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Booked by Kwame Alexander

Whether I like to admit it or not, awards and public acclaim do influence my interest and enjoyment of a book. I read and wrote about Mr. Alexander’s first book, The Crossover in 2015, before it won the 2015 Newbery Award (and many other awards). My review, as anyone can see, was lukewarm: “if you do like stories in verse form, or if you don’t, but you really, really like basketball, you might want to check out Kwame Alexander’s basketball slam/rap/verse novel.”

Fast forward to 2016 and Kwame Alexander and verse novels are all the rage. Booked, his second verse novel for middle graders/young adults, at least has a title I can get behind, and I’m inclined to give it a fair shake partly because of all the acclaim for The Crossover. Booked is about books and words and family brokenness and well, soccer. I must confess that the soccer stuff I skimmed, hard to do in a novel written in tightly woven poetry, but easy for me because the few soccer-centric poems interspersed throughout the novel did not give me a picture in my mind. Because I’m soccer ignorant.

Nevertheless, I enjoyed Booked. The drama in Nick Hall the protagonist’s family, Mac the rapping librarian, Nick’s dad and his book full of words, Nick’s crush on April, Nick’s mom and her easy way of relating to her teenage son—all of these aspects of the book were fun and good to read about in creative, poetic forms and types. The parts I didn’t like were the tired, old excuses and platitudes about divorce, the disrespect Nick showed for his parents, especially his dad, and the unresolved ending, which you will have to read for yourself.

I did like wading through the poems this time to capture the plot and the images and the feelings of being Nick Hall, a thirteen year old with a lot of hard stuff going on in his life. It was sort of like a game—find the plot thread. I’ve seen verse novels capture the interest of a reluctant reader in my own family this year, and I’m more sold on the genre than I was before. And I must admit that Mr. Alexander has a way with words, and poetry.

So, boys and soccer fans and just plain old readers should give it a try. Or try one of the other, mostly verse, novels that Alexander not-so-subtly recommends by way of his character Nick in this book:

All the Broken Pieces by Ann E. Burg.
Rhyme Schemer by K.A. Holt
Out of the Dust by Karen Hesse.
Peace Locomotion by Jacqueline Woodson.
May B. by Caroline Starr Rose.
How Lamar’s Bad Prank Won a Bubba-sized Trophy by Crystal Allen.
Tuck Everlasting by Natalie Babbit.

By the way, Nick is emphatically NOT a reader as the book begins, but by the end of the story he’s looking for his next read. Librarians and teachers and parents might want to read this one just to watch the transformation, which is realistic, fits and starts, with the added attractions of a persistent librarian, a pretty girl, and some parental discipline.

The Mystery of the Clockwork Sparrow by Katherine Woodfine

The Mystery of the Clockwork Sparrow by Katherine Woodfine. (2016)
The Mystery of the Jeweled Moth by Katherine Woodfine. (2016)
The Mystery of the Painted Dragon by Katherine Woodfine. (February, 2017)

Around the turn of the 19th to the 20th century, Sophie Taylor-Cavendish is the recently orphaned fifteen year old daughter of a military man and world traveler, her beloved “Papa.” However, since Papa died in an accident way out in South Africa, Sophie must make her own way in the world. And a job as a shopgirl in the millinery department at the fabulous new Sinclair’s Department store in Piccadilly, London, is just the place for a young girl with sense of adventure and a need for a regular source of income.

“Enter a world of bonbons, hats, perfumes, and mysteries around every corner! Wonder at the daring theft of the priceless clockwork sparrow! Tremble as the most dastardly criminals in London enact their wicked plans! Gasp as our bold heroines Miss Sophie Taylor and Miss Lillian Rose break codes, devour iced buns, and vow to bring the villains to justice.”

I think those two paragraphs pretty much capture the general atmosphere of this series of middle grade/YA mysteries. I read the first two books, and I hope to read the third book in the series when it comes out next year. These are not profound, literary, or even particularly well-plotted. There are few glitches in the mechanism, and suspension of disbelief is required. However, the setting and characters are just so enchanting and delicious that a few creaky or inconsistent plot details can and should be overlooked. I’m not sure the London of these books ever really existed, but it’s a delightful place for a mystery romp, nevertheless.

