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The Cuckoo’s Calling by Robert Galbraith

Definitely not for everybody. Robert Galbraith’s (J.K. Rowling’s) first book in her crime series about private detective Cormoran Strike is gritty and contains quite a bit of bad language, mostly F-bombs. (By the way, I really like that name, Cormoran Strike. It feels quirky and detective-like and memorable.) I wish Rowling could have toned down the language, but I must admit that in the world of celebrities and super-models where this particular mystery takes place, the dialog probably accurately reflects the characters and their common everyday use of language.

Cormoran Strike is a tortured soul, as most detectives usually are these days. Hercule Poirot and Miss Marple were rather ordinary and well-adjusted, except for their exceptional detecting abilities. Lord Peter Wimsey had a somewhat complicated background and some psychological issues, but nothing like what modern detectives of stage, screen, and literature have to deal with. Cormoran Strike has a dysfunctional childhood and a vengeful ex-girlfriend, and he’s lost one leg to a land mine in Afghanistan. And he’s practically homeless with his detective business about to go bankrupt due to a lack of clients.

So, when the wealthy brother of legendary super-model Lula Landry asks Cormoran to investigate the death, apparent suicide, of his sister, the detective is willing even though he doubts the police could have missed anything in the case, considering all the publicity surrounding Lula’s death. The case itself is a look into the lives of the rich and famous, a world that is not completely foreign to Cormoran Strike, whose mother was a “super-groupie” following his rock star father around for a while back in the 70’s.

The novel is well plotted, and I didn’t figure out whodunnit or how until the very end. There is also a lot of good character development as the story slowly introduces Cormoran Strike, his background, and his personality as well as his detecting methods and habits, learned through his time in the army as an army investigator. We also meet another character who will show up in subsequent novels, I’m sure: Robin Ellacott, the temp secretary and office manager that Cormoran can’t afford to keep on but finds invaluable in ferreting out clues and information for him to use in his investigation. The story is told in third person, but mostly from the viewpoint of either Cormoran Strike or Robin Ellacott, so we get to be privy to some of Strike’s thoughts as well as Robin’s, understanding how they react to one another and to the suspects and witnesses to Lula Landry’s suicide–or murder. The duo work together well, but frequently misunderstand one another in small ways that make the story intriguing and keep the reader guessing as to what will happen next.

I liked it well enough to request the next book in the series from the library, and if the language and grit don’t get any worse, I’ll probably continue to read the entire series. The other books in the series so far are:

  • The Silkworm
  • Career of Evil
  • Lethal White
  • Troubled Blood
  • The Ink Black Heart
  • The Running Grave
  • The Hallmarked Man? (not yet published)

Again, the content is dark, including foul language, drug use, sexual immorality (not described explicitly in this book), and violence (somewhat gritty, but not too much detail). This is a book for adults, not children or teens. But the characters are engaging, and the mystery was satisfying in its conclusion. J.K. Rowling is a good writer with a talent for more than fantasy writing.

Jane and the Year Without a Summer by Stephanie Barron

I was looking for new mystery detective fiction, having read all of the Agatha Christie, Rex Stout, Dorothy Sayers, and Erle Stanley Gardner that I could find, as well as many more in the genre. A friend suggested the Jane Austen Mysteries by Stephanie Barron. I looked for the first book in the series, Jane and the Unpleasantness at Scargrave Manor, but my library didn’t have it on the shelf. So I just picked one that sounded interesting and thus read Jane and the Year Without a Summer, set in the summer of 1816 when “the eruption of Mount Tambora in the South Pacific caused a volcanic winter that shrouded the entire planet for sixteen months.” (Climate change, indeed!)

The real Jane Austen died in 1817 at the age of 41, so this book portrays a fictional Jane well toward the end of her short life. Jane is feeling unwell with chronic fatigue and stomach upset, and she and her sister Cassandra decide to sample the waters at Cheltenham Spa in Gloucestershire. These books are said to be “based on the author’s examination of Austen’s letters and writings along with extensive biographical information.” But of course, a mystery is inserted into the biographical story to spice things up a bit.

