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Absolutely Truly by Heather Vogel Frederick

Absolutely Truly: A Pumpkin Falls Mystery by Heather Vogel Frederick.

Twelve year old Truly Lovejoy’s army captain dad has come back from Afghanistan minus one arm and transformed into Silent Man. He used to be fun, and Truly’s family used to be referred as the Magnificent Seven–Truly, her brothers, Danny and Hatcher, her sisters, Lauren and Pippa and mom and dad. Now everything has changed, and the family has to move from wonderful Austin, Texas to tiny Pumpkin Falls, New Hampshire, the back side of nowhere if there ever was such a place.

The mystery part of this family story was rather lame and stretched my credulity: it involved some twenty year old love letters that were hidden and stayed put for the entire time and a treasure hunt that seemed to have very little purpose. However, the mystery is really just a vehicle for the characters and their interactions, and this aspect is where the story shines. Truly and her family members and her new classmates are a joy to get to know, and I award points to any story with a family of five or more children.

I’m assuming from the subtitle that this one is the first in a possible series of “Pumpkin Falls mysteries”. I’d recommend to middle school mystery lovers and to those who would enjoy a story featuring a largish family and a veteran dad. The story provides an upbeat and encouraging look at military families and the adjustments that veterans and their families have to make after their service, but it doesn’t gloss over the difficulties and changes that sometimes occur.

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Silent Alarm by Jennifer Banash

Silent Alarm is a young adult novel about a school shooting as experienced by the shooter’s sister, also a student at the high school where the shooting takes place. The strength, and the main weakness, of the novel is that it never answers the basic question left in the aftermath of all school shootings: why? In this case, why did Alys Aronson’s older brother, Luke, kill fifteen people and then turn the gun on himself? How could the brother that Alys loved and learned from do such a thing? Of course, I have no answer to the question of why one man’s sin leads to death, for himself and for others, while another’s equal sin leads to repentance, mercy, and life.

What the novel does well is present the predicament of those who are left behind in the families of murderers, in particular. Alys is devoted, conflicted, and victimized. Because Luke is not around for them to hate and to blame, the victims’ families blame Alys and her family. How could they have let Luke do such a horrific thing? How could they not have known?

Alys also blames herself. Maybe she should have known that something was wrong with Luke. Maybe she should have not enjoyed being the favored child, the one who followed the rules. Maybe she should have died, too, when Luke pointed the gun at her, but didn’t shoot.

Silent Alarm is not an enjoyable book. It ends with some small wisp of hope for Alys, but not much more that that.

“And even as I lie there hoping, hoping with everything I am that somehow I have the right to go on, to make a life for myself apart from what Luke has done, I also know that it might just be a fantasy, a moment of wishful thinking. A story I tell myself in moments of quiet contemplation, when the wind outside shifts through the trees in a whisper, rustling the curtains, and lulling me into sleep.

But in spite of everything that’s happened, I would like to believe it.”

Don’t read for answers, and don’t read if you are prone to or connected with depression or depressive violence. But if you’re interested in a different perspective on school shootings and their aftermath, Silent Alarm is a well-written interpretation of a tragic event, sans nasty language and gratuitous violent description. (Of course, the central event itself is quite violent.)

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The Penderwicks in Spring by Jeanne Birdsall

The Penderwicks are back! And the focus in this installment is Batty, who has grown to be a mature and thoughtful fifth grader, but still shy and retiring, and still quite musically talented. Her life’s motto is: Musica anima mea est (Music is my life).

Two more children have been added to the Penderwick clan: Ben, the sisters’ seven year old stepbrother, and Lydia, their two year old sister, born of the marriage between Mr. Penderwick and the next-door neighbor, Iantha. Ben’s passion is rocks. He digs for them, collects them, and studies them. And Lydia’s passions are princesses, crowns, flowers, dance, escaping her crib—-and big brother Ben. “Lydia loved everyone she’d encountered in her short life—never had a Penderwick been so pleased with the human race—but she loved Ben most of all. This was a burden no boy should have to bear.”

The older girls are back too. Rosalind is away at college, but not too far away to come home for visits frequently. Seventeen year old Skye is absorbed in her beloved math, still friends with Jeffrey, but decidedly not his girlfriend, “among all the Penderwicks, . . . least likely to want to discuss grief or any other emotion.” Sixteen year old Jane is still writing stories, trying to speak French, and presiding over the gang of boys who for some reason like to come over to the Penderwick home and devour pretzels and hang out.

