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He Went With Hannibal by Louise Andrews Kent

He Went With Hannibal is everything you ever wanted to know about Hannibal and his wars with Rome, encased in the story of a fictional Spanish companion and spy named Brecon. Brecon comes to Hannibal in Spain as a hostage at the age of thirteen and remains Hannibal’s loyal friend and servant throughout his life. Hannibal’s famous crossing of the Alps—with elephants–and his march to the gates of Rome as well as all of the battles, both victories and defeats, are all described vividly and in detail, but not so much detail as to get bogged down in minutiae. Brecon gathers information for Hannibal and goes everywhere and meets everyone of note, including Archimedes, Hannibal’s brothers, Hasdrubal and Mago, Fabius Maximus, Marcellus, Flaminius, Scipio Africanus, and of course, Hannibal himself. These are all historical figures whose adventures are chronicled in Roman history, and Brecon becomes the thread that ties all their stories together and makes them come alive for the reader.

I read this story for my 1964 Project, and I’m very glad I did. I really didn’t know much about Hannibal the Carthaginian general, and now I know a little. (I could definitely have learned more with the aid of a map or two, of Italy, North Africa, Spain. But alas, there are no maps in this book.) In her Author’s Note, Louise Kent Andrews writes, “One of the striking things about Hannibal is that we know him only through the eyes of his enemies. There are no Carthaginian accounts of his life.” Andrews read the the Roman histories of the Punic Wars (wars between Carthage in North Africa and Rome in Italy and Spain), particularly Livy’s Annals and Polybius’s history as well as many other modern and ancient books about the time period and about Hannibal and his exploits. She lists several of the books she read in the Author’s Note. Although I’m not a Roman or Latin scholar by any means, it seems to me that she was quite thorough in her research. And the story becomes a fictionalized attempt to tell the history from Hannibal’s point of view. He Went With Hannibal is also the only historical fiction book that I know of that showcases this particular time of the Roman Republic and the Punic Wars. (Biblioguides does list one other historical fiction book about Hannibal, I Marched With Hannibal by Hans Baumann.)

Louise Kent Andrews wrote several other books in her series of books about famous explorers and soldiers, and I am anticipating adding all of them to my reading list. Her style of writing is detailed and descriptive, but she uses mostly short, simple or complex, declarative sentences, no rambling purple prose to be found. The story of Hannibal, which includes quite a lot of his battle tactics and musings on warfare and politics, should appeal especially to those middle school and high school boys who are keen on such subjects. The ending is rather bittersweet/sad, but of course, Ms. Andrews was constrained by the historical facts from giving the story a completely happy ending.

“I hope that some of my readers will feel, as I did, that reading about Hannibal makes them wish to learn more about the great change that took place when the Roman Republic became the Roman Empire. The war with Carthage was one of the causes for that change.” ~ Author’s Note

Other books in the series by Louise Kent Andrews:

  • He Went With Champlain
  • He Went With Christopher Columbus
  • He Went With Drake
  • He Went With John Paul Jones
  • He Went With Magellan
  • He Went With Marco Polo
  • He Went With Vasco da Gama

All of the books in this series are available in reprint editions from Living Book Press.

This book can be borrowed by member families from Meriadoc Homeschool Library.

Knights Besieged by Nancy Faulkner

This historical fiction novel, published in 1964, is set on the island of Rhodes during the siege of Rhodes in 1522. The Knights of St. John, or Knights Hospitallers, whose headquarters is on the Greek island of Rhodes, are besieged by the Ottoman Turks under the leadership of Suleiman the Magnificent. The battle will decide who will control trade and commerce in the eastern Mediterranean Sea for the immediate future as well as its being a religious war between the Muslim Turks and the Christian (Catholic) Knights.

Our protagonist, Jeffrey Rohan, is an English merchant’s son, fourteen years old, and an escaped former slave of the Sultan Suleiman. After his escape from Constantinople, Jeffrey ends up by accident on the island Rhodes and finds that he cannot leave since the city of Rhodes is under siege. Jeffrey takes solace in his prayers and his belief in the courage and piety of the Knights Hospitallers, but he is also aware, in a way that his friends are not, of the strength and overwhelming numbers of the Turkish force.