In this particular book, the mystery involves a several of the Misses Austen’s fellow boarders at the lodging house in Cheltenham where they are staying. The actual murder (or unexplained death) doesn’t happen until about three quarters of the way through the book, but the atmosphere and setting that the author creates makes up for the lack of action in the first half of the book. The characters, aside from Jane herself, are somewhat one-dimensional, and the mystery and resolution there of require some suspension of disbelief. Why and how the murderer does the deed is a bit unlikely. Nevertheless, the Regency setting with period details and information about the real Jane Austen’s life and times is, as Jane might say, quite enjoyable.

I liked it well enough to seek out another book in the series, preferably the first, and maybe I’ll read them them all. Stephanie Barron has written fifteen of these books with Jane as the sleuth and protagonist, and the fifteenth one is called Jane and the Final Mystery. So I assume the series is complete. It might be a nice adventure to travel through all fifteen.

The Mystery of the Pilgrim Trading Post by Anne Molloy

This mystery tale of smugglers and Native American artifacts and a fight against bridges and roads being built on top of someone’s home is fairly standard and quite readable. It reminds me of my beloved Trixie Belden mysteries and of the many mysteries by Helen Fuller Orton and the Boxcar Children series by Gertrude Chandler Warner. This one is not part of a series, but if you like any of Ms. Molloy’s many mystery adventure stories, you will probably enjoy this one.

Thirteen year old twins, Will and Lettie Dennis, and their cousin Jonas Wingate are invited to spend the summer at the old TIbbets homestead with Cousin Mary Peter, whose home is set to be demolished soon so that a bridge can be built from the Maine coast out to Eden Island and Smuggler’s Cove. None of the three really wants to sped their summer in Maine with a cousin they never met, but their parents have asked them to give it a week’s trial. Cousin Mary Peter, a pharmacist, storekeeper, and somewhat eccentric caregiver, assumes that the children are staying for the summer. And as it turns out, Will, Lettie, and Jo find more to pique their interest than they thought they would, including a plan to save the old homestead by having it declared a historical site. The family have always “firmly believed that it [the house] was the very place where the Pilgrims set up a post to trade with the Indians when they came from Plymouth to this bay.” If the children can prove it, the house will be protected.

Published in 1964, the mystery adventure story features free-range children exploring and sometimes doing rather foolish things like stowing away on a smuggler’s boat or taking a leaky boat out into the bay, but all’s well that ends well. (Just don’t try these exploits at home.) Even one of the “villains” of the story is redeemed in the end. It all makes for a satisfying middle grade summer novel. And as I said, it’s a stand alone book, for those who prefer their books free of series entanglements.

This book can be borrowed by member families from Meriadoc Homeschool Library.

Basil and the Lost Colony by Eve Titus

What a great little book, full of jokes and literary and historical allusions! Basil of Baker Street, the Sherlock Holmes of the mouse world, sets out to Switzerland to find the lost colony of the Tellmice of 1291, who fled to the mountains to escape their own tyrannical version of Gessler, William Tell’s famous oppressor. How refreshing to read a humorous mystery adventure for primary and middle grade readers that does not condescend to slapstick and potty humor but respects its readers while remaining accessible to them. In this story, readers will encounter Flora and Fauna, the Faversham sisters; the Tellmice of Switzerland; Inspector Antoine Cherbou of the Paris policemice; Dr. David Q. Dawson, Basil’s narrator and assistant; Elmo the St. Bernard; the Adorable Snowmouse; and of course, the evil Ratigan, Basil’s arch-enemy (“I smell a rat again–Ratigan!”) —as well as many more characters whose names and personalities and talents are allusions to various literary and cultural icons, people, and events. Some I recognized, and others were lost on me. (Tillary Quinn, who writes crime stories = Ellery Queen, but for some reason she’s a New Zealander?)

The jokes embedded in the story are old; at the ripe old age of 66, I’ve heard most of them before. But they will be funny and fresh to a new generation of readers. The illustrations by Paul Galdone are endearing. Such an intrepid mouse detective! And the book and the series are perfect for hooking beginning chapter book readers into the joy of reading. Basil and the Lost Colony is only 88 pages long, short but sweet.

The book is part of a series by the well known author of the Anatole picture books as well as other books for children. These Sherlockian stories include:

  • Basil of Baker Street
  • Basil and the Cave of Cats (aka Basil and the Pygmy Cats)
  • Basil in Mexico
  • Basil in the Wild West
  • Basil and the Lost Colony

Basil of Baker Street, the first book in the series, was also made into a Disney movie in 1986, The Great Mouse Detective.

