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White Stallion of Lipizza by Marguerite Henry

The magnificent white Lipizzan stallions, bred for hundreds of years to dance and delight emperors and kings, captivated Marguerite Henry when she saw them perform in the Spanish Court Riding School in Vienna.

Now she makes this unique spectacle the focal point in her story of Borina, one of the most famous stallions of this famous breed. It was Borina who, at the height of his career, took a fling in the Viennese grand opera. And it was Borina who, as a mature school stallion, helped train young apprentices riders, and thus became known as the Four-footed Professor.

What a delightful story that could lead to any number of delight-directed studies and pursuits! After reading about Hans, the baker’s boy, and his overwhelming desire to become a Riding Master, to ride the famous Lipizzaner stallions at the Spanish Riding School in Vienna, Austria, I was impelled to look up and read more about the Lipizzaners and the school and the history of these horses who entertained the elite society of Vienna. I also became curious about Xenophon and his book The Art of Horsemanship, the earliest known work on the horse and his care. And I developed a bit of an urge to visit Vienna and see the castles and statues and maybe even the Lipizzaner stallions that still perform their acrobatics in Vienna and across the world in dressage shows and competitions.

I also discovered that Disney made a movie about the Lipizzaners called Miracle of the White Stallions. The movie is not based on Marguerite Henry’s book, but rather it tells the story of how during World War II the U.S. Army under General Patton rescued the Lipizzans and other valuable horses that the Nazis had moved to Czechoslovakia at the beginning of the war. Of course, that movie, as well as a 1940 film called Florian, also about Lipizzaners, is another rabbit trail for me to follow up on, soon.

Getting back to the book, the illustrations by Wesley Dennis are a treat in themselves, both the tiny black-and-white pictures that adorn the margins of each page of the book as well as the full color one and two page spreads the show up periodically. These beautiful drawings and paintings should speak to both horse lovers and artists and draw them into the story alongside the text.

Ms. Henry’s story takes place in the early 1900’s, about the time the horse and cart were giving way to the motorized vehicle. Hans has a horse named Rosy and a cart to make bakery deliveries, and he always stops to watch the Lipizzaners come out of their stable to walk to the riding school in the early morning. (Later in the story, Hans’ bakery gets a truck to make deliveries.) Hans is fascinated with beauty and skill of the Lipizzaner stallions, and his nearly impossible dream is to someday be rider who partners with these magnificent horses to bring that beauty to the people who come to watch the performance at the Imperial Palace. Hans’ journey toward that dream is a series of miracles and disappointments that require initiative and perseverance on his part until at last he succeeds in learning the lessons that Borina, the most famous of Lipizzaner stallions, has to teach.

The “moral” of the story is embedded in the text, as Colonel Podhajsky tells his apprentice riders:

“Here in the Spanish Reitschule . . . the great art of classical riding is brought to its highest perfection. This art is a two-thousand-year-old heritage which has come down to us from Greece, Spain, Italy, and of course, France. . . Our Reitschule is a tiny candle in the big world. Our duty, our privilege is to keep it burning. Surely, if we can send out one beam of splendor, of glory, of elegance into this torn and troubled world . . . that would be worth a man’s life, no?”

I am not a horsewoman or a performer, but that quote speaks to me. It reminds me of what I hope my library can be: a beam of splendor, of glory, of elegance in this torn and troubled world. What a lovely thought that can be applied to anything good, and true, and beautiful that God has called us to do, not matter how seemingly small and insignificant.

This book can be borrowed by patron families from Meriadoc Homeschool Library.

Alfred Hitchcock and The Three Investigators in The Secret of Terror Castle by Robert Arthur

Read for the 1964 Project, and because I wanted to revisit The Three Investigators series that I remember from my childhood.

The Secret of Terror Castle is the first installment in The Three Investigators series of mystery detective stories, also known as Alfred Hitchcock and The Three Investigators. The original series was published from 1964 to 1987 and comprised 43 finished books, written by at least five different authors and illustrated by a multiplicity of illustrators over time. Robert Arthur, who invented the series and had the idea of using Alfred Hitchcock as a character and a marketing ploy, wrote the first nine books in the series as well as Book #11. After Mr. Arthur died in 1969, subsequent adventures were written by various other authors hired by Random House, the publisher. All of Mr. Arthur’s books and some of the others were given a fictional introduction and epilogue said to be written by the famous movie director Alfred Hitchcock (but actually written by the author himself). Hitch also appears as a minor character in at least the first book.