I found this story to be intriguing, partly because I didn’t know how it would end. I didn’t know much about the Knights Hospitallers, and I certainly didn’t know whether the Turks or the Knights would have the victory in this particular battle and siege. I would love to discuss the ending, but I won’t spoil it for you. Suffice it to say that Jeffrey is brought to question many of his beliefs and presuppositions over the course of a very long and wearing siege, and yet in the end his faith in God and in chivalry are validated in an unusual way.

This 1964 novel is still fresh and relevant today. The attitudes in the novel are those of sixteenth century people: the Knights are sworn to kill all Muslim infidels, and they do so without mercy. (No gore, just plainly stated facts.) The Turkish besiegers are more inclined to kill those that they must, but rather to enslave and tax the population if they can —and to require allegiance to Suleiman and to the Islamic religion. These are all very medieval attitudes. Now we are trying as a Western post-Christian civilization to come to some sort of compromise and peaceful co-existence with the Muslim world, and they are what? I’m not sure, and this children’s/YA novel certainly didn’t have the answers to our modern problems. However, it did make me think about the complicated and fraught relationship between Westerners and Christians and Muslims and Easterners over the course of history.

Anyway, Knights Besieged would be an excellent introduction to the history of Middle East and the Mediterranean in the late Middle Ages and a great springboard for discussion of past and current events in that part of the world. You will probably want to learn more about the Ottoman Empire, the Knights of St John, and the history of Europe and the Middle East in general after reading the story. I certainly did. And some boys will just be in it for the war and the knights and the intrigue. That’s fine, too. Not every work of historical fiction has to be a history lesson in disguise, even if it is.

This book can be borrowed by member families from Meriadoc Homeschool Library.

Dodsworth in New York by Tim Egan

Egan, TIm. Dodsworth in New York. Houghton Mifflin, 2007.

This easy reader with four short chapters is the first in a series of easy readers about Dodsworth and his friend, the duck. The duck is never given a name, and I thought when I read some of the other Dodsworth books that Dodsworth was a mole. He still looks like a mole to me, but I am informed by reliable sources that Dodsworth is, indeed, a mouse. (I can still think of him as a mole. I prefer moles to mice.)

Character identity confusion aside, Dodsworth first encounters the duck in this book in the first chapter at Hodges’ Cafe. The duck is at first Hodges’ duck, and he’s a crazy, pancake-throwing, runaway duck who stows away in Dodsworth’s trunk. Dodsworth is on his way to New York City, from thence to embark on a journey to see the world. But Dodsworth can’t get rid of the crazy duck who becomes the key to adventure in a series of books: Dodsworth in Rome, Dodsworth in Paris, Dodsworth in London, and Dodsworth in Tokyo.

Dodsworth is the straight man in this world-traveling comedy duo. The duck is a rather bizarre comedian who gets lost a lot. I happen to think that easy readers are often perfect for reading aloud to precocious preschoolers, and that idea was confirmed when I loaned these Dodsworth books to my then-three year old grandson. He was smitten by the stories and by the humor. He got the jokes. And we had to read Dodsworth over and over and over again. He got a kendama (from Dodsworth in Tokyo) for his fourth birthday, along with his own set of Dodsworth books.

I read these books out of order, all the while mistaking Dodsworth the mouse for a mole. But I thoroughly enjoyed them anyway. I would recommend beginning with Dodsworth in New York because New York is the beginning of this zany journey. Yankee Stadium. The Brooklyn Bridge. The Statue of Liberty. Radio City Music Hall. And one crazy duck. What’s not to like?

Dodsworth in New York has been added to the updated edition of Picture Book Preschool for the week on United States–Travel.

This Picture Book Preschool book can be borrowed by member families from Meriadoc Homeschool Library.

The Giant Jam Sandwich by John Vernon Lord

Lord, John Vernon. The Giant Jam Sandwich. With verses by Janet Burroway. Houghton Mifflin, 1972, 2000.