This book can be borrowed by member families from Meriadoc Homeschool Library.

Mystery at Plum Nelly by Christine Noble Govan and Emmy West

I read and enjoyed many of the books in this series of mystery books many, many years ago when I was an avid consumer of all things Nancy Drew and Trixie Belden and the Boxcar Children and Helen Fuller Orton. The books feature a group, actually two groups, of children who form two clubs: The Cherokees and later, The Lookouts. The children, who live in southern Tennessee near Lookout Mountain, are first called The Cherokees, but when the older members of the club “became less active because Mickey, Bitsy, Ted, and Buzz had new teenage interests, Jimmy, the youngest member, began a new club, the Lookouts.”

In this particular mystery, Mystery at Plum Nelly, the Lookouts and the Cherokees are all helping with the annual arts and crafts exhibit that is hosted at art teacher Miss Manning’s mountain cabin called Plum Nelly. “When people would ask how to get to her house the mountaineers would say, ‘It’s down the road a piece–it’s plum nearly out of Tennessee and plum nearly out of Georgia.’ Only they say ‘plum nelly’–so the place just got to be called Plum Nelly.” The book is full of dialect, mountain talk, and quaint sayings and aphorisms, but it’s not enough to overwhelm or confuse readers, even young readers. The mystery involves kidnapping, spies, government secrets, and midnight disturbances. It’s great, published originally in 1959, and very fifties in tone, characters, and setting.

This series of books would appeal to fans of the Boxcar Children original series (I don’t recommend the modern Boxcar Children mysteries which were written and published more recently.). However, Cherokee/Lookout series of mysteries is out of print, hard to find, and very pricey when you can find them used. If your library has them or if you happen to find them in the wild at a reasonable price, I highly recommend you check them out. None of these books are to be found in my huge, big-city library system. I have not re-read all of these mysteries for content considerations, but the only thing I found that might be objectionable in Mystery at Plum Nelly is a little bit of good-natured teasing of one of the Lookouts, Billy, who calls himself “fat” and loves to eat.

The entire series consists of sixteen books:

The Mystery At Shingle Rock (1955) 
The Mystery At the Mountain Face (1956) 
The Mystery At the Shuttered Hotel (1956) 
The Mystery At Moccasin Bend (1957) 
The Mystery At the Indian Hide-out (1957) 
The Mystery At the Deserted Mill (1958) 
The Mystery of the Vanishing Stamp (1958) 
The Mystery At Plum Nelly (1959) 
The Mystery At the Haunted House (1959) 
The Mystery At Fearsome Lake (1960) 
Mystery At Rock City (1960) 
The Mystery At the Snowed-in Cabin (1961) 
The Mystery of the Dancing Skeleton (1962) 
The Mystery At Ghost Lodge (1963) 
The Mystery At the Weird Ruins (1964) 
The Mystery At the Echoing Cave (1965) 

Bleak House by Charles Dickens, again

I finished reading Bleak House this afternoon, and although David Copperfield is still my favorite among the works of Mr. Dickens that I have read, I must say that Bleak House is quite a story. It’s a fog-infused novel, fog throughout being the sign and symbol of the people in the story and their lives as they are caught up in the fog of a very complicated and never-ending lawsuit, Jarndyce and Jarndyce.

“The lawyers have twisted it into such a state of bedevilment that the original merits of the case have long disappeared from the face of the earth. It’s about a will and the trusts under a will — or it was once. It’s about nothing but costs now. We are always appearing, and disappearing, and swearing, and interrogating, and filing, and cross-filing, and arguing, and sealing, and motioning, and referring, and reporting, and revolving about the Lord Chancellor and all his satellites, and equitably waltzing ourselves off to dusty death, about costs. That’s the great question. All the rest, by some extraordinary means, has melted away.”