It is Mr. Hitchcock who reluctantly gives the three boys of The Three Investigators Detective Agency their first case: they are tasked with finding a truly haunted house for Hitchcock to use as a setting to film his upcoming movie. The boys discover a deserted mansion called Terror Castle, “located in a narrow little canyon up above Hollywood, called Black Canyon.” And they proceed to investigate to see if the castle is really haunted by the ghost of Stephen Terrill, a star of horror pictures from the silent film era.

The Three Investigators are Jupiter “Jupe” Jones, Peter “Pete” Crenshaw, and Bob Andrews. They are young teenagers, about 13 or 14 years old, who maintain their headquarters and crime/photographic lab hidden away in the back of Jupiter’s uncle’s junkyard. Jupiter is the chief detective with a knack for figuring out riddles and puzzles, Pete is the athletic brawn of the trio, and Bob is the researcher and information guy. (Bob works in a library!) The three boys are too young to drive, but they have the use of a car (gold-plated Rolls-Royce) and a chauffeur (Worthington) that Jupiter won in a contest. And their trusty bicycles come in handy for transportation, too.

The whole book gave me “Scooby Doo” vibes. (For the uninitiated, Scooby Doo is a cartoon series from the 1970’s.) Terror Castle seems to be haunted with some very spooky events and activities, but of course, the ghosts and scary incidents and eerie sounds turn out to have perfectly natural explanations. For those who are worried, there’s nothing occult-ish in any of the first 20 or so books in this series, although there is plenty of “woo-hoo” that seems as if it might be the result of spirits and ghosts and fortune tellers—until Jupe and his buddies figure out the real source of the seemingly supernatural phenomena.

Although these books were written for and marketed to middle school boys, I enjoyed them as a ten to twelve year old myself. The books are from an earlier time, when boys (and girls) were free to roam the community they lived in, talk to adults, and become involved in all sorts of exciting but fairly harmless adventures. The boy characters are unsophisticated by today’s standards, not having been exposed to the wonders of the internet, but they also display a vocabulary, a deductive skill, and an intrepid spirit that would put most 21st century boys to shame.

Unfortunately, my hard cover copy of The Secret of Terror Castle disappeared a couple of years ago, and the one I have how is a 1985 revised paperback edition. Because Mr. Hitchcock died in 1980, Random House decided to replace him with a fictional British movie director named Reginald Clarke (in this first book). And then to confuse us all, I suppose, Reginald Clarke turns into some other guy named Hector Sebastian in Books 2-30. I hope those are the only changes made in the revised editions, but I’m not sure, and I don’t like the jettisoning of Alfred Hitchcock as a character. I just switched the introduction and the cameo appearances of “Reginald Clarke” to “Alfred Hitchcock” in my mind, but I wish I hadn’t needed to do so,

If you want to know all you could ever want to know about The Three Investigators series, also called T3I, this website is a goldmine of information for serious readers and collectors. If you just want to enjoy or help your kids enjoy the stories, try your local public library or private lending library. I would suggest the hardcover, unedited editions, if you can find them.

This book can be borrowed by member families from Meriadoc Homeschool Library.

The Hidden Treasure of Glaston by Eleanore M. Jewett

In twelfth century England the feud between Archbishop Thomas Becket and King Henry has ended in the murder of Becket, forcing the boy Hugh’s noble father, an ally of the king, into exile in France. Young Hugh, crippled by a childhood disease, is left behind in the care of the Abbot of Glastonbury. Glaston soon becomes Hugh’s sanctuary and his beloved home as he finds both mentors and friends as well as a quest to find remnants and reminders of King Arthur’s and perhaps even Joseph of Arimathea’s presence, centuries prior, in that part of the country.

Hugh’s first friendship formed at Glaston is with Dickon, a young oblate at the monastery of Glaston. (oblate: a person dedicated to a religious life, but typically having not taken full monastic vows.) Dickon’s peasant family has signed him over to the monks of Glaston, but Dickon aspires to become a knight, or at least to serve knight. Hugh wishes he could be a knight and make his father proud, but his crippled legs make this dream an impossibility. The two boys become friends, with very different personalities, but also with a common goal of finding or at least seeing a vision of the legendary Holy Grai

Hugh’s mentors and adult friends are Brother John, the monastery’s librarian (armarian), and Bleheris, a seemingly mad hermit who shares Hugh’s and Dickon’s interest in the vision of the Holy Grail. The story moves rather slowly, but the picture of Hugh’s growth and healing and of the friendships he makes is compelling. I kept reading, not to see whether Hugh and his friends would find the Grail, but rather to see whether and how Hugh would find healing for his physical and spiritual wounds.

