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The Rise and Fall of Adolf Hitler by William L. Shirer

Feb14

What would lead a person to read an entire book, even a children’s middle grade nonfiction book, that takes the reader inside the life and mind of Adolf Hitler, the arch-villain of the twentieth century? Well, there’s something rather fascinating about trying to understand how Hitler became Hitler, synonymous with the most evil, murderous, racist, anti-Semitic dictator and warmonger ever. William L. Shirer, author of the 1000+ page tome, The Rise and Fall of the Third Reich (for adults), was in a position to study this question and come to some kind of conclusions, if anyone from the Allied side of the war was. As an American correspondent in Berlin, Shirer actually met Hitler, listened to many of his spell-binding speeches, and observed him over the course of several years before and during World War II. The result of Shirer’s observations and his journalist’s eye for character and for a story is this book, written for children in the Landmark history series, but suited to readers of all ages.

Shirer begins his book with eleven year old Adolf, showing an independent streak even at that young age in aspiring to become an artist instead of the civil servant his father wanted him to be. I learned a lot about Hitler that I never knew before from this book, and I was reminded of a few “home truths” along the way. After his art career bombed because the art school wouldn’t let him in, said he had no talent, Herr Hitler became a tramp without a real job for several years, but a very well read tramp. He read and studied all the time while working very little. First lesson: readers may become leaders, but they may also become very bad leaders.

Chapter 7 of the book is called “Hitler Falls in Love,” and it tells a story I never knew or else had forgotten. In this chapter of the book and of Hitler’s life, he falls hard for his half-niece, the daughter of his half-sister. Her name was Gell Raubal, and Hitler declared after her death that she was the only woman he ever truly loved. You can read the story in Shirer’s book and decide for yourself whether or not “loved” is the right word to describe Hitler’s controlling obsession with a girl half his age. (The story of their brief “romance” is tastefully told, appropriate for middle grade and older children who will read the book, but icky nonetheless.)

After this personal interlude, the book moves on to Hitler’s political actions and aspirations and quickly into the war years. As he becomes more and more successful, in politics and in war, and gains more and more power, Hitler becomes more and more deranged. Shirer calls him “beyond any question a dangerous, irresponsible megalomaniac.” And yet (next paragraph) Hitler is able to maintain power, and be “so cool and cunning in his calculations and so bold in carrying them out that few could doubt that he well might be the military genius that he claimed to be.” This lead me to another unpleasant truth: a mentally ill egomaniacal murderer can act in a very lucid and intelligent manner for a long time. It is possible to be cunning, bold, and crazy.

Of course, this book chronicles the rise and fall of Hitler, so the craziness does come to an end. Shirer is to be commended for his ability to tell the story in a way that is appropriate for older children, but also truthful and candid in its presentation of Hitler’s horribly destructive life and actions. The book doesn’t completely explain the quandary of why the German people were so enamored of Herr Hitler or how he was able to fool so many people for so long into believing in his “genius”, but it does document in a very readable and engaging style, the rise and fall of a man who was “a power-drunk tyrant whom absolute power had corrupted absolutely.”

I recommend Shirer’s book for its insight and as a cautionary tale for those who would place their faith in any political leader. Hitler is dead, but it is still quite possible to be fooled by a seemingly lucid and benign leader who is actually a wolf in disguise.

Download a list of the entire Landmark history series in chronological order.

2021 MGF: In a Flash by Donna Jo Napoli

Nov11

I’ve enjoyed Donna Jo Napoli’s books in the past; the author blurb says she’s published more than eighty books for children in her long career. Most of the ones I’ve read have been fairy tale and folk tale retellings (The Wager and Zel) or historical adventure tales (Alligator Bayou and North and Song of the Magdalene). Ms. Napoli, a professor of linguistics and social justice at Swarthmore College, is a good writer. Her books tend to fall toward the upper end of the middle grade fiction age group, maybe even pushing into young adult. In a Flash has a child narrator/protagonist, eight years old at the beginning of the story, but the subject matter and setting, the horrible plight of two Italian sisters surviving on their own in WWII Japan (1940-1946), is harrowing enough to call for some maturity in the reader. I was appalled by the suffering that SImona and her little sister Carolina undergo, and I’m a grown up who knew what to expect when the children, toward the end of the story, end up in the city of Hiroshima.