The books are appropriate for middle grade readers; the romance parts of the story are tame and miss-ish, as would be appropriate for the time period. However, there is a murder that takes place in each of the first two volumes in this series, and if a sensitivity to plain but not-gory descriptions of violence and crime are an issue, then younger readers may not be ready for these books. It’s not Agatha Christie, but it’s a good introduction to the genre that Dame Agatha owned.

There’s an ongoing mystery in these books concerning Sophie’s family and background, and I’m looking forward to reading the third book in the series to see if there’s a resolution.

Amos and the Moon by Jan Balet

Jan Balet “was a German/US-American painter, graphic artist and illustrator. Affected by the style naive art he worked particularly as a graphic artist and as an Illustrator of children’s books. Besides this he painted pictures in the style of naive art. Referred to as a “naïve” painter, his works exhibit a dry wit and refreshingly candid, satirical view of life.” ~Wikipedia, Jan Balet.

Amos and the Moon by Jan Balet was first published in 1948. The AMMO Books reprint edition that I received for review is certainly a lovely re-gift to today’s children from the golden age of children’s literature. The story is reminiscent of James Thurber’s Many Moons, which won a Caldecott Medal in 1944. In Thurber’s story, the ailing Princess Lenore wants the moon, and her father, the king, directs various servants and courtiers to get it for her. In Balet’s picture book, Amos sees the moon in his mirror, believes it belongs to him, and goes out to find it himself when it disappears the next day. Various vendors and storekeepers give him gifts–a piece of ice, a horse, a watch, a moon-shaped cookie—- as he searches, but none of his friends can give Amos “his moon”. Finally, Joe Ming, the Chinese laundryman, wisely tells Amos, “No one has the moon always–just once in a while.”

It’s a gentle, old-fashioned kind of story, and the illustrations are delightful. Mr. Balet was first and foremost an artist, and the pictures of the various shops that Amos visits in search of his moon will interest and appeal to anyone, young or old, who is inspired by detailed scenes, exquisitely rendered. The illustrations sort of remind me of Norman Rockwell or Currier and Ives or even the Impressionists like Manet, but Balet has his own style and subject matter. There is a European feel to the story and to the pictures, perhaps because of the many immigrants and ethnic groups that Amos encounters on his quest, even though the story is obviously set in an English-speaking, probably American, city.

AMMO Books has reprinted another of Balet’s picture books, The Five Rollatinis, which is a circus story and a counting book combined. Some of his other books, both those he illustrated that were written by other authors and those he wrote himself, are available on Amazon used. I really appreciate the publishers who find these old, treasured titles and bring them back into print for a new generation.

Some Kind of Happiness by Claire LeGrand

“Reality and fantasy collide in this powerful, heartfelt novel about family, depression, and the power of imagination.” Yes. Collide is the operative word. I wasn’t a fan of the way the story transitions from the real world of a precocious eleven year old named Finley to the fantasy world that Finley has created for herself, Everwood. All the characters in Finley’s extended family seemed like just that, characters, not real people. And Finley herself repeats her introspective and twisted thinking to the point of being annoying.

The secrets in the story that add to the tension are sort of arbitrary; why Finley’s aunts and grandparents and parents couldn’t come up with better answers to at least some of her questions was never clear to me. It’s about the three D’s: depression, divorce, and delusional thinking—and about adults with guilty secrets. I get why the adults are keeping their Big Guilty Secret, but I don’t understand why they keep all the little secrets. For instance, Finley and her cousins become friends with some neighbor boys whose father is an alcoholic and who also is a part of the Big Guilty Secret. So, the adults don’t want Finley and the cousins to associate with the Bailey boys. Why can’t they just say that dad is unstable, and they don’t want Finley to go to the Bailey house? Why can’t the kids still be friends at Finley’s grandparents’ home? Why is there so much “Just do it because I say so!” And why does Finley keep asking questions in her head but refuse to ask them out loud?

This story frustrated me because I felt the potential. Finley could still have struggled with her parents’ impending divorce if the parents had been honest and told her that they were having marital issues. And the grandparents and aunts could have been at least partially honest, and much more believable and sympathetic, had they told at least part of the truth. And would any responsible parents leave their eleven year old daughter for the entire summer with grandparents she had never met, grandparents who were just about completely estranged from their only son (Finley’s father) for the past eleven or twelve years, and for good reasons?

I wanted to like this one, but I just didn’t believe it. Your mileage, and opinion, may vary from mine.

