Outcast and Cursed

Oct23

Dragonfly Song by Wendy Orr.
Nevermoor: The Trials of Morrigan Crow by Jessica Townsend.
Thisby Thestoop and the the Black Mountain by Zac Gorman.
The Turnaway Girls by Haley Chewin.

In Dragonfly Song, Aissa is “the cursed child who called the Bull King’s ship to the island.” Her fellow servants and townspeople say of her, “Spit the bad luck away when you see her; pinch or slap her to make her understand.” She’s called No Name because she’s mute, and no one even cares to know her real name.

In Nevermoor, Morrigan Crow is a cursed child, born on Eventide, blamed for all of the misfortunes and tragedies that occur anywhere in her neighborhood, and doomed to die on her eleventh birthday. She’s sure that she has no gift, no talent to set her apart, and no place or reason to hope for anything, especially not a place in the magical Wundrous Society.

Thisby Thestoop’s parents “traded her (at birth) for a bag of mostly unspoiled turnips”, and the wandering salesman to whom she was traded “dumped the baby at the foot of the Black Mountain.” She has no real name; the name Thisby Thestoop comes from the text of a note written by a minotaur with sloppy penmanship. “She wasn’t born particularly clever or brave. She couldn’t move like a shadow or shoot an arrow through the eye of a needle. And she most definitely wasn’t predestined to greatness through some divine prophecy or ‘Chosen One” hooey. No, Thisby Thestoop was astoundingly average.” Thisby is a friendless outcast and the lowliest of servants, a gamekeeper for monsters beneath the Black Mountain.

Delphernia in The Turnaway Girls is different, perhaps special in that she has a voice to sing, but also a friendless outcast, unable to make the golden shimmer that the othergirls can make. And she must hide her voice because turnaway girls are not allowed to make music. She says of herself, “I’m not a maker of anything. I am a worthless creature. A turnaway girl who cannot make shimmer. Mudworms do not envy me. I have riots in my heart each morning.”

I’m sensing a pattern here. All of these middle grade fantasies feature protagonists who are outcasts, cursed, the lowliest of the low. And all of the novels’ heroes are girls. These are almost Cinderella stories in which the lowly servant girl, mocked and cursed, turns out to be a brave and beautiful princess; except the girls in these stories never do completely come to self-actualization or a sense of belonging, not wholly. Perhaps Thisby comes the closest; by the end of the novel she knows her place and her work and is beginning to see her own strength and believe in her own future. She still doesn’t have parents or a real name, but she has made her own name, Thisby, known and admired by the end of the book.

Morrigan Crow learns that she is not a curse, but rather a blessing and gift by the end of the first volume in her story. Still, she isn’t sure that her gift itself isn’t a curse that will harm more than it will help. The resolution of that story is left for the sequel to The Trials of Morrigan Crow.

Aissa claims her own name, finds her voice, becomes a bull jumper, snake singer, and savior of her island. But by the end of her book, she’s still filled with anger for the mother who rejected her and jealousy for the sister who took her place, and fear of becoming once again the no-name girl, enslaved and cursed. She “now is ready to face her life”, but there’s enough doubt in the final poem at the end of the story to make the reader wonder if Aissa can keep all that she has gained.

Delphernia also finds her voice and her mother and freedom. She does become a sort of a princess by the end of the story, but her transformation, too, is not without its doubtfulness and difficult memories. Delphernia carries scars and in her head the voices of those who told her that she was worthless and doomed and outside the pale.

And so it goes. All of these cursed girls become Real Girls by the power of their own voices, developing their own identities and their own names. And if those identities, names and voices are a bit shaky and untested by the end of the book, maybe there’s another volume yet to come in which these formerly voiceless and nameless heroines can become even more self-assured and fearless. And that’s the message of these and other similar stories: you, too, reader, may feel outcast and alone and powerless, but you can be more. You can, even without having any special giftedness or any unique place or name or birthright, make yourself and create your own identity.

These books indicate that this self-actualization happens partly as a result of one or more other people believing in the seemingly powerless and cursed girl. I do think that’s a partial answer to the Cinderella problem. How does the outcast rise from the ashes? The Velveteen Rabbit became real because he was loved. But is the love of another imperfect human being enough to transform a cursed girl into a strong, courageous princess, or does the growth and change require some other kind of magic? Is my identity and my strength, my “girl power” there, simply waiting to be discovered, or does it derive from a source outside myself?

Interesting questions. One last thought: how many other books of middle grade fantasy that I read this year will feature this same theme of an outcast rising up and finding her voice?

