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Lola Loves Stories by Anna McQuinn

Jul18

McQuinn, Anna. Lola Loves Stories. Illustrated by Rosalind Beardshaw. Alanna Books, 2009. Charlesbridge, 2010.

This picture book is the second in a series of nine books about Lola and her family and their love affair with books and libraries and reading. The first book, Lola at the Library, is more informational, showing how Lola goes to the library with her mommy and checks out books and listens to the librarian tell stories during story time. In Lola Loves Stories, we get to read about and see how the books Lola borrows from the library work themselves into her imagination and her playtime.

Every Saturday Lola and her daddy go to the library where Lola finds some “excellent books.” When they come home, they read the books together, one book each evening. And every day as she plays with friends and alone, Lola acts out the many themes and characters in the stories she has read. She becomes a fairy princess, an adventurer, a tiger, and one day just a girl with sparkly shoes. There’s even a not-so-subtle nod to Max and his imagination in Where the Wild Things Are by Maurice Sendak.

I love that this picture book is so simple, with brief, large print sentences, and yet so stimulating to the imagination for even the youngest (and oldest) readers. I like that Daddy takes Lola to the library in this book, and that Lola and her friend Ben have a play tea party with their baby dolls in strollers beside them.

The Lola Reads series is originally from a British author, written for a British audience, but either it’s been Americanized or the concepts and vocabulary are simple enough to reach across the ocean. The original British title is Lulu Loves Stories. I didn’t catch any Anglicisms that would need to be explained to an American child. Just a simple story about a child reading with her parents and acting out what she hears and reads.

Other books about Lola include:

  • Lola at the LIbrary
  • Lola Plants a Garden
  • Lola Gets a Cat
  • Lola Reads to Leo
  • Lola Meets the Bees
  • Lola Goes to School
  • Lola Sleeps Over
  • Lola’s Nana-Bibi Comes to Visit

This Picture Book Preschool book can be borrowed by member families from Meriadoc Homeschool Library.

Knight Owl by Christopher Denise

Jul11

Denise, Christopher. Knight Owl. Christy Ottaviano Books, 2022.

“Since the day he hatched, Owl had one wish. To be a knight.”

At first Owl is just a child playing dress up. But eventually he is accepted into Knight School where he learns to be a real knight, and upon his graduation he is assigned to the Knight Night Watch on the castle walls. Then, one night Owl confronts a real, live dragon. Can he act with bravery and cleverness like a real knight? Can he find a way to keep the dragon from eating him as a snack?

For the legions of children who are enamored of knights and castles and fire-breathing dragons, this picture book would be a real treat. Or it might be an introduction to the world of knights and dragons, a tame and rather peaceful introduction. Owl does indeed make peace with the dragon, and no owls are harmed in the course of this story. The illustrations are somewhat dark, because most of the story takes place during the night, but the stars and the fire and brave little Owl himself inject light into the pictures and make the illustrations and the story shine.

“Christopher Denise spent much of his childhood in Shannon, Ireland, exploring castles and dreaming of great adventures.” Denise is both the author and the illustrator of Knight Owl, and he also illustrated many of Brian Jacques’s Redwall animal fantasy books.

I think my grandson would like this one, and probably my granddaughter as well. I plan to add this 2023 Caldecott Honor book to my booklists in Picture Book Preschool, too, so that lots of other knight-loving and dragon-loving children can find it and enjoy it.

This Picture Book Preschool book can be borrowed by member families from Meriadoc Homeschool Library.

Flame Over Tara by Madeleine Polland

Jul7

“The year was A.D. 432, and Patrick, for Bishop from Rome to Ireland, arrived in a pagan land whose spiritual life was completely in the power of the Druid Priests and their ‘magic.’ A mild, warm-hearted, humorous man, Patrick, with his handful of followers, began what seemed an impossible task.

For all her training by the Druids, Macha found herself strangely drawn by Patrick’s words. Torn between the new ideas and the bright, safe life planned for her, Macha struggled to find a way to resolve her future.”

Macha is the daughter of the Chief Judge of the High King Leary, fourteen years old, and soon to be wed. So in our culture, Macha would be a child, and in the book she acts like a child, but in her era and culture she is expected to be ready to take on the responsibilities of an adult wife and homemaker. It’s a coming of age novel as Macha grows from an impetuous fourteen year old with divided loyalties into a woman who has learned to follow the God that Patrick preaches and to depend on Him to work out her other debts and responsibilities.

