Home on the Range by Deborah Hopkinson

Home on the Range: John A. Lomax and His Cowboy Songs by Deborah Hopkinson. Illustrated by S.D. Schindler. G.P. Putnam’s Sons, 2009.

“John Avery Lomax grew up singing. Why, he probably knew more folk songs, tunes, and ballads than there were cattle in the great state of Texas.”

John A. Lomax was an “ethnomusicologist”. In layman’s terms, picture book language, that’s a collector of folk songs. He’s of special interest to me, a Texas girl, because he collected cowboy and western folk songs, many of them songs of Texas. John Lomax was a Texas boy, born in Mississippi, but raised in good old Texas. Deborah Hopkinson’s book tells the story of how Mr. Lomax became a folk song collector and how he recorded thousands of folk songs that might be lost to history if not for his work. Lomax’s book Cowboy Songs and Frontier Ballads, published in 1910, helped to preserve songs such as “Git Along, Little Dogies” and “Sweet Betsy from Pike” and of course, the titular song for this book, “Home on the Range.”

The book chronicles the studies and travels of the peripatetic John Lomax and his son Alan who also became a well-known ethnomusicologist. Scattered throughout the biographical material are the lyrics, or at least partial lyrics, to many of the songs that the Lomaxes collected. Unfortunately, unless you already know the songs included, you’ll have to look them up somewhere to find the rest of the lyrics to the song and the tunes. But on YouTube you can find the likes of Gene Autry and Roy Rogers and Johnny Cash and Burl Ives and others singing these old cowboy songs. Some of the songs that are alluded to:

S.D. Schindler’s illustrations that accompany Ms. Hopkinson’s fine text are first-rate. I especially liked the beautiful two page spread of cowboys in a Fort Worth saloon, where Lomax attempts to get them to sing into his “large recording horn.” There’s also a two page spread illustration of John’s classmates at the University of Texas, transformed into cowboys, and even one cowgirl, sitting around the campfire listening to Lomax sing the old songs of the West.

In the end notes to the book, Hopkinson tells readers that many of these songs, including “Home on the Range,” were thought by John Lomax to be folk songs of unknown origin, but some of them indeed had specific lyricists and composers.

“After the song (Home on the Range) became popular in the 1930’s, an Arizona couple claimed to have written it in 1905. Eventually, the song was traced to two Kansas men, Brewster Higley and Daniel E. Kelly, who wrote it in 1873. Finding the origins of songs can be difficult!”

Anyway, whoever wrote these songs, they belong to all of us now, and we can be thankful for John A. Lomax who recorded and preserved them for us to enjoy and for Deborah Hopkinson and S.D. Schindler who were also preservationists, giving us this lovely picture book biography of a pioneer musicologist and his work to save all of the old cowboy songs.

This book can be borrowed by member families from Meriadoc Homeschool Library.

Over in the Meadow by John Langstaff

Mar28

Over in the Meadow by John Langstaff, illustrated by Feodor Rojankovsky.

Over in the meadow 
In the sand in the sun  
Lived an old mother turtle and her little turtle one. 
"Dig," said the mother, 
"I dig," said the one; 
So he dug and was glad in the sand in the sun.

John Meredith Langstaff was a musician and music educator who wrote children’s picture books, produced music education videos for the BBC, and published songbooks, music, and texts, all emphasizing traditional and folk songs and music. He started something called The Christmas Revels in New York City in 1957, and later in Cambridge, Massachusetts. These amateur performances involved singing, dancing, recitals, theatrics, and usually some audience participation, all appropriate to the holiday season. Langstaff died in 2005, but his Revels still go on in select cities across the United States at Christmas time.

Langstaff, of course, didn’t originate the lyrics for the song, Over in the Meadow, but neither did Olive A. Wadsworth, aka Katherine Floyd Dana, who is credited with writing the poem, Over in the Meadow, in several places online. Katherine Floyd Dana (under the pen name Olive A. Wadsworth) wrote down the words to the song that she heard possibly in Appalachia or the Ozarks, and Mabel Wood Hill notated the music. The words and music together were published in the book Kit, Fan, Tot, and the Rest of Them by the American Tract Society in 1870. Langstaff’s version of the lyrics is much different from Wadsworth’s, using different animals, and different actions, and different descriptions. It’s an old counting rhyme that may trace back to the 16th century, and there are many different versions.

