromwell’s time because of his royalist sympathies. Herrick wrote about several women in his poems, but they may have been imaginary or composites of his crushes because he never married.

To Anthea Who May Command Him Any Thing
Delight in Disorder
To Electra
To Sylvia, To Wed
Upon Julia’s Clothes

I think the last is my favorite. I rather like Herrick’s romantic imagination, gathering rosebuds, even though eventually he failed to take his own advice and did forever tarry in the matter of marriage.

And another strike against the whole “carpe diem” philosophy is that while this scene from the movie Dead Poets Society is wonderful and inspiring, Seize the Day didn’t turn out too well for young Mr. Perry in the movie. Perhaps there’s something more to life than gathering rosebuds and enjoying one’s youth, however lovely the idea.

Poem #15: To Althea, From Prison by Richard Lovelace, 1642

“Poetry is the language in which man explores his own amazement.”~Christopher Fry

When Love with unconfined wings
Hovers within my gates,
And my divine Althea brings
To whisper at the grates;
When I lie tangled in her hair
And fettered to her eye,
The gods that wanton in the air
Know no such liberty.

When flowing cups run swiftly round,
With no allaying Thames,
Our careless heads with roses bound,
Our hearts with loyal flames;
When thirsty grief in wine we steep,
When healths and draughts go free,
Fishes that tipple in the deep
Know no such liberty.

When, like committed linnets, I
With shriller throat shall sing
The sweetness, mercy, majesty,
And glories of my king;
When I shall voice aloud how good
He is, how great should be,
Enlarged winds, that curl the flood,
Know no such liberty.

Stone walls do not a prison make,
Nor iron bars a cage;
Minds innocent and quiet take
That for an hermitage.
If I have freedom in my love,
And in my soul am free,
Angels alone, that soar above,
Enjoy such liberty.

RIchard Lovelace was a so-called “Cavalier Poet”, loyal to King Charles I during the English CIvil war of the 17th century. Other cavalier poets included Thomas Carew, Robert Herrick, and Sir John Suckling. Lovelace wrote this poem in 1642 while he was in Gatehouse Prison for petitioning to have the Clergy Act 1640 annulled which annulment would have returned the Anglican bishops to the House of Lords from which they had been excluded for their loyalty to King Charles. Althea may or may not have been a real person, but imagination provided Lovelace with Althea to caress, wine to drink, voice to praise the king, and freedom to live in peace and solitude.

This song is Lovelace’s words put to folk music by a group called Fairport Convention, music by Dave Swarbrick. The video clips are from the movie Fly Away Home.

Study guide to this poem.

Poem #14: A Valediction Forbidding Mourning by John Donne, 1611

“I am two fools, I know, for loving, and for saying so in whining poetry.”~John Donne

Donne wrote this poem to his wife, Anne in 1611 as he was leaving the country on a diplomatic mission to France. The two had been married by this time for about ten years. Anne was related, by marriage, to Donne’s employer, and in 1601 when Anne was seventeen years old, she and John married, even though he knew the marriage would not be acceptable to his employer or to Anne’s father. Indeed, after the two married, Donne was fired from his job and spent a brief time in jail. John Donne and his beloved wife Anne had twelve children, five of whom died young, and then Anne herself died in 1617, leaving John with the surviving children to raise and support. John Donne never remarried.

As virtuous men pass mildly away,
And whisper to their souls to go,
Whilst some of their sad friends do say,
“The breath goes now,” and some say, “No,”

So let us melt, and make no noise,
No tear-floods, nor sigh-tempests move;
‘Twere profanation of our joys
To tell the laity our love.

Moving of the earth brings harms and fears,
Men reckon what it did and meant;
But trepidation of the spheres,
Though greater far, is innocent.

Dull sublunary lovers’ love
(Whose soul is sense) cannot admit
Absence, because it doth remove
Those things which elemented it.

But we, by a love so much refined
That our selves know not what it is,
Inter-assured of the mind,
Care less, eyes, lips, and hands to miss.

Our two souls therefore, which are one,
Though I must go, endure not yet
A breach, but an expansion.
Like gold to airy thinness beat.

If they be two, they are two so
As stiff twin compasses are two:
Thy soul, the fixed foot, makes no show
To move, but doth, if the other do;

And though it in the center sit,
Yet when the other far doth roam,
It leans, and hearkens after it,
And grows erect, as that comes home.

Such wilt thou be to me, who must,
Like the other foot, obliquely run;
Thy firmness makes my circle just,
And makes me end where I begun.

Read more about the poem and its background here.