More outcast, cursed, and bullied female protagonists:
A Problematic Paradox by Eliot Sappingfield. Sardonic misfit genius Nikola Kross is bullied in regular middle school and has trouble acclimating in a school for brilliant scientists like herself. Can Nikola actually make friends and at the same time find out who she truly is?

Peasprout Chen, Future Legend of Skate and Sword by Henry Lien. Peasprout Chen comes to the Pearl Famous Academy of Skate and Sword from the foreign and hated land of Shin. She is looked down upon, disrespected, and friendless as she competes to become the top-ranking wu liu champion. Can Peasproout find her place at the Academy and in the land of Pearl?

Shadow Weaver by Marcy Kate Connolly. Emmeline, born with the magic of shadow weaving, is suspected, feared, and even hated by her family and by their servants. She has only one friend, her shadow Dar, who is herself a lost soul and a dark trickster shadow. Emmeline’s shadow weaving magic is her identity, but is it also her curse?

The Wizards of Once: Twice Magic by Cressida Cowell. Princess Wish is a poor Warrior girl, a bad speller, and she has magic, a capital offense among the Warriors. She’s banished to a cupboard by her scary mother, and her only friends are her cautious bodyguard and a spoon she accidentally brought to life. Cursed or gifted with iron magic, Wish is definitely one of the misfit girls of 2018. (Her fellow protagonist, Xar, is also a misfit among the Wizards. He has no magic, unlike all the other Wizards, but he does have friends.)

The Marvelous Adventures of Gwendolyn Gray by B.A. Williamson. Gwendolyn Gray is a dreamer with wild red hair in a city full of conformists and identical grey buildings and clouds. She’s cursed with an imagination, and again no friends, in a world of people who want her to be gray and dull and obedient.

R Is for Rebel by J. Anderson Coats. Mallianne Pirine Vinnio Aurelia Hesperus is a member of an outcast group of people, the Mileans, but even among her own people, imprisoned, Malley is different because of her rebellious, untamed spirit. She will not be reformed or reeducated or domesticated, and even the girls who are her fellow prisoners fear the trouble that Malley brings in her rebellious wake.

Amazon Affiliate. If you click on a book cover here to go to Amazon and buy something, I receive a very small percentage of the purchase price.
These books may be nominated for a Cybils Award, but the views expressed here are strictly my own and do not reflect or determine the judging panel’s opinions.

The Royal Rabbits of London by Santa and Simon Sebag Montefiore

Oct16

Royal Rabbits suffers from being somewhat cliche-ridden, with Hallmark greeting card dialog being thrown around like popcorn, but it definitely has its moments. For instance, the Queen’s corgi dogs aka The Pack, who are the Royal Rabbits’ rivals and nemeses, are named for infamous women of the past: Agrippina, Messalina, Livia, Lucrezia, Imelda, Lady Macbeth, Jezebel, Moll, and Helmsley. (Why are they all females?) And the rats are named Baz, Grimbo, and Splodge. Good naming, huh?

Caught between The Pack and the Ratzis, their other ancient enemies, the Royal Rabbits must protect the Queen of England and her royal family at all costs. Can Shylo, a small, simple country bunny, help the Royal Rabbits protect their queen from the evil machinations of the paparazzi Ratzis? This story reads like a Disney romp, complete with a chase scene, greasy rat villains, a small but brave hero (Shylo), and even a Disney-esque pep talk for Shylo at about midpoint in the story:

“Shylo, you found your way here, didn’t you? I don’t see the weary little rabbit who stands before me, but the brave Knight you may one day rise to be. My brother saw something in you, otherwise he would not have sent you on the dangerous journey to find us. I see it, too. Courage, my dear bunkin, courage. You’re braver than you know.”

Santa Montefiore and Simon Sebag Montefiore are husband and wife, parents to two children for whom they made up the stories of the rabbits who lived under Buckingham Palace. Simon is a well-known historian and novelist. I can definitely see this book made into an animated feature film. So, it’s a perfect match for fans of Disney and Disney-esque storytelling. And for real fans, there are three more Royal Rabbits books: Escape from the Tower, The Great Diamond Chase, and Escape from the Palace (January, 2019).

Amazon Affiliate. If you click on a book cover here to go to Amazon and buy something, I receive a very small percentage of the purchase price.
This book also may be nominated for a Cybil Award, but the views expressed here are strictly my own and do not reflect or determine the judging panel’s opinions.