Peter Nimble and His Fantastic Eyes by Jonathan Auxier

Peter Nimble is a blind orphan and a thief. His other senses are, of course, exceptionally sharp and perceptive. When he steals a box with three sets of magical eyes and receives a quest to travel to the Vanished Kingdom and rescue the people there, Peter Nimble is challenged beyond anything he has ever experienced in his thieving life. Maybe the Vanished Kingdom needs a blind thief, and maybe Peter Nimble needs to become a hero and find a real home.

Beautiful, humorous, and meaningful writing characterizes this fantasy adventure. The author also inserts little asides that illuminate and explain the story and the world of Peter Nimble. Here are a few sample quotes to whet your appetite:

“Now, for those of you who know anything about blind children, you are aware that they make the very best thieves. As you can well imagine, blind children have incredible senses of smell, and they can tell what lies behind a locked door – be it fine cloth, gold, or peanut brittle – at fifty paces.
Moreover, their fingers are so small and nimble that they can slip right through keyholes, and their ears so keen that they can hear the faint clicks and clacks of every moving part inside even the most complicated lock. Of course, the age of great thievery has long since passed; today there are few child-thieves left, blind or otherwise.”

“There is something wonderful that happens between true friends when they find themselves no longer wasting time with meaningless chatter. Instead, they become content just to share each other’s company. It is the opinion of some that this sort of friendship is the only kind worth having. While jokes and anecdotes are nice, they do not compare with the beauty of shared solitude.”

“If ever you have had the chance to spend quality time with a villainous mastermind, you will know that these people are extraordinarily fond of discussing their evil schemes out loud.”

“You may be thinking that his blindness is no handicap at all, and that it somehow gives him an advantage over the average seeing person. Some of you may even be thinking to yourselves, ‘Boy! I wish I were blind like the great Peter Nimble!’ If you are thinking that, stop right now. Because whatever benefits you may believe that blindness carries with it, you must understand that there are just as many disadvantages.”

Caveats: The story does include some rather violent and creepy images and episodes. There’s a murder of murderous crows who peck out Peter’s eyes and who peck another (villainous) character to death. There are gangs of evil apes and a few dangerous sea serpents. The children in the Vanished Kingdom are degraded and enslaved, and the adults are brainwashed into acquiescence. However, evil is ultimately defeated, and goodness and light win.

An interview with Jonathan Auxier in which he discusses the difficulties of writing a story from the point of view of a blind character.

Mr. Auxier also wrote The Night Gardener, another creepy tale with fantastic themes and images.

Heidi’s Children by Charles Tritten

The two sequels to Johanna Spyri’s beloved Heidi, Heidi Grows Up and Heidi’s Children, were neither written nor endorsed by Spyri, but were adapted from her other works by her French translator, Charles Tritten, in the 1930s, many years after the Swiss author of Heidi died. Nevertheless, I read them both when I was a girl, wanting more Heidi, and I found them to be satisfyingly Heidi-like in style and substance.

I decided to re-read Heidi’s Children, after purchasing a used copy from a friend. It’s really a beautiful and intriguing story. In Heidi Grows Up, Heidi goes away to boarding school and then returns to Dorfli to teach in the village school. Eventually, she and Peter are married (as everyone who has read Heidi would know and want them to do). Heidi’s Children begins in the springtime with Heidi and Peter expecting their first child.

Several things about the ideas and perspective in this book impressed me.

Heidi’s and Peter’s attitude about marriage, unremarkable in the 1930’s when this book was published, seems charmingly antiquated in these oh-so-enlightened times:

“. . . with Spring would come one of the greatest joys that a young wife can experience. For both Peter and Heidi felt that no marriage was complete until it was blessed with children. Spring held this promise. Even at the wedding the great event had been prepared for and the cradle had stood ready. This was the custom. Often at a Grisons wedding, the cradle was prepared and a child walked with the bride and groom carrying wheat. This was a sign that the marriage would be fruitful, that there would soon be children.”

Who would think that almost a century after the time of this story, people not only would see children as a nuisance and even a curse rather than “one of the greatest joys” and a blessing and a promise, but would also devalue marriage itself to the point that it has become an unnecessary burden or a meaningless “piece of paper” to many?