The setting is the English village of Itching Down. The characters are a full cast of English villagers: Mayor Muddlenut, Baker Bap, Farmer Seed, and more. The problem is wasps, millions of wasps.

They drove the picnickers away,
They chased the farmers from their hay,
They stung Lord Swell on his fat bald pate,
They dived and hummed and buzzed and ate,
And the noisy, nasty nuisance grew
Till the villagers cried, “What can we do?”

Tis’ a puzzlement . . . until Bap the Baker proposes a giant strawberry jam trap. Funny and clever at the same time, this tall tale in rhyme plays out with grace and humor and ties up all the loose ends on the final page.

John Vernon Lord is an award-winning illustrator and a professor of illustration at the University of Brighton in England. Janet Burroway is an American author who collaborated on The Giant Jam Sandwich by taking Lord’s story and putting it into verse. The illustration style is not exactly my favorite: it’s very busy with lots of activity and caricature characters. The pictures feel British somehow, maybe because the architecture of the village and the look of the countryside is very British or European. Nevertheless, perusing those illustrations would give readers, and listeners, a lot of details to explore as they absorb the rollicking story of how the villagers of Itching Down disposed of four million wasps, give or take a few.

This one is in print, but only in paperback. It’s been popular enough that it’s been in print since 1972. And composer Philip Wharton wrote a narrated orchestral work based on the book. Watch out Peter and the Wolf–here comes The Giant Jam Sandwich! Maybe readers and fans could make up their own tunes for Burroway’s verses and sing the story.

The Great Jam Sandwich has been added to the new edition of Picture Book Preschool. This book can be borrowed by member families from Meriadoc Homeschool Library.

The Letter on the Tree by Natalie Savage Carlson

Carlson, Natalie. The Letter on the Tree. Illustrated by John Kaufmann. Harper & Row, 1964. Read for The 1964 Project.

“Albert Caron is really my name but everybody calls me Bébert . . . . ‘It rhymes with gray bear,’ I taught them. Then they liked to say, ‘Hey, there, Bébert, the gray bear.'”

Bébert is a ten year old French Canadian boy who lives with his family on a small dairy farm in Quebec. The family is poor, and although Bébert longs for an accordion like the one he has heard played on the family’s radio, his Papa says that they are too poor to buy one from Pére Noel (Father Christmas). Mamie says that it is God’s will that they are so poor, but perhaps if they work hard, it won’t always be God’s will to keep them in poverty. Bébert tries to think of ways to make the cows that they have give more milk or ways for Papa to earn more money, but none of his ideas work out—until the day that Bébert goes with his Papa to cut Christmas trees to sell. Bébert gets the wonderful idea of writing a letter to whoever gets one of the trees, asking for an accordion for the poor little French boy in Canada whose family is too poor to provide a Christmas gift. Of course, the poor little French boy is Bébert himself.

So, the rest of the story is a lesson, clothed in story, about contentment and hard work and creative problem solving and honesty, but it’s not a preachy or didactic lesson. The book also gives readers a glimpse into a year in the life of a French Canadian farm boy of the mid-twentieth century, with church holy days to celebrate, friends to play with, and always, every day, twice a day, the cows to milk. Bébert is a stolid little boy with ideas that carry him into difficulties sometimes, but also other ideas that truly are a help and support to his family. Bébert learns gratitude for what he has and not to make snap judgements about people over the course of the year, and in the end Bébert has made new friends and grown to love the life that he has instead of longing for what he does not.

The Letter on the Tree is only 116 pages long, and the reading level is about third grade. Boys and girls will enjoy the story of Bébert and his life on the dairy farm, and the book would make a good read aloud bedtime story any time of the year, but maybe especially around Christmas or birthday time when it is easy for children (and adults) to become discontented and greedy and anxious about the gifts that are given and received.

Natalie Savage Carlson wrote several books set in Canada, among the French Canadian people, perhaps because although she was American, born in Virginia, she was of French Canadian descent. Her first published book was The Talking Cat and other stories of French Canada, a collection of folk tales and family stories. She also wrote Jean-Claude’s Island, about a French Canadian boy, living on a small island in the St. Lawrence River, and Chalou, the adventures of a lost farm dog in French Canada. Some of Ms. Carlson’s other stories are set in France, including the Newbery Honor winning book, The Family Under the Bridge and the series about a group of French orphans, The Orphelines.

