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To Whisper Her Name by Tamera Alexander

Romance novels are not usually my thing. Historical fiction is. To Whisper Her Name is an historical romance, set just after the Civil War in Nashville, published by Zondervan, which makes it a Christian historical romance, doubly suspect in some circles.

I must say, however, I found the novel absorbing, if somewhat difficult to swallow whole in some aspects. The romance was fine, although Olivia, the female half of this romantic pairing, overcomes her novel-long inhibitions about marrying the male lead rather abruptly in the last few pages of the book. The part I couldn’t believe was the deep friendship that develops between Ridley Cooper, a white Union army veteran, and Bob Green, a black former slave and expert horse whisperer, on the plantation, Belle Meade. Ridley actually lives with “Uncle Bob” in a cabin on the plantation grounds. I would like to believe that such a friendship would have been possible, would have been tolerated, in those times in the South, but I find it difficult to envision.

The former slaves who are now working at Belle Meade also invite Ridley, and later Olivia, to their church meetings, to eat meals in their homes, and even to their parties. I just can’t picture the class and race differences being overcome so easily and openly. Maybe someone knows of examples of post-Civil War interracial friendships that would disprove my skepticism?

Anyway, it’s obvious from the beginning of the book that Olivia and Ridley are meant to get together by the end. However, there are, of course, impediments to the match. Olivia is a widow, loyal to the Southern cause, betrayed and made wary of marriage by her late husband’s cruelty. Ridley is a Southerner who fought for the Union, a traitor in the eyes of most other Southerners, and keeping that aspect of his life a secret from everyone is the only thing that allows him to live at Belle Meade long enough to learn about the care and husbandry of thoroughbred racing horses from Uncle Bob. Ridley’s plan is to learn all he can and then leave the South to build a ranch in the Wild Western state of Colorado. How can he and Olivia, a proper Southern lady who, moreover, is afraid of horses, ever come together?

Never fear. They can and will. It’s a Christian historical romance, after all.

To Whisper Her Name is on the shortlist of books nominated for the 2013 INSPY Awards in the Romance category.

Doc by Mary Doria Russell

He could not accept that Fortuna might smile on him for half of his short life, only to watch pitilessly while his lungs gave out, leaving him to suffocate slowly. He refused to bow before a Providence determined to deliver him to an unmarked pauper’s grave in Colorado, fifteen hundred miles from the home he would never see again.
John Henry Holliday believed in science, in rationality and in free will. He believed in study, in the methodical acquisition and accumulation of useful skills. He believed that he could homestead his future with planning and preparation; sending scouts ahead and settling it with pioneering effort. Above all, he believed in practice, which increased predictability and reduced the element of chance in any situation.
The very word made him feel calm. Piano practice. Dental practice. Pistol practice, poker practice. Practice was power. Practice was authority over his own destiny.
Luck? That was what fools called ignorance and laziness and despair when they gave themselves up to the turn of a card, and lost, and lost, and lost . . .

Ah, yes, Invictus. “I am the master of my fate; I am the captain of my soul.” I don’t believe it, and it doesn’t really seem to have worked too well for Doc Holliday, the central character in Mary Doria Russell’s novel, Doc, either. Doc Holliday, as portrayed in Ms. Russell’s story, was more than a bloodthirsty dentist, gambler, and gunfighter who “shot’em up” at the OK Corral and died at the tender age of 36. In this book, Doc is a philosopher and a pianist and a lover of beauty and a homesick soul. Holliday’s tragedy was that he struggled with tuberculosis, the same disease that killed his mother when John Henry Holliday was only 15 years old. At the time many people who were diagnosed with TB moved to drier climate of the American Southwest because it was believed that the dry air was curative or at least palliative for those suffering from the deadly disease. Holiday left his home and family in Atlanta, Georgia and moved first to Dallas, Texas, then to Dodge City, Kansas, and then to Tombstone, Arizona where the famous gunfight took place—with many stops and detours in between.

