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The Mascot by Mark Kurzem

The Mascot: Unraveling the Mystery of My Jewish Father’s Nazi Boyhood by Mark Kurzem.

I read two books in a row about boys and their relationships with a father who had mysterious past. (See my review of Jesus, My Father, the CIA and Me by Ian Cron) Short version: it’s complicated.

In The Mascot, Mark Kuzem is surprised by a visit from his father to Mark’s apartment at Oxford in England. Alex Kurzem has come all the way from Australia, with no warning, and without telling Mark’s mother the truth about where he’s gone. Mark expects some earth-shattering communication from his father, but the visit continues for days with only surface pleasantries. Finally, just before Alex leaves to go back to Australia, he tells Mark that he remembers two words from his childhood in or near Latvia, before World War II. The words are “Panok” and “Koidanov”. Alex wants Mark to find out what the words mean.

These two words and Alex Kurzem’s recurring and expanding memories of his childhood during World War II begin a journey into the past for Mark Kurzem and his father. Are Alex Kurzem’s memories trustworthy, or has he chosen to remember too late for the memories to be confirmed as truth? Will his story damage the lives and reputations of the people in Latvia and elsewhere who were his rescuers and protectors? And most importantly, what does the story of Alex Kurzem, or Uldis Kurzemnieks, or whatever his real birth name was, mean? Mark wonders and later tries to find out exactly who this man, his father, really is, and what his experiences before, during, and after the war really mean to both his identity and Mark’s identity as the son of a Holocaust survivor.

Alex:
“I don’t have any choice about what I can remember and when. My memories are here inside me like vipers inside my bones gnawing their way out.”

“To be truthful, I don’t want to remember anything of what happened to me. Who is his right mind would? But the bigger truth is that I am more terrified to forget. I am trapped.”

Mark:
“I was disturbed, perhaps even slightly annoyed, that my father had kept so many things from me. . . . I was baffled by the fact that my father had remained silent for more than fifty years. What almost superhuman strength had this required? What toll had silence taken on his inner life? My father seemed to inhabit two separate worlds. . . . One world was inexorably unraveling while a new, unpredictable one emerged.”

Some doubts have been raised about the veracity of Mr. Kurzem’s memories. Author Mark Kurzem died in November 2009 of “complications following diabetes.” Alex Kurzem says, “My story is true. I have nothing to hide.”

The Mascot is an exciting, disturbing Holocaust memoir about a boy who was both protected and exploited by his Latvian and German captors. It’s also a story about a delicate, but loving relationship between a father and son and about the fragility and the importance of memories. I recommend the book to anyone interested in Holocaust memoir, not just for the story itself, but also for what it has to say about memoirs and the complications and even perils of unearthing the past.

100 Movies of Summer: Double Indemnity (1944)

Director: Billy Wilder
Writers: Screenplay by Billy Wilder and Raymond Chandler from the novel by James M. Cain
Starring: Fred MacMurray, Barbara Stanwyck, Edward G. Robinson

The entire movie is narrated by insurance salesman, Walter Neff, as he confesses into a dictaphone the terrible crime he has been led to commit. His partner in murder is Phyllis Dietrichson, a blonde bombshell who’s unhappily married to a grouchy and jealous oil executive, Mr. Dietrichson (we never learn his first name). Neff and Phyllis deserve each other, but Phyllis comes across as the more ruthless and cruel of the two. (According to IMDB, Barbara Stanwyck was the first choice to play Phyllis, but she was unnerved when seeing the role was of a ruthless killer. When she expressed her concern to Billy Wilder, he asked her, “Are you a mouse or an actress?” ) It was bit disconcerting at first watching the father of My Three Sons play a cad and a murderer, but Fred MacMurray was quite convincing in the role.

This is one of the few 1940’s movies I’ve seen that could give Hitchcock a run for his money. It’s well-plotted, the dialog is snappy and not too hokey, and the ending is good. I highly recommend this one to fans of Hitchcock and of film noir in general. Wilder plays with the lighting and camera angles with a finesse that made me a believer in his directorial skills. Barbara Stanwyck, by the way, is absolutely beautiful, a lot prettier than most of the other actresses of her day.

My urchins learned from this movie the meaning of the term “double indemnity” and the lesson that crime never pays. At least, I think that’s what they learned.

Walter Neff: Who’d you think I was anyway? The guy that walks into a good looking dame’s front parlour and says, “Good afternoon, I sell accident insurance on husbands… you got one that’s been around too long? One you’d like to turn into a little hard cash?”

Ummm, yeah, that’s who she thought you were, sucker.

The novella by James Cain was based on a “1927 crime in which a married Queens woman, Ruth Brown Snyder, persuaded her lover to kill her husband Albert after Albert had just recently taken out a large insurance policy with a double indemnity clause.” Ms. Snyder was executed at Sing-Sing on January 12, 1928 for the murder of Albert Snyder. Her accomplice, a corset salesman, also received the death sentence.

Has any one here read the Cain novel? Better or worse than the movie? Or just different?

IMDB link to Double Indemnity.
Buy Double Indemnity at Amazon.