Honestly, although I enjoyed this Newbery honor-winning novel, I’m not sure what group of children or young people would be the audience for it. Perhaps those who are deeply interested in the whole Arthurian legend would enjoy this Arthur-adjacent story, or maybe fans of Rosemary Sutcliff’s historical fiction. The plot and characters remind me of the Newbery Award book, The Door in the Wall by Marguerite de Angeli; however, The Hidden Treasure of Glaston is a much more intricate and involved look at life in a medieval monastery and the difficulties facing a young boy with a disability in that society–at a much higher reading level. If The Door in the Wall was a favorite for an eight to eleven year old reader, this book might be a good follow-up for ages twelve and up.

I read this book as a part of the 1964 Project. A reprint edition of The Hidden Treasure of Glaston is available from Bethlehem Books.

This book can be borrowed by member families from Meriadoc Homeschool Library.

He Went With Hannibal by Louise Andrews Kent

He Went With Hannibal is everything you ever wanted to know about Hannibal and his wars with Rome, encased in the story of a fictional Spanish companion and spy named Brecon. Brecon comes to Hannibal in Spain as a hostage at the age of thirteen and remains Hannibal’s loyal friend and servant throughout his life. Hannibal’s famous crossing of the Alps—with elephants–and his march to the gates of Rome as well as all of the battles, both victories and defeats, are all described vividly and in detail, but not so much detail as to get bogged down in minutiae. Brecon gathers information for Hannibal and goes everywhere and meets everyone of note, including Archimedes, Hannibal’s brothers, Hasdrubal and Mago, Fabius Maximus, Marcellus, Flaminius, Scipio Africanus, and of course, Hannibal himself. These are all historical figures whose adventures are chronicled in Roman history, and Brecon becomes the thread that ties all their stories together and makes them come alive for the reader.

I read this story for my 1964 Project, and I’m very glad I did. I really didn’t know much about Hannibal the Carthaginian general, and now I know a little. (I could definitely have learned more with the aid of a map or two, of Italy, North Africa, Spain. But alas, there are no maps in this book.) In her Author’s Note, Louise Kent Andrews writes, “One of the striking things about Hannibal is that we know him only through the eyes of his enemies. There are no Carthaginian accounts of his life.” Andrews read the the Roman histories of the Punic Wars (wars between Carthage in North Africa and Rome in Italy and Spain), particularly Livy’s Annals and Polybius’s history as well as many other modern and ancient books about the time period and about Hannibal and his exploits. She lists several of the books she read in the Author’s Note. Although I’m not a Roman or Latin scholar by any means, it seems to me that she was quite thorough in her research. And the story becomes a fictionalized attempt to tell the history from Hannibal’s point of view. He Went With Hannibal is also the only historical fiction book that I know of that showcases this particular time of the Roman Republic and the Punic Wars. (Biblioguides does list one other historical fiction book about Hannibal, I Marched With Hannibal by Hans Baumann.)

Louise Kent Andrews wrote several other books in her series of books about famous explorers and soldiers, and I am anticipating adding all of them to my reading list. Her style of writing is detailed and descriptive, but she uses mostly short, simple or complex, declarative sentences, no rambling purple prose to be found. The story of Hannibal, which includes quite a lot of his battle tactics and musings on warfare and politics, should appeal especially to those middle school and high school boys who are keen on such subjects. The ending is rather bittersweet/sad, but of course, Ms. Andrews was constrained by the historical facts from giving the story a completely happy ending.

“I hope that some of my readers will feel, as I did, that reading about Hannibal makes them wish to learn more about the great change that took place when the Roman Republic became the Roman Empire. The war with Carthage was one of the causes for that change.” ~ Author’s Note

Other books in the series by Louise Kent Andrews:

  • He Went With Champlain
  • He Went With Christopher Columbus
  • He Went With Drake
  • He Went With John Paul Jones
  • He Went With Magellan
  • He Went With Marco Polo
  • He Went With Vasco da Gama

All of the books in this series are available in reprint editions from Living Book Press.

This book can be borrowed by member families from Meriadoc Homeschool Library.