There are also several picture book versions of the song available, including one illustrated by Ezra Jack Keats, another by Anna Vojtech, and yet another illustrated by one of my favorite picture book artists, Paul Galdone. Still, my favorite for this song is this Langstaff/Rojandovsky partnership version. I like Langstaff’s lyrics, and Rojankovsky’s illustrations are delightful, just busy enough without overwhelming, with lots of endearing animal detail. The beavers build; the spiders spin; the owls wink; and the chipmunks play—all the way up to ten rabbits who hop.

If you’re looking for more folk songs in picture book form, I would suggest:

Old MacDonald Had a Farm, illustrated by Lorinda Bryan Cauley. Putnam, 1989.
Hush, Little Baby, illustrated by Margot Zemach. Dutton, 1976.
Frog Went A’Courtin’ by John Langstaff, illustrated by Feodor Rojankovsky. Harcourt, 1967.
Mary Wore Her Red Dress, and Henry Wore His Green Sneakers, adapted and illustrated by Merle Peek. Clarion, 1985.
Fox Went out on a Chilly Night, illustrated by Peter Spier. Doubleday, 1961.

All of these folk song picture books are listed in my Picture Book Preschool curriculum guide. Picture Book Preschool is a preschool/kindergarten curriculum which consists of a list of picture books to read aloud for each week of the year and a character trait, a memory verse, and activities, all tied to the theme for the week. You can purchase a downloadable version (pdf file) of Picture Book Preschool by Sherry Early at Biblioguides.

Revive Us Again by W. Leslie

Jul22

We just returned to Houston from the trip of a lifetime, ten days in Ireland and England. We began the journey with three days in southern Ireland, near Cork. We were able to stay with some friends of my daughter in a small Christian community there, and we were blessed to worship with the church there on Sunday. Engineer Husband accidentally carried the two hymn books out of the church with him, and when he tried to give them back one of the leaders there asked if we would like to take the two hymnals with us. I was delighted to say yes since I wanted a chance to study the hymns in these Irish/UK hymn books more closely.

This hymn is the first one in the book Songs of Victory. The book is undated, and this first hymn by “W. Leslie” is, I think, probably written by William Leslie, for whom hymnary.org has a brief biography. Mr. Leslie was a Scottish Methodist lay preacher and “proprietor of a drapery shop”, and he wrote several hymns. This particular hymn is not listed at Hymnary, nor can I find it anywhere else online. And the hymn book only gives the lyrics for the hymns, no tunes, so I have no way to sing it.

Still, the words of of this poem/hymn spoke to me this mornings I was reading it, echoing some of the thoughts I have had lately about myself, my country, my children, and others.

LORD, Thou has with favour
Smiled upon our land,
Yet the powers of darkness
Press on every hand;
And the hearts that love Thee
Often cry in pain—
“Wilt Thou not revive us,
Revive us again?”

Wilt Thou not revive us,
Revive us again?
For our nation’s sake
And for Jesus’ sake,
Revive us again!

2. Precious, guileless children
To our homes are given,
That our love might win them
To the life of Heaven.
Yet what snares and pitfalls
Make our labor vain!
Oh, to save the children,
Revive us again!

3. Kindly friends and neighbors,
Kindred, near and far,
Learn the love of Jesus
Just by what we are;
Make our daily witness
Patient, pure and plain!
By Thy love o’erflowing,
Revive us again!

4. Deep in heathen darkness
Blood-bought millions wait
For a voice to tell them
Of their ransomed state;
Break the spell that binds us
But to selfish gain!
By Thine own compassion,
Revive us again!

Don’t we need daily, even hourly revival? And the lives of the children, the friends, the neighbors, the kindred, and the millions, all depend on the reviving power of the Holy Spirit at work in us and in them. For Jesus’ sake, revive us again!