The Stone Girl’s Story by Sarah Beth Durst

Oct11

The Stone Girl’s Story is such a good exploration of story-making and moral free agency and growth and change. I am blown away by the depth of thought embedded in the story and the simple, understandable way in which the story unfolds.

Mayka, a living girl carved of stone, and her stone family of rabbits and birds and other creatures, live on the mountain where they were first created by the stonemason whom they called Father. They are animated and given their own stories by the marks the stonemason carved into their bodies when he made them. But Father eventually died and left the stone creatures he made behind. And now their marks are eroding and becoming faded and smooth. As their marks fade, the stone creatures will slowly wind down and come to a stop—unless they can find a new stonemason to re-carve their features and their stories.

To save herself and her friends, Mayka goes on a journey to find a stonemason. Like all fantasy journeys Mayka’s quest to save her family brings growth and change to Mayka herself, even if she is made of unyielding stone. Her companions on the journey are the stone birds, Risa and Jacklo, and along the way they meet Siannasi Yondolada Quilasa, Si-si for short, a tiny dragon with a big heart. With these friends and supporters, Mayka travels to the big city where she hopes to find another ally, a stonemason.

C.S. Lewis said of his Narnia stories that they were not allegories but rather “suppositions.”

“I did not say to myself ‘Let us represent Jesus as He really is in our world by a Lion in Narnia’; I said, ‘Let us suppose that there were a land like Narnia and that the Son of God, as he became a Man in our world, became a Lion there, and then imagine what would happen.'”

The Stone Girl’s Story also reads like a supposition: “Let us suppose world in which stone creatures can come to life, and someone wants to enslave and control the stone creatures. Then imagine what might happen.” And it’s a very good supposition. Recommended.

The Rose Legacy by Jessica Day George

Oct10

I never was one of those horse-loving girls when I was a kid of a girl growing up in West Texas. Most of my friends loved horses, wanted to ride horses, longed to own their own horse(s), aspired to become veterinarians or barrel racers when they grew up. Not me. I went horseback riding once or twice, but it wasn’t my thing. I didn’t read horse books or study horse breeds or talk about horses with my friends. I was just not horse-crazy.

And I’m not sure The Rose Legacy, a new book by Jessica Day George, would have appealed to me back then. Ms. George, author of The Castle series about a magical castle and its inhabitants, has crafted a lovely fantasy set in a world where the horses are supposed to be extinct and forbidden and dangerous. But they’re not any of those things, really.

Anthea Cross-Thornley has no parents and has been shunted about from one uncaring relative to another for all of her life as far as she can remember. But now she is being sent to the home of an uncle she never knew she had, her father’s brother, and what’s worse, her uncle’s home, called The Last Farm, is outside The Wall in the Exiled Lands where only outlaws and wild animals live. How can Anthea become a Rose Maiden to the queen of Coronam when she is being sent to hinterlands, and will she even survive if it’s true that diseases were spread by the exiles and the horses that used to live in the Exiled Lands?

So, of course, the Exiled Lands turn out to be much different from what Anthea has been led to believe, and The Rose Legacy turns out to be a book about magical horses and about magical communication between horses and humans and about bonding with animals and as most good fantasy is, about a quest to save the kingdom. If you like horses or quests or magical worlds, you should give this one a try. Even an old horse-indifferent reader like me enjoyed the story. It had some good, tense moments, an unexpected villain, and a nice resolution, although I read hints that The Rose Legacy may be the first book in a new series. If so, horse lovers everywhere will be delighted.

Ghost Boys by Jewell Parker Rhodes

Oct9

Ghost Boys is the story of Jerome, a 12 year old black child in Chicago, who is shot and killed by a white policeman. For most of the story Jerome is a ghost who wanders around Chicago trying to figure out why he can’t move on to wherever he is supposed to go after death. The message is good: no black children (or adults) should die because someone with power and a weapon “made a mistake” or was racist in his or her judgments.

But the story was confusing, and many questions were unresolved. Are all of the “ghost boys” doomed to walk the earth for eternity, or until complete and perfect justice is achieved? If the ghost of Emmett Till was returned to earth to inspire Thurgood Marshall, then why is he still around after Thurgood Marshall has already passed on? Was the murder of Emmett Till really responsible for starting the entire civil rights movement? Are the “hundreds and hundreds” of black boys the only people who have been killed unjustly in the history of the world, or in the United States, or are they just the only ones who are doomed to wander seeking justice forever? If they are supposed to share their stories, why doesn’t Jerome tell Sarah his story instead of having her watch a video and ask her librarian questions?