This book can be borrowed by member families from Meriadoc Homeschool Library.

Lola Loves Stories by Anna McQuinn

McQuinn, Anna. Lola Loves Stories. Illustrated by Rosalind Beardshaw. Alanna Books, 2009. Charlesbridge, 2010.

This picture book is the second in a series of nine books about Lola and her family and their love affair with books and libraries and reading. The first book, Lola at the Library, is more informational, showing how Lola goes to the library with her mommy and checks out books and listens to the librarian tell stories during story time. In Lola Loves Stories, we get to read about and see how the books Lola borrows from the library work themselves into her imagination and her playtime.

Every Saturday Lola and her daddy go to the library where Lola finds some “excellent books.” When they come home, they read the books together, one book each evening. And every day as she plays with friends and alone, Lola acts out the many themes and characters in the stories she has read. She becomes a fairy princess, an adventurer, a tiger, and one day just a girl with sparkly shoes. There’s even a not-so-subtle nod to Max and his imagination in Where the Wild Things Are by Maurice Sendak.

I love that this picture book is so simple, with brief, large print sentences, and yet so stimulating to the imagination for even the youngest (and oldest) readers. I like that Daddy takes Lola to the library in this book, and that Lola and her friend Ben have a play tea party with their baby dolls in strollers beside them.

The Lola Reads series is originally from a British author, written for a British audience, but either it’s been Americanized or the concepts and vocabulary are simple enough to reach across the ocean. The original British title is Lulu Loves Stories. I didn’t catch any Anglicisms that would need to be explained to an American child. Just a simple story about a child reading with her parents and acting out what she hears and reads.

Other books about Lola include:

  • Lola at the LIbrary
  • Lola Plants a Garden
  • Lola Gets a Cat
  • Lola Reads to Leo
  • Lola Meets the Bees
  • Lola Goes to School
  • Lola Sleeps Over
  • Lola’s Nana-Bibi Comes to Visit

This Picture Book Preschool book can be borrowed by member families from Meriadoc Homeschool Library.

Flame Over Tara by Madeleine Polland

“The year was A.D. 432, and Patrick, for Bishop from Rome to Ireland, arrived in a pagan land whose spiritual life was completely in the power of the Druid Priests and their ‘magic.’ A mild, warm-hearted, humorous man, Patrick, with his handful of followers, began what seemed an impossible task.

For all her training by the Druids, Macha found herself strangely drawn by Patrick’s words. Torn between the new ideas and the bright, safe life planned for her, Macha struggled to find a way to resolve her future.”

Macha is the daughter of the Chief Judge of the High King Leary, fourteen years old, and soon to be wed. So in our culture, Macha would be a child, and in the book she acts like a child, but in her era and culture she is expected to be ready to take on the responsibilities of an adult wife and homemaker. It’s a coming of age novel as Macha grows from an impetuous fourteen year old with divided loyalties into a woman who has learned to follow the God that Patrick preaches and to depend on Him to work out her other debts and responsibilities.

Flame Over Tara is also a novel about a time of change and about how to work through the taking off of the old and putting on of the new. There are several exciting and dramatic scenes in the novel: Patrick does not try to challenge the Druids immediately, but the clash between the Christian God and the magic of the Druids is inevitable. Patrick lives under threat of assassination from the High King and from his Druid priests. Many of the IrIsh people expect Patrick to use his God’s “magic” to counter that of the Druid priests, but Patrick relies on simple prayers and the wisdom of the Holy Spirit to preserve his life and to ensure the spread of the gospel of Christ. (One of Patrick’s disciples does die as a martyr, and his death is mourned in a Christian fashion–with the hope of the resurrection to come.)