Because the chapter headings have dates affixed at the beginning and the book is written in first person from Simona’s point of view, I thought at first that the author was trying to pretend that this was SImona’s diary or journal. However, the writing isn’t a child’s writing, and the story is told mostly in present tense. Neither of those choices works for a diary entry. So, I soon realized that the dates were just there to assist the reader in knowing how much time had passed between chapters and where the children were in terms of age and in regard to the war. I found the story fascinating, a little slow-moving at first, but the details about life in Tokyo and in Japan as a whole were vivid and enlightening. The cultural differences between Japanese manners, language, and expectations and Italian cultural mores manifest themselves through the eyes of two little girls who struggle to live as the Japanese do while remembering that they are also Italians.

As I indicated, the book doesn’t shy away from the gruesome details of the starvation, fear, political repression, and sheer misery and trauma of living in wartorn Japan, especially as hated Westerners, Italians who were at first welcomed as friends of the Japanese, then despised as traitors after Italy’s surrender to the Allies. The suffering of the common people of Japan, as well as the choice of some of them to resist the suicidal “patriotism” required of them, are also portrayed in the story.

Because of all the suffering and bombing and starvation and imprisonment, the novel read like a Holocaust story, but with a very different setting. I would recommend In a Flash for mature young people who have been reading about the horrors of World War II as a different perspective and view of the atrocities and difficulties of that time.

Village of Scoundrels by Margi Preus

Sep1

Le Chambon-sur-Lignon is a commune in the Haute-Loiredepartment in south-central France. Residents have been primarily Huguenot or Protestant since the 17th century. During World War II these Huguenot residents made the commune a haven for Jews fleeing from the Nazis. They hid them both within the town and countryside, and helped them flee to neutral Switzerland. In 1990 the town was one of two collectively honored as the Righteous Among the Nations by Yad Vashem in Israel for saving Jews in Nazi-occupied Europe.

~Wikipedia

Village of Scoundrels is a fictional depiction of the activities of the villagers of Le Chambon during World War 2, especially the teens and children who were either refugees or resistors or both. The book doesn’t really have a clearly defined protagonist, but some of the heroes and villains in the books are listed in the opening pages, and these characters are mostly based on the lives and actions of real, living people:

  • Celeste is a high school student who becomes a courier for the Resistance.
  • Jean-Paul is a Jewish teen who wants to become a doctor, but who find that his talent for forgery is in demand.
  • Jules the Scoundrel is a ten year old goatherd who plays dangerous games with the French policeman who is collaborating with the Nazis to uncover the secrets of Le Chambon.
  • Henni and Max are German Jews, boyfriend and girlfriend, who take refuge in Le Chambon.
  • Philippe, a high school student from Normandy, hides refugees and smuggles them to Switzerland.

This book is gaining lots of accolades this year, and indeed the subject matter cries out for a good novelization or narrative nonfiction telling (maybe there is a good nonfiction book about this WWII event?). However, the mix of fiction and nonfiction in this one was not that well done. It should have either been more fictionalized to make the story flow with a clear protagonist and plot or just straight nonfiction with chapters telling the stories of each of the various children and young adults who were active in the French Resistance in Le Chambon. I found it interesting, but hard to follow.

The last part of the novel, where the story coalesces around the French policeman, Perdant, and Jules the Soundrel, is pure fiction and better reading than the rest of the book. Then, the afterword attempts to help the reader sort fact from fiction, but I found it just as confusing as the preceding chapters. Again, can anyone recommend a well written nonfiction book on this subject? Preus provides a bibliography of twenty or more titles at the end of the book, but which one is the best?