It’s Shakespeare who wrote, “The first thing we do, let’s kill all the lawyers” as a halfway joking solution to the country’s problems. But Dickens must have had the idea in mind when he wrote such an indictment of the damage that being caught up in the system of law and courts and chancery can do to a man’s or woman’s soul, mind, finances, and health. Several characters fall victim to the vicissitudes of the courts and of lawsuits, while others manage to hold themselves above and at least somewhat untouched by the fog and snare of placing their hopes in a successful settlement of Jarndyce and Jarndyce or any other interminable lawsuit.

“In a unique creative experiment, Dickens divides the narrative between his heroine, Esther Summerson, who is psychologically interesting in her own right, and an unnamed narrator whose perspective both complements and challenges hers.”

This double narrative echoes the many double or contrasting characters in the novel as well as the divided pairs that appear throughout the story. As I’ve already noted, the irresponsible, uncaring Skimpole is a contrast to the extremely passionate Mr. Boythorn, a butterfly versus a bull. Timid, balding, and generous, Mr. Snagsby is the opposite of the grasping, greedy opportunist, Mr. Smallweed. Mrs. Jellyby neglects her home, her husband, and her children while she spends all of her time and energy trying to care for the natives far-off Borrioboola; Her daughter Caddy Jellyby acquires a father-in-law who neglects his responsibilities by focusing on himself and his own comfort and “deportment”. Mr Jarndyce, Ester Summerson’s guardian, refuses to pay any attention the lawsuit that carries his name, but Richard, another party in the suit, becomes so obsessed with Jarndyce and Jarndyce that he loses his money and his health worrying over it. Sir Leicester Dedlock has a “family of antiquity and importance” and is said to “always contemplate his own greatness” while the poor, illiterate orphan boy Jo habitually answers any inquiry made to him with the words, “I don’t know nothink.”
Lady Dedlock is rich, bored and unhappy while Esther Summerson is relatively poor, busy, productive, and generally content. I could go on, but if you read the book you will have fun finding more contrasts between the various characters.

And what are these contrasting and complementing characters supposed to teach us? Maybe we can learn that we all run the risk of going to extremes, of our best qualities turning us into caricatures and even exaggerated hypocrites or immoderate fools. Passion is good, but too much passion about everything looks foolish (Mr. Boythorn). Charity begins at home. Good deportment or manners is less important than a good heart. Taking care of business is good, but immersing oneself in the ever-changing circumstances of a business over which one has no control (like the stock market) is a recipe for anxiety and depression. None of us really can say that we know everything or that we know “nothink”.

The contrast between Esther and Lady Dedlock says something different; it’s not about moderation as much as it is about the difference between a “good woman” and a bad one. Is there really much difference between Esther and Lady Dedlock? Is one perfect while the other is a classic fallen woman? Or are they both just women who are trying to make the best of their own circumstances, women who have been molded by the past and their own upbringing, and who make the best choices that they can make in a Victorian society/sinful world?

I’m definitely curious now to watch the miniseries, Bleak House. Since I know the basic plot of the story, I can watch for more contrasts in the TV version as well as looking to see how the actors, writers and TV producers characterize the various people in the novel. The Perfect Esther and the Ever-Generous Mr. Jarndyce as well as the Evil Mr. Tulkinghorn and the Sponging Skimpole may have more nuance and subtleties to their character in a televised production.

Well done, Mr. Dickens.

Leonard Wibberley, b. April 9, 1915, d.1983

So, I’m doing a little research on Leonard Wibberley since it’s his birthday today. I know about his most famous book The Mouse That Roared. I read it a long time ago, and I remember the basic premise: a very small country decides to declare war on the United States, lose the war immediately, and then benefit from the “Marshall Plan” aid that is sure to be extended; complications ensue.

I have in my library Wibblerley’s Treegate series of historical fiction novels set before, during and after the American Revolution, and I have three of the four in his series of historical novels on the life of Thomas Jefferson, but I haven’t yet read the books from either of those series.

What I didn’t know is that he wrote over 100 novels and other books, some for adults, others for children. And he wrote under three pseudonyms in addition to his own name: Christopher Webb (some historical fiction books for children or young adults), Patrick O’Connor (Black Tiger series on auto racing, and others for YA), and Leonard Holton (Father Joseph Bredder murder mysteries for adults).