This 1964 novel was assigned in the Sonlight homeschool curriculum that we used a long time ago. I don’t know if it still is a part of that curriculum, but it would indeed be a good introduction to a discussion of the spread of Christianity during the early Middle Ages. It might be best enjoyed as a read aloud book so that some of the issues and scenes could be discussed and digested together. Middle school and high school students could certainly read and appreciate the book for themselves, however. Either way, it’s a good fictional treatment for older children of the life and times of St. Patrick.

This book can be borrowed by member families from Meriadoc Homeschool Library.

The Tiger Who Came to Tea by Judith Kerr

Kerr, Judith. The Tiger Who Came to Tea. W. Collins (London), 1968.

This picture book is quite well known and popular in Britain, practically a classic, but not so well known in the U.S. As one can tell from the title, it’s a very British sort of story. Nevertheless, American children as well as those from other countries should be able to appreciate this whimsical tale of an unexpected tiger who comes to visit and eats up all the food and drink in the house. Words such as “tap” and “tins” and “biscuits” and “packets” and even “tea” may need to be redefined for those same American children, but that’s part of the fun.

The illustrations are bold and simple, perfect for preschoolers. And the Tiger is big but not scary. Even though the Tiger does look rather ravenous throughout, there’s no hint that the little girl in the story is afraid or worried that the Tiger will finish off his meal with her. In fact, she snuggles up to him and plays with his tail in the pictures. The girl and her parents do have to come up with a solution for the lack of food and drink in the house after the Tiger leaves. And they also make a plan just in case the Tiger makes a return visit: a big box of Tiger Food to keep on hand.

Sometimes British humor is, well, somewhat foreign to my American understanding, but this book is spot on. It’s short and sweet, also memorable and imaginative, and I can see why it has been a children’s literature staple in Britain since its publication in 1968. It reminds me a little bit of Where The Wild Things Are, published in 1964, or The Cat in the Hat from 1957. But it’s more precious, in a good way, and more British. This book is another one that I will definitely be adding to Picture Book Preschool in the new edition.

This Picture Book Preschool book can be borrowed by member families from Meriadoc Homeschool Library.

Rooftoppers by Katherine Rundell

Often I read twenty-first century middle grade fiction books in which the writing ranges from average to good, and I could recommend the book as a decent read—except for one minor dealbreaker or content advisory. Maybe the book has an evil character who swears once or twice, or the author has inserted a bit of modern propaganda or a minor character is added only to please the diversity crowd. I can overlook a certain amount of this kind of thing, but others may not be willing to do so. Then, I try to tell people the facts and let them decide.

Rooftoppers, a very popular British import, is in a different class. (Rooftoppers are abandoned and orphan children who live on the rooftops of Paris.) The writing–the metaphors and the sentence structures and the word choice–is excellent. I’ll give you a few examples, chosen almost at random:

“When they began to play, the music was different. It was sweeter, wilder. Sophie sat up properly and shifted forward until only half an inch of her bottom was on her seat. It was so beautiful that it was difficult for her to breathe. If music can shine, Sophie thought, this music shone. It was like all the voices in all the choirs in the city rolled into a single melody.”

“Money can make people inhuman. It is best to stay away from people who care too much about money, my darling. They are people with shoddy, flimsy brains.”

“Sophie looked and gasped. Below her feet, Paris stretched out toward the river. Paris was darker than London: It was a city lit in blinks and flickers. And it was Fabergé-egg beautiful, she thought. It was magic carpet stuff.”

“To most things in life, there is no trick, but to balance, Sophie thought, there was a trick of sorts. The trick was knowing where to find your center; balance lay somewhere between her stomach and her kidneys. It felt like a lump of gold in amongst brown organs. It was difficult to find, but once found, it was like a place marked in a book–easy to recover. “

The story itself is good, too. One year old Sophie survives the sinking of her ship at sea. She is taken in by her fellow survivor and rescuer, the eccentric scholar Charles Maxim. Charles is a wonderful guardian, but the powers-that-be, child care officers and social welfare committees, finally decide, just after Sophie’s twelfth birthday, that she must be removed to an orphanage so that she can be properly cared for–no more trousers and no writing on the walls and and no Charles Maxim to encourage her unorthodox ways. Sophie and Charles are both devastated. Coincidentally, just before Sophie is set to leave, guardian and child find an important clue about Sophie’s mother, who is said to have died when the ship sank. There is just the slightest possibility that she didn’t die, that she is somewhere in Paris. And so Sophie and Charles Maxim run away to Paris to look for Sophie’s cello-playing mother, and there they discover the Rooftoppers.

