“Prue and Tiger were accustomed to the stray animals their older sister, Rosanna, was always bringing home to care for on the family’s small farm in the south of England. They knew that Rosanna, who had been looking after them since their mother’s death, was soft-hearted, but it was too much when she thrust on the household her newest stray–an impossible and difficult boy named Arthur.

When Arthur broke his leg and was put in a cast, he became doubly burdensome. And because Prue and Tiger felt responsible for having caused the accident, the need to amuse him during his many weeks in the cast weighed on them even more heavily than did his sullen demands. Unhappily, the problem of Arthur coincided with a more serious concern–a challenge to their ownership of a portion of their beloved farm.”

Can Prue, Tiger, and Albert work together to save Bethwines, their favorite part of the farm called Winterpicks? And what is to be done with Albert, whose father seems to have deserted him? This middle grade/young adult story, published in 1964 before those categories existed in publishing parlance, features Tiger (Simon), age 10, Prue, age 14, and Rosanna, age 18–and of course, Albert, age 9. The children do end up working together to solve the problem of Bethwines in addition to a host of other issues, and their eventual ability to do so becomes the salvation of Albert as well contributing to the growth and maturation of Prue and Tiger.

It’s growing up story and a family story, with a little innocent romance for Rosanna thrown into the mix. Prue and Tiger are normal, everyday children who get tired of waiting on and entertaining Albert but learn to care for him in the end. There’s a mystery about Bethwines to solve, and a good time is had by one and all.

Barbara Willard wrote one of my favorite series of historical fiction, the Mantlemass Chronicles, as well as several stand-alone historical fiction titles, but this book is only historical in the sense that it was written and published over fifty years ago. The setting is that now far-away time, the 1960’s. Ms. Willard has a knack for portraying children, and adults, as real people who make mistakes and have character flaws, but nothing too serious or shocking. Except for the opening scene when Albert breaks his leg by falling from a ladder, nothing too dramatic happens in the story, but it is absorbing and humanely interesting, nevertheless. I recommend the book to those who like quiet British village children’s fiction.

Flambards is the first book in a trilogy of books about a horse loving family in rural England before, and in later books, during World War I. Christina Parsons, a twelve year old orphan, is sent to live with her uncle Russell’s family in the country, forty miles outside London, where the main pastime for the gentry seems to be fox-hunting. Christina is immediately taught to ride and hunt, and her disabled and abusive Uncle Russell expects her to become an expert horsewoman and love the hunt as much as he and her Cousin Mark do. Mark’s young brother Will, however, introduces Christina to his passion, airplanes. Will fears and hates horses and hunting, even as Christina grow to enjoy the sport. But Christina also grows increasingly fond of Will, and she has mixed feelings about Mark, whom she is expected to marry when she grows up.

This trilogy is for older teens and adults. Uncle Russell beats his two sons and exercises autocratic control over the entire household. He is a cruel tyrant. There are also incidents of sexual immorality, greed, self-harm, and violence, not described in detail, but definitely implied or stated plainly. The information about English country life and horse riding and fox hunting and early flight experimentation embedded in the story are interesting, but the heart of the story is Christina’s inner life and growth and how she comes to understand the family and her place in it.

It’s also a classic story of a man with two sons, one of whom shares his interests and the other whom the father doesn’t understand or even like very much. I read this book and its two sequels fifty years ago when I was a teen and remembered it as a good story without remembering much about the plot or the characters. I was right: it is a good story, but darker than I remembered. Still, there is hope at the end of volume one of this three-parter, and I am anxious to read the other two books in the series to see if they hold up as well.

The Great Riverboat Race: The Story of the Natchez and the Robert E. Lee by Manly Wade Wellman

In the summer of 1870, Robert E. Lee won a famed steamboat race against Natchez, going from New Orleans to St. Louis, Missouri, a distance of 1,154 miles (1,857 km), in 3 days, 18 hours and 14 minutes. John W. Cannon, the captain of Robert E. Lee, ensured victory by removing excess weight, carrying only a few passengers, and using prearranged barges to increase the speed of refueling.  Natchez finished the race several hours later, but had been delayed by fog for six hours, and had numerous passengers to weigh it down.