Noteworthy and Encouraging: June 1st

Jun1

Born on this date:

Henry Francis Lyte, b.1793. Anglican minister, hymn writer and poet. His most well-known hymns are Abide With Me, Jesus, I My Cross Have Taken, and Praise My Soul the King of Heaven.

John Masefield, b. 1878. Poet, novelist, writer of children’s stories, and more. I wrote about Masefield and his poem Sea Fever here. He also wrote two long and famous narrative poems, The Everlasting Mercy and Dauber, and his children’s stories, The Midnight Folk and The Box of Delights. I’ve not read the children’s books, although I have them in my library, but I can say his poetry is worth reading.

James Daugherty, b. 1889. Artist, children’s book author and illustrator. Mr. Daughety wrote Daniel Boone (Newbery Medal winner); Poor Richard; Henry David Thoreau: A Man for Our Time; Of Courage Undaunted: Across the Continent with Lewis & Clark; Marcus and Narcissa Whitman: Pioneers of Oregon; and three books in the Landmark series, The Magna Charta, The Landing of the Pilgrims, and Trappers and Traders of the Far West. He also wrote and illustrated the picture book Andy and the Lion, a Westernized version of the legend of Androcles and the Lion.

Some of Daugherty’s books and artwork are somewhat controversial these days. He describes the Native Americans in his award-winning biography of Boone as “savage demons”, “rats in the night”, “outlandish”, “infesting the woods”, “cat-eyed”, and “copper-gleaming”. And the illustrations that Daugherty provides for these same Native Americans do nothing to soften the images drawn by his words. (My own children hated listening to Daugherty Daniel Boone when I read it to them back in the day. The language was too flowery and poetic for their taste.) Nevertheless, I think Daugherty was quite a talented illustrator and author, and I suggest you try out his books for yourself and form your own opinion.

The Twenty Children of Johann Sebastian Bach by David Arkin

Mar25

The Twenty Children of Johann Sebastian Bach by David Arkin. Ward Ritchie Press, 1968.

This picture book biography, published by a quirky little SoCal publisher/printer, is an early example of the picture book biography. As far as I can tell the author is David I. Arkin, father of the actor Alan Arkin, not David George Arkin, who was an actor and no relation to David I and Alan. The book is dedicated to David Arkin’s wife Beatrice. However, there’s not any information that I can find on the internet that ties this book directly to David I. Arkin, other than the wife’s name.

At any rate, the writing in the book is adequate, not as exciting as it might have been. The illustrations are beautiful. Bach and his twenty children and their family life together are painted in positive and engaging words and pictures. The book tells us that Bach had seven children with his first wife, who died, then thirteen more with his second wife. Seven of the twenty children did not survive past their first birthday. But those who did live were much beloved, and their musician father is shown writing music for them, educating them, and singing lullabies to his many babies.

The author does leave some questions unanswered. He tells us what happened to eight of the children when they grew up. Five of the boys grew up to be great and famous musicians and composers themselves. Three of the girls lived with their parents all their lives, never married, and one married her father’s favorite pupil. But what happened to the other four living children? (Actually, I looked, and Wikipedia says that only ten of Bach’s children lived to become adults. So, somebody has the count wrong. and that still leaves one grown child unaccounted for in the book.)

I suppose it’s hard to keep track of twenty children. I only have eight, and I’m not always sure what they are all doing with their lives. So, we can leave off the counting and just enjoy Arkin’s story of a big, happy, musical family. And then play some Bach while you look at the illustrations one more time.

If you are interested in purchasing ($5.00) a curated list of favorite picture book biographies with over 300 picture books about all sorts of different people, email me at sherryDOTpray4youATgmailDOTcom. I’m highlighting picture book biographies in March. What is your favorite picture book about a real person?

Wolferl by Lisl Weil

Mar6

Wolferl: The First Six Years in the Life of Wolfgang Amadeus Mozart, 1756-1762 by Lisl Weil. 32 pages.

This picture book biography uses about thirty pages of text and pictures to tell the engaging story of Mozart’s childhood in Salzburg and in Vienna, and then the author skips to the end to tell us that Mozart “composed a wealth of concertos, sonatas, chamber music, symphonies, operas, Singspiels, church music, contra dances, and Divertimentis.” Then he died at the age of thirty-five, a pauper, but “his music has lived on and is loved by people everywhere.”