I also like the way Heidi and Peter live with their extended family and in community. Heidi’s grandfather, the Alm-Uncle, lives with them, and so does Peter’s mother, Brigitta. Jamy, the village school teacher and a school friend of Heidi’s, boards with the family, and Jamy brings her little sister, Marta, to live with the family as well. Other visitors, such as Klara and Herr Sesemann, are in and out, and it’s just a wonderful picture of a loving community, several generations, helping and serving one another.

I also liked the themes of courage overcoming fear, forgiveness and understanding, visual images and stories as vehicles for knowing God and His love. Little Marta is a good replacement child character for little Heidi, and the grown-up Heidi is someone an adult reader feels as if she would like to have for a friend. Altogether, the Heidi series is a delight, even if the authors are two different people. Tritten writes of his justification for writing the sequels in his foreward to Heidi’s Children:

“I knew Madame Spyri as well as one human, even of a different race, could know another. Every book she wrote was a labor of love for the children she knew so well. Each was written in memory of that little ‘lost one’ who used to ask her to tell him what lay beyond ‘forever after.’ I know that she never refused to grant a child’s wish as long as she lived.”

The Wild Robot by Peter Brown

I was really enjoying this “chapter book” by picture book author and illustrator Peter Brown.It’s rather odd in a way, and maybe pitched a little young for a middle grade novel. I’d say grades 2-4, and maybe fifth graders who want “short books”. But I liked the writing style, short sentences with somewhat robotic dialog, and the oddball storyline.

ROZZUM unit 7134, Rez for short, is stranded on an island when a hurricane sinks the cargo ship she is on. Accidentally activated by a group of inquisitive otters, Roz is designed to “move, communicate, and learn.” Over time, she will “find better ways of completing [her] tasks. [She] will become a better robot.” However, Roz is shipwrecked in an unexpected environment. She finds herself on an uninhabited island with only wild animals for company and instruction. So Roz learns to be wild and to live with nature. In fact, in an author’s note at the end of the story Mr. Brown calls this book “a robot nature story.”

As I said, I was enjoying the fairly simple sentence structure and the robot-in-the-wilderness plot right up until the final few chapters, in which the story takes a rather violent and disturbing turn. After Roz has been on the island for an entire year (spoiler alert!), her manufacturers send three RECO robots to find Roz and bring her back to the factory to be reconditioned and reassigned to a new work place. But Roz has become wild and made friends with the animals, and she doesn’t want to go anywhere. So Roz’s animal friends fight against the RECO robots (who are armed with silver-colored rifles) in a battle royal. Robots are killed; animals are injured. And Roz herself is damaged beyond the ability of the island animals to repair.

I wish Mr. Brown had been able to come up with a better ending for his robot story. After having anthropomorphized Roz by making her a friend to the animals, the slaughter of the RECO robots feels kind of ruthless and unnecessary because Roz ends up doing exactly what they wanted her to do before all the fighting started. I was getting ready to recommend this one to nature lovers and technology geeks among the younger set until the ending gave me pause.

I may have to wait a long time to find another robot nature story with as much initial promise. Sci-fi nature lovers, it’s a niche that’s waiting to be filled.

Outlaws of Time: The Legend of Sam Miracle by N.D. Wilson

I’m honestly not sure what I think about N.D. Wilson’s newest book, the beginning of a series called Outlaws of Time. The story is really dark and violent, and as with some of Wilson’s other books it moves too fast for me with too many layers of meaning. I feel as if I’m missing something when I read Wilson’s fantasy, in particular. Actually, I feel dumb. On the other hand, I loved Boys of Blur and Leepike Ridge, especially, and this one has some of the elements that I liked from those: a very American setting, brave kids, adventure, lots of good writing with good metaphors and similes. I just feel as if I have whiplash from trying to follow all the symbolism and hidden meanings and the time travel.