So far, so good. Excellent writing, a lively plot, endearing characters, building action–I can see why the book was an award-winning, best-selling success in Britain and why it is becoming more and more well known in the U.S. I had a very bright young lady recommend the book to me when I was in Ireland a few years ago, but I’m just now getting around to reading it.

But . . . our young protagonist, Sophie, with “hair the color of lightning”, “tall and generous and bookish and awkward”, also spits and curses. She curses and uses God’s name in vain several times in the course of the story. And it’s totally acceptable to her own conscience and to everyone else in the story. There’s nary an admonition, and no one blinks an eye. And then, there’s the fight scene. Sophie and her friends, the Rooftoppers, are attacked by another gang of young rooftoppers on a roof, of course. The children fight with teeth and nails, sharpened bone daggers, stones, and at least one knife. They bite and scratch and throw rocks and roof slates and draw blood, and Sophie kicks one of her (male) opponents in the crotch, rendering him incapacitated. The advice Sophie gets during the fight is serious and dangerous: “Punch like you mean it.” Kick him if you can’t punch him.” “Kicking is less personal.” “Do not mess with rooftoppers.”

So. Dealbreaker? I couldn’t hand this one to any of my young library patrons without a warning at least. And I won’t shelve it in my library, even though the author, “a fellow in English literature at All Souls College, Oxford’ has talent. I just wish she had left out the cursing and toned down the fighting.

Two Indian Picture Books by Rajani LaRocca

Where Three Oceans Meet by Rajani LaRocca. Illustrated by Archana Sreenivasan. Abrams Books for Young Readers, 2021.

I’ll Go and Come Back by Rajani LaRocca. Illustrated by Sara Palacios. Candlewick, 2022.

Both of these books by the same author tell the story of an Indian American child and her grandmother (Pati) who lives in India. Both are inspired by the author’s childhood experience of visiting her grandmother in India. And both are a delightful introduction to the sights and sounds of South India, in particular, and to the joy of visiting family wherever they might live.

In Where Three Oceans Meet Sejal, Mommy, and Pati travel together to very tip of the Indian subcontinent. Pati is excited to go to the temples (and pray to “the goddess”, which they do). Mommy is anxious to visit old friends. And Sejal wants to see “what’s at the end of the earth” where three oceans–the Bay of Bengal, the Arabian Sea, and the Indian Ocean— meet. The road trip that the three generations of women take includes a boat trip, a train, visits with friends, shopping, Indian foods and snacks, temple worship, and even a sick day in the hotel. The book culminates in the picture of the three women/girls standing on the shore where the three bodies of water meet near the city of Kanyakumari.

I’ll Go and Come Back tells of how Jyoti, another Indian American girl, goes to visit her family in India for the summer. At first Jyoti is homesick, but she and Pati bond over activities that they share despite the language barrier between them. In the second half of the book Pati comes to visit Jyoti in America, and grandmother and granddaughter again find joy in sharing games and books and food and shopping in Jyoti’s homeland of the United States. “Pati flew back home to India, but our love stretched across the world.”

I liked the illustrations, by different illustrators, one of South Indian origin and one not, in both books, but I preferred the stylized people with round faces and the colorful scenery in I’ll Go and Come Back. The pictures in Where Three Oceans Meet are more complex in the backgrounds and more evocative of feelings of family togetherness, but not as simple and straightforward. In the same way, although the stories are similar—a little girl visiting her grandmother in India–I’ll Go and Come Back is more simple and more accessible for preschoolers, even though it includes several Tamil words that are only explained in the context of the story.

As I said before either book would be a lovely introduction to India and Indian culture for preschool or primary children as well as being a reminder of family ties that can bind even across oceans and generations.