~Wikipedia

The Great Riverboat Race is historical fiction that fleshes out this famous-at-the-time, but now forgotten, race. The main point of view character is Matt Parham, a young aspiring engineer who is actually more interested in the new transportation revolution of trains and railroads than he is in old-fashioned steamboats. One of the themes of the book is change. It’s 1870, the beginning of the Gilded Age and the Age of Railroads and Industry. The transcontinental railroad was finished in 1869. Things are about to change, with steamboats going the way of oil lamps and horses pulling wagons. At such a time, Matt Parham, whose “talent and taste were for machinery,” is invited aboard the Robert E. Lee just as the boat is off to the race. The chief engineer of the Robert E. Lee says to Matt, “I want two extra assistant engineers, besides Andy Berry and the strikers. I’ve got John Weist, now I want you. I know some of the things you’ve been studying. It’s good pay, fast trip—come on, come on!”

And off he goes. The trip from New Orleans to St. Louis is an exciting one, fraught with dangers and obstacles, and Matt gets more than one chance to prove his mettle and save the day—and the race for the Robert E. Lee. At the end of the race, Matt has a decision to make: will he make his career with the old steamboats or with the new railroads?

Non-engineer that I am, I nevertheless found it fascinating to learn about the intricacies of steamboat engines and steamboat travel as I read this story, but even more, what has lingered in my thoughts is the thread of the story that is about rapid change and what we gain and what we lose and how inevitable it all seems. The old steamboat captain can’t bear to always be hearing about trains and railroads and how much better and faster they are than steamboats. But as soon as he enters into a race with the Natchez, doesn’t the Robert E. Lee‘s captain become a part of that rush to change and become faster and better and stronger than the next guy?

Philosophical questions abound in response to this little book, but that’s not the main thrust of the story itself. It’s really a story about how Matt gets roped into the race between two steamboats, how that race progresses, and how Matt responds to the call to work hard and think creatively as an engineer. He responds well, and this book would be a great one to give to aspiring engineers and to young men who long for a challenge. It might well stick with teen readers as it has with me.

In 2020 when I first read Urchin of the Riding Stars, the first book in the Mistmantle Chronicles, I was not too impressed. It took a while for me to get around to reading the next three books in the series, and somewhere along the way, I became a fan. But I failed to review those three middle books in the five part series, and I couldn’t finish the chronicles until Purple House Press published the fifth book, Urchin and the Rage Tide. So, here I am, finally, to say that I thoroughly enjoyed all five Mistmantle books, and I think you should read them all if you are a fantasy lover.

The heroes of this last book are all of the islanders–Urchin, King Crispin, Sepia, Queen Cedar, Juniper, Corr, and more. (There’s a list of all of the characters in the front of the Purple House Press edition of the book, and it’s a great help in keeping everyone straight.) The villain this time around is a new squirrel character, Mossberry, who reminds me of certain current politicians (who shall remain unnamed). To quote Ms. McAllister in the preface, “Mossberry uses deceitful and dishonest ways to turn vulnerable animals to himself. He doesn’t want what’s best for them. He wants to be obeyed and adored.” Enough said, except that this book was first published in 2010. In a prophetic note, Ms. McAllister writes, “Sadly there will always be those who follow someone like Mossberry, and believe me, it never ends well. Look out for the Mossberrys!”

So the challenges and threats in the book are real: a tidal wave from the ocean out beyond Mistmantle and an internal enemy, Mossberry, the charismatic megalomaniacal squirrel who causes even more damage and heartache than the storm. But the Heart is with the animals of Mistmantle, and Hope remains in the end. I would say that although beloved characters do die in this final installment of the Mistmantle story, it is ultimately a hopeful sort of story. Good wins, with some sacrifice required. Evil is defeated.

Recommended for fans of: Tolkien’s Lord of the Rings, Andrew Peterson’s Wingfeather Saga, S.D. Smith’s Green Ember books, and the Redwall series by Brian Jacques.