I just don’t think this book is a great introduction to the subject of racial injustice, but maybe I’m wrong. I’d really like to hear the opinions of young people, black, brown or white, who have read the book. Maybe they would get more out of the reading than I did. I think I would have preferred a straightforward telling of Jerome’s story without all the confusing ghostly stuff, but maybe the ghost story aspect makes it more accessible and interesting to at least some middle grade readers.

Amazon Affiliate. If you click on a book cover here to go to Amazon and buy something, I receive a very small percentage of the purchase price.
This book may be nominated for a Cybils Award, but the views expressed here are strictly my own and do not reflect or determine the judging panel’s opinions.

Winterhouse by Ben Guterson

Oct8

Winterhouse is just the sort of fantasy mystery adventure story that I like. The setting is a luxurious hotel with lots of long, twisty halls and secret, locked rooms and exciting amenities, including, of course, a huge library full of old books. The plot is filled with coded messages and puzzles and late night adventures and unusual friendships. The protagonist is an orphan girl, Elizabeth Sommers, who loves to read, so lots of literary allusions. The cast of supporting characters includes the hotel proprietor, the mysterious Norbridge Falls, a friendly librarian named Leona Springer, Elizabeth’s new friend, Freddy Knox, and various other assorted villains, friends, and eccentric minor cast members.

In the story, the poor orphan girl, who lives with her unkind and neglectful aunt Purdy and Uncle Burlap, is unexpectedly whisked away by unknown benefactors to Winterhouse Hotel for the Christmas holidays. While Elizabeth is enjoying the hotel and all its charms—the library, ski slopes, an over-sized jigsaw puzzle, concerts, lectures, and more—she becomes aware that there is mystery and even danger lurking behind the happy facade of Winterhouse. With the reluctant help of the unadventurous but inventive Freddy, Elizabeth sets out to uncover the secrets of Winterhouse before those secrets overcome the goodness and cheer of the old hotel and its guests.

Yes, it’s a perfect set-up. But the execution wasn’t quite up to par. The dialogue and the actions of the main characters, Elizabeth and Freddy, were strained and sometimes unnatural. Norbridge Falls’s actions and particularly his speech patterns are mysterious and unpredictable, too, and I never understood why he was acting so secretive, eccentric, and strange. The author left a lot of loose ends and unanswered questions hanging, perhaps in view of a possible sequel to this debut novel, but it felt like a violation of the Chekov’s gun adage: “if in Act I you have a pistol hanging on the wall, then it must fire in the last act.” Why were the two jigsaw puzzlers, Mr. Wellington and Mr. Rajput (and their wives), included in the story? What was the significance of introducing them and their huge Himalayan temple puzzle into the plot? Who is Riley Sweth Granger, and where did The Book come from? What really happened to Elizabeth’s parents? Why are Freddy’s allegedly distant and hateful parents suddenly interested in spending time with him at Winterhouse? What is the significance of the Flurschen candy? Why do most of the women of the Falls family live to be exactly 100 years old?

Although some mysteries are resolved by the end of the book, these and many other questions that I had are left unanswered. I think the author may eventually hit his stride and give us some delightful middle grade fiction in the vein of The Westing Game and The Mysterious Benedict Society, but Winterhouse does read like a first attempt. It’s worth reading, though, if only for the allusions to Anne-with-an-e and Narnia and Westing Game and other similar classics. And the library. The library in Winterhouse is to swoon for!

Oh, and the illustrations in the book by Chloe Bristol are pitch-perfect, or pen-perfect. Enjoy the pictures and the puzzles and the bookishness. I’d say give it a chance, and perhaps look forward to the next book in a projected trilogy, The Secrets of Winterhouse, to be published in 2019. Perhaps I’ll get answers to some of my questions then.

Cybils Middle Grade Speculative Fiction Yet To Be Nominated

Oct6

Here’s a list of some middle grade speculative fiction books of 2018 that have yet to be nominated for a Cybils Award. Anyone can nominate, and it’s a simple process. If you’ve read any of the following and want to nominate your favorite or if you’ve read books from this year in other categories, go ye forth to the Cybils website and nominate. Nominations close after October 15th.

The Rose Legacy by Jessica Day George. The orphaned Anthea Thornley is sent north to her uncle’s farm where she meets horses, a breed of animal she has been taught were dangerous and are now extinct. But Anthea has much to learn about her own family history and the history of her country and about horses. NOMINATED.