Of course, young readers and those who listen to this biography read aloud will focus on the amazing childhood experiences of Mozart and his sister Nannerl, and not the sad ending. After all, their parents thought they were God’s miracles. They performed before kings and queens and emperors and empresses, and then got to go to children’s parties with the royal progeny. Wolferl (Mozart’s nickname, which was short for Johannes Chrisostomus Wolfgangus Theophilus Mozart) was especially known as a child prodigy, who learned to play the violin, the piano, and organ and compose songs beginning at the tender age of three.

The illustrations, also done by author Lisl Weil, are somewhat cartoonish in stye, but they complement the text nicely and give some idea of the style and grandeur that the Mozart family experienced during their many performances. I wondered if Nannerl was in her younger brother’s shadow, so to speak, because she was a girl or because she was not quite as precocious as the amazing Wolferl or because she was just not as talented as her little brother. Perhaps I can find out more about that aspect of the Mozart saga from another picture book biography that’s on my TBR list, For the Love of Music: The Remarkable Story of Maria Anna Mozart by Elizabeth Rusch.

This book won’t satisfy all the questions that young musicians and readers might have about Wolfgang Amadeus, but it would make a good introduction to his life and work. As follow-up reading, I would suggest:

Books:
Young Mozart by Rachel Isadora.
Mozart Tonight by Julie Downing.
Mozart the Wonder Boy by Opal Wheeler and Sybil Deucher.
The Story of Mozart by Helen L. Kaufman.

Audio CD story with music:
Mozart’s Magic Fantasy: A Journey Through “The Magic Flute” (Classical Kids)

Antonin Dvorak: Composer From Bohemia by Claire Lee Purdy

Sep8

Antonin Dvorak, b.September 8, 1841, d.May 1, 1904.

This biography for young adults, one of the series published by Julian Messner in 1950’s, begins with a delightful picture of composer Antonin Dvorak’s childhood in rural Bohemia (Czech Republic). The author paints a word picture of the village where Dvorak grew up, the son of a poor butcher and innkeeper father, but in a family and culture that highly valued music and dance and music-making. The story manages to incorporate a great deal of Czech history and some lovely folktales, and all in all the first third or even half of the book is a wonderful introduction to not only the composer and his music but also nineteenth century musical trends, Bohemian folk tales, the city of Prague, and the political difficulties of Bohemia under the rule of the Austro-Hungarian Empire.

At about the halfway point, when as a reader I was already hooked, the narrative slowly devolved into a list of the places Dvorak went and the musical pieces he composed. Maybe the travel and the compositions were his life after he became famous. Nevertheless, I was impelled to read on because the first part was so interesting, and I quickly looked up some of Dvorak’s music on YouTube and played it as I read. Some of the most interesting tidbits that I gleaned:

1. Dvorak was achingly poor as a youth, the very picture of the impoverished artist. He had to wait eight years and pull himself up out of poverty in order to finally marry his fiancé. Eight years is a long engagement. Dvorak was 32 years old when he married his 19 year old bride. (Whoops! I guess there was more than one reason they had to wait eight years to get married. He certainly couldn’t have married her when she was eleven.)

2. Antonin and Anna Dvorak were married in 1873; by 1876 they had three children. In the spring of 1876 their eldest daughter died after a brief illness. In September their son died, and their second daughter died in October. Now, that’s a tragic story.

3. Anna and Antonin went on to have six more children, all of whom survived childhood and thrived. The oldest daughter, Otilie, became a composer like her father.

4. Dvorak wrote his famous New World Symphony when he was in the New York under contract as Director of the National Academy of Music, a school that famously “enrolled poor students without charge and . . . welcomed members of the Negro race.” The New World Symphony is said to be greatly influenced by African American spirituals, work songs, and folk music that Dvorak was exposed to and admired while he was in the United States.

5. Dvorak loved birds. He composed many operas, symphonies, symphonic poems, and choral works. His favorite instrument was the viola.