Some of these and some of the other books he wrote under his own name look interesting. I’m particularly interested in the mystery series, if it’s good. There’s also a series of historical novels for children or young adults by “Christopher Webb”, published by Funk and Wagnalls in the 1960’s:

Mark Toyman’s Inheritance, 1960. “Mark Toyman is an orphan being raised by his uncle and aunt on the Kansas frontier in the early 1850s. A pro-slavery mob kills his uncle and force Mark and his aunt to flee for their lives.”
The River of Pee Dee Jack, 1962. “Fur trapping and fur trading Northwest Passage exploration story.” (Amazon)
Quest of the Otter, 1963. “Young Paul Joplin’s father, a whaling captain, did not return to his home in Mystic, Connecticut from his last voyage. When he comes of age Paul sails aboard another whaling ship, the Otter, bound for the South Seas in search of his father.”
Matt Tyler’s Chronicle, 1966. “Matt Tyler, a simple cobbler’s apprentice in Boston, finds himself caught up in major events of the Revolutionary War from the siege of Boston to the surrender of Cornwallis at Yorktown.”
Eusebius the Phoenician, 1969. “Eusebius, a Phoenician merchant/warrior from Tyre sails from the Mediterranean Sea to Scandinavia to return the body of a slain Viking warrior to his people and to seek the Holy Grail. The Vikings accompany him on a quest that takes Eusebius to the British Isles where he helps a defeated King Arthur re-establish his kingdom in return for assistance in finding the Holy Grail.”

And just a few of the many others of interest by this prolific author (#readallthebooks):
The Ballad of the Pilgrim Cat. “An endearing story of how a stowaway cat on the Mayflower saves the Pilgrims by protecting their grain seeds from rodents.”
Treasure at Twenty Fathoms by Patrick O’Connor. “Chuck Crawford is learning to dive and has a run in with a shark. Will he be able to overcome his fears or will he have to quit diving?”
The Centurian. Adult fiction based on the life of the centurion who oversaw Jesus’ crucifixion.
Flint’s Island. A sequel to Treasure Island, Wibberley’s favorite childhood book.

Don’t these and others (listed at Wibberley’s website) sound absolutely fascinating? Has anyone read anything by Wibberley other than Mouse books, Treegate, and Thomas Jefferson? Any recommendations?

Born August 3rd

Two of my favorite novelists have birthdays today: Baroness Phyllis Dorothy James (b. 1920, d.2014) and Leon Marcus Uris (b. 1924, d. 2003).

Although I like her detective novels very much, my favorite P. D. James novel as of now is Children of Men, a dystopian novel about a world where no children are born. I suggest that those who are prone to look askance at large families and pro-life ideals read James’ rather chilling picture of a future with no children at all. Read my review here. The movie version of Children of Men skews the themes and the plot of the book to make it more about refugees and anti-refugee sentiments than about fertility and the tragedy of a world without human reproduction.

Leon Uris is sometimes described as a “Zionist” and one obituary in the British newspaper The Guardian referred to him as a racist for his portrayal of Arabs in his admittedly pro-Jewish novels. I think this is an unfair accusation, but if you are Palestinian, or sympathetic to the Palestinian cause, you might not enjoy Uris’ novels as much as I do. Exodus, Mila 18, and QB VIII are all great stories with lots of historical information about Israel and the experience of modern Jews in Europe during and after World War II.
My thoughts about Uris and James and their books on this date in 2004.

Uris’ most famous book,Exodus, was made into a move with Paul Newman and Eva Marie Saint in the lead roles. Reviews of the movie are mixed (I’ve never seen it), however, composer Ernest Gold won the Academy Award for Best Original Score of the movie Exodus at the 1960 Oscars. I recommend both the movie music and the book.

Pat Boone wrote the following lyrics for the Exodus main theme:

“The Exodus Song”

This land is mine, God gave this land to me
This brave and ancient land to me
And when the morning sun reveals her hills and plain
Then I see a land where children can run free

So take my hand and walk this land with me
And walk this lovely land with me
Though I am just a man, when you are by my side
With the help of God, I know I can be strong

Though I am just a man, when you are by my side
With the help of God, I know I can be strong

To make this land our home
If I must fight, I’ll fight to make this land our own
Until I die, this land is mine