The Griffin’s Feather by Cornelia Funke. Sequel to Dragon Rider.

A Perilous Journey of Danger and Mayhem: A Dastardly Plot by Christopher Healy. The first book in a new alternate history adventure by the author of The Hero’s Guide to Saving Your Kingdom. NOMINATED

The Problim Children by Natalie Lloyd. “When the Problim children’s ramshackle bungalow in the Swampy Woods goes kaboom, the seven siblings—each born on a different day of the week—have to move into their grandpa’s bizarre old mansion in Lost Cove.” NOMINATED

The Boy, the Boat, and the Beast by Samantha Clark. “A boy washes up on a mysterious, seemingly uninhabited beach. Who is he? How did he get there? The boy can’t remember.” NOMINATED

Outlaws of Time: The Last of the Lost Boys by N.D. Wilson. This third book in the series introduces Sam Miracle’s son and heir. NOMINATED

The Lost Books: The Scroll of Kings by Sarah Prineas.“The powerful Lost Books at the palace library are infecting the rest with an evil magic, and two unlikely friends must figure out who, or what, is controlling the books and their power. If they can’t, the entire kingdom could be at risk.” NOMINATED

The Incorrigible Children of Ashton Place: Book VI: the Long-Lost Home by Maryrose Wood. The final book in the Ashton Place series?

Voyage of the Dogs by Greg van Eekhout. Dogs in space—called Barkonauts? NOMINATED

The Phantom Tower by Keir Graff. “Twin brothers discover their new home is also a portal–for an hour a day–to a parallel dimension.”

The Language of Spells by Garret Weyr. A dragon freed from a teapot meets a very special friend. NOMINATED

Pages and Co: Tilly and the Bookwanderers by Anna James.

Spindrift and the Orchid by Emma Trevayne.

The Road to Ever After by Moira Young. In this Christmas tale, orphan Davy Davidson meets the eccentric Miss Flint, and as they travel together, Miss Flint begins to age backwards.

The Assassination of Brangwain Spurge by M.T. Anderson and Eugene Yelchin. “An anarchic, outlandish, and deeply political saga of warring elf and goblin kingdoms.” Long-Listed for the 2018 National Book Award for Young People’s Literature. NOMINATED

A Fever, a Flight, and a Fight for the World: The Rwendigo Tales Book Four by Jennifer Myhre. May be young adult. Set in East Africa. NOMINATED in YA.

Explorer Academy: The Nebula Secret by Trudy Trueit. From National Geographic, kids train to become the next generation of scientists to explore the galaxy.

Bravelands #3: Blood and Bone by Erin Hunter.

The Magic Misfits by Neil Patrick Harris. NOMINATED

2018 Cybils Nominations Categories:
Easy Readers and Early Chapter Books
Elementary/Middle-Grade Nonfiction
Elementary/Middle-Grade Speculative Fiction
Fiction Picture Books/Board Books
Graphic Novels
Junior/Senior High Nonfiction
Middle-Grade Fiction
Poetry
Young Adult Fiction
Young Adult Speculative Fiction

The Third Mushroom by Jennifer L. Holm

Oct6

The Third Mushroom is a sequel to Holm’s 2017 book, The Fourteenth Goldfish. Both books have the advantage of being short, sweet, and simple, easy to digest and productive of not a few chuckles at the very least. However, both books are also somewhat over-simplified, especially in the science department, and both have a kind of snarky, disrespectful edge that just stays within my boundaries for likability.

Ellie, a seventh grade only child of divorced parents, doesn’t like mushrooms at all. In both books, Ellie has to deal with a grandfather who has two PhDs, which he brags about, a grandfather who ends up disguised as a middle school student in Ellie’s school as he coerces her into his wild and crazy science experiments and plays havoc with Ellie’s life. Grandpa Melvin is not a very sympathetic character, but he does make the book fun. He very obviously needs to grow up, but he also is fixated on making Ellie into a scientist like him.

This science obsession is an excuse for the author to shoehorn in all kinds of science information and mini-biographies of famous scientists such as Alexander Fleming, William and Caroline Herschel, Carolus Linnaeus, and others. It felt forced to me, but maybe kids won’t notice. Also, the science experiments were a bit wacky and unconvincing, but again maybe for beginning scientists the details don’t matter so much.

Both books are fun and easy to read. Grandpa Melvin is a crank, but he has some funny moments. Ellie, a seventh grader, has a date with a boy, completely clean and almost platonic, but if you’re wanting to delay that particular discussion, I wouldn’t have my second grader reading this one, as one Amazon reviewer said hers did. Also, (SPOILER): Animal Trauma Alert (in The Third Mushroom).

