Archives

Favorite Poets: Sir Walter Scott

O Caledonia! stern and wild,
Meet nurse for a poetic child!

~Sir Walter Scott, The Lay of the Last Minstrel

To pair with a Regency romance review, one should feature a Regency poet. Sir Walter Scott was not only the most popular of Regency era novelists, he was also a poet. His most famous poems were The Lay of the Last Minstrel, The Lady of the Lake, and Marmion. Lochinvar is an excerpt from the longer poem Marmion.


O young Lochinvar is come out of the west,
Through all the wide Border his steed was the best;
And save his good broadsword he weapons had none,
He rode all unarm’d, and he rode all alone.
So faithful in love, and so dauntless in war,
There never was knight like the young Lochinvar.

He staid not for brake, and he stopp’d not for stone,
He swam the Eske river where ford there was none;
But ere he alighted at Netherby gate,
The bride had consented, the gallant came late:
For a laggard in love, and a dastard in war,
Was to wed the fair Ellen of brave Lochinvar.

So boldly he enter’d the Netherby Hall,
Among bride’s-men, and kinsmen, and brothers and all:
Then spoke the bride’s father, his hand on his sword,
(For the poor craven bridegroom said never a word,)
“O come ye in peace here, or come ye in war,
Or to dance at our bridal, young Lord Lochinvar?”

“I long woo’d your daughter, my suit you denied; —
Love swells like the Solway, but ebbs like its tide —
And now I am come, with this lost love of mine,
To lead but one measure, drink one cup of wine.
There are maidens in Scotland more lovely by far,
That would gladly be bride to the young Lochinvar.”

The bride kiss’d the goblet: the knight took it up,
He quaff’d off the wine, and he threw down the cup.
She look’d down to blush, and she look’d up to sigh,
With a smile on her lips and a tear in her eye.
He took her soft hand, ere her mother could bar, —
“Now tread we a measure!” said young Lochinvar.

So stately his form, and so lovely her face,
That never a hall such a gailiard did grace;
While her mother did fret, and her father did fume
And the bridegroom stood dangling his bonnet and plume;
And the bride-maidens whisper’d, “’twere better by far
To have match’d our fair cousin with young Lochinvar.”

One touch to her hand, and one word in her ear,
When they reach’d the hall-door, and the charger stood near;
So light to the croupe the fair lady he swung,
So light to the saddle before her he sprung!
“She is won! we are gone, over bank, bush, and scaur;
They’ll have fleet steeds that follow,” quoth young Lochinvar.

There was mounting ‘mong Graemes of the Netherby clan;
Forsters, Fenwicks, and Musgraves, they rode and they ran:
There was racing and chasing on Cannobie Lee,
But the lost bride of Netherby ne’er did they see.
So daring in love, and so dauntless in war,
Have ye e’er heard of gallant like young Lochinvar?

Other than the Caledonian Connection, this video at YouTube has nothing to do with Sir Walter Scott, but we’ve been rather obsessed with Celtic Thunder lately here in Semicolonland. Perhaps you’ll get the Caledonian Call, too. Love those kilts.

Semicolon Author Celebration: Charles Wesley, b. 1707

cooltext92322612

Today is the birthday of hymn writer Charles Wesley, author of two famous Christmas carols, Hark! The Herald Angels Sing and the lesser-known Come Thou Long-Expected Jesus. In addition, he wrote approximately 5500 more hymns and spiritual songs.

Christmas in Charles Wesley’s Journal:

1743: “Christmas-day. I heard that one of our fiercest persecutors, who had cut his throat, and lay for dead some hours, was miraculously revived, as a monument of divine mercy. Many of his companions have been hurried into eternity, while fighting against God. He is now seeking Him whom once he persecuted; was confounded at the sight of me, much more by my comfortable words, and a small alms. He could only thank me with his tears.
I read prayers, and preached, “Glory be to God in the highest,” to a people who now have ears to hear.”

1749: “Christmas-day. The room was full as it could contain. We rejoiced from four to six, “that to us a Son is born, to us a Child is given.”

Dueling Hymns: Augustus Toplady and Charles Wesley

In church last Sunday our pastor preached on the Biblical sources for Hark! The Herald Angels Sing. I am so thankful that God saw fit to give human beings the gift of song and of music to give joy and aid memory. And I’m thankful for all those Wesleyan hymns, most of which I’ve never heard. A gift yet to be discovered.