Batty becomes unwillingly involved in and affected by the teen and grown-up problems of Skye’s love life, the Penderwick family’s money problems, and some misunderstandings about the family’s history. On the surface, it might seem that having Batty become entangled in such adult issues would be a mistake for a children’s book, but Batty comes at the problems from her own eleven year old perspective, and all is resolved and made right in the end. And the truth is that children are impacted by the problems and concerns of their older family members, so showing Batty dealing with her own issues in response to those of her older siblings and her parents is realistic without being too heavy.

Because the Penderwicks, like the Quimbys, are a happy family, nothing gets so broken that it can’t be mended in this story of misapprehensions, dealing with grief and fear, and clashing personalities. Lydia provides comic relief, a la Ramona the Pest, and Batty grows up just a little. But no one is so grown up that there can’t be a fifth (and final?) Penderwicks book, something I heard is in the works. Long live the Penderwicks!

If you haven’t read the first three Penderwick books, I highly recommend them, and then this fourth one. They keep getting better.

The Penderwicks: A Summer Tale of Four Sisters, Two Rabbits, and a Very Interesting Boy by Jeanne Birdsall. Winner of the National Book Award for Young People’s Literature in 2006.
The Penderwicks on Gardam Street.
The Penderwicks at Point Mouette.

Beneath by Roland Smith

So, first I thought the premise of this young adult novel was intriguing:

“Exactly one year to the day after my brother, Coop, ditched me, I got a package in the mail.
It came to the school, not our home.
The secretary handed me the package with a warning that I was never to use the school as my personal address.
I was going to tell her that I hadn’t when I saw my name: Pat Meatloaf O’Toole, scrawled in Coop’s familiar handwriting.
Meatloaf is not my middle name.
I told her that I would never do it again, grabbed he package, locked myself in a restroom stall, and tore the box open.
Inside was a handheld digital voice recorder, a supply of memory sticks, and a note written on a greasy hamburger wrapper.”

As the story continued, and Pat began to fill in the background about himself and his runaway older brother, Cooper, I began to think the details were a little corny. Coop is an oddball, to say the least. He sleeps in school and stays awake all night. He spends his nights either digging tunnels or tap dancing on bridges and overpasses. The entire family is odd. Mother, a former astronaut turned astrophysicist, and father, a molecular biologist and Nobel laureate, are somewhat uninvolved parents–but loving, nonetheless. The boys have identical twin nannies who speak only Spanish and can’t be distinguished from one another. It was all just a little too quirky, but still intriguing enough to keep me reading.

Then, Pat goes to New York City to look for Coop, gets involved with a homeless community of underground dwellers, and goes from danger into disaster. Maybe I’m easily amused and easily befuddled, but I didn’t see the twists and turns coming. I enjoyed the “thriller” aspects of the novel, and I was able to suspend disbelief, even though the whole story is pretty unbelievable.

Throw in murder, terrorism,, a love interest for Coop (nothing explicit), sophisticated criminal activity underneath the sidewalks, homes and buildings of NYC, and a couple of brothers who are the only ones between those master criminals and the destruction of great swaths of the United States. It was a fun ride, and there’s a set-up for a sequel. However, the ending was satisfying, not frustrating.

Recommended for those who like this sort of story (maybe fans of Kiki Strike or of Carolyn Cooney and Margaret Peterson Haddix) –ages twelve and up.

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The Cottage in the Woods by Katherine Coville

Fairy tale meets Gothic romance in this tale of recent graduated she-bear Ursula Brown, governess to young Teddy Vaughn, the only living child of the rich and well-regarded Vaughn family, who live in a manor house in the woods near Bremen Town. The imposing manor is fondly nicknamed The Cottage in the Woods. As Ursula takes up her duties in the Vaughn household she is frightened not only by the high expectations of Mr. Vaughn, but also by the uncanny footsteps she hears in the hallways of the manor, the inexplicable enmity with which she is regarded by Teddy’s old nurse, and the impending danger that seems to hang over nearby Bremen Town. This novel is more than a re-telling of Goldilocks and the Three Bears and better than a take-off on Jane Austen’s and Charlotte Bronte’s classics. Hostilities between humans and “the Enchanted” (talking animals) provide the story with a theme and a moral, but the preachiness is decidedly Victorian in tone and so entirely palatable, indeed inspiring.