Beneath a Scarlet Sky by Mark Sullivan

Feb25

The problem with a historical novel that is “based on the true story of a forgotten hero” is that the reader is left wondering how much of the story is fiction and how much is fact. Especially when the protagonist of the novel is a World War II hero, which is relatively recent history. If a historical novel is about Cleopatra or Marco Polo, one can assume that most of the dialog and much of the action is made up while the timeline is essentially accurate, if the author did his research. But with a more recent figure and time period, a book about someone who actually gave extensive interviews to Mr. Sullivan, it’s harder to separate fact from fiction. And if I’m reading about a “forgotten hero” like Pino Lella, I can’t even scramble for a biography to fact check as I could with Winston Churchill or General Patton, fo examples.

However, despite the fact that my thoughts persisted in returning to the question of whether this or that episode in the novel “really happened” or really happened the way it was portrayed in the novel, I did enjoy this World War II tale set in northern Italy, mostly Milan, during the last gasps of the war, 1943-1945. The book raises the questions of what makes a hero and what defines a traitor. If you do something to fight against evil, but you don’t do everything you could do because that would cost you your life, is it enough? What if you do some good in the midst of great evil only as a means of hedging your bets? When is action in the face of overwhelming force, honorable and courageous, and when does it become merely quixotic and foolish?

I have read and watched other books and movies about the war in Italy. The following are the most memorable:

My Italian Secret: The Forgotten Heroes is a documentary about heroes of the struggle against Facism and Nazi Germany in Italy during World War II, particularly about some of those who rescued Jews from the Germans. I thought it was quite illuminating. The documentary features world class cyclist Gino Bartali, who secretly worked for the Italian underground during the war. (In Beneath a Scarlet Sky, Pino Lella learns to drive from Alberto Ascari, a race car driver who went on to become a Formula One World Champion after the war.)

A Bell for Adano by John Hersey won the Pulitzer Prize in 1945. It’s about Major Victor Joppolo, an Italian American officer in the U.S. army who was “more or less the American mayor after our invasion” of Adano a small village in Sicily.

A Thread of Grace by Mary Doria Russell. This novel is set in Northern Italy during the last year of World War II.

These I haven’t read, but they look interesting:

Twentieth Century Caesar: Benito Mussolini by Jules Archer. A Messner biography.

Road to Valor: A True Story of WWII Italy, the Nazis, and the Cyclist Who Inspired a Nation by Aili McConnon. About Gino Bartali, the cyclist/hero.

The Brave Cyclist: The True Story of a Holocaust Hero by Amalia Hoffman and Chiara Fedele. A picture book biography of Bartali.

The Jersey Brothers by Sally Mott Freeman

Aug25

It’s raining; it’s pouring here in Houston, Texas. And Hurricane Harvey is headed for Corpus Christi and set to bring Houston a whole heck of a lot of more rain and possible/probable flooding. And my personal and family life is a bit of a mess, too.

However, if ever a book would cause me to pause and count my blessings, The Jersey Brothers: A Missing Naval Officer in the Pacific and His Family’s Quest to Bring Him Home is that book. I thought the scenes and descriptions in Unbroken by Laura Hillebrand were harrowing and violent and disturbing, but this book tops that one for sheer cruelty and horror, man’s inhumanity to man. It’s not gratuitous, either. As far as I can tell the scenes and events the author describes really happened and were the central truths of the experience of Barton Cross, an American Navy prisoner of war to the Japanese in the Philippines during World War II. YOu’ve heard of the “Bataan Death March”? Well, that’s described in this book in excruciating detail, even though Ensign Cross didn’t have to participate in that particular piece of history. (Many of his fellow prisoners did.) And the Battle of the Coral Sea and Iwo Jima and Tarawa—all described, again in horrific detail because one or the other of Barton’s two brothers were there. All three brothers were Navy officers, and the older two, Bill (the author’s father) and Benny, spent the war fighting on Navy ships or working in Washington, D.C. and trying all the time to find Barton, their baby brother.