The events of this book take place mostly during Holliday’s time in Dodge, and Russell’s Doc seems to be the same man that Wyatt Earp, his friend, once described in a newspaper article, “Doc was a dentist, not a lawman or an assassin, whom necessity had made a gambler; a gentleman whom disease had made a frontier vagabond; a philosopher whom life had made a caustic wit; a long lean, ash-blond fellow nearly dead with consumption, and at the same time the most skillful gambler and the nerviest, speediest, deadliest man with a six-gun that I ever knew.” (Wikipedia, Doc Holliday)

Wikipedia, by the way, lists nine other novels based on the life and times of Doc Holliday. He’s a popular subject, I guess. I found this particular take on this infamous historical character to be fascinating. Warning: the dialog does include some, not much but some, profanity and crude language–which I thought was unnecessary and distracting.

As for the philosophical question that Doc debates with himself in the quotation above, I would argue that neither self-determination nor luck is the key to one’s destiny or future. God is in control, and we have choices within His created order. We can certainly “refuse to bow” or give ourselves up to despair—or we can trust His love and His grace and work within His providence to work out our own salvation with fear and trembling. Thank God it’s not all up to me and my practice and self-control, and thank God His grace is abundant and free, even when I don’t understand His plan.

The Last Plea Bargain by Randy Singer

This legal thriller may have begun with the question: “What if all of the prisoners in a jurisdiction got together and went on strike? Specifically, what if all the criminals who were arrested in Harris County today made an agreement NOT to accept a plea bargain of any kind? What if all of the cases in the Harris County DA’s office had to go to trial?

No deals. The wheels of the justice system would come to a halt. In The Last Plea Bargain, assistant DA Jamie Brock and her office must deal with just such a scenario. And it’s all designed to thwart the prosecution of one particular case, a murder prosecution that has become very personal for MS. Brock. Jamie believes in her heart that defense lawyer Caleb Tate murdered his wife, Rikki—just like death row inmate Antoine Marshall murdered Jamie’s parents years ago. And both men deserve the death sentence.

The Last Plea Bargain is a novel that provides food for thought in the areas of justice, revenge, repentance, forgiveness, memory, and psychological manipulation. I found the novel eerily believable and sort of scary. The publisher is Tyndale House, a Christian publishing house, but the themes and issues in the book are universal. Can we discern truth from lies, even in our own memories of events? What is justice? What about forgiveness?

I see that Mr. SInger has a long list of published novels. Although I don’t think this book quite comes up to the level of the John Grisham comparison on the cover, I’d be willing to try another of Mr. Singer’s books. Has anybody read and recommended any of the following?

False Witness (2011)
Fatal Convictions (2010)
The Justice Game (2009)
By Reason of Insanity (2008)
The Judge (Original in 2006)
The Cross Examination of Jesus Christ (2006)
The Judge Who Stole Christmas (Original in 2005)
Self Incrimination (Original in 2005)
Irreparable Harm (Original in 2003)
Directed Verdict (Original in 2002)
Made to Count (2005)
Live Your Passion (2005)

A Plain Death by Amanda Flower

I decided to read as many of the books as I can find that are shortlisted for the INSPY awards this year. A Plain Death is one of the five books shortlisted in the Mystery/Thriller category.

This Amish country-setting mystery is the first in the Appleseed Creek Mystery series, and it’s an adequate beginning to a promising series. When Chloe Humphrey moves to Appleseed Creek to take a job as computer services director with a small private college, she doesn’t expect to gain an Amish roommate and a new crush on said roommate’s handsome brother all on the first day. Events snowball quickly from first-day surprises to real danger as a local Amish bishop dies in an accident that may have been more than an accident, and Chloe feels compelled to help out her new friend by investigating the death and the suspicious circumstances surrounding it.

I enjoyed this book as a “bedtime story” last night even though I did find a couple of continuity errors and some minor editing errors. I’m also not sure I totally bought into the ending, but the story was engaging enough that I didn’t really care.