This 389-page tome was a delight from start to finish. Anyone familiar with Gothic novel tropes will enjoy finding them embedded in the story, and children who are not yet readers and fans of Austen and Bronte will find The Cottage in the Woods a gentle introduction to the genre. The bears worship and pray and sing hymns without apology or embarrassment, and it’s all very Victorian. Yet the fairy tale element adds a whimsicality to the story that will appeal to older children, especially girls. Oh, and there’s a wonderfully crochety and sarcastic Magic Mirror who never manages to answer a single one of Ursula’s questions with any hint of helpfulness or straightforwardness.

I think my girls, ages sixteen and thirteen and fans of both video versions of Pride and Prejudice and also avid viewers of the TV series Once Upon a Time in its first season a couple of years ago, will enjoy this amalgam of folk tale characters, Latin aphorisms, sophisticated vocabulary, and 19th century romance. I certainly did.

The Luck Uglies by Paul Durham

The Luck Uglies by Paul Durham.
The Luck Uglies #2: Fork-Tongue Charmers by Paul Durham.

The first book in this fantasy series for middle grade readers, published in 2014, won the Cybils Award for Middle Grade Speculative Fiction. I read it when I was on the panel for Cybils, and I thought I had reviewed it here, but it turns out that I was too busy reading to review The Luck Uglies. So, a quick re-cap:

Riley (Rye) O’Chanter lives on Mud Puddle Lane in Village Drowning with her mother, Abby O’Chanter, her little sister, Lottie, and Nightshade (Shady) Fur Bottom O’Chanter, the cat. Rye is a mischievous urchin, but she has quite a few rules to remember. There are her mother’s house rules. (House Rule Number One is: “Don’t stop, talk or questions ask; beware of men wearing masks.”) Then, there are the rather arbitrary Laws of Earl Morningwig Longchance, such as “it’s illegal to feed pigs on Market Street” and “no woman may wear blue without the express permission of the Honorable Earl Longchance.”

All rules and laws become insignificant in the face of the danger that is coming to Village Drowning: the supposedly extinct Bog Noblins are returning, and there are no more Luck Uglies to fight them off. The Luck Uglies, a secret society of outlaws who used to be Village Drowning’s protectors, are now the Earl’s enemies and hence banished from the village. How will the inhabitants of Village Drowning fight off the Bog Noblins, keep the Laws of Longchance, and figure out whose side the Luck Uglies are on?

So, the first book was an exciting and absorbing introduction to Rye O’Chanter, the Luck Uglies, and Rye’s friends and family. Book 2, Fork Tongue Charmers, introduces us to new characters, new places, and new problems for Rye and the people of Village Drowning. In this book, the Luck Uglies are divided and at odds with one another, while Earl Longchance has hired a new enforcer to bring the villagers, and the Luck Uglies, into line. Rye and her family run away to the island of Pest, her mother’s homeland, but trouble follows them there.

The story is, as I said, absorbing. If I had any issue at all with these first two books in this trilogy-to-be, it was the moral ambiguity of the characters and indeed of the entire story so far. It’s hard to tell whether the Luck Uglies, in particular, are the good guys or the bad guys or a little of both. I predict that this ambiguity will be resolved by the end of the third book in the series, and we will find that, though perhaps mistakes and misunderstandings have occurred, the white hats and the black hats are distinguishable after all. But I can’t promise, since there are a lot of unanswered questions yet to be settled.

So what did I like about this second book? I liked Rye and her penchant for going straight to the heart of a problem and solving it. I liked the family dynamics in Rye’s immediate family and in her extended family. I liked “traveling” to the island of Pest and feeling a taste of Ireland, or perhaps Scotland, in this fictional other-world setting and culture. I liked the Robin Hood echoes and the way I was reminded of Heidi’s grandfather in Swiss Alps in Rye’s island grandfather.

The Luck Uglies is good stuff. Different stuff. Perhaps, depending on how the series wraps ups, even classic stuff.

Tiger Boy by Mitali Perkins

Set on an island in the Sunderbans (islands) of West Bengal, Tiger Boy is a story about a disobedient and somewhat lazy boy who nevertheless does the right thing and inspires his father to choose right and justice over the desire to see his family prosper.

I had some hesitations about the plot of the story, showing Neel and his sister deliberately disobeying their parents in order to save a lost tiger cub from poachers, but by the end I was pleased with the way the actions of the characters came together. Everyone grew and learned, except maybe the money-grubbing criminal, Gupta.