Flame Over Tara is also a novel about a time of change and about how to work through the taking off of the old and putting on of the new. There are several exciting and dramatic scenes in the novel: Patrick does not try to challenge the Druids immediately, but the clash between the Christian God and the magic of the Druids is inevitable. Patrick lives under threat of assassination from the High King and from his Druid priests. Many of the IrIsh people expect Patrick to use his God’s “magic” to counter that of the Druid priests, but Patrick relies on simple prayers and the wisdom of the Holy Spirit to preserve his life and to ensure the spread of the gospel of Christ. (One of Patrick’s disciples does die as a martyr, and his death is mourned in a Christian fashion–with the hope of the resurrection to come.)

This 1964 novel was assigned in the Sonlight homeschool curriculum that we used a long time ago. I don’t know if it still is a part of that curriculum, but it would indeed be a good introduction to a discussion of the spread of Christianity during the early Middle Ages. It might be best enjoyed as a read aloud book so that some of the issues and scenes could be discussed and digested together. Middle school and high school students could certainly read and appreciate the book for themselves, however. Either way, it’s a good fictional treatment for older children of the life and times of St. Patrick.

This book can be borrowed by member families from Meriadoc Homeschool Library.

Rooftoppers by Katherine Rundell

Jun28

Often I read twenty-first century middle grade fiction books in which the writing ranges from average to good, and I could recommend the book as a decent read—except for one minor dealbreaker or content advisory. Maybe the book has an evil character who swears once or twice, or the author has inserted a bit of modern propaganda or a minor character is added only to please the diversity crowd. I can overlook a certain amount of this kind of thing, but others may not be willing to do so. Then, I try to tell people the facts and let them decide.

Rooftoppers, a very popular British import, is in a different class. (Rooftoppers are abandoned and orphan children who live on the rooftops of Paris.) The writing–the metaphors and the sentence structures and the word choice–is excellent. I’ll give you a few examples, chosen almost at random:

“When they began to play, the music was different. It was sweeter, wilder. Sophie sat up properly and shifted forward until only half an inch of her bottom was on her seat. It was so beautiful that it was difficult for her to breathe. If music can shine, Sophie thought, this music shone. It was like all the voices in all the choirs in the city rolled into a single melody.”

“Money can make people inhuman. It is best to stay away from people who care too much about money, my darling. They are people with shoddy, flimsy brains.”

“Sophie looked and gasped. Below her feet, Paris stretched out toward the river. Paris was darker than London: It was a city lit in blinks and flickers. And it was Fabergé-egg beautiful, she thought. It was magic carpet stuff.”

“To most things in life, there is no trick, but to balance, Sophie thought, there was a trick of sorts. The trick was knowing where to find your center; balance lay somewhere between her stomach and her kidneys. It felt like a lump of gold in amongst brown organs. It was difficult to find, but once found, it was like a place marked in a book–easy to recover. “

The story itself is good, too. One year old Sophie survives the sinking of her ship at sea. She is taken in by her fellow survivor and rescuer, the eccentric scholar Charles Maxim. Charles is a wonderful guardian, but the powers-that-be, child care officers and social welfare committees, finally decide, just after Sophie’s twelfth birthday, that she must be removed to an orphanage so that she can be properly cared for–no more trousers and no writing on the walls and and no Charles Maxim to encourage her unorthodox ways. Sophie and Charles are both devastated. Coincidentally, just before Sophie is set to leave, guardian and child find an important clue about Sophie’s mother, who is said to have died when the ship sank. There is just the slightest possibility that she didn’t die, that she is somewhere in Paris. And so Sophie and Charles Maxim run away to Paris to look for Sophie’s cello-playing mother, and there they discover the Rooftoppers.

So far, so good. Excellent writing, a lively plot, endearing characters, building action–I can see why the book was an award-winning, best-selling success in Britain and why it is becoming more and more well known in the U.S. I had a very bright young lady recommend the book to me when I was in Ireland a few years ago, but I’m just now getting around to reading it.

But . . . our young protagonist, Sophie, with “hair the color of lightning”, “tall and generous and bookish and awkward”, also spits and curses. She curses and uses God’s name in vain several times in the course of the story. And it’s totally acceptable to her own conscience and to everyone else in the story. There’s nary an admonition, and no one blinks an eye. And then, there’s the fight scene. Sophie and her friends, the Rooftoppers, are attacked by another gang of young rooftoppers on a roof, of course. The children fight with teeth and nails, sharpened bone daggers, stones, and at least one knife. They bite and scratch and throw rocks and roof slates and draw blood, and Sophie kicks one of her (male) opponents in the crotch, rendering him incapacitated. The advice Sophie gets during the fight is serious and dangerous: “Punch like you mean it.” Kick him if you can’t punch him.” “Kicking is less personal.” “Do not mess with rooftoppers.”