What is it that’s so fascinating about Amish culture anyway? I don’t read a lot of so-called “Amish fiction”, but I do see the attraction. I guess it fits with my reading and life fascinations: communities, religious communities, broken relationships and healing of those relationships, prodigals, utopian communities. I do like reading about people who have chosen a different lifestyle from the norm and about how religious communities in particular work or don’t work to bring people to a saving knowledge of the grace of God in Christ.

A Plain Death isn’t a book with a profound message about being Amish or about gospel in general, but it did have a nice flavor of AMish country. I would enjoy reading the next book in the series, A Plain Scandal, which was just published in February. A Plain Disappearance, the third book in the series, is due to be published in September, 2013.

Reinventing Rachel by Alison Strobel

Rachel just got hit with a triple whammy: her fiance is cheating on her, her parents have been keeping a big (BAD) secret from her, and her best friend and Christian mentor has a drug problem. So, Rachel goes off the rails, leaves her faith, and moves to Chicago.

To my discredit, I am normally impatient with characters and even real people who “lose their faith.” Like what, you misplaced your lifelong, deep-seated commitment to the God of the Universe who was so committed to his love for you that he became a man and died for you, kind of like you sometimes misplace your car keys? Did you spend any time looking for that “faith” you so conveniently mislaid? Did you ask any questions? Pray? Wrestle with God like Jacob did?

I know, I know. I’m unsympathetic. I blame it partly on the terminology. One doesn’t really lose faith. You decide, for whatever reason, to leave it behind, to repudiate it. And in Alison Strobel’s Reinventing Rachel, the title character does exactly that: her faith wasn’t working out the way she thought it should, so she leaves it behind to try out a new, God-free life of pleasing herself and avoiding annoying Christians. God didn’t keep his end of the bargain that Rachel thought she made with Him: she’d behave, and He would make everything work out right. Instead, Rachel decides she’ll have to work out her own life without God’s help or intervention.

At first, after Rachel moves to Chicago to live with her old friend Daphne, things do work out pretty well, without church and without God. Daphne is a free spirit and lots of fun. Rachel finds a job right away. And she even gets a new boyfriend who’s handsome, attentive, and willing to take it slow and easy. However, when you leave one idol, Christian legalism and bargain mentality, behind, you’re likely to pick up another idol before long because we human beings were made to worship someone or something. Rachel finds comfort and sustenance in some not-so-unusual places, and then she finds that the idols she’s chosen are just as fallible and entrapping as the “Christianity” she left behind. By God’s grace, she also meets few people who show her what true commitment to Christ really looks like.

So, the conclusion is that Rachel didn’t really lose her faith in Christ; she never had faith in Christ’s grace in the first place. She was trusting in her Christian checklist to keep her on God’s good side, and when life came at her with a whole lot of hard stuff, Rachel’s make-a-list of rules didn’t begin to answer the questions or provide the strength she needed.

Ms. Strobel is a good writer, particularly in the area of character development. I wouldn’t mind checking out others of her novels, which I suppose is the reason I managed to snag a free copy of Reinventing Rachel for my Kindle when it was being offered as a “special deal.” It’s full price now, but I recommend it as worth the money or the time it takes to hunt down a library copy. (I’m not a fan of the half-a-face picture on the cover, but ignore that and read the story.)

Poetry Friday: Discovering Poems

W.H. Auden: “if I have any work to do, I must be careful not to get hold of a detective story for, once I begin one, I cannot work or sleep till I have finished it.”

Detective Story by W.H. Auden.

If you’ve read the article and the poem and returned to get my take on it, I must say I don’t know what the poem really means. I can make a stab at it.

Who cannot . . . “mark the spot where the body of his happiness was first discovered?” I take this to mean that we all know when and where we lost our innocence or our sense of innocence.