For example, Sam Miracle (his real name) begins the story as a resident (inmate?) of Saint Anthony of the Desert Destitute Youth Ranch, SADDYR. And it’s a sad place, governed by your typical fictional orphanage parents, Mr. and Mrs. Spalding. There are twelve boys at SADDYR, including Sam, and the others are Pete, Drew, Jude, Barto, brothers Jimmy Z and Johnny Z, Flip the Lip, Matt Cat and Sir T(homas), Tiago Lopez, and Simon Zeal. They’re all juvenile delinquents, but they have the names of the twelve apostles in the Bible, minus Judas Iscariot. Yes, I noticed that little naming trick immediately, and it’s kind of cool. But why? Why do Sam’s friends and cohorts have the same names as Jesus’ twelve disciples? What does it mean? Sam isn’t Jesus or a Christ figure, or is he? The priest, Father Tiempo, that Sam meets in the desert is kind of a Christ figure who gives up his life/lives to save Sam and the rest of the world through Sam, but then the priest turns out to be someone else, not Jesus at all. Sam is the one sent to save the world from the evil Vulture, El Buitre, but he’s a violent and at the same time, vulnerable, savior, sent to use his deadly snake arms to kill The Vulture. Even though he’s mangled and wounded by the bad guys in the story, and handicapped by his unreliable memory and his lack of confidence in his own abilities, Sam is a survivor, redeemed and resurrected multiple times. I suppose I’m trying to make the story too simplistic, the characters too allegorical. But allegory is implied in the names and actions of the characters. (I am reminded of C.S. Lewis’s professed hatred of allegory in all its forms while at least parts of his Narnia stories are clearly allegorical in nature.)

Then there’s the time travel, enough time travel to make Hurley’s head hurt a lot (LOST reference, there). This book reminded me of LOST–way too much to figure out, and maybe half of it doesn’t mean anything, just the author playing around. Sam and his friend Glory travel though time, around time, behind time, on the edges of time, and through the cracks between times. I’m a straight-forward, A-Z kind of gal, and although I can handle one time jump, or maybe two, the ramifications of all the time travel in this book make me feel as if I’ve lost my grip on reality. Sam Miracle certainly loses his mind and memory and his sense of what’s real and what’s a dream quite often throughout the course of the story. And since Sam is the main viewpoint character, so did I.

PC critics are going to hate all the guns and all the bullets flying. Even though one of Sam’s snake arms, Speck, is a little bit goofy and doesn’t want to hurt anyone, the other one, Cindy, is “a killer, a nightmare.” Speck shoots the weapons out of the bad guys’ hands, but Cindy shoots to kill. Again, I’m tempted to draw allegorical parallels or symbolical confusion from the contrast between Sam’s left arm, vicious sidewinder Cindy, and his right arm, distractible pet snake Speck, but I will refrain.

Do I think kids will like Outlaws of Time: The Legend of Sam Miracle? Yes, I think so, but I’m not sure what exactly they will get out of it. Maybe that’s good. Maybe that makes me a little uneasy as a parent who’s tempted to give them a neat little book in which I know the “moral of the story”. Maybe one moral of this particular story is that life isn’t neat or predictable, and neither should the stories that we share with each other and with our children be unsurprising and tidily understood. Or maybe, like the authors of LOST, Mr. Wilson is just playing around, having fun with the names and the nicknames and the numbers and the times and the snakes and the guns and all the things that make me want to read the next book in the series.

However, I would warn the author that playing with guns can be quite dangerous.

“You know,” Glory said, watching. “There’s a difference between real life and books. Don’t act like they’re the same.”

“Sure,” Sam said. “Getting life right is a lot harder.”

The Hornet’s Nest by Sally Watson

In 1773, Ronald Cameron and his sister Lauchlin are busily waging their own private war against the oppressive Sassenach (English soldiers) as the two young Highlanders work and play around their Scottish home. Their parents fought the English invaders and supported the Stuart King Jamie and Bonnie Prince Charlie. Now Ronald and Laughlin believe it is their turn to carry on the struggle, especially when their elderly cousin Matthew from Virginia comes to visit and encourages their rebellion and love for liberty. However, when the sister and brother team get into real trouble with the occupation forces, their parents have no choice but to send them to Virginia to stay with their loyalist aunt, Lavinia Lennox.

The characters in Sally Watson’s Family Tree Series are all a part of the same family, the Lennoxes, and Cousin Matthew in this book is even studying his family genealogy. So there’s a running thread of family heritage and pugnacious, spunky traits that are handed down through the family, especially among the girls. The other books in the series are Linnet (London, 1582), Mistress Malapert (Shakespearean England, 1599), The Outrageous Oriel (English civil war, 1641), Loyal and the Dragon (English civil war, 1642), Witch of the Glens (Scotland, 1644), Lark (Puritan England, 1651), Highland Rebel (Jacobite revolution, 1745), and Jade (pirates in Colonial Virginia and the Caribbean). Read more here about how Ms. Watson’s books and characters are all related to each other.