Poem #13: Holy Sonnet X by John Donne

” It is difficult/ to get the news from poems/ yet men die miserably every day/ for lack/ of what is found there.”William Carlos Williams, “Asphodel, That Greeny Flower”

DEATH be not proud, though some have called thee
Mighty and dreadfull, for, thou art not so,
For, those, whom thou think’st, thou dost overthrow,
Die not, poore death, nor yet canst thou kill me.
From rest and sleepe, which but thy pictures bee,
Much pleasure, then from thee, much more must flow,
And soonest our best men with thee doe goe,
Rest of their bones, and soules deliverie.
Thou art slave to Fate, Chance, kings, and desperate men,
And dost with poyson, warre, and sicknesse dwell,
And poppie, or charmes can make us sleepe as well,
And better then thy stroake; why swell’st thou then;
One short sleepe past, wee wake eternally,
And death shall be no more, death, thou shalt die.
~John Donne, 1572-1631

We’re back to Donne, but here he’s matured, become concerned with eternity and death and life. If you’ve never seen the movie Wit based on the play by Margaret Edson and starring Emma Thompson as Dr. Vivian Bearing, a professor of metaphysical poetry specializing in the holy sonnets of John Donne, get it. Be prepared to confront death and dying, however, in its plain and poetic pride.

I wrote a little about the movie Wit here.
The DHM says Wit is the best movie she will never, ever watch again. Be warned.

Poem #12: Sonnet 130 by William Shakespeare

“There are a thousand ways to love a poem. The best poets make up new ways, and the new ways mostly take getting used to.~Donald Hall

My mistress’ eyes are nothing like the sun;
Coral is far more red than her lips’ red;
If snow be white, why then her breasts are dun;
If hairs be wires, black wires grow on her head.
I have seen roses damasked, red and white,
But no such roses see I in her cheeks;
And in some perfumes is there more delight
Than in the breath that from my mistress reeks.
I love to hear her speak, yet well I know
That music hath a far more pleasing sound;
I grant I never saw a goddess go;
My mistress when she walks treads on the ground.
And yet, by heaven, I think my love as rare
As any she belied with false compare.

Now this one is my favorite Shakespeare sonnet! That’s the sense of humor I’ve got—and have passed on to my urchins, for better or for worse. Drama Daughter says no one understands her sense of (somewhat sarcastic) humor, but I think she and Will would have gotten along just fine.

And it ends on a gentle, almost plaintive, note: I believe my love is just as precious and special as any of those so-called beauties who get all the cliched accolades. By heaven.

I found a video for this one, too, with Snape, or Colonel Brandon as I like to call him since I don’t know Snape, aka Alan Rickman reading the sonnet:

Poem #11: Sonnet 73 by William Shakespeare

“You cannot translate a poem into an explanation, any more than you can translate a poem into a painting or a painting into a piece of music or a piece of music into a walking stick. A work of art says what it says in the only way it can be said. Beauty, for example, cannot be interpreted. It is not an empirically verifiable fact; it is not a quantity.”~Wendell Berry, Life is a Miracle: An Essay Against Modern Superstition (2000), p. 117

This sonnet surprised me by appearing on three people’s lists. I don’t remember ever reading it before.

That time of year thou mayst in me behold
When yellow leaves, or none, or few, do hang
Upon those boughs which shake against the cold,
Bare ruin’d choirs, where late the sweet birds sang.
In me thou seest the twilight of such day
As after sunset fadeth in the west,
Which by and by black night doth take away,
Death’s second self, that seals up all in rest.
In me thou see’st the glowing of such fire
That on the ashes of his youth doth lie,
As the death-bed whereon it must expire
Consumed with that which it was nourish’d by.
This thou perceivest, which makes thy love more strong,
To love that well which thou must leave ere long.

The website, No Sweat Shakespeare, has prose translations of Shakespeare’s sonnets:

You may see that time of year in me when few, or no, yellow leaves hang on those branches that shiver in the cold bare ruins of the choir stalls where sweet birds sang so recently. You see, in me, the twilight of a day, after the sun has set in the west, extinguished by the black night that imitates Death, which closes everything in rest. You see in me the glowing embers that are all that is left of the fire of my youth – the deathbed on which youth must inevitably die, consumed by the life that once fed it. This is something you can see, and it gives your love the strength deeply to love that which you have to lose soon.

So the poet is old, and the addressee is young. But whoever it is the poet is talking to can see what the poet is and used to be, and so age makes the young person love the poet more? Even though the inevitable parting is coming soon. (Ha! I agree with Mr. Berry, but that doesn’t stop me from trying anyway.)

The urchins asked if I was going to add a video to every one of these poetry posts, and I said no, but I couldn’t resist this one. “Dallas Bill” quotes Sonnet 73, and then he goes on to explain sonnets in general and the meaning of this sonnet in particular. Priceless.