“Someone must pay for our loss of happiness, our happiness itself.” So the murderer of our happiness is someone else, someone who must pay? And what is that lingering doubt and that smile all about? I smile at the ending of the detective story because . . . I am the murderer of my own happiness? Because I know that the murderer in the story is not so very different from me? And I wonder about the justice of the verdict because . . . I don’t want to admit that I am guilty?

“But time is always killed.”

I can never figure out the who the murderer is in most detective stories either.

The Homecoming of Samuel Lake by Jenny Wingfield

Ah, yes, complex, multi-layered, “faith-informed” fiction. I speeded through this book, recommended to me by the blogger at Thoughts of Joy, because I really, really loved the characters and wanted to know what would happen to each of them. So, let’s start with the characters, almost of whom could be described as “central characters” in the book:

Swan Lake, an eleven year old, rather precocious, and full of mischief.
Bienville and Noble, Swan’s older brothers.
Samuel Lake, Swan’s Methodist preacher daddy. Samuel is about to go through a crisis that will test his faith, his commitment to his life’s work , his marriage, and his sense of who he is.
Willadee Moses Lake, Swan’s mama. Willadee makes good biscuits, likes for her children to run free as much as possible, and loves Samuel Lake extravagantly.
Calla and John Moses, Willadee’s parents. Calla runs a general store out of the front of the house during the day, and John runs an all-night bar called “Never Closes” out of the back.
Toy Moses, Swan’s uncle. Toy likes hunting and fishing in the woods, and he doesn’t talk much. He lost a leg in the war, and the rumor is that he killed a man after he returned from the war.
Berniece Moses, Toy’s wife who thinks that she is in love with Samuel Lake.
Ras Ballenger, neighbor to the Moses family. Ras trains horses and terrifies his wife and children.
Blade Ballenger, Ras Ballenger’s oldest son and Swan’s new friend.

I wish I could give you a feel for this novel. That list sounds sort of prosaic and humdrum, but the book is anything but. Jenny Wingfield captured the culture of the south that I grew up in just perfectly. These are real people, and I enjoyed reading about them. Well, mostly I enjoyed. I must warn sensitive readers that there are violent deaths, more than one, in the novel, and there is a very difficult scene toward the end of the book that could trigger emotional distress in some readers.

That said, I think the violence and abuse in the novel were described in a tasteful manner while not minimizing the horror of what happens to several of the characters. I also thought Samuel Lake’s perplexities and inner confusion were handled quite well. Lake is a man with a deep faith in God, and that faith isn’t ridiculed as it could easily have been. Nor is Lake’s faith cheapened by making it facile and shallow. He has to struggle with some very difficult questions, and in the end (which some people didn’t like) the answers God gives Samuel Lake are satisfying but not really complete. It’s a realistic ending, and one one that I did like.

More reviews:
USA Today: “But it’s Wingfield’s ability to set the stage, to transport her readers back to rural Arkansas of the 1950s, that takes this novel to another level.”
Book Snob: “The Homecoming of Samuel Lake will break your heart, make you leap for joy, and bring tears to your eyes. You will fall in love with the Lake and Moses family and become a believer in miracles.”
Literary Hoarders: “There are parts of this novel that are difficult. You’ll want to holler “watch out!” at critical moments. You’ll want to hold the hurt, and will want to save the helpless. Luckily, you’ll have Swan on your side. She’s eleven years old, and you will be eternally grateful that she has no patience for injustice.”

The Resurrection and the Life

I thought I’d post a few times today and tomorrow about the death, burial, and resurrection of the Lord Jesus Christ and what it means to me and to some of the authors and fictional and actual characters that I have on my bookshelves. I’m going to take turns blogging and house-cleaning and see how that goes.

I first read Charles Dickens’ A Tale of Two Cities when I was in ninth grade. Three of us—Christina, Teresa, and I— wrote a chapter-by-chapter summary of the entire book, making our own little study guide to the novel as a school project. We did this before the age of personal computers and before any of us knew how to type. I can’t remember exactly what the finished product looked like, but it was a lot of work.