I read at least some of these books when I was a kid of a girl, and I loved them then, especially Jade, the story of Melanie Lennox who frees a cargo of slaves headed for Virginia and becomes a pirate queen. The only ones of Ms. Watson’s books that I own are The Hornet’s Nest and Lark. But if any of you have any of her books lying around gathering dust, I would be happy to take them off your hands.

Characteristics of Ms. Watson’s heroines: outspokenness, a passion for justice, courage, over-confidence to the point of foolhardiness. These rather willful girls, mostly girls, make for interesting, exciting, adventurous stories, and of course, that’s the best kind. If you run across any of Ms. Watson’s novels for young people, I recommend them—even the ones I haven’t read yet.

The Hill of the Red Fox by Allan Campbell McLean

Spies. Lies. Danger.

That’s the subtitle teaser on the cover of my copy of The Hill of the Red Fox, a Scottish book, first published in 1955, but now available (2015) in a new paperback edition from Floris Books, in the series Kelpies Classics.

“The Kelpies are a highly-respected and much-loved range of children’s novels set in Scotland and suitable for 8 to 12 year olds. The Kelpies range includes classic children’s novels by Kathleen Fidler and award-winning contemporary children’s fiction by Lari Don.” from the website for Kelpies.

I think these books are available in the U.S. from:

Steiner Books Inc
c/o Books International
22883 Quicksilver Drive
Dulles, VA 20166
Telephone: 1-800-856 8664
service@steinerbooks.org

Maybe The Hill of the Red Fox is available from other sources, too. (Yes, click on the book cover picture for a link to Amazon.) I got my copy as an ARC for possible review.

And I did like the novel. It’s a Cold War spy novel. Thirteen year old Alisdair is of Scottish descent, but he’s grown up in London. He knows very little about actual life in rural Scotland, but he is unexpectedly allowed by his mother (father is dead) to go to visit an old friend of his father on the Isle of Skye. On his way to the Isle, a stranger gives Alisdair a mysterious message. Soon Alisdair is caught up in an old family feud and in a web of danger and espionage that may claim his very life.

The 1950’s setting is key to my enjoyment of this book. Alistair is given the privilege of traveling to the Islae of Skye alone on a train from London, and although his mother is somewhat concerned about him, she gives him lots of instructions and lets him go. Then, the events of the story conspire to mature Alisdair even more, and although he is a typical thirteen year old who makes some horrifically dangerous but well-meaning decisions, the author doesn’t tidy thing up for Alisdair. Events play out just as one would expect them to with the impetus of such risky and immature decisions, and Alisdair learns what it means to be a real man in a dangerous and risky world.

The spy/espionage part of the plot is a little hokey, but it’s not too bad. And I can’t believe that Alisdair doesn’t feel a wee bit of guilt for his part in how things turn out in the end. The descriptions of Scotland and of Scottish customs and characters such as the “ceilidh” (house party) and the “cailleach” (old woman with second sight) are fascinating and fit right into the story. The descriptions of the landscape and the sprinkling of Gaelic words and phrases through the book are fun, too.

If you want to read a book set in nearly modern day Scotland, and you like spy stories, I would recommend this one. It’s somewhat heart-rending, but really good.

Some other Kelpies I’d like to read someday:

The Blitz Next Door by Cathy Forde. “Pete’s new house in Clydebank near Glasgow would be fine if it wasn’t for the girl next door crying all the time. Except, there is no house next door. A vivid adventure story based on the Clydebank Blitz of 1941.”
The Nowhere Emporium by Ross MacKenzie. “When the mysterious Nowhere Emporium arrives in Glasgow, orphan Daniel gets drawn into its magical world.”
Pyrate’s Boy by E.B. Colin. “Silas, pyrate’s boy on the pirate ship Tenacity, has adventures from the West Indies to the west coast of Scotland.”
The Sign of the Black Dagger by Joan Lingard. “Four children, two hundred years apart, must uncover the secret of the Black Dagger in this fast-paced mystery by award-winning author Joan Lingard. Set in and around Edinburgh’s Royal Mile.”
The Accidental Time Traveller by Janis Mackay. “Saul has to work out time travel to return Agatha Black to 1812.”