Between the three of them the Jersey Brothers, called that because they were from New Jersey, had a sweeping view of the war in the Pacific, from FDR’s War Room in the White House to Pearl Harbor to the battles across the Pacific to the prisons and camps of Mindanao and Leyte and other Philippine islands. As I read about the experience each of the brothers and of their mother, Helen Cross, at home in New Jersey, I was overwhelmed with gratefulness both for their sacrifice and that of many, many others and for my relatively easy and uneventful life. We may have our problems, but not many of us since World War II have had to suffer or endure anything near what those “greatest generation” men and families did.

I was also convinced again that maybe the atomic bombs that were dropped on Hiroshima and Nagasaki were the best solution for an intractable problem—that of ending the war with the least possible loss of life for all concerned. The Japanese were employing suicide bombers (kamikaze) to a much greater extent than I ever remember reading about, and they were not willing to surrender. General MacArthur was intent on invading the Japanese islands, but the predictions of 600,000 American casualties—or more—convinced Truman that the threat of the atomic bomb would save many American and Japanese lives. The army was predicting Japanese casualties during an invasion to run over a million. The Japanese civilians and military were instructed to fight to the death, and many, many were willing to do so. Deaths from both atomic bomb blasts were much, much fewer than any of those estimates and many times fewer than the deaths already sustained by both the Allies and the Japanese in the battles across the Pacific. As horrific as the atomic bombs’ destruction and devastation were, they were not nearly as cruel as the terror and savage brutality that the Japanese visited upon the prisoners of war and the subject peoples that they conquered and ruled over in the Philippines and elsewhere. Take what you’ve read about the Holocaust and the concentration camps in Europe and transfer it to jungles of the Philippines and Southeast Asia, and you will have some idea of the absolute evil that was put to an end by the evil of two bombs dropped on Hiroshima and Nagasaki. Yes, the atomic bombs were vicious and horrible, but maybe it was God’s mercy that allowed it to happen.

I recommend The Jersey Brothers, if you are able to read about the savagery and the suffering that went on during the war in the Pacific. It did make me thankful for the problems I have and the ones that I don’t.

Up Periscope by Robb White

Jun21

According to Jan Bloom’s Who Should We Then Read, Volume 2, author Robb White’s books are “high action, well-written adventure yarns peopled with realistically drawn, likable characters in plausible yet exciting situations.” This particular yarn is a World War II submarine adventure that takes place in the South Pacific. Kenneth Braden, lieutenant (junior grade), U.S. Naval Reserve, volunteers for an unnamed job while he’s in Underwater Demolition School, and he soon finds himself in Hawaii, Pearl Harbor, talking to an admiral about doing something “hard, lonely, and dangerous” somewhere in the Pacific. Ken can take the job or back out. Of course, he decides to go for it.

I won’t spoil the story by telling what Ken’s job entails, but it does involve a great deal of time on a submarine. Both Ken and the readers of the novel learn a lot about submarines by the time the story is over. I knew almost nothing about submarines and submarine warfare when I started reading, and now I know . . . a little, not because there’s only a little information in the book, but mostly because I could only take in and assimilate so much. Readers who are really interested in submarine warfare will find the story absorbing and informative, and I assume the details are accurate since Mr. White served in the U.S. Navy himself during World War II. Suffice it to say I enjoyed this action tale, and World War II buffs or submarine aficionados will enjoy it even more than I did.

Apparently, the book was popular in its time, or else Robb White had connections in Hollywood. The novel was published in 1956, and it was made into a movie, starring James Garner, in 1959. White’s memoir, Our Virgin Island, about the Pacific island he and his wife bought for $60.00 and lived on before the war, was filmed as Virgin Island in 1958. The movie starred John Cassavetes, Sidney Poitier, and Ruby Dee. (White did write for Hollywood, so I guess he had connections.)