Hymns by Charles Wesley That I Do Know and Love:

A Charge To Keep Have I
Amazing Love! How Can It Be?
Arise My Soul, Arise
Christ The Lord Is RIsen Today
Come Thou Long Expected Jesus
Hark The Herald Angels Sing
Jesus Lover of My Soul
Love Divine, All Loves Excelling
O For a Thousand Tongues To Sing
Rejoice the Lord Is King

If you have a post today (or any other day) concerning Charles Wesley, please leave a link to join in the celebration. And thanks to Hope for reminding me, forgetful thing that I am.

1. Hope in Brazil
2. God and Sinners Reconciled
3. Ruth (Hark! The Herald Angels Sing)
4. Circle of Quiet (Come Thou Long Expected Jesus)
5. Challies on Charles Wesley

Powered by… Mister Linky’s Magical Widgets.

A Christmas Hymn for the First Week of Advent

Our pastor is preaching on the scriptural background for four Christmas hymns during this season; today’s hymn was O Come O Come Emmanuel. The hymn for next Sunday’s sermon is the following one which has become a favorite of mine since we started going to this particular church about four years ago.

Let all mortal flesh keep silence,
And with fear and trembling stand;
Ponder nothing earthly minded,
For with blessing in His hand,
Christ our God to earth descendeth,
Our full homage to demand.

King of kings, yet born of Mary,
As of old on earth He stood,
Lord of lords, in human vesture,
In the body and the blood;
He will give to all the faithful
His own self for heavenly food.

Rank on rank the host of heaven
Spreads its vanguard on the way,
As the Light of light descendeth
From the realms of endless day,
That the powers of hell may vanish
As the darkness clears away.

At His feet the six wingèd seraph,
Cherubim with sleepless eye,
Veil their faces to the presence,
As with ceaseless voice they cry:
Alleluia, Alleluia
Alleluia, Lord Most High!

The words to this hymn are taken from a prayer written in the fourth century, used by the Orthodox church in Constantinople and still recited by Orthodox Christians to this day. The tune, called Picardy, is based on a French carol melody and harmonized by Ralph Vaughn Williams. You can listen and learn more about the hymn here.

My plan for us in our homeschool is to sing the song each morning this week and so learn it before our pastor preaches on it next Sunday.

To This Great Stage of Fools: Born December 1st.

Poetry Friday: Roberta Anderson

Roberta Joan Anderson was born on November 7, 1943, in Fort Macleod, Alberta, Canada.

As a teen she listened to rock-n-roll radio broadcasts out of Texas. She bought herself a baritone ukelele for $36 because she couldn’t afford a guitar.

“In a hundred years, when they ask who was the greatest songwriter of the era, it’s got to be her or Dylan. I think it’s her. And she’s a better musician than Bob.”~David Crosby

“She took the clay and moulded it in a way we hadn’t seen before. If you really sort of analyse songwriting at that time, male or female, what she was doing with her structures and her use of melody and her poetry and the voice too, you know that’s just one of the gifts that we’ve had.” ~Tori Amos

Sometimes change comes at you
like a broadside accident
There is chaos to the order
Random things you can’t prevent
There could be trouble around the corner
There could be beauty down the street
Synchronized like magic
Good friends you and me.

Moons and Junes and Ferris wheels
The dizzy dancing way you feel
As ev’ry fairy tale comes real
I’ve looked at love that way

But now it’s just another show
You leave ’em laughing when you go
And if you care, don’t let them know
Don’t give yourself away

I’ve looked at love from both sides now
From give and take, and still somehow
It’s love’s illusions I recall
I really don’t know love at all

Tears and fears and feeling proud
To say “I love you” right out loud
Dreams and schemes and circus crowds
I’ve looked at life that way

But now old friends are acting strange
They shake their heads, they say I’ve changed
Well something’s lost, but something’s gained
In living every day

I’ve looked at life from both sides now
From win and lose and still somehow
It’s life’s illusions I recall
I really don’t know life at all
.

As a child I spoke as a child–
I thought and I understood as a child–
But when I became a woman–
I put away childish things
And began to see through a glass darkly.
Where, as a child, I saw it face to face
Now, I only know it in part
Fractions in me
Of faith and hope and love
And of these great three
Love’s the greatest beauty…

You may know her as singer/songwriter Joni Mitchell.