So. Dealbreaker? I couldn’t hand this one to any of my young library patrons without a warning at least. And I won’t shelve it in my library, even though the author, “a fellow in English literature at All Souls College, Oxford’ has talent. I just wish she had left out the cursing and toned down the fighting.

Ferris by Kate diCamillo

Jun19

“It was the summer before Emma Phineas Wilkey (who everyone called Ferris) went into the fifth grade.

It was the summer that the ghost appeared to Charisse, the summer that Ferris’s sister, Pinky Wilkey, devoted herself to becoming an outlaw, and the summer that Uncle Ted left Aunt Shirley and moved into the Wilkey basement to paint a history of the world.

It was the summer that Ferris’s best friend, Billy Jackson, played a song called ‘Mysterious Barricades’ over and over again on the piano.”

Ferris is a summer book. It’s filled with quirky, caricature characters. The theme line repeated throughout the book is: “Every story is a love story. Every good story is a love story.” And this story embodies that theme. 

However, the story also gives readers some outlandish, exaggerated characters who showcase the difficulties and barriers to that love in the real world. Ferris, the main character, is a ten year old rule follower and observer. Her little sister, Pinky, is a six year old thief and would-be outlaw bank robber. Seriously, among other unbelievable and laugh-out-loud escapades, Pinky tries to rob a bank to get her name and picture on a wanted poster. Ferris’s and Pinky’s parents are inept at best, but loving and involved even when they can’t do anything about Pinky’s mayhem or the raccoons in the attic. Charisse, Ferris’s grandmother, has a heart condition and sees a ghost who wants someone to light the chandelier in the dining room with forty candles, a chandelier that has never been lit before. Uncle Ted is called to paint a history of the entire world on the basement walls, but all he can do is paint a blob that is supposed to be a foot. 

It all sounds prosaic and weird when I tell it, but when Kate DiCamillo takes over and tells the story it becomes poetic, a love story. I think the basic idea is that we love people even in their weirdness and unfathomability. Love them even when we don’t understand and when their behavior is out of control (like Pinky), and when they see demanding ghosts that we can’t see. Or when they feel a calling that we don’t understand. Love them despite the “mysterious barricades” that attempt to come between us and those that we love.

Vocabulary, language, and words are a big part of this book, too. Ferris’s and Billy’s former teacher, Mrs. Mielk, taught them a lot of words, and that vocabulary is woven into the story of the children and their summer adventures. I loved all of the vocabulary that filled the story with the joy of language.

I’ll close with a few quotes to give you a flavor of the book. It’s definitely odd and unusually humorous and endearing, while dealing with serious subjects such as aging, broken relationships, reconciliation, and death. Ferris is a great narrator, childlike and unknowingly insightful at the same time, and Pinky is amazing in her incorrigible delinquency.

“Pinky was six years old, and even though Ferris was her older sister, she did not understand Pinky on a cellular level. Pinky was a fearsome mystery.”

“Monomaniacal. That was another Mielk vocabulary word. It described Pinky perfectly. She was only interested in one thing: being an outlaw.”

“You are too much of a rule follower, Ferris,” Charisse had said to her once. “You have to insist on being yourself. Do not let the world tell you who you are. Rather, tell the world who you are. Pinky understands this. She takes it to an extreme, of course.”

“These people,” he said, “are afraid to love. Loving someone takes a whole lot of courage. Some people just aren’t up to the task.”

“The dogs bark but the caravan passes by.” (Ferris’s dad’s favorite maxim)

This book can be borrowed by member families from Meriadoc Homeschool Library.

The Secret Language of Birds by Lynne Kelly

Jun12

For some reason that is never really spelled out in the story, Nina has trouble making friends. She’s twelve years old, perhaps a little bit over-enthusiastic about her special interest, birds, and otherwise seemingly normal and likable. But she hasn’t yet found her “tribe”.

Nevertheless, as an amateur birdwatcher and collector of bird facts, Nina is feeling almost at home at her aunt’s summer camp in Bee Holler, TX. Her new camp friends, who call themselves The Oddballs, make Nina part of the group, and when the four girls discover two huge white birds nesting near the old infirmary at camp, they also discover a group mission: protect the birds!

There are mysteries to be solved in this nature fiction story. Are these birds rare, endangered whooping cranes? If so, why are they in Texas, not their natural habitat? Who is the female bird of the pair, and where did she come from? Is there an egg in the nest? Will it hatch? When? How can the girls watch over the birds without alerting the public to their whereabouts?