Knights Besieged by Nancy Faulkner

This historical fiction novel, published in 1964, is set on the island of Rhodes during the siege of Rhodes in 1522. The Knights of St. John, or Knights Hospitallers, whose headquarters is on the Greek island of Rhodes, are besieged by the Ottoman Turks under the leadership of Suleiman the Magnificent. The battle will decide who will control trade and commerce in the eastern Mediterranean Sea for the immediate future as well as its being a religious war between the Muslim Turks and the Christian (Catholic) Knights.

Our protagonist, Jeffrey Rohan, is an English merchant’s son, fourteen years old, and an escaped former slave of the Sultan Suleiman. After his escape from Constantinople, Jeffrey ends up by accident on the island Rhodes and finds that he cannot leave since the city of Rhodes is under siege. Jeffrey takes solace in his prayers and his belief in the courage and piety of the Knights Hospitallers, but he is also aware, in a way that his friends are not, of the strength and overwhelming numbers of the Turkish force.

I found this story to be intriguing, partly because I didn’t know how it would end. I didn’t know much about the Knights Hospitallers, and I certainly didn’t know whether the Turks or the Knights would have the victory in this particular battle and siege. I would love to discuss the ending, but I won’t spoil it for you. Suffice it to say that Jeffrey is brought to question many of his beliefs and presuppositions over the course of a very long and wearing siege, and yet in the end his faith in God and in chivalry are validated in an unusual way.

This 1964 novel is still fresh and relevant today. The attitudes in the novel are those of sixteenth century people: the Knights are sworn to kill all Muslim infidels, and they do so without mercy. (No gore, just plainly stated facts.) The Turkish besiegers are more inclined to kill those that they must, but rather to enslave and tax the population if they can —and to require allegiance to Suleiman and to the Islamic religion. These are all very medieval attitudes. Now we are trying as a Western post-Christian civilization to come to some sort of compromise and peaceful co-existence with the Muslim world, and they are what? I’m not sure, and this children’s/YA novel certainly didn’t have the answers to our modern problems. However, it did make me think about the complicated and fraught relationship between Westerners and Christians and Muslims and Easterners over the course of history.

Anyway, Knights Besieged would be an excellent introduction to the history of Middle East and the Mediterranean in the late Middle Ages and a great springboard for discussion of past and current events in that part of the world. You will probably want to learn more about the Ottoman Empire, the Knights of St John, and the history of Europe and the Middle East in general after reading the story. I certainly did. And some boys will just be in it for the war and the knights and the intrigue. That’s fine, too. Not every work of historical fiction has to be a history lesson in disguise, even if it is.

This book can be borrowed by member families from Meriadoc Homeschool Library.

The Letter on the Tree by Natalie Savage Carlson

Carlson, Natalie. The Letter on the Tree. Illustrated by John Kaufmann. Harper & Row, 1964. Read for The 1964 Project.

“Albert Caron is really my name but everybody calls me Bébert . . . . ‘It rhymes with gray bear,’ I taught them. Then they liked to say, ‘Hey, there, Bébert, the gray bear.'”

Bébert is a ten year old French Canadian boy who lives with his family on a small dairy farm in Quebec. The family is poor, and although Bébert longs for an accordion like the one he has heard played on the family’s radio, his Papa says that they are too poor to buy one from Pére Noel (Father Christmas). Mamie says that it is God’s will that they are so poor, but perhaps if they work hard, it won’t always be God’s will to keep them in poverty. Bébert tries to think of ways to make the cows that they have give more milk or ways for Papa to earn more money, but none of his ideas work out—until the day that Bébert goes with his Papa to cut Christmas trees to sell. Bébert gets the wonderful idea of writing a letter to whoever gets one of the trees, asking for an accordion for the poor little French boy in Canada whose family is too poor to provide a Christmas gift. Of course, the poor little French boy is Bébert himself.

So, the rest of the story is a lesson, clothed in story, about contentment and hard work and creative problem solving and honesty, but it’s not a preachy or didactic lesson. The book also gives readers a glimpse into a year in the life of a French Canadian farm boy of the mid-twentieth century, with church holy days to celebrate, friends to play with, and always, every day, twice a day, the cows to milk. Bébert is a stolid little boy with ideas that carry him into difficulties sometimes, but also other ideas that truly are a help and support to his family. Bébert learns gratitude for what he has and not to make snap judgements about people over the course of the year, and in the end Bébert has made new friends and grown to love the life that he has instead of longing for what he does not.