Lyric excerpts taken from Ms. Mitchell’s website.

Apple Songs

Last year in September I did a whole series of posts on apple-related things, and I invited others to link to their own apple-y posts. Somehow this post was leftover, but it’s still good even after a year in cold storage.

Can you name the apple songs that feature these lyrics? Can you name the composer or the artist who made the song famous? Guesses go in the comments, and if you get one or more right (without googling), buy yourself an apple!

1. I just got word from a guy who heard
From the guy next door to me
The girl he met just loves to pet
And it fits you to a T!

2. I feel like this is the beginning
Though I’ve loved you for a million years
And if I thought our love was ending
I’d find myself drowning in my own tears:

3. “The oriole with joy was sweetly singing;
The little brook was burbling its tune.
The village bells at noon were gayly ringing
The world seemed brighter than a harvest moon.
For there within my arms I gently pressed you
And blushing red you slowly turned away
I can’t forget the way I once’t carressed you
I only pray we’ll meet another day . . .

4. And I wake up in the morning with my hair down in my eyes and she says hi
And I stumble to the breakfast table while the kids are going off to school, goodbye.
And she reaches out and takes my hand and squeezes it and says how you feeling hon?
And I look across at smiling lips that warm my heart, and see my morning sun.

5. I can tell you’ve been hurt by that look on your face girl.
Someone brought safety to your happy world.
You need love but you’re afraid that if you give in,
Someone else will come along and sock it to ya again.

Poetry and Fine Art Friday: Of the Father’s Love Begotten

This week we’ve been learning and singing this o-l-d hymn from the fourth century. (We’re studying the Middle Ages and the Renaissance this year in school.) Anyway, the hymn poem was written by a man named Aurelius Prudentius who lived in Spain and wrote in Latin. It was translated into English by John Mason Neale in the mid-nineteenth century in England. The version I copied for the urchins and me to sing runs to nine verses, and we sang them all, much to someone’s chagrin. I always want to sing all the verses.


1. Of the Father’s love begotten,
Ere the worlds began to be,
He is Alpha and Omega,
He the source, the ending He,
Of the things that are, that have been,
And that future years shall see,
Evermore and evermore!

2. At His Word the worlds were framèd;
He commanded; it was done:
Heaven and earth and depths of ocean
In their threefold order one;
All that grows beneath the shining
Of the moon and burning sun,
Evermore and evermore!

3. He is found in human fashion,
Death and sorrow here to know,
That the race of Adam’s children
Doomed by law to endless woe,
May not henceforth die and perish
In the dreadful gulf below,
Evermore and evermore!

4. O that birth forever blessèd,
When the Virgin, full of grace,
By the Holy Ghost conceiving,
Bare the Savior of our race;
And the Babe, the world’s Redeemer,
First revealed His sacred face,
Evermore and evermore!
The Jews Praising God

5. This is He Whom seers in old time
Chanted of with one accord;
Whom the voices of the prophets
Promised in their faithful word;
Now He shines, the long expected,
Let creation praise its Lord,
Evermore and evermore!

6. O ye heights of heaven adore Him;
Angel hosts, His praises sing;
Powers, dominions, bow before Him,
And extol our God and King!
Let no tongue on earth be silent,
Every voice in concert sing,
Evermore and evermore!

7. Righteous judge of souls departed,
Righteous King of them that live,
On the Father’s throne exalted
None in might with Thee may strive;
Who at last in vengeance coming
Sinners from Thy face shalt drive,
Evermore and evermore!

8. Thee let old men, thee let young men,
Thee let boys in chorus sing;
Matrons, virgins, little maidens,
With glad voices answering:
Let their guileless songs re-echo,
And the heart its music bring,
Evermore and evermore!

9. Christ, to Thee with God the Father,
And, O Holy Ghost, to Thee,
Hymn and chant with high thanksgiving,
And unwearied praises be:
Honor, glory, and dominion,
And eternal victory,
Evermore and evermore!

Computer Guru Son, who also considers himself something of an expert on music, says that the traditional tune that this hymn is sung to is not very good music, not very good at all. I, philistine that I am in terms of musical appreciation, kind of like it. In fact, I like it very much. Click here to listen at Cyberhymnal. (I don’t much care for the plinkety-plunk midi sound, but on a real organ or a piano . . . . )

On another note, pun intended, you should posilutely, absotively, read this article at Poetry Foundation by Susan Thomsen of the blog Chicken Spaghetti: Home Appreciation: Homeschoolers are turning a million kids on to poetry—through fun, not homework. Here’s how you can do it too.