The author is just about as fascinating as his novel. He was born in the Philippines, a missionary kid. He learned to sail at an early age, graduated from the Naval Academy, and loved the sea. But he also wanted to be a writer, and he wrote magazine articles, screenplays, three memoirs, and more than twenty novels. His novels were mostly marketed to what we would now call the young adult market, but Up Periscope at least is not about teens, but rather adult men, fighting in an adult war. The only reason it might be considered a “children’s” or “young adult” novel as far as I can see is that there is a distinct lack of bad language and sexual content, a welcome relief from modern young adult novels. I counted only one “damn”, and on the flip side, several instances in which the men pray in a very natural, fox-hole way for God to save them from impending death. There is some war nastiness and violence, but that’s to be expected in a war novel. I think anyone over the age of twelve or thirteen could appreciate this thrilling story of espionage and submarine derring-do.

Only a couple of Robb White’s books remain in print; the rest are available at wildly varying prices from Amazon or other used book sellers. On the basis of just having read this one (and Jan Bloom’s recommendation) I would recommend his novels for your World War II-obsessed readers, and I would be quite interested in reading Mr. White’s three memoirs: Privateer’s Bay, Our Virgin Island, and Two on the Isle.

New York Herald Tribune Spring Book Festival Awards

Jan20

In 1937 two awards of $250 each were established by the New York Herald-Tribune for the best books for younger children and for older children published between January and June. In 1941 the system of awards was revised. Three awards, of $200.00 each, were given to the best books in the following three classes: young children, middle-age children, and other children. Each year a jury, composed of distinguished experts in the field of juvenile literature, was chosen to make the selections.

1937 Seven Simeons, by Boris Artzybasheff. For younger children. Illustrated by the author. (Viking.)

The Smuggler’s Sloop, by Robb White III. For older children. Illustrated by Andrew Wyeth. (Little.)

1938 The Hobbit, by J. R. Tolkien. For younger children. Illustrated by the author. (Houghton.)

The Iron Duke, by John R. Tunis. For older children. Illustrated by Johari Bull. (Harcourt)

1939 The Story of Horace, by Alice M. Coats. For younger children. Illustrated by the author. (Coward.)

The Hired Man’s Elephant, by Phil Stong. For older children. Illustrated by Doris Lee. (Dodd.)

1940 That Mario, by Lucy Herndon Crockett. For younger children. Illustrated by the author. (Holt)

Cap’n Ezra, Privateer, by James D. Adams. For older children. Illustrated by I. B. Hazelton. (Harcourt.)

1941 In My Mother’s House, by Ann Nolan Clark. For younger children. Illustrated by Velino Herrera. (Viking.)

Pete by Tom Robinson. For middle-age children. Illustrated by Morgan Dennis. (Viking.)

Clara Barton, by Mildren Mastin Pace. For older children. (Scribner.)

1942 Mr. Tootwhistle’s Invention, by Peter Wells. For younger children.
Illustrated by the author. (Winston.)

I Have Just Begun to Fight: The Story of John Paul Jones, by
Commander Edward Ellsberg. For middle-age children. Illustrated
by Gerald Foster. (Dodd.)

None But the Brave, by Rosamond Van der Zee Marshall. For
older children. Illustrated by Gregor Duncan. (Houghton.)

1943 Five Golden Wrens, by Hugh Troy. For younger children. Illus-
trated by the author. (Oxford.)

These Happy Golden Years, by Laura Ingalls Wilder. For middle-
age children. Illustrated by Helen Sewell and Mildred Boyle.
(Harper-.)

Patterns on the Wall, by Elizabeth Yates. For older children.
(Knopf.)

1944 A Ring and a Riddle, by M. Ilm and E. Segal. For younger children.
Illustrated by Vera Bock. (Lippincott)

They Put Out to Sea, by Roger Duvoisln. For middle-age children.
Illustrated by the author. (Knopf.)

Storm Canvas, by Armstrong Sperry, For older children. Illustrated
by the author. (Winston.)

1945 Little People in a Big Country, by Norma Cohn. For younger children. Illustrated by Tashkent Children’s Art Training Center in Soviet Uzbekistan. (Oxford.)

Gulf Stream by Ruth Brindze. Illustrated by Helene Carter. For middle-age children., (Vanguard.)