And, by the way, I totally disagree with Ellie about mushrooms and Brussels sprouts. Mushrooms are great, very tasty; Brussels sprouts are Tiny Cabbages of Death. And if you’re not sure what the mushrooms have to do with the actual story, I’m not either.

Willa of the Wood by Robert Beatty

Oct5

Willa is a young night-spirit jaetter of the Dead Hollow clan of the Faeran, an orphan and a sort of New world fairy? She’s also a woodwitch with the ability to talk to trees and plants and some animals, and she can change skin color like a chameleon and blend so that she can hardly be seen among the flora of the forest. Jaetters are thieves who come at night and steal from the day-folk for the benefit of the ruler of Willa’s clan, the paderan. Faeran believe in the guideline that “there is no I, only we”, but Willa is an individual. She escapes from the confines of her dictatorial clan life, but she finds that life without the clan is lonely and purposeless. So, most of the book is about Willa’s search for home, community, and family.

Who’s editing the books these days, anyway? Willa of the Wood tells a good story, set in the Great Smoky Mountains, with atmosphere and suspense and compelling characters and a touch of Americana (Cherokee characters, the mountains, panthers and otters and other animals native to the area). BUT there are some obvious glitches that a good editor should have noticed. The first paragraph of chapter 33 repeats the action in the last few paragraphs of chapter 32, as if the reader is picking up on a serial installment of the story. Why? None of the other chapters have this repetition (that I noticed), and it was disconcerting.

Then, there were niggling little questions I had as I was reading. The miller, Nathaniel, says he earns his living from the mill, taking one bag of cornmeal for every ten that he grinds, but no one ever comes to the mill to have their grain milled. And most of the time Nathaniel is absent from home, anyway. How can he run a business when he’s gone half the time and has no customers? And how many children were there in the underground prison? It seemed as if there were lots, more than Willa could visit or free, on multiple levels. Then, the story said that she freed only 23 or 24 children. What happened to the rest of the children? And why did the Faeran let the girl stay with her baby brother?

There were more questions I had as I read. Some were resolved; others were not. I can see how this fantasy fiction would appeal especially to children who live in the Great Smoky Mountains of Tennessee or South Carolina. Or those who like stories about communication with animals. The entire book is rather dark and melancholy, with themes of cultural annihilation, cruelty, power-grabbing, and greed. But, as I said, it may appeal to some readers. I thought it was OK, but I was kind of glad for the happy-ish ending. If it’s the first in a series, there wasn’t enough there to draw me back for a second go-round.

Hope in the Holler by Lisa Lewis Tyre

Oct4

When Wavie’s mother dies of cancer, Wavie ends up in the Appalachian trailer home of her long-lost and unknown Aunt Samantha Rose. Wavie’s father is dead, to (or is he?), and Wavie has only her own wits and a couple of new friends in Conley Hollow, her new home, to get her out of the predicament of living with an aunt who feeds her ketchup and spaghetti for meals and only wants to spend the government check for Wavie’s support on stuff for Aunt Samantha Rose.

Can Wavie do anything that will prevent Aunt Samantha Rose from becoming her legal guardian? Can Wavie find her real father or did he really die in an accident long ago? Why did Wavie’s mother leave Conley Hollow and never tell her about Samantha Rose or anyone else in the family? What else did Wavie’s mother fail to tell her before she died?

Adult fans of Hillbilly Elegy by J.D. Vance will find this story familiar and believable. Those who dissed Vance’s story of his own rise from Appalachian poverty will probably think this children’s version of that escape is just as offensive as Vance’s true life story. I thought some of the stereotypical elements of the story were overdone: Aunt Samantha Rose buys a big-screen TV with the child support money, of course. The family lives in a trailer home, of course. Wavie’s friend comes over to her house to bathe because there’s no water or soap at his house.

Still, this book had a lot of heart and a lot of pathos. Wavie is a spunky, persistent protagonist, and her two sidekicks are believably flawed and somewhat antagonistic toward each other, and yet they support Wavie well in attempt to break free of her vulgar and uncaring aunt. I would recommend this one to readers who like a good overcoming-the-obstacles kind of story. It’s similar in some ways, themes and setting, to Louisiana’s Way Home by Kate DiCamillo. I thought Louisiana was the better book, but Hope in the Holler wasn’t bad at all.

Semicolon

Books we must have though we lack bread.

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