The story also involves some rule-breaking on the part of The Oddballs, but there are consequences for their disobedience.Everything is resolved satisfactorily by the end of the book. And there are a few mentions of evolutionary theory (“Did y’all know that birds evolved from dinosaurs?”), but most of the science-y information in the book is accurate as far as I could tell. Give this one to nature lovers, bird lovers in particular, and to twelve year olds who are thinking about where they belong in the world and how to fit in without losing themselves. It’s not too preachy, but the story does deal with those issues in an understated and helpful way.

The Night War by Kimberly Brubaker Bradley

Jun11

I’ve read and reviewed a few other books by contemporary middle grade and young adult author Kimberly Brubaker Bradley:

I’ve also read, but not reviewed, The War That Saved My Life and The War I Finally Won. Ms. Bradley tends to write about several topics and settings: World War II Europe, France in particular, Catholicism and religion, abused children, children with disabilities. The Night War is a Jewish Holocaust story set in France, 1942. When Miri (Miriam), a twelve year old Jewish girl, and her parents are routed from their apartment in Paris by the French police and herded onto buses to be taken to the Velodrome d’Hiver, Miri becomes separated from her family but she given the responsibility of escaping with and caring for her two year old neighbor, Nora Rosenbaum. Mrs. Rosenbaum tells Miri to run, to take Nora, and to somehow try to get to Switzerland. And Miri is faced with a choice, the first of many impossible choices: will she try to find her parents in the Velodrome or escape with Nora?

Miri chooses to run, and with the help of a French nun, she manages to get away from the Nazi roundup of Jews in Paris. Eventually, Miri, who takes the name of Marie, and Nora end up in Chenonceaux, near the castle of Chenonceau, which was long ago the dwelling of Diane de Poitiers and subsequently, Catherine de Medici. These women and their history become a significant part of Miri/Marie’s story. (SPOILER WARNING: Here be ghosts and ghost-like characters.)

And so do the nuns of Chenonceaux. Marie is hidden in a convent school, and she again is faced with choices. Does she stay in relative safety in the school, or does she attempt to take Nora and flee to Vichy France and then on to Switzerland? Is Nora safer with her foster family, or is she in danger of forgetting her family and her Jewish heritage? Can Miri pretend to be Catholic and still pray to God in her own Jewish way? And there are other choices to be made as Marie stumbles upon a secret resistance network and is asked to help smuggle others out of Nazi-controlled France.

This story with its emphasis on personal responsibility and making good choices, and the consequences of bad choices, is an excellent one for middle grade readers who are just waking up to their own responsibilities and moral choices in life. Recommended for readers age 10 and up, or as soon as you think your reader is ready for hard things about the Holocaust and the evil that people do. Not graphic.

Once a Queen by Sarah Arthur

Jun8

At first, I thought this 2024 middle grade/YA fantasy novel from Waterbrook Press was Narnia fan fiction, or perhaps a Narnia sequel, Susan’s Story: Once a Queen in Narnia or something like that. (“Once a king or queen of Narnia, always a king or queen of Narnia.”) That expectation was a disservice to the novel as it is. Sarah Arthur’s story certainly has strong echoes of Narnia, as well as being indebted to E. Nesbit, George MacDonald, Elizabeth Goudge, and Madeleine L’Engle, influences the author acknowledges in an author’s Q & A in the back of the book. So in my defense, I didn’t know, and the Narnia-love was there from the beginning.

I would advise readers to take Once a Queen on its own terms and NOT try to compare or find connections to any other stories or worlds until you get to the end. In this particular story, fourteen year old American Eva Joyce comes with her British mother to visit her estranged grandmother in the family manor of Carrick Hall in the West Midlands region of England. The year is 1995. Eva has been nurtured by the classic fantasy tales and children’s books, especially the Ternival tales of Mesterra by A.H.W. Clifton. She’s never actually experienced a magical portal to another world, however, even though this trip to England feels a bit like a fairy tale.

And the story does turn into a fairy tale, complete with magical worlds, an evil queen, secret gardens, fantastical creatures, and a quest to be completed. And secrets. Lots of secrets. Eva’s mum has secrets. Eva’s grandmother has secrets. Eva herself discovers so many wondrous secret things that she finds herself unable to keep all of the secrets straight. Who can be told about what, and when, and how? And what secrets are being withheld from Eva and why? This whole secret motif is the weakest part of the book: too many people keeping too many secrets for too little reason. Nevertheless, I resigned myself to getting bits of information doled out to me in each chapter –reluctantly and incompletely.