6. Dvorak died in 1904. “In the dreadful years 1939-1945 Dvorak, along with Smetana and other native composers, was declared an outlaw by the Nazi conquerors. It was a crime to play his music in Bohemia. In 1941, the year of Dvorak’s centenary, his own Czech people were forbidden to play a bar of his music.”

I’m determined now to listen to more Dvorak. Any suggestions of specific pieces I should look for?

September: National Piano Month

Sep5

All eight of my children have attempted to play the piano, taken piano lessons, or at least tried out piano lessons, and although I can’t say that any of them are concert piano material, they do enjoy playing and composing and generally messing about with music, some more than others. I, on the other hand, can’t play a note. Well, maybe one note.

Pianos are wonderful instruments.

“The piano keys are black and white, but they sound like a million colors in your mind.” ~Maria Cristina Mena, The Collected Stories of Maria Cristina Mena.

Nonfiction about pianos and pianists:
Forever Music: A Tribute to the Gift of Creativity by Edith Schaeffer. Mrs. Schaeffer tells the history of her Steinway grand piano, and she also weaves a story about the fallenness of man and the creativity that God built into each of us. This book would be a lovely gift for any musician in your life or for anyone who cares about music.
Piano Lessons: A Memoir by Anna Goldsworthy. This story of a girl and her piano teacher sounds really good. Has anyone read it?
Piano Lessons: Music, Love and True Adventure by Noah Adams. Another memoir, this time about a middle-aged man who decides to pursue his life-long dream of learning to play the piano. I am drawn to the premise.
The Piano Shop on the Left Bank: Discovering a Forgotten Passion in a Paris Atelier by Thad Carhart. Yet another memoirist returns to the piano and the company of musicians as an adult and an amateur.
Note by Note: A Celebration of the Piano Lesson by Tricia Tunstall. I might give this one to my favorite piano teacher.
Mr. Langshaw’s Square Piano: The Story of the First Pianos and How They Caused a Cultural Revolution by Madeline Gould. Pianos and history combined. I can’t resist. Reviewed at 5 Minutes for Books.
Piano Starts Here: The Young Art Tatum by Robert Andrew Parker. Reviewed at Becky’s Book Reviews A children’s picture bio of a jazz great.
Duke Ellington: The Piano Prince and His Orchestra by Brian Pinkney. Another picture book biography.
Giants of the Keyboard by Victor Chapin. Includes chapter length biographies of Johann Christian Bach, Muzio Clementi, Jan Dussek, Johann Cramer, Johann Hummel, John FIeld, Karl Czerny, Ignaz Moscheles, Franz Liszt, Clara Schumann, Louis Gottschalk, Anton Rubinstein, Teresa Carreno, Paderewski, Ferruccio Busoni, and Artur Schnabel.

Piano fiction:
Anatole and the Piano by Eve Titus. Anatole, the conductor of the Mouse Symphony Orchestra, goes down inside a grand piano. Picture book.
Nate the Great and the Musical Note by Marjorie Sharmat. Nate the Great, junior detective, solves a musical mystery.
Moxy Maxwell Does Not Love Practicing the Piano by Peggy Gifford. Easy chapter book.
A Crooked Kind of Perfect by Linda Urban. Zoe dreams of playing the piano at Carnegie Hall—if she can just get her parents to spring for lessons. however, the tricot the music store doesn’t turn out exactly the way Zoe had envisioned. Can she become a star with her new Perfectone D-60 organ?
Bud, Not Buddy by Christopher Paul Curtis. Bud Caldwell sets out for Grand Rapids, Michigan to find his long-lost father, the great jazz musician Herman Calloway and his band, the Dusky Devastators of the Depression. Newbery Award book.
The Lucy Variations by Sara Zarr. YA fiction about a teen piano prodigy who confounds her family and the concert world by suddenly quitting piano.
A Small Rain and A Severed Wasp by Madeleine L’Engle. Two of my favorite novels by Ms. L’Engle, about concert pianist Katherine Forrester, first as a teenager, then as an elderly, and quite famous, grande dame. Adult fiction.

Christ the Lord is Risen Today by Charles Wesley

Mar27

Lyrics: Charles Wesley, 1739. Written in celebration of the first service of London’s first Wesleyan Chapel. This chapel was known as the Foundry Meeting House because Charles Wesley purchased an old foundry building to house his growing number of converts.