Also born on this date:
Mary Calhoun, picture book author of Hot-Air Henry and other books about Henry the Adventurous Cat. I like the story of Henry getting trapped in a hot air balloon and going for a wild ride.
Ms. Calhoun also wrote Cross Country Cat, High-Wire Henry, Henry the Sailor Cat, and Henry the Christmas Cat—all about Henry, a cat of many adventures. And she is the author of the Katie John series of books about a girl growing up in a midwestern family in the 1960’s. The books in order are Katie John, Depend on Katie John, Honestly Katie John!, and Katie John and Heathcliff. Be aware that Katie John grows over the course of the four books from tomboy and president of the “Boy-Hater’s Club” to a fan of Heathcliff (Wuthering Heights) and a boy admirer. The books were published over fifty years ago, however, and the boy-hating and the romantic elements in the final book are quite innocent and unobjectionable. And Katie John is a lovable and irrepressible character throughout the series.
I have High-Wire Henry and the first three Katie John books in my library, available for check out.

The Persian Pickle Club by Sandra Dallas

It’s the 1930’s, the depths of the Great Depression, and the farms of Harveyville, Kansas are drying up. No rain. No money. Very little work. And the crops are burning in the fields.

The Persian Pickle Club are a group of ladies who meet together to quilt. They work together, share quilt pieces, read together, gossip a little, and keep each other’s secrets. Twenty-something farm wife Queenie Bean is happy to welcome the newest member of the Persian Pickles, Rita Ritter, who has come to Harveyville with her husband, Tom. Tom is home from the city to work on the family farm, and his new wife is about Queenie’s age and a big city girl. So, Queen decides that she and Rita will be best friends.

As the story progresses, it turns into a murder mystery, and newcomer Rita is determined to double as detective and journalist, crack the murder case, and write it up for the near-by town’s newspaper. Rita and Tom both want to get out of Harveyville and back to the big city, while Queenie loves farm life, is content to let sleeping dogs lie as far as the murder is concerned, and just wants a friend and a little rain.

I’m not thinking that The Persian Pickle Club breaks any new ground in the genres of historical fiction or murder mysteries, but it’s a good solid read for quilters, cosy mystery fans, and readers who remember or want to experience a taste of the Depression era.

Sandra Dallas is the author of fifteen adult novels, two young reader novels, and ten nonfiction books. I read her children’s book Red Berries, White Clouds, Blue Sky in 2015, and I added another of her books to my TBR list, Prayers for Sale, from this recommendation at Small World Reads. I think I’d like to explore more of Ms. Dallas’s work. Anyone else have a book by Sandra Dallas to recommend?

The Pearl Thief by Elizabeth Wein

Before Verity . . . there was Julie.

Billed as a prequel to the popular spy thriller Code Name Verity, The Pearl Thief, set in Scotland and featuring a fifteen year old Julie/Verity, is a coming of age exploration of gender, identity, and bisexuality encased in a murder mystery. Of those three elements—setting, theme, and genre—only two were at all appealing to me. All of the cross-dressing and lesbian awakening stuff which tried to make itself part of the overall theme of confronting prejudice and unkindness instead made me wish the mystery itself were more compelling so that I could skip over the same-sex and opposite-sex kisses and gropings and at least enjoy the plot.

I found it difficult to believe that Julie, an upper class young lady home for the summer from finishing school, could really do the things she did with no compunction or misgivings, no voices in her head screaming that the choices she was making were wrong. She seduces an older man, shares a steamy kiss with a saucy maid while Julie is disguised as a boy, and has an intimate interlude with another girlfriend, all without much inner doubt or moral reflection. There were hints of Julie’s confused sexuality in Code Name Verity, but the hints remained just that and were easily ignored or skipped over. In this one, with a much younger Julie, the intimations have magnified backwards and become blatant and irritating, distractions from a mystery about stolen pearls and attempted murder. However, the mystery isn’t that compelling either.

Anyway, there you have it. The story in this one is subordinate to the message: travelers (gypsies), the disabled and disfigured, and LGBT persons all have to deal with prejudice and misunderstanding, but it’s easier to explore your bisexual impulses because that’s a choice that can all be kept secret and mostly unacknowledged. It’s not a particularly appealing message.

I really liked Code Name Verity, appreciated Rose Under Fire, and enjoyed Black Dove White Raven, but I thought this latest novel by Wein was a dud.