The themes of death, burial, imprisonment, rescue and resurrection are woven throughout Dickens’ tale set during the French Revolution and the Reign of Terror. Doctor Manette is rescued from a living death inside the Bastille. Jerry Cruncher is a “resurrection man” who digs up dead bodies to sell them. Charles Darnay is rescued and recalled to life twice during the novel, once when he is on trial in England and again when he is headed for guillotine in France.

But the most vivid representation of death and resurrection comes at the end of the novel when the reprobate Sydney Carton gives up his life to save Charles and Lucy Darnay and to ensure their future together. Carton is walking down the street when he remembers these words from Scripture read at his father’s funeral long ago:

“I am the resurrection, and the life, saith the Lord: he that believeth in me, though he were dead, yet shall he live: And whosoever liveth and believeth in me, shall never die.”

Now, that the streets were quiet, and the night wore on, the words were in the echoes of his feet, and were in the air. Perfectly calm and steady, he sometimes repeated them to himself as he walked; but, he heard them always.

The night wore out, and, as he stood upon the bridge listening to the water as it splashed the river-walls of the Island of Paris, where the picturesque confusion of houses and cathedral shone bright in the light of the moon, the day came coldly, looking like a dead face out of the sky. Then, the night, with the moon and the stars, turned pale and died, and for a little while it seemed as if Creation were delivered over to Death’s dominion.

But, the glorious sun, rising, seemed to strike those words, that burden of the night, straight and warm to his heart in its long bright rays. And looking along them, with reverently shaded eyes, a bridge of light appeared to span the air between him and the sun, while the river sparkled under it.

The strong tide, so swift, so deep, and certain, was like a congenial friend, in the morning stillness He walked by the stream, far from the houses, and in the light and warmth of the sun fell asleep on the bank. When he awoke and was afoot again, he lingered there yet a little longer, watching an eddy that turned and turned purposeless, until the stream absorbed it, and carried it on to the sea.- “Like me!”

A trading-boat, with a sail of the softened colour of a dead leaf, then glided into his view, floated by him, and died away. As its silent track in the water disappeared, the prayer that had broken up out of his heart for a merciful consideration of all his poor blindnesses and errors, ended in the words, “I am the resurrection and the life.”

On Good Friday, when we are in the midst of death and sin and darkness, it does sometimes seem a if “Creation were delivered over to Death’s dominion.” A blogging friend sent out a tweet earlier today saying that he had “difficulty ‘pretending’ on Good Friday that Jesus is dead.” Of course, Jesus isn’t dead, but as far as imagining the feeling of despair and “being delivered over to death”, I have no trouble whatsoever. Sometimes things in this world are very dark, and the hope of the resurrection of Jesus Christ and our eventual resurrection with Him is all that keeps from utter despair.

Thank God for Resurrection Sunday!

No Wind of Blame by Georgette Heyer

I’m definitely a fan of Golden Age detective fiction—Agatha Christie, Dorothy Sayers, Rex Stout, Josephine Tey—but I’ve read all the books I can find by those authors. And I’ve tried a few others that are supposed to belong to that particular club, Margery Allingham and John Dickson Carr in particular, and I just didn’t care for them. So, Georgette Heyer’s mysteries have that Christie/Golden Age flavor, and I’m pleased to find another writer from that era that I can recommend and enjoy myself.

No Wind of Blame has lovely, interesting characters, somewhat stereotypical but still memorable, and that’s what makes the book. There’s a fortune hunting Russian (or perhaps Georgian) prince with an impossibly long name, a histrionic and very wealthy Aunt Ermyntrude, a dogsbody poor relation with a pleasant personality and a pretty face, a very pretty daughter who tries on a new persona every time she descends the stairs, a smarmy neighbor who’s involved in some dubious business deals, and a police inspector with a refreshingly normal, down-to-earth take on the whole case. The case itself, a murder of course, is not the focus of the novel, and the solution is beyond my understanding and limited mechanical abilities. However, I didn’t care that I didn’t understand exactly how the murderer did it because I enjoyed the company, the dialogue, and the interactions between the characters so much.