“A fine and beautiful life lies before thee, because thou hast a lively mind and a good wit. Thine arms are very strong and sturdy. Swimming hath helped to make them so, but only because thou hast had the will to do it. Fret not, my son. None of us is perfect. It is better to have crooked legs than a crooked spirit. We can only do the best we can with what we have. That, after all, is the measure of success: what we do with what we have.”

Robin is the boy protagonist of The Door in the Wall and the recipient of this sage bit of wisdom and encouragement from his mentor, Brother Luke. The story takes place in fourteenth century England. Edward III is king. Robin, the son of one of the King’s knights who is at war and of a lady mother who is in the Queen’s service, is ten years old and “no longer a child to be looked after by womenfolk.” His mother has left him to go to court, but he is in the capable hands of two trusted servants who are to hand him over to an escort who will take him to a neighboring castle where Robin will become a squire in training to be a knight like his father. However, Robin falls ill the day after his mother leaves, and he becomes unable to move his legs.

“I know thy works. Behold, I have set before thee an open door and no man shall shut it: for thou hast a little strength and hast not denied my Name.” ~Revelation 3:8

This verse is featured on the page before the title page of the book, and it makes for a good summation of the themes of the book. Robin has lost his ability to walk and run, but he still has a “door” or doors of other abilities and gifts with which to make a good life. He learns to walk with crutches. He learns to work with wood. He exercises his muscles by swimming. And when the crisis comes in the story, it is Robin who is able to save the day and the castle and its inhabitants.

The Door in the Wall is a lovely story, well deserving of its Newbery Award. I would recommend it to any child who is interested in knights and castles or who is studying the Middle Ages or who just enjoys a good story about overcoming and adjusting to hardship and suffering. Oh, and it’s also a Christmas book since the final scene, where Robin gets to meet the king, takes place at Christmastide.

Mr. Mysterious & Company by Sid Fleischman. Magic, mystery and adventure in the Old West.

Mr. Mysterious & Company, aka the Hackett family, made up of Mama, Pa, Jane Paul, and Anne, is traveling west in a covered wagon. The year is 1884.

“[I]t was like no other wagon seen in those parts before. To begin with, it was the wrong color. Its canvas was bright red and could be seen for miles. The wheels were painted gold, like a circus wagon, and the horses (if seeing was believing) were as white as swans.”

“The man driving this most remarkable wagon and these white horses was himself a most remarkable man. He wore a stovepipe hat, as tall as Abe Lincoln’s and just as black, and had a smiling red beard even sharper than the letter V. If the hawks and buzzards could have read, they would have seen his name in golden letters a foot high on the sides of the wagon: MR. MYSTERIOUS & COMPANY.”

First narration project: everybody draw the wagon or Mr. Mysterious or both from that description. The writing in this 150 page Western novel is spare and easily accessible to anyone age ten or older, but it is also descriptive in a sort of caricature way. The children in the story, ages 11, 9, and 7, and their parents come across as real people. The other adults are somewhat stereotypical westerners: the sheriff, the outlaw, the cowboys, the storekeeper, the undertaker, the fresh-faced young ingenue.

The story moves along with gentle humor, as the Hacketts move from town to town entertaining the townspeople with their magic show. They are headed for California where the family plan to settle down and live on a ranch. Jane can’t wait to live in one place and make real friends. Paul has mixed feelings, depending on whether he wants to become a traveling magician like Pa or a cowboy on any given day. Anne wants to find a ballet teacher who will teach her to dance on her toes.

The story could be a Christmas read aloud, since the goal for Mr. Mysterious & Company is to reach California and their uncle and aunt’s house by Christmas Day. There are, of course, both obstacles and celebrations along the way. Warning: your children may want to plan their own Abracadabra Day* after reading this book, a celebration which could be either hazardous or humorous.

*Abracadabra Day: “It was a secret holiday that belonged to the show family. They had invented it, and no one else knew about it. The secret was this: no matter how bad you were on Abracadabra Day or no matter what pranks you pulled, you would not be spanked or punished. It was the one day in the year, in the Hackett family at least, on which you were supposed to be bad.” Sort of a once a year get out of jail free card.