One throwaway line in the story has Neel’s headmaster commenting that “It’s so blazing hot for January. I’ll sweat to death, I’m sure. Our climate is changing due to the rest of the world, and we’re the ones who suffer.” I can’t find any hard data, in an admittedly cursory search of the internet, that indicates that the temperatures in Bengal and Bangladesh are getting warmer, and the idea that hot weather is caused by “climate change” produced in Western nations is hotly disputed. However, a Headmaster in the Sunderban islands might very well believe that his perspiration can be blamed on climate change.

Other than that little glitch, I thought the story was a delight. Neel and his sister work together to thwart the evil Gupta, who wants to capture the tiger cub, escaped from a wildlife reserve, and sell him on the black market. Neel, at the beginning of the story, is a boy who would rather play than learn math and who doesn’t understand the great contribution he could make to his family’s economic well-being if he were to work hard to earn a scholarship to a good school. By the end of the story, Neel begins to comprehend that his father’s ambitions for him are good, and Neel’s father also learns that even the scholarship and a good education for his son are not worth the price of losing one’s integrity.

The setting is described so beautifully in this book that I wanted to hop on an airplane and go see the Sunderbans. “Home for him (Neel) was the hiss of his father’s boat as it slipped through the deltas, golpata branches swaying in the monsoon rains, and the evening smell of jasmine flowers near his house mingling with green chilies and fresh ilish fish simmering in mustard-seed oil. Need had climbed all the tall palm trees, waded in the creeks, and foraged for wild guavas in every corner of the mangrove forest.”

In her acknowledgements, Mitali Perkins writes that “many of my writing themes emerge from reflection on the parables of Jesus. This book is based on the story about the talents given to three stewards (Matthew 25:14-30).” Neel certainly does learn to use the gifts that he has been given instead of burying them in a cycle of fear and insecurity. And his father, although tempted to give in to the need to take any opportunity to pull his family out of poverty, steps up to take responsibility for his own gifts and duties as a citizen of the larger community.

Genuine Sweet by Faith Harkey

I think this book, about “a small-town girl with big-time magic”, a middle grade novel that hardly mentions God and never references prayer as such, has something important to say about prayer and the way we relate to God and his generosity and grace, nevertheless. I’m just not sure I completely understood what it had to say, even though there’s a chapter at the end in which Miss Genuine Sweet tries to wrap it all up in a great big bow and present The Lesson(s) to the reader who’s made it all the way to the end of the story.

Genuine Sweet finds out near the beginning of the story that she has inherited the family shine for wish-fetching. Like her mother (deceased) and her grandmother before her, Genuine is a wish-fetcher. Gram tells Genuine: “Wish fetchers are real. The underlings of angels, my ma used to say, with humbler clothes.”

Of course there are rules. The most important rule is that “wish fetchers can’t grant their own wishes.” And they only grant “good-hearted wishes”, not wishes for revenge or evil gain at the expense of others. Wish fetchers draw down magic from the stars and find a way to grant other people’s wishes.

So Genuine Sweet, twelve year old inhabitant of the very small and isolated town of Sass, Georgia, becomes a wish fetcher. And it’s not long before the whole town is in an uproar over Genuine’s ability to give people what they want and need with her wish biscuits, made out of liquid starlight and special miracle flour. And Genuine wonders what good it does to grant other people’s wishes when her drunken Pa is unemployed, she and her family are about to starve, and the electric is about to be turned off because they can’t pay their bill.

As I was reading, I couldn’t help but turn Genuine’s wish-fetching into a metaphor for prayer in my mind. What good does it do to pray for other people when it seems as if I have needs and wants of my own that God isn’t satisfying? How do we know how to pray and what to pray for? If we try to help others will our own desires be granted somehow in the end? What if the one you’re wishing for/praying for doesn’t want to be healed/strengthened/given whatever it you’re asking for on their behalf? Should you wish a good wish or pray a good prayer for someone who doesn’t want it? Jesus actually told us to ask God for our daily bread and for His provision for other needs, but sometimes (most times?) His answer to those sorts of prayers comes in the form of our own hard work and ingenuity. What if our prayers go unanswered?