The novel itself alternates between strange occurrences in our world as Eva gets to know her grandmother and her grandmother’s tragic history and equally strange events in the world of Mesterra, woven by Magister, and ruled by a long line of kings and queens who built a a great kingdom called Ternival. Of course, there are doors between the worlds, hard to find and harder to open, but real. And Eva and her friend Frankie, the gardener’s grandson, are determined to find the way into the fantasy world that they have read about in books and somehow to solve the problems of their own world by doing so.

Once a Queen is a a lovely story with Christian worldview underpinnings, despite all of the secrets and slow revelations, and I highly recommend it to lovers of high fantasy and adventure stories. The novel is set up for a sequel, perhaps many sequels, and indeed there is a “sneak preview” of the next book in the series that is printed in the back of of this first book. The next book is to be called Once a Castle, and I look forward to its publication. (Once a Queen is complete in itself, and does not end in a cliffhanger.) Recommended for ages 12 and up.

The Mystery of the Pilgrim Trading Post by Anne Molloy

Jun1

This mystery tale of smugglers and Native American artifacts and a fight against bridges and roads being built on top of someone’s home is fairly standard and quite readable. It reminds me of my beloved Trixie Belden mysteries and of the many mysteries by Helen Fuller Orton and the Boxcar Children series by Gertrude Chandler Warner. This one is not part of a series, but if you like any of Ms. Molloy’s many mystery adventure stories, you will probably enjoy this one.

Thirteen year old twins, Will and Lettie Dennis, and their cousin Jonas Wingate are invited to spend the summer at the old TIbbets homestead with Cousin Mary Peter, whose home is set to be demolished soon so that a bridge can be built from the Maine coast out to Eden Island and Smuggler’s Cove. None of the three really wants to sped their summer in Maine with a cousin they never met, but their parents have asked them to give it a week’s trial. Cousin Mary Peter, a pharmacist, storekeeper, and somewhat eccentric caregiver, assumes that the children are staying for the summer. And as it turns out, Will, Lettie, and Jo find more to pique their interest than they thought they would, including a plan to save the old homestead by having it declared a historical site. The family have always “firmly believed that it [the house] was the very place where the Pilgrims set up a post to trade with the Indians when they came from Plymouth to this bay.” If the children can prove it, the house will be protected.

Published in 1964, the mystery adventure story features free-range children exploring and sometimes doing rather foolish things like stowing away on a smuggler’s boat or taking a leaky boat out into the bay, but all’s well that ends well. (Just don’t try these exploits at home.) Even one of the “villains” of the story is redeemed in the end. It all makes for a satisfying middle grade summer novel. And as I said, it’s a stand alone book, for those who prefer their books free of series entanglements.

This book can be borrowed by member families from Meriadoc Homeschool Library.

Basil and the Lost Colony by Eve Titus

May31

What a great little book, full of jokes and literary and historical allusions! Basil of Baker Street, the Sherlock Holmes of the mouse world, sets out to Switzerland to find the lost colony of the Tellmice of 1291, who fled to the mountains to escape their own tyrannical version of Gessler, William Tell’s famous oppressor. How refreshing to read a humorous mystery adventure for primary and middle grade readers that does not condescend to slapstick and potty humor but respects its readers while remaining accessible to them. In this story, readers will encounter Flora and Fauna, the Faversham sisters; the Tellmice of Switzerland; Inspector Antoine Cherbou of the Paris policemice; Dr. David Q. Dawson, Basil’s narrator and assistant; Elmo the St. Bernard; the Adorable Snowmouse; and of course, the evil Ratigan, Basil’s arch-enemy (“I smell a rat again–Ratigan!”) —as well as many more characters whose names and personalities and talents are allusions to various literary and cultural icons, people, and events. Some I recognized, and others were lost on me. (Tillary Quinn, who writes crime stories = Ellery Queen, but for some reason she’s a New Zealander?)

The jokes embedded in the story are old; at the ripe old age of 66, I’ve heard most of them before. But they will be funny and fresh to a new generation of readers. The illustrations by Paul Galdone are endearing. Such an intrepid mouse detective! And the book and the series are perfect for hooking beginning chapter book readers into the joy of reading. Basil and the Lost Colony is only 88 pages long, short but sweet.

The book is part of a series by the well known author of the Anatole picture books as well as other books for children. These Sherlockian stories include:

  • Basil of Baker Street
  • Basil and the Cave of Cats (aka Basil and the Pygmy Cats)
  • Basil in Mexico
  • Basil in the Wild West
  • Basil and the Lost Colony

Basil of Baker Street, the first book in the series, was also made into a Disney movie in 1986, The Great Mouse Detective.

This book can be borrowed by member families from Meriadoc Homeschool Library.