The Letter on the Tree is only 116 pages long, and the reading level is about third grade. Boys and girls will enjoy the story of Bébert and his life on the dairy farm, and the book would make a good read aloud bedtime story any time of the year, but maybe especially around Christmas or birthday time when it is easy for children (and adults) to become discontented and greedy and anxious about the gifts that are given and received.

Natalie Savage Carlson wrote several books set in Canada, among the French Canadian people, perhaps because although she was American, born in Virginia, she was of French Canadian descent. Her first published book was The Talking Cat and other stories of French Canada, a collection of folk tales and family stories. She also wrote Jean-Claude’s Island, about a French Canadian boy, living on a small island in the St. Lawrence River, and Chalou, the adventures of a lost farm dog in French Canada. Some of Ms. Carlson’s other stories are set in France, including the Newbery Honor winning book, The Family Under the Bridge and the series about a group of French orphans, The Orphelines.

This book can be borrowed by member families from Meriadoc Homeschool Library.

Flame Over Tara by Madeleine Polland

“The year was A.D. 432, and Patrick, for Bishop from Rome to Ireland, arrived in a pagan land whose spiritual life was completely in the power of the Druid Priests and their ‘magic.’ A mild, warm-hearted, humorous man, Patrick, with his handful of followers, began what seemed an impossible task.

For all her training by the Druids, Macha found herself strangely drawn by Patrick’s words. Torn between the new ideas and the bright, safe life planned for her, Macha struggled to find a way to resolve her future.”

Macha is the daughter of the Chief Judge of the High King Leary, fourteen years old, and soon to be wed. So in our culture, Macha would be a child, and in the book she acts like a child, but in her era and culture she is expected to be ready to take on the responsibilities of an adult wife and homemaker. It’s a coming of age novel as Macha grows from an impetuous fourteen year old with divided loyalties into a woman who has learned to follow the God that Patrick preaches and to depend on Him to work out her other debts and responsibilities.

Flame Over Tara is also a novel about a time of change and about how to work through the taking off of the old and putting on of the new. There are several exciting and dramatic scenes in the novel: Patrick does not try to challenge the Druids immediately, but the clash between the Christian God and the magic of the Druids is inevitable. Patrick lives under threat of assassination from the High King and from his Druid priests. Many of the IrIsh people expect Patrick to use his God’s “magic” to counter that of the Druid priests, but Patrick relies on simple prayers and the wisdom of the Holy Spirit to preserve his life and to ensure the spread of the gospel of Christ. (One of Patrick’s disciples does die as a martyr, and his death is mourned in a Christian fashion–with the hope of the resurrection to come.)

This 1964 novel was assigned in the Sonlight homeschool curriculum that we used a long time ago. I don’t know if it still is a part of that curriculum, but it would indeed be a good introduction to a discussion of the spread of Christianity during the early Middle Ages. It might be best enjoyed as a read aloud book so that some of the issues and scenes could be discussed and digested together. Middle school and high school students could certainly read and appreciate the book for themselves, however. Either way, it’s a good fictional treatment for older children of the life and times of St. Patrick.

This book can be borrowed by member families from Meriadoc Homeschool Library.

The Mystery of the Pilgrim Trading Post by Anne Molloy

This mystery tale of smugglers and Native American artifacts and a fight against bridges and roads being built on top of someone’s home is fairly standard and quite readable. It reminds me of my beloved Trixie Belden mysteries and of the many mysteries by Helen Fuller Orton and the Boxcar Children series by Gertrude Chandler Warner. This one is not part of a series, but if you like any of Ms. Molloy’s many mystery adventure stories, you will probably enjoy this one.

Thirteen year old twins, Will and Lettie Dennis, and their cousin Jonas Wingate are invited to spend the summer at the old TIbbets homestead with Cousin Mary Peter, whose home is set to be demolished soon so that a bridge can be built from the Maine coast out to Eden Island and Smuggler’s Cove. None of the three really wants to sped their summer in Maine with a cousin they never met, but their parents have asked them to give it a week’s trial. Cousin Mary Peter, a pharmacist, storekeeper, and somewhat eccentric caregiver, assumes that the children are staying for the summer. And as it turns out, Will, Lettie, and Jo find more to pique their interest than they thought they would, including a plan to save the old homestead by having it declared a historical site. The family have always “firmly believed that it [the house] was the very place where the Pilgrims set up a post to trade with the Indians when they came from Plymouth to this bay.” If the children can prove it, the house will be protected.