At least one of the conclusions that Genuine Sweet comes to after all her adventures in wish-fetching is that “there’s nothing in the whole world—except our own selves–that can keep us from our good.” Her conclusion sounds a lot like a secularized version of a Bible verse I know: “For I am convinced that neither death nor life, neither angels nor demons, neither the present nor the future, nor any powers, neither height nor depth, nor anything else in all creation, will be able to separate us from the love of God that is in Christ Jesus our Lord.” (Romans 8:28-29)

I really enjoyed the story and the writing and the thoughts that the book brought to mind. If you read it, I’d be interested to hear what you think. Leave me a comment.

Soulprint by Megan Miranda

The premise of this YA novel is that souls enter new bodies when people die, i.e. human reincarnation. And someone has a computer database record of whose soul has gone where and what that soul did in a past life. This database is controversial, secret, and important because of the other premise in the novel: souls of evil people (in new bodies with new identities) tend to repeat their past crimes. In other words, if I was thief in this life, my thieving soul gets passed on to the next person who inherits my soul.

So, in spite of the philosophically flawed idea of reincarnation, I found the book’s questions intriguing. Nature vs. nurture. Can we overcome or transcend our own past mistakes and sins, even those in this life? How? Why do we often repeat those bad decisions and sinful patterns? How do we become something better than what people expect us to be?

The book begins with seventeen year old Alina Chase, in seclusion on an island by order of the government to keep her from repeating the crimes of her past life. Alina doesn’t know much about who she was in her past life or what she did, but she’s tired of being blamed for something she didn’t really do and can’t even remember. When three other young people help Alina to escape the island, the four go on the run together, but Alina finds that the others have their own agendas and want to use her to gain their own ends. There’s romance, a bit of a triangle, but it’s fairly chaste as YA novels go these days: lots of heavy breathing and some intense kissing.

I liked the book, but the reincarnation thing bothered me because I just don’t believe in it. I found it hard to suspend disbelief and take the “database of past lives” seriously. However, that’s a flaw in my imagination. Otherwise, I thought it was deftly plotted and intriguing enough. It’s for teens looking for a psychological romance thriller in a sci-fi world.

Red Berries, White Clouds, Blue Sky by Sandra Dallas

What does it mean to be an American? What does it mean to be an American when your own country’s government distrusts you, mistreats you, and sends you to a relocation camp far from home?

Tomi Itano lives in California with her mother, her father, and her two brothers. Her father grows the best strawberries around. Tomi is a Girl Scout, and her older brother Roy plays clarinet in a high school band called the Jivin’ Five. Her little brother loves baseball. But all that all-American normality is about to change after the Japanese attack Pearl Harbor.

Now Tomi’s jovial father is arrested as a spy, and Tomi, and her shy, reserved mother, and her brothers are sent first to a temporary camp in Santa Anita and then to Tallgrass, a made-up name for a Japanese relocation camp in Colorado (the real camp in the desert of Colorado was called Amache). Will Tomi’s mother, Sumiko, be able to take charge of the family while her father is away? Where is Tomi’s father, and when will he come back? Will Tomi learn to accept life at Tallgrass, or will she become bitter like others who only see the injustice of their situation and cannot seem to enjoy anything about their life as it is?

It’s another take on the Japanese internment camps, and I suppose it’s just as appropriate and needed as any other book on any other aspect of World War II, but I am growing tired of the sub-genre. Particularly, I am tired of books about the Japanese relocation camps that have nothing new to say about the admittedly shameful episode in American history. However, I am fifty-seven years old, and I’ve read about it all before. For a fictional introduction to the subject, this book was not bad at all. If it had been the first or even the second book I ever read about the Japanese internment camps, I probably would have liked it a lot more than I did.

See also:
Farewell to Manzanar by Jeanne Wakatsuki Houston. (memoir)
Journey To Topaz: A Story Of The Japanese-American Evacuation by Yoshiko Uchida. (memoir)
The Fences Between Us by Kirby Larson. (fiction)
Imprisoned: The Betrayal of Japanese Americans during World War II by Martin W. Sandler. (nonfiction)
I am an American: A True Story of Japanese Internment by Jerry Stanley. (nonfiction)
Weedflower by Cynthia Kadohata. (fiction)
A Diamond in the Desert by Kathryn Fitzmaurice. (fiction)
Barbed Wire Baseball by Marissa Moss. (biography)
Baseball Saved Us by Ken Mochizuki. (memoir)
The Bracelet by Yoshido Uchida. (picture book fiction)