Sandy, by Elizabeth Janet Gray. For older children. (Viking.)

1946 Farm Stories. Award divided between Gustaf Tenggren, illustrator, and Kathryn and Byron Jackson, authors. For younger children. (Simon & Schuster.)

The Thirteenth Stone, by Jean Bothwell, illustrated by Margaret Ayer. For middle-age children. (Harcourt)

The Quest of the Golden Condor, by Clayton Knight. Illustrated by the author. For older children. (Knopf.)

Other than The Hobbit and Laura Ingalls Wilder’s These Happy Golden Years, has anyone read or reviewed any of these prize-winning books? I know of the authors Jean Bothwell, Elizabeth Janet Grey, Armstrong Sperry, Roger Duvoisin, Elizabeth Yates, John Tunis, and Ann Nolan Clark, but not these particular books of theirs.

Hidden Gold by Ella Burakowski

Nov20

I find Holocaust memoirs to be somewhat variable in quality and readability. Maybe the memoirist’s memories are not that detailed or reliable. Sometimes the person who has undertaken the task of writing the stories down is just not a great writer. Sometimes the reader may be the problem: I’m not immune to the chilling effect of a jadedness produced by too many horrific World War II stories, too many atrocities, too much suffering and starvation for a person to read and assimilate.

Hidden Gold is an excellent example of a Holocaust memoir that is sharp, well-written, detailed, and narrative. I was absorbed by the story of young David Gold and his family and their survival in hiding in Poland, written by Mr. Gold’s niece and based on Mr. Gold’s memories of 1942-1944 when he was twelve to fourteen years old. “David Gold’s memories of his formative years during World War II are as vivid and compelling under his niece’s pen as if they happened yesterday.” (from the blurb on the back cover of the book)

The Gold family–David, his two older sisters, and his mother–survived in hiding on a Polish farm because they were rich, because they were smart and initially healthy, and because they were lucky, or perhaps preserved by a miracle form God. Even though the memoir is woven from David Gold’s memories, David’s older sister Shoshanna, who later became the mother of the author, emerges as the heroine of the tale. Shoshanna is the one who negotiates with outsiders on behalf of the entire family because she has blue eyes and speaks Polish without a Yiddish accent. Shoshanna is the one who encourages the family not to commit suicide when it seems that choice is the only one left to them. Unfortunately, Shoshanna Gold Barakowski died at a relatively young age in 1972, while the author was still in her teens, and the other sister, Esther, also died (of cancer) in 1984, long before Ms. Burakowski began to write this book.

I did wonder how much the author embellished or assumed as she told of the thoughts and motivations of her family members, most of whom were not available to vet the text or give their own take on events. Still, most memoirs are a mix of fact and fill in the blank, and I give the author credit for filling in, if she did, in a way that reads as authentic, coherent, and literary. I read and believed, and I was reminded that hatred and prejudice and bravery and human endurance are all a part of our shared human history as well as evident in the present day “holocausts” that continue to be perpetrated on the innocent and the unprotected.

[T]he memoir as unfiltered actuality is a myth. Fickle and unreliable memories must be reconstructed and made coherent; a story’s assembly, style, and characterization will inevitably compromise any strict retelling. Emphatically, this does not mean the work is less autobiographically or historically valid—–only that it is never pure autobiography or history, and has to be understood and embraced thus. Truth isn’t synonymous with historicity, and infidelity to the latter isn’t necessarily betrayal of the former. ~”The Holocaust’s Uneasy Relationship with Literature” by Menachem Kaiser, The Atlantic, December 2010

Unlikely Warrior by Georg Rauch

Oct21

Unlikely Warrior: A Jewish Soldier in Hitler’s Army by Georg Rauch.

Because Austrian Georg Rauch had a Jewish grandmother, making him one quarter Jewish blood (whatever that means), he was not made an officer in the army of the Third Reich. However, Rauch’s Jewish ancestry didn’t prevent him from being drafted into the German army and sent as a radio operator to the Russian front. Rauch wasn’t a Nazi nor was he in sympathy with Hitler’s political views or his plan for European domination. But that lack of patriotic enthusiasm didn’t keep nineteen year Georg Rauch from being expected to serve the Fuehrer and fight for the cause of Germany.