Music: EASTER HYMN, unknown author, first published in 1708.

Theme: For I delivered to you first of all that which I also received: that Christ died for our sins according to the Scriptures, and that He was buried, and that He rose again the third day according to the Scriptures . . . I Corinthians 15:3-4.

Christ the Lord is ris’n today, Alleluia!
Sons of men and angels say! Alleluia!
Raise your joys and triumphs high: Alleluia!
Sing ye heavens, thou earth reply. Alleluia!

Love’s redeeming work is done; Alleluia!
Fought the fight, the battle won: Alleluia!
Lo, our Sun’s eclipse is o’er; Alleluia!
Lo, He sets in blood no more. Alleluia!

Vain the stone, the watch, the seal; Alleluia!
Christ has burst the gates of hell. Alleluia!
Death in vain forbids him rise; Alleluia!
Christ hath opened paradise. Alleluia!

Lives again our glorious King! Alleluia!
Where, O Death is now thy sting? Alleluia!
Once he died our souls to save; Alleluia!
Where thy victory, O grave Alleluia!

Soar we now where Christ has led, Alleluia!
Following our exalted Head, Alleluia!
Made like him, like him we rise, Alleluia!
Ours the cross, the grave, the skies. Alleluia!

What though once we perished all, Alleluia!
Partners in our parents’ fall? Alleluia!
Second life we all receive, Alleluia!
In our heavenly Adam live. Alleluia!

Risen with Him, we upward move, Alleluia!
Still we seek the things above, Alleluia!
Still pursue and kiss the Son, Alleluia!
Seated on his Father’s throne. Alleluia!

Scarce on earth a thought bestow, Alleluia!
Dead to all we leave below; Alleluia!
Heaven our aim and loved abode, Alleluia!
Hid our life with Christ in God; Alleluia!

Hid till Christ, our Life, appear, Alleluia!
Glorious in His members here; Alleluia!
Joined to Him, we then shall shine, Alleluia!
All immortal, all divine. Alleluia!

Hail the Lord of earth and heaven! Alleluia!
Praise to Thee by both be given! Alleluia!
Thee we greet triumphant now: Alleluia!
Hail, the Resurrection Thou! Alleluia!

King of glory, soul of bliss, Alleluia!
Everlasting life is this, Alleluia!
Thee to know, thy power to prove, Alleluia!
Thus to sing, and thus to love, Alleluia!

The “Alleluia” at the end of each line of the poem was not originally part of the Wesley’s hymn. An unknown editor added that responsive repetition to better fit words to music. Wesley’s original poem also had eleven verses, and I finally found all eleven in this post at Dr. Mark Roberts’ blog.

Christmas in Leipzig, Germany, c. 1735

Dec17

The Twenty Children of Johann Sebastian Bach by David Arkin.

As a part of a large donation to my library of ex-library books, I found this wonderful book about Bach and his family. The author says that of the twenty children (by two successive wives), seven did not live. So, that leaves thirteen little Bachs to learn to sing and play music and compose music. It must have been a delightful household.

The book mentions Christmas:

“Most wonderful of all were the times when the family gathered together at holidays with their friends. Then the immortal music of all the Bachs would ring out for the earth and heavens to hear. Perhaps they would sing the Christmas Oratorio, or a cantata, or maybe they would just make up music as they went along.”

Bach’s Christmas Oratorio was composed in 1734, so that’s why I dated this Christmas post 1735. I think this celebration of music and Bach and his family would be a great read at any time of the year. The illustrations by author David Arkin are lovely and detailed pencil drawings of all the Bachs and their musical activities. David Arkin, by the way, was the father of actor Alan Arkin, and he wrote the lyrics to Black and White, a hit pop song recorded most successfully by Three Dog Night in 1972.

(So after writing this post, I went over to youtube and listened to some Three Dog Night: Black and White, The Road to Shambhala, Old Fashioned Love Song, Never Been to Spain, Joy to the World. Funny how a book about Bach can lead to a 70’s pop binge listen.)

Semicolon

Books we must have though we lack bread.

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