I’ve read one or two of Ms. Heyer’s Regency romances, and although the wit and good characterization are still there, I don’t much like straight romance novels. An element of romance is good, but I prefer my love stories mixed up with something else, perhaps a good mystery. I plan to look for more of Ms Heyer’s mystery novels and see if they’re all as good as No Wind of Blame.

A list of Georgette Heyer’s “thrillers” or detective novels:

Footsteps in the Dark (1932)
Why Shoot a Butler? (1933)
The Unfinished Clue (1934)
Death in the Stocks (1935)
Behold, Here’s Poison (1936)
They Found Him Dead (1937)
A Blunt Instrument (1938)
No Wind of Blame (1939)
Envious Casca (1941)
Penhallow (1942)
Duplicate Death (1951)
Detection Unlimited (1953)

For a while Ms. Heyer published one thriller and one romance every year. However, her British publisher and her American publisher both disliked the book Penhallow, published in 1942, and she mostly stuck to romances with some historical fiction after that.

January Justice by Athol Dickson

Mr. Dickson, one of my favorite Christian authors, has this new entry in the genre of detective thriller with a complicated hero in a sticky situation. And there’s no explicit sex, bad language or nastily descriptive violence.

Malcolm, recently released from the mental hospital, recently widowed after the murder of his rich-but-secret wife, and recently unemployed as a result of both events, is trying to pick up the pieces of his life and his job as chauffeur and bodyguard to Hollywood’s celebrities. Then, he gets mixed up in Guatemalan politics and possible terrorism and ghosts from his past come back to haunt him, and it all gets messy and violent and confusing, especially with the drug flashbacks and the females with secrets.

I’m really looking forward to reading the books in this series and finding out more about the tough guy with a good heart, Malcolm Cutter. As a character he reminds me of Michael Westen from the TV series Burn Notice. Westen and Cutter both are rugged, resilient guys, ex-military, with a past that gets in the way of the present. Both men are unsentimental, but they have plenty of ability to love and be loved and a gift for friendship that shows in their interactions with old buddies who become allies. Westen and Cutter have both been cut off from their respective military or para-military professions. Westen is a burned spy; Malcolm Cutter is a court-martialed ex-marine.

However, unlike Michael Westen, who never as far as I know once mentions or thinks about a connection to God or a spiritual dimension to life, Malcolm Cutter needs a spiritual connection to God, something to help him understand what’s real and trustworthy and stable in his life. Malcolm has a friend, Bud Tanner, a chaplain from his old Marine unit, who tells him to cling to something when “the threat of madness” comes to torment Cutter:

“It was Bud who showed me where it says in the Good Book to think about true things. Noble things. Whatever is right, pure, lovely, admirable, excellent, or praiseworthy. It was Bud who helped me see that such things were always there, even when I could not think of them. They had not died with Haley, and they had never stopped existing, even when I was lost within the chaos in my skull. And because they were always there, because they were external to me and did not rely on me in any for their existence, I could hold on to them, or the idea of them, and in doing that, regain some sense of stability.”

This passage is about as “religious” as the book gets, but it’s enough. Malcolm Cutter has been forced to become aware of his own helplessness and dependency. We think of ourselves as competent, sane people, in control of our own minds and bodies. But really we are only one step away from total vulnerability, insanity, and lostness. And we need a reference point outside ourselves. We need a saviour.

“Without God man has no reference point to define himself. 20th century philosophy manifests the chaos of man seeking to understand himself as a creature with dignity while having no reference point for that dignity.” ~R. C. Sproul

The second and third novels in The Malcolm Cutter Memoirs series, Free Fall in February, and A March Murder, are coming out in 2013.

January Justice: First Look, the first few paragraphs of the novel.