It must be World War 2 week here at Semicolon; it seems I’ve unintentionally been reading quite a few books set during that cataclysmic war. On Sunday I reviewed FDR and the American Crisis by Albert Marrin. On Monday, I told you about my pastor’s World War 2 novel, We Never Stood Alone, about the inhabitants of the English village of Stokeley and their more personal crises during the first years of the war. Yesterday I wrote about the young adult adaptation of Laura Hillenbrand best-selling and eye-opening biography of Louis Zamperini, Unbroken. And now today we’re headed for the eastern front, in Ukraine and Romania, where the cruelties and atrocities were, according to Mr. Rauch, just as abominable as the things Zamperini had to endure in Japan and in the South Pacific. (Comparisons are odious, but sometimes inevitable.)

By 1943, again from Rauch’s point of view, the average German soldier on the eastern front knew that the Germans were losing the war. Rauch just hoped to survive long enough to be sent home when the Germans finally surrendered. Unfortunately for him, as the war was ending Rauch was captured by the Russians and spent a good year or more in successive Soviet labor camps before he managed to finagle a place on a train back to his homeland of Austria.

As I read this book and Zamperini’s story in Unbroken, I found it difficult to believe that men could survive such horrors and emerge sane or even alive. Many did not survive, and many more did not survive in spirit. I wonder if I have what it would take to survive in such horrendous circumstances, and I really doubt that I do. If I were ever confronted with such a crisis as the Christians of Syria and Iraq are living through now, I would have to depend on the Holy Spirit to sustain me or the Lord would have to take me, because I certainly don’t have it within me to endure such persecution.

I’m rather amazed that anyone does. Unlikely Soldier is a good book about a bad time. I recommend it to adults, young and old, who are interested in an unflinching look at the horrors of war from a unique perspective, that of an unwilling conscript in Hitler’s army.

Unbroken by Laura Hillenbrand

Oct20

Unbroken: An Olympian’s Journey from Airman to Castaway to Captive, Adapted for Young Adults by Laura Hillenbrand.

I first read Unbroken, the life history of Olympic runner and prisoner of war in Japan, Louis Zamperini, in 2011, about four years ago. I was astounded and moved by this man’s story then, and as I’ve read more about him since then, I continue to be an admirer of and and an advocate for Hillenbrand’s book, Unbroken.

So, I read the young adult adaptation of one of my favorite books with both a desire to see it succeed and with some trepidation. It helps that this version of Unbroken was in capable hands, the hands of the original author Laura Hillenbrand herself. And honestly, although I could tell that the book had been shortened and that the text had been somewhat simplified, I couldn’t pinpoint anything that was left out. That makes for an excellent adaptation.

It also means that if you were looking for a book that leaves out all the violence and cruelty and general horror of Louis Zamperini’s stay in various Japanese prisoner of war camps, this book doesn’t do that. The book also doesn’t leave out Louis’s struggle with PTSD and his healing after the war as the movie version did. So, if your young adult, age twelve and above, wants a less intimidating version, i.e. fewer pages and no footnotes at the end, that still tells the whole story, this book will do the job. If your child is not ready for an introduction to the horrors of man’s inhumanity and cruelty, this book definitely won’t be a good choice.

Two of my own children read Unbroken (the adult version) while they were still in high school, and they found it accessible and absorbing. However, if your teen struggles with reading long books or just is in a time crunch, this young adult adaptation is well written and perfectly adequate. It’s not dumbed down, and the writing is still beautiful, detailed, and vivid.

I recommend Unbroken, either version, to just about anyone who’s interested in history or war or survival or World War 2 in particular or inspiring biography or the aftermath of war and the possibility of forgiveness. I’ll be looking for a copy of this young adult version to place in my library for younger teen readers.