Published in 1964, the mystery adventure story features free-range children exploring and sometimes doing rather foolish things like stowing away on a smuggler’s boat or taking a leaky boat out into the bay, but all’s well that ends well. (Just don’t try these exploits at home.) Even one of the “villains” of the story is redeemed in the end. It all makes for a satisfying middle grade summer novel. And as I said, it’s a stand alone book, for those who prefer their books free of series entanglements.

This book can be borrowed by member families from Meriadoc Homeschool Library.

Basil and the Lost Colony by Eve Titus

What a great little book, full of jokes and literary and historical allusions! Basil of Baker Street, the Sherlock Holmes of the mouse world, sets out to Switzerland to find the lost colony of the Tellmice of 1291, who fled to the mountains to escape their own tyrannical version of Gessler, William Tell’s famous oppressor. How refreshing to read a humorous mystery adventure for primary and middle grade readers that does not condescend to slapstick and potty humor but respects its readers while remaining accessible to them. In this story, readers will encounter Flora and Fauna, the Faversham sisters; the Tellmice of Switzerland; Inspector Antoine Cherbou of the Paris policemice; Dr. David Q. Dawson, Basil’s narrator and assistant; Elmo the St. Bernard; the Adorable Snowmouse; and of course, the evil Ratigan, Basil’s arch-enemy (“I smell a rat again–Ratigan!”) —as well as many more characters whose names and personalities and talents are allusions to various literary and cultural icons, people, and events. Some I recognized, and others were lost on me. (Tillary Quinn, who writes crime stories = Ellery Queen, but for some reason she’s a New Zealander?)

The jokes embedded in the story are old; at the ripe old age of 66, I’ve heard most of them before. But they will be funny and fresh to a new generation of readers. The illustrations by Paul Galdone are endearing. Such an intrepid mouse detective! And the book and the series are perfect for hooking beginning chapter book readers into the joy of reading. Basil and the Lost Colony is only 88 pages long, short but sweet.

The book is part of a series by the well known author of the Anatole picture books as well as other books for children. These Sherlockian stories include:

  • Basil of Baker Street
  • Basil and the Cave of Cats (aka Basil and the Pygmy Cats)
  • Basil in Mexico
  • Basil in the Wild West
  • Basil and the Lost Colony

Basil of Baker Street, the first book in the series, was also made into a Disney movie in 1986, The Great Mouse Detective.

This book can be borrowed by member families from Meriadoc Homeschool Library.

The Piper by Eden Vale Stevens

This Dickensian Christmas tale could have come straight out of Victorian England, but instead it’s a story from an American writer. Set in Oliver Cromwell’s England of the 1600’s, this 128-page quest story tells of a young orphan boy, Ned, and his search for food and a mother and a home. As he navigates his way through the threatening city of London, avoiding the officers who want to take him to the poorhouse, and the others who want to imprison him for thieving bread, Ned searches for the Mother and Babe that the bells of the cathedral are said to herald.

The illustrations for this story by Fermin Rocker are beautiful, and they help to bring the tale down to earth and make it more accessible. I have to admit, though, that the story itself struck me as a bit odd. Ned lives with a group of street children, but he leaves them to go and find his family. We never know what happens to his street urchin “family”. Eventually, the poet Robert Herrick (1591-1674) finds him and feeds him, but Ned leaves Herrick’s warm hospitality in a tavern to continue on his quest to find either his own mother or the Holy Mother proclaimed by the bells of the cathedral. Then, he finds a family, father, mother and three children, who decide to take him in, maybe because he reminds them of the Christ Child?

The best idea I have is to try this story out as a read aloud at Christmas time and see if your children are taken by the small piper, Ned, and his search for a mother and a family. The poem in the very back of the book is this one by Herrick, which I suppose is the inspiration for the story:

Go prettie child, and beare this Flower
Unto thy little Saviour;
And tell Him, by that Bud now blown,
He is the Rose of Sharon known:
When thou has said so, stick it there
Upon his Bibb or Stomacher:
And tell Him (for good handsell too)
That thou has brought a Whistle new,
Made of a clean strait oaten reed,
To charm his cries (at times of need):
Tell Him, for Corall, thou hast none;
But if thou hadst, He sho’d have one;
But poore thou art, and knowne to be
Even as monilesse as He.
Lastly, if thou canst win a kisse
From those mellifluous lips of his;
Then never take a second on,
To spoile the first impression.