Semicolon’s September Links, Celebrations, and Birthdays.

And Poetry Friday for this week is at Charlotte’s Library.

Poetry Friday: W.H. Auden and Donny Osmond?

PFbuttonEldest Daughter is leaving today to go to graduate school in Nashville, and I am missing her already. So I’m posting this poem for her, because she says it’s one of her favorites. (She said choosing a favorite poem was too hard.)

As I Walked Out One Evening
by W. H. Auden

As I walked out one evening,
Walking down Bristol Street,
The crowds upon the pavement
Were fields of harvest wheat.

And down by the brimming river
I heard a lover sing
Under an arch of the railway:
‘Love has no ending.

‘I’ll love you, dear, I’ll love you
Till China and Africa meet,
And the river jumps over the mountain
And the salmon sing in the street,

‘I’ll love you till the ocean
Is folded and hung up to dry
And the seven stars go squawking
Like geese about the sky.

Things sort of go downhill for Auden after that, until “the crack in the tea-cup opens/ A lane to the land of the dead.” Read the rest of the poem at Poets.org.

However, it’s a rather facile reaction, but that first part of Auden’s poem reminds me of this song by Jerry Livingston and Paul Francis Webster:

You ask me how much I need you, must I explain?
I need you, oh my darling, like roses need rain
You ask how long I’ll love you, I’ll tell you true
Until the Twelfth of Never, I’ll still be loving you

Hold me close, never let me go
Hold me close, melt my heart like April snow

I’ll love you ’til the bluebells forget to bloom
I’ll love you ’til the clover has lost its perfume
I’ll love you ’til the poets run out of rhyme
Until the Twelfth of Never and that’s a long, long time

Until the Twelfth of Never and that’s a long, long time . . .

Ah, those were the days . . . Donny Osmond, and bell bottom pants, and Gogo boots.

We’re going to miss you, Miss Eldest, until the Twelfth of Never and until the salmon sing in the street.

(Listen to Donny the Heartthrob here on Youtube.)

Poetry Friday round-up is at Becky’s Book Reviews today.

Classical Music

Phil at Brandywine Books asked a very long time ago: “What are seven classical music works you love?” I’ve had this list in my drafts folder for ages, and now that I’m on blogging hiatus is the time to post it. Sorry to take so long to answer, Phil.

1. Pachelbel’s Canon in D Major.

2. Gershwin’s Rhapsody in Blue.

3. Aaron Copland’s Hoedown from the ballet Rodeo.

“I don’t compose. I assemble materials.” Quoted in Aaron Copland: the Life and Work of an Uncommon Man.

4. Ferde Grofe’s Grand Canyon Suite. A lesson plan for teaching about the Grand Canyon Suite.

5. Handel’s Messiah.

6. Bach’s Jesu, Joy of Man’s Desiring.

7. Vivaldi’s Four Seasons.

I know. I’m not exactly a collector of esoteric and obscure musical works. I just like regular stuff.

Since today is Handel’s birthday, however, the list is timely in a different way.

George Frederic Handel, b. 1685, in Halle in the Duchy of Magdeburg.

To This Great Stage of Fools: Born December 5th

Today is the birthday of Joan Didion, b. 1934, who won the National Book Award in 2005 for her book The Year of Magical Thinking. I’ve added it to The List, largely on the recommendation of Ms. Mental Multivitamin. If I like it, I may add some others of Didion’s books to The List for I must admit that I’ve never read anything by this particular author.

Today is also the day to honor and remember the birth of Christina Rossetti. She was a thoroughly Catholic Christian poet, and she wrote several Christmas poems/carols. Most people are familiar with In the Bleak Mid-Winter, especially the last verse. The following poem, also by Rossetti, is not as familiar although I think I have heard it put to music:

Love came down at Christmas,
Love all lovely, Love Divine;
Love was born at Christmas;
Star and angels gave the sign.

Worship we the Godhead,
Love Incarnate, Love Divine;
Worship we our Jesus,
But wherewith for sacred sign?

Love shall be our token,
Love be yours and love be mine,
Love to God and all men,
Love for plea and gift and sign.

Love is our plea, our gift, and our sign–that which we need, that which we receive, that which we give. May it be so.